Tag: Sin City (Page 2 of 2)

Load up on guns and bring your friends: Twenty great action movie ensemble casts

When we saw the cast that Sylvester Stallone assembled for war machine throwback that is the upcoming “The Expendables,” well, we were just giddy. It didn’t matter that Stallone’s recent writing projects (“Rocky Balboa,” “Rambo”) were as predictable as a sunrise and safe as houses – he has put together the single biggest cast of ass-kicking movie stars we’ve seen in decades, possibly ever. Indeed, as we looked back at great action ensembles from the past, we discovered just how infrequently the big stars worked together for an action movie. It happens all the time for dramas (two words: Oscar bait), but one quick look at the ‘80s in particular will tell you that action movies, by and large, are a single man’s game.

However, there are times when movie stars have forsaken the lion’s share of the spotlight in order to deliver something special, and so we salute the great guy movie ensembles of years past. In the interest of full disclosure, once we discovered that the list was going to consist almost entirely of war movies, westerns and sequels, we decided to play around a little bit with the definition of “action movie.” To the point where it included Tim Burton and Steven Soderbergh. Don’t judge.

Ensemble casts

The Magnificent Seven (1960)

Cast: Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson, Robert Vaughn, James Coburn, Brad Dexter
The Plot: A village of farmers, frequently raided by a group of bandits, recruits a group of gunslingers to defend their town.
The Back Story: In the 1950s, it wasn’t exactly the easiest task to get the average American to go see a Japanese film, no matter how great it may have been. Fortunately, director John Sturges was up to the task of seeing Akira Kurosawa’s “The Seven Samurai,” and upon doing so, he saw elements in the story and characters which would translate well to the Western genre. Boy, was he right…and if his instinct for hot properties was good, then his gift for casting was downright remarkable, given that the only truly top-shelf actor in the cast at the time was Brynner, who was riding high on the Academy Award winning success of “The King and I.” Combining these upstanding gentlemen, the inspiration of the original source material, and the classic score by Elmer Bernstein, and you’ve got yourself one of the greatest Westerns of all time.
The Money Shot: There are a lot of great small moments leading up to the big showdown between the Magnificent Seven and the despicable Calvera (Wallach), including the classic knife-throwing sequence that introduces Coburn’s character, and, indeed, the grand finale offers several immortal death sequences. None, however, match the power of Calvera’s final seconds onscreen, specifically his stunned reaction to the fact that Chris (Brynner), despite his earlier retreat, has not only returned but, indeed, successfully taken him down.

The Great Escape (1963)

Cast: Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasance, James Coburn, James Donald
The Plot: A group of Allied prisoners plan a daring escape from a supposedly escape-proof German prison.
The Back Story: Remember what we said about Sturges’s gift for casting? It wasn’t a one-off, as this ensemble clearly demonstrates. Based on a true story, utilizing Paul Brickhill’s book of the same title as its inspiration, “The Great Escape” was adapted somewhat from its source material, pumping up the importance of the Americans in the story and adding a bit more motorcycle action. The latter was reportedly done at McQueen’s request, but whoever came up with the idea deserves a round of applause, as it makes for some of the film’s most exciting moments. Ironically, “The Great Escape” got more shrugs than kudos upon its original release, but it has since gone on to become recognized as a classic.
The Money Shot: When Hilts’s mad motorcycle ride through Germany ends abruptly when he attempts to jump the fence into Switzerland, only to get caught in the barbed wire. That’s got to hurt…

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10 of the sexiest movie posters of all-time

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The end of the decade brought a flurry of movie-themed features about cinema in the new millennium. We here at Bullz-Eye even tossed our hat into the ring, and one of the lists I submitted was of my favorite movie posters from the last ten years. One particular selection (a teaser poster for “Good Luck Chuck” featuring Jessica Alba holding a melting ice cream cone) was commented on by just about everyone on staff, so in keeping with the spirit of the incredibly sexy one-sheet, I decided to put together a list of some of the sexiest movie posters of all-time. Censorship may have played a big role in movies since their inception, but that hasn’t stopped studios from using sex to sell, and we can all agree that there’s nothing particularly censored about this sultry collection of posters.

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“The Sin of Nora Moran” (1933)

Movie studios used to rely on painted images of their feminine stars to promote a film (just about every Marilyn Monroe and Brigitte Bardot vehicle had one), but of the hundreds of sexy poses to choose from, this poster for “The Sin of Nora Moran” is the cream of the crop. You may not be too familiar with its star, Zita Johann (whose biggest claim to fame is co-starring alongside Boris Karloff in the 1932 version of “The Mummy”), but between the virtually see-thru dress that she’s wearing and the manner that her body is positioned, it’ll certainly make you wish you were.

“Lo*li*ta” (1962)

Putting aside the somewhat pedophilic nature of the story, Stanley Kubrick’s “Lo*li*ta” has one of the most alluring posters around. Though Sue Lyon was only 16 when she made the film (and playing a 14-year-old at that), the slightly blurred photo of her wearing those famous heart-shaped glasses while she innocently/playfully sucks on a red lollipop has remained one of the most iconic images of the last 50 years. Lyon never did look her age, but that doesn’t make you feel any less guilty for staring; something Kubrick no doubt intended with this beautifully composed shot.

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“The Graduate” (1967)

An American classic. Anne Bancroft doesn’t even appear in the poster except for her outstretched leg, but then again, that’s the point. The mystery behind the image (which has been spiced up in this 30th anniversary version with Dustin Hoffman’s famous quote) is sexy exactly because you want to see more but can’t. Whoever was responsible for this poster is a genius, because it tells you everything you need to know about Mike Nichols’ cult classic without really saying anything at all.

“Dracula Has Risen From the Grave” (1968)

Apart from its hilariously candid title (I love the inclusion of the parenthesized “obviously” just below), this Hammer-produced Christopher Lee flick isn’t quite as tongue-in-cheek as its poster indicates. Still, you have to admire the mix of sex and humor in this photo. It looks absolutely gorgeous in black-and-white, and despite just barely featuring the woman’s open mouth and heaving breasts on the top and bottom borders (thus drawing even more attention to them), your eyes go straight to her neck. It’s all accomplished with a little splash of color in the form of two pink band-aids covering a vampire bite mark, and while it might not sound like much, it’s the highlight of what’s since become one of my favorite posters.

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