Vampirenes Rock Atlantic City at the Taj Mahal

The sexy vampirenes we met on our trip to Romania and Transylvania with PlayerXT`
are now touring the United States, leading up to Halloween weekend in Las Vegas at The Bank Nightclub this Friday night.

The tour started this weekend in Atlantic City at Donald Trump’ s Taj Mahal, and the girls partied Saturday night at the Casbah Nightclub to kick off the tour. Check out the slideshow of photos taken by PlayerXT’ s Curt Holstein at the event.

The US tour is part of the PlayerXT Search for the Most Sexy Vampirene promoted
with Steaua Rangers EG, which began in Bucharest. We were able to photograph the vampirenes at Bran Castle in Transylvania, and we’ ll be posting photos from those shoots soon.

The girls are in New York City today where they are being hosted by renowned Canadian fashion designer Peter Nygård, and will be traveling to Las Angeles this week on N-Force, Mr. Nygård’ s private jet. On Tuesday night the vampirenes will be partying at The Kress nightclub in LA, featuring cast from Twilight before moving on the Las Vegas. (You can purchase tickets here!) The Queen of the Vampires will be crowned on Halloween eve in Las Vegas at the Mirage Resort Casino, and The Bank Nightclub at the Bellagio.

Check back as we follow the sexy vampirenes through their US tour!

  

You can follow us on Twitter and Facebook for content updates. Also, sign up for our email list for weekly updates and check us out on Google+ as well.

Friday Video – Hey Champ, “Neverest”

Two words: dolphin boobies. That is not a misprint.

The synth-pop scene has been positively flooded with shitty bands in the last couple years, poseur tools who think whacking a few notes on a synth and acting snotty is all you need to do. But even the simplest kinds of music take sophistication to pull off naturally, and Hey Champ understand that better than most. They also understand astronomy and science fiction, as their (awesome) album Stars is littered with references to steampunk and the Uranus moon Trinculo. Fortunately, those brainy moments are wrapped in some unforgettable hooks, and “Neverest” is one of the hookiest songs the band’s done yet.

And the video…where to start? The band are trapped in some neon pyramid, performing the song for some strange warlord who’s flanked by two topless babes…with breasts shaped like dolphin heads. Your girlfriend will love you for putting this in her iTunes library, but you should probably keep her away from the video, unless you absolutely want to make sure that you don’t get laid tonight.

  

Experience the horror all over again with “Apocalypse Now: Full Disclosure” on Blu-ray

Call it fate or just sheer coincidence, but the same week that Bullz-Eye announced the newest class of its Directors Hall of Fame, Lionsgate is releasing “Apocalypse Now” for the first time on Blu-ray. So what’s the connection? Well, the film’s director, Francis Ford Coppola, was one of our five inductees, and his work on “Apocalypse Now” played a huge role in him making the final cut. Obviously, the first two “Godfather” films are what Coppola is best known for, but his 1979 Vietnam War epic isn’t far behind. I’ve never really been a fan of the director apart from these three films, but while his career has certainly had more flops than successes, there’s a lot more to the man than his formative years behind the camera.

Although I have a deep respect for “Apocalypse Now,” if I had to sum up my feelings about the film in just one sentence, it would probably go something like this: It’s a great film, but it’s a flawed film. That might sound a bit harsh considering my four-star review of the movie, but it’s true. Of course, even for as good as it is, the story about the making of it is even better, and that’s where the new Blu-ray comes into play. Despite a 2006 special edition DVD called The Complete Dossier, the new three-disc Full Disclosure edition is a lot closer to the ultimate “Apocalypse Now” collection. For starters, it includes the 1991 documentary about the making of the film, “Hearts of Darkness: A Filmmaker’s Apocalypse,” which Bob Westal calls “both a cautionary tale and an inspiration.” Much like “Lost in La Mancha” – the 2000 documentary about the act-of-god collapse of Terry Gilliam’s “The Man Who Killed Don Quixote” – this first-person account (captured by Coppola’s wife, Eleanor) of the trouble-plagued production is one the most interesting films about the moviemaking process ever released, and it’s a must-have for any diehard fan or student of cinema.

In addition, both versions of the film – the original theatrical cut and the 2001 director’s cut, “Apocalypse Now Redux” – have been digitally restored in high definition with excellent results, delivering a sharper picture without making it look glossy like some of the other classic movies recently released on Blu-ray. There are also hours of bonus material to enjoy, including a pair of new interviews with actor Martin Sheen and writer John Milius that are loaded with anecdotes about their experiences working on the film, as well as a casting featurexte on the supporting actors that made up the PBR Street Gang. But while it contains some never-before-seen footage of Nick Nolte’s audition (who was ultimately never cast in the film), there’s no video or photographic evidence of Harvey Keitel’s two-week stint as Willard before he was replaced by Martin Sheen.

The recasting situation is mentioned briefly, but after last week’s Internet-fueled brouhaha over the Eric Stoltz footage that was released on the new “Back to the Future” Blu-rays, they could have at least included a few shots of Keitel in costume. I’m not sure if any even exist, but I have to imagine they do, so there’s always a chance that something from Keitel’s work on the film will pop up in the future. Of course, that means that “Apocalypse Now: Full Disclosure” isn’t as complete as it could be, but it’s still one of the best releases of the year, and worth upgrading to Blu-ray for if you haven’t already.

  

Wendy’s Baconator TRIPLE

NEW YORK - APRIL 24: Pedestrians walk by a Wendy's hamburger chain April 24, 2008 in New York City. Wendy's International Inc., which is the nation's No. 3 hamburger chain, was bought by Triarc Companies for about 2.3 billion dollars in an all-stock deal.   (Photo by Spencer Platt/Getty Images)

All guys (ones that I know anyway) love a good burger!

If you are looking for the ultimate guy’s burger, then look no further than the Wendy’s Baconator Triple. I say the ultimate guy’s burger because I can’t imagine any sane woman wanting to eat such a huge burger unless she was answering to a dare or a lost bet.

The Baconator Triple sports three 1/4-pound fresh, never frozen patties, 3 slices of cheese, 9 smoked bacon strips, mayonnaise, ketchup, mustard, 4 dill pickles, onions (4 rings), 2 slices of tomatoes, lettuce and a premium bun. All that good American dish for a staggering 1360 calories!! You also have the option of “personalizing” your Baconator for even larger stats.

Hey, Wendy’s didn’t create this beast for the faint of heart or those counting calories, and as long as you know what you want and how to handle it, this is one great burger!

  

Friday Video – The Kings, “This Beat Goes On / Switchin’ to Glide”

At last.

This is the video we’ve wanted to post since this column was formed. If you’re of a certain age, then you remember that there wasn’t a single rock station that let the 5:00 hour on a Friday go by without playing this song, all because of five simple words: “Nothing matters but the weekend.” Well, it wasn’t just those five words, of course. The song itself is one of the most cleverly constructed new wave songs of all time, stuffed with Farfisa organs, triple decker harmonies and a pogotastic back half (the ‘Switchin’ to Glide’ part). One interesting footnote is that the song was produced by Bob Ezrin, and was his first project after finishing The Wall with Pink Floyd. Hey, if we were Ezrin at the time, we’d want a follow-up project as far from Roger Waters’ psychosis as possible, too.

As for the video, it was assembled by Kings guitarist Mister Zero, editing decades of footage of the band playing the song (including their lone appearance on “American Bandstand”) into one big video megamix. It took him over three years to assemble, and truthfully, we’re surprised it’s here; Zero told us that they were still fighting with Warner Music for permission to post it. Looks like common sense finally won out.

  

Related Posts