Movie Review: “The Raid 2″

Starring
Iko Uwais, Afrin Putra, Tio Pakusodewo, Alex Abbad, Oka Antara, Yayan Ruhian
Director
Gareth Evans

After directing what many consider to be one of the greatest action movies in history, Gareth Evans would have been excused had he buckled under the pressure. After all, they say that your sophomore effort is the most difficult, but what many people seem to forget is that “The Raid: Redemptionwas Evans’ sophomore effort, and he’s managed to follow it up with a film that’s not only just as good, but at times even better. “The Raid 2” is a very different beast compared to its predecessor – a slower, operatic crime saga with a lot more moving parts that require the necessary time to develop them properly. And while it would have been all too easy to give audiences a rinse-and-repeat sequel that offers nothing new, it’s refreshing to see a filmmaker like Evans go for broke with such a strikingly ambitious continuation to his 2012 cult classic.

Picking up several hours after the events of the first movie, honest cop Rama (Iko Uwais) is informed by one of his superiors that the only way he can protect himself and his family from being targeted for retaliation is to go undercover and find the source of corruption in the city’s police force. Following a two-year stint in prison where he makes friends with Uco (Arifin Putra), the son of respected Jakarta crime boss Bangun (Tio Pakusadewo), Rama is hired upon his release to work for the syndicate as an enforcer. But when a turf war between Bangun and the Japanese yakuza is instigated by a third party hoping to take over after the blood has dried, Rama must fight for his life once again with new alliances formed and a group of dangerous killers standing in his way.

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SXSW Film Fest 2012: Day Three

This is my third year down in Austin for the South by Southwest film festival, and I think that I’ve finally figured out the science to covering the event all on my lonesome. Instead of past years, where I’ve done a mix of both full-length and shorter movie reviews, this time around, I’m going to be doing daily blogs with even shorter, capsule-style reviews of the films that I saw the previous day. I’m hoping this will make me more productive than usual, but as my schedule is constantly in flux, please bear with me. And if you can’t wait for my daily posts, be sure to follow me on Twitter @JasonZingale for more.

“Frankie Go Boom”

It’s hard to believe that a movie as terrible as “Frankie Go Boom” could boast such a great cast, but that’s what makes it so disappointing. Although there are a number of problems plaguing the film, the most detrimental one is the script itself, which fashions an idiotic plot around a rat race to track down a sex tape made by wannabe director Bruce (Chris O’Dowd) after he secretly films his brother Frankie’s (Charlie Hunnam) latest moment of humiliation in front of a cute girl named Lassie (Lizzy Caplan) that he meets while in town for Bruce’s release from drug rehab. With the exception of Frankie and Lassie, however, the rest of the characters veer dangerously close to parody by acting like complete imbeciles for the sole purpose of progressing the tale. It’s incredibly lazy storytelling on the part of writer/director Jordan Roberts, and as a result, you never really care what happens to anyone. That doesn’t stop the actors from playing along anyway – particularly Ron Perlman as Bruce’s former cellmate, who has since gotten a sex change operation (and believe me when I say that it’s every bit as disturbing as you might imagine) – but it’s all for naught, because no amount of acting prowess can change the fact that “Frankie Go Boom” never had much of a chance with a story as dull and stupid as this.

“The Raid: Redemption”

Action movies don’t get much cooler or more exciting than “The Raid: Redemption.” Whereas Welsh-born writer/director Gareth Evans’ first Indonesian feature “Merantau” had a few cool fight sequences but was an otherwise mediocre film, “The Raid” is an unrelenting, action-packed can of whoop-ass that delivers one of the most crowd-pleasing moviegoing experiences of the past decade. Iko Uwais stars once again, this time as a rookie member of a SWAT team on its way to take down a ruthless crime lord who operates out of an apartment complex populated with other low-life scum. But when the team’s cover is blown and they’re locked inside, the surviving members must shoot, stab, punch and kick their way through an army of thugs in order to get out alive. This is about as close to non-stop, wall-to-wall action that I’ve ever seen, and what makes it so jaw-droppingly awesome is the incredible fight choreography, including what is easily some of the best close-quarters combat ever committed to film. Though I was a little worried that the movie wouldn’t live up to all the hype that it’s amassed on the festival circuit over the last few months, “The Raid” is every bit as good as everyone says it is and not to be missed.

“Extracted”

Nir Paniry’s directorial debut “Extracted” is a sci-fi film in theory, but like most indie movies in the genre, it takes a distinctly low-key approach to the material that actually works in its favor. Sasha Roiz stars as Thomas Jacobs, a scientist who invents a way to revisit someone’s memories from the inside. When his secret financier demands a premature demonstration of the device on a suspected murderer to determine whether he committed the crime, Tom reluctantly agrees, despite his moral trepidations. After the device malfunctions and Tom gets trapped inside the criminal’s consciousness, however, he spends the next four years trying to find a way to escape. It’s a really interesting setup that’s clearly been influenced by a number of other high-concept films in the genre – from “Pi,” to “Source Code,” to “Eternal Sunshine of the Spotless Mind” – but Paniry does just enough to differentiate it from the pack. Though the acting is spotty at times (particularly from Dominic Bogart, who plays the heroin-addicted felon) and the twist ending feels a little too cute for its own good, “Extracted” is a smart and enjoyable sci-fi thriller/crime procedural that will eventually find an audience, whether it’s in theaters or on DVD.

  

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