Movie Review: “Sausage Party”

Starring
Seth Rogen, Kristen Wiig, Michael Cera, Jonah Hill, Edward Norton, Salma Hayek, David Krumholtz, Nick Kroll
Director
Greg Tiernan & Conrad Vernon

“Sausage Party” easily could’ve been a one-joke affair, but directors Greg Tiernan and Conrad Vernon’s R-rated animated film isn’t just 90 minutes of food products saying and doing dirty things – although a lot of its running time is dedicated to exactly that, in a good way. What makes “Sausage Party” more than a comedy about foul-mouthed food, though, is the questions it poses about our relationship with religion, and the filmmakers milk the funny concept (no pun intended) for all it’s worth.

The movie imagines a world where the food products and other items in your local grocery store are alive, and they’re all more than ready to leave their home with a god/human in order to enter the Great Beyond. Frank (Seth Rogen), in particular, can’t wait to be chosen so he can get inside a curvy bun named Brenda (Kristen Wiig). But when Honey Mustard (Danny McBride), who was initially purchased and then returned to the store, loses it and tells all of the food that nothing but death is waiting for them outside, he causes an accident that separates Frank and Brenda from their fellow sausages and buns. The food has been comfortable with their beliefs for so long, however, that they refuse to believe Honey Mustard – except for Frank, who goes on a journey through the grocery store to prove that their gods are angry, vengeful, and above all else, really hungry.

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Movie Review: “Birdman or (The Unexpected Virtue of Ignorance)”

Starring
Michael Keaton, Edward Norton, Emma Stone, Zach Galifianakis, Naomi Watts, Andrea Riseborough, Amy Ryan
Director
Alejandro González Iñárritu

Alejandro Gonzalez Iñarritu was part of the Mexican Invasion that took Hollywood by storm in the early naughts alongside such visionaries like Guillermo del Toro and Alfonso Cuarón. But after his little-seen 2010 drama “Biutiful,” he went on an unexpected sabbatical that left many wondering if he’d ever return. Iñarritu spent the last four years licking his wounds over the mixed reception of that film (as well as globe-trotting Oscar bait “Babel”), but he’s officially back with what’s arguably his best movie to date: “Birdman or (The Unexpected Virtue of Ignorance),” a daring piece of filmmaking that’s as refreshingly original as it is wildly ambitious. The movie doesn’t always work – in fact, it’s sometimes as messy as the characters that inhabit it – but it’s also the type of magical cinematic experience that, just like fellow countryman Cuarón’s “Gravity,” you can only gaze in childlike wonder as it unfolds before you.

Michael Keaton stars as Riggan Thomson, a washed-up actor best known for playing a superhero called Birdman in a series of successful Hollywood blockbusters. Desperate to revive his career and earn a little credibility in the process, Riggan mounts an adaptation of the Raymond Carver short story “What We Talk About When We Talk About Love” on Broadway. When one of the actors is injured in a freak accident, Riggan’s indebted co-star, Lesley (Naomi Watts), recommends her boyfriend and theater luminary Mike Shiner (Edward Norton) as a last-minute replacement. There’s no denying that Mike is a talented actor, but his unconventional methods lead to a clash of egos between him and Riggan, and with only days to go until opening night, the whole production becomes in danger of shutting down before it even begins – especially if the cynical and malicious voice in Riggan’s head (a manifestation of his Birdman alter ego) has anything to say about it.

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