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Movie Review: “In a Valley of Violence”

Starring
Ethan Hawke, John Travolta, James Ransone, Taissa Farmiga, Karen Gillan
Director
Ti West

Filmmaker Ti West has made his most conventionally enjoyable movie to date. Best known for horror films like “The House of the Devil,” “The Innkeepers” and “The Sacrament,” West tackles a new genre with “In a Valley of Violence,” a western starring Ethan Hawke and John Travolta. While West’s previous films get you squirming, his latest effort may have you cheering thanks to its sparse, enigmatic storytelling.

Paul (Hawke) isn’t exactly a loner. Although he’s tortured and on a path to nowhere, he has Abby at his side. Abby is his dog, and she sometimes looks after him just as much as he looks after her. When Paul enters the rundown town of Denton, nicknamed the “valley of violence,” he crosses paths with the hotheaded Gilly (James Ransone), the son of local sheriff, The Marshal (Travolta). Gilly thinks he’s the most dangerous man in town and challenges any man who questions his power. But when Paul leaves him bloodied, bruised and embarrassed after a beating that in no way constitues as a fight, Gilly and his men go after Paul’s dog for revenge, unaware that they’re dealing with one seriously flawed, dangerous military man who’s trained to kill. As Paul puts it, Gilly and his men left him with nothing, and he’s going to leave them with even less.

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Why Amsterdam is definitely one for the lads

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Amsterdam has long enjoyed a reputation as the party capital of Europe, and indeed as one of the wildest good-time destinations in the world. Actually, there’s much more to Amsterdam than sin, sex and getting wasted, as the port is a beautiful, vibrant city rich in culture and history. But at the same time, its party reputation is well-deserved and continues to draw visitors from all over the globe who are eager to sample the many opportunities for hedonism and wild abandon that Amsterdam has to offer.

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Drink of the Week: The Buster Brown

The Buster Brown.If you’ve heard the name “Buster Brown” at all, you’re probably thinking of a line of kids’ shoes. However, you may not know that these shoes were not named for the guy who started the footwear line. Buster Brown was a popular comic strip character from the early 20th century created by Richard F. Outcault, a comics pioneer who’s perhaps slightly better remembered by modern graphic storytelling geeks for the Yellow Kid.

The character was a dandyish youngster whose angelic looks belied a strong mischievous streak, resulting in frequent corporal punishment at the hands of his mother. I’ve never actually read the strip, but I assume no boozing was involved as Buster was obviously much too young. So, as with last week’s drink, we have another cocktail named for a presumed teetotaler.

Indeed, while cartoonist Richard Outcault licensed his character to the shoe brand, there is really no apparent connection between the name and drink itself. Still, it’s a very nice variation on a whiskey sour. The only real difference is that the Buster Brown is a true cocktail in the original sense as, unlike most sours, it contains bitters.

The Buster Brown

2 ounces bourbon (possibly rye)
1 ounce fresh lemon juice
1/2 ounce simple syrup (possibly 2 1/2 tablespoons superfine sugar)
2 dashes orange bitters

Combine the ingredients in a cocktail shaker with plenty of ice and shake vigorously. Strain into a chilled cocktail glass and contemplate how to do mischievous things without getting spanked.

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Movie Review: “Moonlight”

Starring
Trevante Rhodes, Ashton Sanders, Alex Hibbert, Naomie Harris, Mahershala Ali, André Holland, Janelle Monáe
Director
Barry Jenkins

A24 is without a doubt one of the most creatively exciting players in Hollywood today. They’ve made it their mission to champion less marketable films such as “Swiss Army Man,” “The Lobster” and “American Honey,” just to name a few from this year alone, opening up a whole new avenue for projects that don’t conform to the traditional studio system. It’s hard to imagine a movie like “Moonlight” developing into the festival sensation (and potential Oscar contender) that it’s become without the studio’s support, even if it might be slightly overrated. Adapted from Tarell Alvin McCraney’s play, “In Moonlight Black Boys Look Blue,” writer/director Barry Jenkins’ sophomore effort is a powerful but flawed rumination on identity that chronicles the life of a young, gay black man across three different time periods as he struggles to find his place in the world.

The film opens in the late ‘90s as a soft-spoken boy named Chiron (Alex Hibbert) is chased by a group of bigger kids through his poor, crime-ridden neighborhood in Miami. Chiron comes from a broken home with no father figure and an abusive, crack addict mother (Naomie Harris), so when local drug dealer Juan (Mahershala Ali) takes a sudden interest in the runaway, Chiron immediately looks up to him as a mentor, despite Juan’s involvement in his mother’s drug habit. Several years later, Chiron (now played by Ashton Sanders) has grown into a lanky, introverted high school student who’s become the target of bullying as he tries to come to terms with his sexuality. Chiron finds some solace in his casual friendship with Kevin (Jharrel Jerome), but after a sexual encounter between them leads to a startling act of violence, Chiron’s life is changed forever. In the movie’s final chapter, a completely transformed Chiron – now a muscular, drug-dealing adult (Trevante Rhodes) who hides behind a thuggish facade – must confront his past when he’s reunited with an older, wiser Kevin (played by André Holland) at a Miami diner.

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