Tag: Blu Tuesday (Page 35 of 49)

Blu Tuesday: RED 2, Jobs and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“RED 2”

WHAT: Retired CIA agent Frank Moses (Bruce Willis) is trying to lead a quiet, domestic life with girlfriend Sarah (Mary-Louise Parker) when he learns that he’s being framed as a domestic terrorist involved in a ludicrous Cold War plot to sneak a portable WMD into Moscow. But it turns out the nuke is real, so Frank must team up with Marvin (John Malkovich) once again to recover the bomb and prove his innocence, all while being pursued by a deadly assassin.

WHY: Robert Schwentke’s “RED” was such a surprise hit at the box office that you can hardly blame Summit Entertainment for wanting to fast-track a sequel, and although it doesn’t quite pack the same punch as its predecessor, “RED 2” is still a lot of fun thanks to its star-studded cast, including series newcomers Catherine Zeta-Jones and Anthony Hopkins. Like most sequels, it tries and fails at one-upping the original, and while the action isn’t as memorable this time around, it’s every bit as playful. “RED 2” also lacks the breezy pace of the first movie, instead bogged down by an overcomplicated plot for seemingly no other reason than to pack as much talent into the film as possible, but then again, that’s part of its charm. By all accounts, the movie shouldn’t be so entertaining – it’s formulaic, unfocused and almost too silly for its own good – but when you have a cast this great, having this much fun, it’s hard not to enjoy.

EXTRAS: There’s a four-part featurette called “The ‘RED 2’ Experience” that covers various aspects of the movie (from the cast, to weapons and stunts), some deleted scenes and a short gag reel.

FINAL VERDICT: RENT

“Jobs”

WHAT: The story of Steve Jobs (Ashton Kutcher), tracking his journey from college dropout in the early 70s, to the founding of Apple Computers a few years later, to being forced out of the company in the mid-80s, to his eventual return and success as one of the most admired entrepreneurs of the 20th century.

WHY: There’s no doubt that Steve Jobs’ remarkable life is tailor-made for the movies, but it’s not really done justice in this slight biopic by Joshua Michael Stern, which would have felt more at home on the small screen. Perhaps a better title for the movie would have been “Apple Begins,” because it’s more about the rise (and fall) of the company than Jobs himself, although he obviously figures pretty heavily into the story. Ashton Kutcher does a solid job playing the Apple co-founder, and the rest of the cast is peppered with great actors like Josh Gad and Dermot Mulroney, but it never feels like Stern has a good enough handle on his subject, and as a result, Jobs is either portrayed as a visionary genius or an asshole perfectionist, with nothing in between. As a film about the creation of Apple, it’s a fairly interesting look behind-the-scenes of a tech start-up, but as story about Jobs the man, it falls disappointingly short.

EXTRAS: The Blu-ray includes an audio commentary with director Joshua Michael Stern, a trio of short featurettes and some deleted scenes.

FINAL VERDICT: RENT

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Blu Tuesday: The World’s End, 2 Guns and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The World’s End”

WHAT: It’s been over 20 years since Gary King (Simon Pegg) and his high school friends embarked on a quest to finish The Golden Mile, a 12-pub crawl through their peaceful town of Newton Haven. Desperate to relive those glory days, Gary gets the gang back together under false pretensions to complete the illustrious pub crawl, only to inadvertently uncover a secret invasion by robot-like beings that have assimilated most of the town’s inhabitants.

WHY: For fans of “Shaun of the Dead” and “Hot Fuzz,” the final installment in Edgar Wright’s Three Flavors Cornetto trilogy couldn’t come soon enough. Of course, it’s not even a real trilogy in the traditional sense, but any time that Wright, Simon Pegg and Nick Frost join forces is cause for celebration. Best described as “The Big Chill” meets “Invasion of the Body Snatchers,” “The World’s End” is more of a group effort than their previous movies, with all five actors – Pegg, Frost, Martin Freeman, Eddie Marsan and Paddy Considine – in fine form. In fact, their chemistry is so good that some of the funniest scenes take place when they’re just sitting around the table talking. The action sequences, however, are pretty hit and miss, which is a shame considering Wright’s outstanding work in “Scott Pilgrim vs. the World,” and the sci-fi setting seems to be working against the story at times. Still, while expectations were undoubtedly high for their third (and hopefully not last) cinematic outing, Wright, Pegg and Frost have produced another excellent comedy that, although it falls a little short of their previous films, still delivers all the laughs that we’ve come to expect from the trio.

EXTRAS: Following in the footsteps of “Shaun of the Dead” and “Hot Fuzz,” Universal has packed this Blu-ray release with an unbelievable amount of bonus material, including three audio commentaries (one with Edgar Wright and Simon Pegg, one with Wright and director of photography Bill Pope, and one with Pegg, Nick Frost and Paddy Considine), a U-Control storyboard picture-in-picture track, a 48-minute making-of featurette and a 28-minute stunt and FX featurette. There’s also a pop-up trivia track, 10 mini-featurettes covering various areas of production, deleted scenes, alternate takes, outtakes, a montage of the film’s hidden Easter eggs and more, if you can believe it.

FINAL VERDICT: BUY

“2 Guns”

WHAT: When DEA agent Bobby Trench (Denzel Washington) and naval intelligence officer Michael Stigman (Mark Wahlberg) fail to infiltrate a Mexican drug cartel, they decide to rob a bank that they believe contains evidence incriminating the cartel’s boss. But the $42 million they make off with actually belongs to the CIA, and to make matters worse, neither one knows that the other is working undercover.

WHY: It’s hard to believe that Vince Vaughn and Owen Wilson were originally tapped to play the two leads in this throwback to late 80s and early 90s buddy cop films, because while a lot of the dialogue sounds like it was written with the “Wedding Crashers” duo in mind, they’re not exactly convincing action stars. Credit to director Baltasar Kormakur, then, for casting Denzel Washington and Mark Wahlberg in the roles instead, because while “2 Guns” is a pretty average action-comedy that’s riddled with decades-old clichés and plot holes, the actors make it much more enjoyable. Not only can they handle the physical stuff, but they’re also both incredibly charismatic, forming the kind of effortless rapport that directors only dream about. The rest of the cast isn’t quite as memorable – though Bill Paxton has some fun as a crooked CIA agent – and the plot is beyond ridiculous, but Washington and Wahlberg have such great chemistry that it’s just fun watching the odd couple bicker while blowing away bad guys.

EXTRAS: There’s an audio commentary with director Baltasar Kormakur and producer Adam Siegel, a 30-minute making-of featurette and some deleted/extended scenes.

FINAL VERDICT: RENT

“We’re the Millers”

WHAT: After low-level drug dealer David Clark (Jason Sudeikis) loses his entire stash and personal savings to a group of thugs, his boss (Ed Helms) offers him the chance to make amends by smuggling a shipment of marijuana across the Mexican border. Knowing that he’ll draw attention on his own, David convinces his neighbors – stripper Rose (Jennifer Aniston), dork Kenny (Will Poulter) and runaway Casey (Emma Roberts) – to pose as his fake family.

WHY:We’re the Millers” is every bit as formulaic as the typical road trip movie, but the cast makes up for those generic story beats with some winning performances, and they all pull their weight equally. In fact, although Sudeikis is technically the film’s lead, he’s actually the weakest link of the bunch, relying too much on his one-note wisecracking to realize that he’s being outshined by the rest of his “family.” Aniston should tap into her naughty side more often, because the actress delivers one of her more enjoyable roles to date as the stripper-turned-housewife, while Poulter steals nearly every scene he’s in. What’s perhaps most surprising about the movie, however, is that the trailers haven’t ruined all the good bits, which is very telling of just funny the movie is at times. It’s also oddly sweet in the way that the Millers gradually evolve into a real family over the course of the film, even if you can see that twist coming from a mile away. Still, “We’re the Millers” could have been a lot worse, because though it drags on for a little too long, it’s one of the year’s better comedies.

EXTRAS: In addition to an extended cut of the movie featuring 9 minutes of new material, there’s a collection of behind-the-scenes featurettes, outtakes and some deleted scenes.

FINAL VERDICT: RENT

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Blu Tuesday: Man of Steel, Ip Man and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Man of Steel”

WHAT: It’s been 30 years since Kal-El was jettisoned to Earth by his father (Russell Crowe) just before their home planet of Krypton was destroyed. Raised as a human named Clark Kent (Henry Cavill) and taught to hide his superpowers, Clark eventually accepts his role as Earth’s protector just as Zod (Michael Shannon), the man responsible for his father’s death, arrives on the planet with plans to terraform it into a new Krypton.

WHY: The Superman franchise was practically DOA before Warner Bros. enlisted the aid of Christopher Nolan and David S. Goyer to press the reboot button, and in doing so showed that the studio is finally starting to think about the bigger picture. One of the main problems with Superman as a character is that he’s pretty dull compared to the likes of Batman. Director Zack Snyder really can’t change that, but he at least manages to make him feel more relatable by depicting him as a bit of an outcast. Henry Cavill proves himself more than capable of carrying the Superman torch with his subtle yet effective performance, while Russell Crowe and Kevin Coster both turn in solid work as Kal-El/Clark’s respective fathers. The best thing about “Man of Steel,” however, is the action. The fight scenes are lightning fast and brutal, playing up the superhuman angle in a way that’s never been done before. The fight between Superman and two of Zod’s soldiers in the streets of Smallville is particularly memorable, delivering everything you’d expect from a modern day Superman film. Granted, it’s not as groundbreaking as what Nolan achieved with “Batman Begins,” but considering Warner’s recent track record with DC Comics characters, it’s a big step in the right direction.

EXTRAS: In addition to a feature called “Journey of Discovery” that tracks the making of the film with interviews, storyboards and other behind-the-scenes footage as the movie plays in the background, the two-disc set includes featurettes on rebooting the franchise, stunts and visual effects. There’s also a faux documentary about Planet Krypton that’s almost as pointless as the “Hobbit” promo that appears in the extras.

FINAL VERDICT: RENT

“Ip Man: The Final Fight”

WHAT: Upon arriving in postwar Hong Kong, legendary Wing Chun grandmaster Ip Man (Anthony Wong) begins teaching a new class of pupils amid a backdrop of poverty, labor strikes and police corruption. But when a local crime lord threatens one of his students, Ip Man is called into action once again, despite his attempts to lead a peaceful life.

WHY: There have been so many movies about Ip Man released over the last few years that it’s become overkill, and although “The Final Fight” takes a completely different approach by exploring the martial artist’s later years, it’s the weakest Ip Man film to date. The Donnie Yen movies featured some great action choreography, and Wong Kar-Wai’s “The Grandmaster” looks absolutely gorgeous, but the only thing that “The Final Fight” has going for it is its cast. Anthony Wong turns in a solid performance as Ip Man, handling the action sequences fairly well for an actor with little experience in the genre, while Jordan Chan and Eric Tsang are both good in supporting roles, though I would have liked to see more of both characters. Unfortunately, the film lacks focus, unable to decide whether the story is about Ip Man or his various pupils, constantly shifting attention throughout its sluggish 100-minute runtime. Director Herman Yau does an admirable job of juggling the many subplots, but in the end, it’s the movie’s undoing.

EXTRAS: There’s a making-of featurette and interviews with the cast and crew.

FINAL VERDICT: SKIP

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Blu Tuesday: White House Down, Parkland and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“White House Down”

WHAT: While on a tour of the White House with his daughter (Joey King), Capitol policeman John Cale (Channing Tatum) is forced into action when the building is invaded by a group of paramilitary mercenaries looking to kidnap the President of the United States (Jamie Foxx).

WHY: When it was announced that there were two movies in production about the White House coming under attack, I would have put my money on Roland Emmerich to deliver the more entertaining film. But while “White House Down” is amusing in an over-the-top sort of way, Antoine Fuqua’s “Olympus Has Fallen” just barely edges it for me. Whereas that movie was a little more practical with its premise, Emmerich’s film wears its craziness on its sleeve, perhaps best illustrated by an outlandish chase sequence on the White House lawn. It also features more moles than a season of “24,” leading to some pretty impracticable twists. However, “White House Down” does benefit from some great chemistry between Tatum and Foxx, and the supporting cast is excellent, even if many of the actors are wasted in throwaway roles. At the end of the day, though, the two films are actually quite different despite their similar setups. While “Olympus Has Fallen” owes a lot to stealthy action thrillers like “Die Hard,” “White House Down” is a balls-out explosion extravaganza that’s the epitome of popcorn filmmaking.

EXTRAS: There’s no shortage of bonus material on the Blu-ray release, with 13 short featurettes – ranging from production, to casting, to special effects – and a gag reel.

FINAL VERDICT: RENT

“Parkland”

WHAT: On November 22, 1963, President John F. Kennedy was assassinated. This is the story of the individuals involved in that tragic day, including the hospital staff at Dallas’ Parkland Hospital, the Secret Service and FBI, the unwitting cameraman (Paul Giamatti) who captured it on film, and the family of Lee Harvey Oswald.

WHY: For as many times as the JFK assassination has been covered in cinema, it’s refreshing to see a film that offers a unique perspective on the matter, much in the same way that Emilio Estevez did with “Bobby.” Unfortunately, “Parkland” is a tale of two halves, and while the former is comprised of some powerful moments as the doctors, Secret Service agents and others scramble amid the chaos of the situation, the latter portion focusing on the days after the shooting isn’t nearly as interesting. The movie’s biggest problem is that there are so many characters that none of them are ever fully developed, though Giamatti’s Abraham Zapruder and James Badge Dale’s Robert Oswald are given more to do than most. With that said, it’s pretty incredible at how many great actors writer/director Peter Landesman was able to cast in the film – some of whom play such small, peripheral roles that they’re only in a scene or two – because it’s the quality of the talent that makes “Parkland” worth watching.

EXTRAS: There’s a director commentary and some deleted scenes.

FINAL VERDICT: RENT

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Blu Tuesday: R.I.P.D. and Byzantium

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“R.I.P.D.”

WHAT: When Nick Walker (Ryan Reynolds), a dirty Boston cop with a guilty conscience, is killed during a major drug bust, he’s given the chance to redeem himself by joining the Rest in Peace Department – a group of deceased lawmen from throughout history who protect the living world from those who have escaped Hell.

WHY: As much as I wanted to like this movie, “R.I.P.D.” just isn’t very good. Though it’s based on a comic book of the same name, the film feels eerily like the “Men in Black” series, both in tone and the dynamic between its lead characters. Unfortunately, it doesn’t work nearly as well as its high-concept premise suggests, despite a cast that includes Reynolds, Jeff Bridges, Kevin Bacon and Mary-Louise Parker. Bridges, in particular, is the only reason the movie is even remotely watchable, camping it up as a hootin’ and hollerin’ Western lawman that’s partnered with Reynolds’ morose cop. Parker has a few bright moments as their boss, but for the most part, “R.I.P.D.” represents a pretty big waste of talent on several fronts. It’s also incredibly corny, formulaic and features some awful special effects for a summer blockbuster. Still, at a brisk 96 minutes, the movie is almost worth suffering through just to see Bridges do his thing. Almost.

EXTRAS: There’s a making-of featurette, deleted scenes, two alternate openings, a gag reel and several Blu-ray exclusive featurettes, including “Anatomy of a Shootout.”

FINAL VERDICT: SKIP

“Byzantium”

WHAT: Mother-daughter vampires Clara (Gemma Arterton) and Eleanor (Saorise Ronan) are forced to flee to an English coastal town when they attract some unwanted attention from their own kind. After years of keeping her story a secret, Eleanor finds solace in a sulky teenager named Frank (Caleb Landry Jones), unaware of the grave consequences that doing so will have.

WHY: Neil Jordan may be responsible for adapting one of the most popular vampire stories of the modern age (“Interview with a Vampire”), but that doesn’t give him license to ruin the genre with a film that completely rewrites the classic mythology. That’s because no matter how hard he tries, “Byzantium” doesn’t feel like a vampire movie at all. Fangs have been replaced by a sharp nail that extends to puncture victims’ necks, sunlight is fair game (though they don’t sparkle), and the method of turning into a vampire is terribly unsexy, unfrightening and anticlimactic. More than anything else, though, the film is just really boring. None of the characters are particularly interesting, and the brief flashbacks explaining Clara and Eleanor’s transformation feels like an afterthought. It’s a shame to see actors like Saorsie Ronan and Johnny Lee Miller trapped in such a dull movie, because “Let the Right One In” proved that it’s possible to make a great vampire film that defies conventions; “Byzantium” just isn’t one of them.

EXTRAS: There’s over an hour of interviews with various members of the cast and crew, but that’s the extent of the bonus material.

FINAL VERDICT: SKIP

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