Upset over Lionsgate’s decision to release “The Hunger Games: Mockingjay” as two films instead of one? Blame Harry Potter. That was the first movie franchise based on a popular book series to split its last installment into the dreaded two-part finale. But while that decision appeared to be made only partly due to studio greed (this was Harry Potter, after all, and it was an event meant to be celebrated and savored), every successful YA book-to-film adaptation since has taken it upon itself to use a similar strategy for no other reason than to squeeze more money out of moviegoers. The “Hunger Games” trilogy (except that it’s no longer a trilogy at all) is the latest series to go this route, and quite predictably, it’s resulted in a “Part 1” that’s almost completely void of excitement, proving once again why this model is never a good idea.
After being rescued from the Quarter Quell by a secret resistance group headed by former Head Gamemaker Plutarch Heavensbee (Philip Seymour Hoffman), Katniss (Jennifer Lawrence) is transported to District 13 along with her fellow Tributes, Finnick (Sam Claflin) and Beetee (Jeffrey Wright), and the survivors of District 12. It seems that Katniss’ actions in the last Hunger Games have stoked the flames of rebellion throughout Panem, and District 13 President Alma Coin (Julianne Moore) intends to use her as the figurehead for the revolution. Katniss agrees on a few conditions – namely, that they rescue Peeta (Josh Hutcherson), who’s being tortured and used by the Capitol as the voice against the resistance, as soon as possible – and begins filming a series of propaganda videos intended to recruit more soldiers for the war effort.
One of the biggest problems you typically run into with two-part finales like “Mockingjay” is that the filmmakers are no longer forced to think economically in terms of what material is essential to telling the story. Though it made sense to split up “Harry Potter and the Deathly Hallows” due to the sheer size of J.K. Rowling’s book, “Mockingjay” doesn’t have that issue, especially when “Catching Fire” (which is the exact same length in book form) was adapted just fine into one movie. Add to that the fact that “Mockingjay” is hands-down the weakest entry in the series, and it was always going to be an uphill battle for director Francis Lawrence and writers Danny Strong and Peter Craig. There are some really powerful emotional beats littered throughout, but it often feels like Lawrence is just twiddling his thumbs in fear of getting too far ahead, with most of the film spent setting up the next installment. It’s a necessary slog in order to get to the good stuff (and one that fans of the Harry Potter and “Twilight” series will be all too familiar with), but it’s a slog all the same.