Because of Liam Neeson’s presence, some have described “Non-Stop” as “’Taken on a Plane,” but a more apt description would be “Speed on a Red Eye,” as in the underrated 2005 Wes Craven thriller “Red Eye.” There is a ticking clock that (conveniently) resets several times, a villain hiding in plain sight, and post-9/11 paranoia by the truckload. The beats and twists may be familiar, but it’s well executed, and director Jaume Collet-Serra wisely resists the urge to go turbo, as it were, resulting in a film that is not the action-packed thriller that its trailers suggest, and all the better because of it.
Bill Marks (Liam Neeson) is an air marshal boarding a plane leaving New York for London. A few hours into the flight, Bill receives a text on his secure server notifying him that a passenger on the plane intends to kill someone every 20 minutes until his demands are met (read: a wheelbarrow full of cash). Bill enlists flight attendant Nancy (Michelle Dockery) and seatmate Jen (Julianne Moore) to help him isolate potential suspects, but quickly has reasons to suspect that either of them might be in on the plot. While this is playing out on the plane, the media on the ground is running with the story that Bill is in fact the hijacker, and once the world hears of Bill’s flaws (divorced, temper issues, drinking problem), he not only loses the trust of the public and gives the news networks a sexy (if completely backwards) narrative, he also loses the trust of people on the plane, the pilots, and the co-workers on the ground assigned to assist him. Worse, he still doesn’t know who is taunting him or what their end game is.