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Blu Tuesday: Funny Money, Haunted Inns and More

Last Tuesday’s Blu-ray selection wasn’t quite as poor as it has been these last few weeks – with such notable titles as “Mission: Impossible – Ghost Protocol” and “Shame” on the schedule – but I didn’t receive any review copies in time for my column. Thankfully, things are finally starting to pick up again, which is great news for Blu-ray collectors. Although there really isn’t a standout title among this week’s releases, there’s still a good variety to choose from, including this trio of very diverse movies.

“Contraband”

Mark Wahlberg’s latest action thriller isn’t a terrible movie by any means, but it is an incredibly unmemorable one that, although it likely earned the actor a nice paycheck and the opportunity to work with guys like Ben Foster, J.K. Simmons and Giovanni Ribisi, isn’t up to par with what his fans have come to expect. A big part of the problem is that director Baltasar Kormakur vastly overcomplicates the film’s simplistic setup by making the actual heist so unnecessarily complex that not even Danny Ocean and his crew could pull it off. Worse yet, the story is so predictable that you can see every twist and turn before it happens. There’s hardly a single original idea to be found, which is ironic considering it’s about counterfeiting, and though Kormakur was presumably given the directing gig because he was familiar with the source material (having played Wahlberg’s role in the Icelandic film that it’s based on), he fails to demonstrate what made that movie so special that it deserved a remake.

Blu-ray Highlight: I’m a sucker for a good making-of featurette, and the one included here is better than most, covering a range of topics including the differences between the Icelandic original and the remake, casting and filming on location in New Orleans.

“The Innkeepers”

I saw Ti West’s “The Innkeepers” two years ago at South by Southwest, and whether it was because “Insidious” had just given me a mini panic attack the night before, or because I was simply expecting more from the film, I didn’t find it to be particularly scary. Though West’s slow-burn approach is pretty effective in the opening half, there’s very little payoff, to the point that when the horror elements finally do kick in, they’re not as terrifying as you’d expect. Instead, the movie spends most of the time camped out at the front desk where its two leads banter back and forth and play tricks on one another. It’s amusing at times, but never enough to hold your interest, despite the fact that Sara Paxton and Pat Healy have good chemistry. If there’s one redeeming quality, it’s the fantastic score by Jeff Grace, which at least makes the movie more watchable. Unfortunately, “The Innkeepers” is a mediocre horror film at best, and that’s a shame, because while it had the potential to revitalize the genre, it falls short.

Blu-ray Highlight: There’s not much to choose from on the single-disc release, but fans of Ti West will certainly enjoy the director’s pair of audio commentaries – one with producers Peter Phok and Larry Fessenden and 2nd Unit Director/Sound Designer Graham Reznick, and another, much livelier affair with stars Sara Paxton and Pat Healy.

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Game of Thrones 204: Garden of Bones

SPOILER WARNING: All events that have occurred in the TV show up to and including yesterday’s episode are fair game. I have read the books but I will not go any further beyond small hints that only fellow book-readers will catch on to. You’ve been warned.

I don’t think there’s any question that “Garden of Bones” is the best episode of the second season so far. There’s so much to discuss, so let’s just get right into it.

“Game of Thrones” has the best opening sequence on television. Not only is it awesome, it’s educational. We all know that the show has the potential to be very, very confusing. So it’s only fitting that its intro shows a map to help get our geography in order. Each week, any new locations are added into the sequence. This week there was Harrenhal and Qarth, “the greatest city that ever was or will be.”

This intro lets all us fans know that after a week-long wait, it’s finally “Thrones” time again. Sometimes it feels like it would be more appropriate if this was the show’s opening.

The Battlefield

“Garden of Bones” opens with a fart joke… or does it? There was all that buildup just so the guy could “break wind,” or so we thought until another kind of wind, Robb’s direwolf Grey Wind, pounces on them. We see Robb with a number of his men, the screen fades to black and we hear cries of “The King in the North!”

There will be those who complain that many, in fact most, of the battle scenes occur off screen (we all remember Tyrion getting knocked out before the Battle of the Green Fork towards the end of last season). This is going to be a fact of the show, and I’m here to tell you why the haters are wrong.

In the books, Robb is not a point of view character. All we see of him is through Catelyn’s eyes and thus many battles are not witnessed firsthand. Battles are handled similarly in the show, and it’s not an issue. David Benioff and Dan Weiss, the showrunners, are working on a limited budget in terms of both money and time. Let’s consider how much the CGI for the dragons and direwolves must have cost. Do we really want them blowing that money on every little fight? Plus, Weiss and Benioff have 10 episodes to adapt a 1000-page novel. This show is driven by characters, not action or plot. We can’t be wasting valuable screen time on action scenes. I can promise you this: there is only one battle that you need to see this season, and you’ll get every brutal second of it. The author of the books, George R.R. Martin, wrote that episode and they spent a month (as opposed to the standard 10 days) filming it.

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Trim that back hair with the MANGROOMER

Want an easy way to get rid of that back hair? There are all sorts of trimmers out there to help you with your manscaping, but few of them make it easy to handle the hard-to-reach areas on your back. That’s a problem, as back hair ranks up there as one of the biggest turnoffs for women. We tried out the new MANGROOMER, and this do-it-yourself electric back hair shaver is incredibly easy to use.

You can see the ingenious design from the photo about. The MANGROOMER simply folds out to give you an easy tool that reaches every part of your back. Just reach around your side or over your shoulder and you’ll be shocked by how easy this is to use. It also feels good on the skin as it neatly trims off the hair on your back.

With summer around the corner it’s time to get in shape, and now that also includes doing the little things to make you look better. Getting rid off that excess back hair will make you look much better, and now you have the tool to take care of it.

Check out their website for more information on the MANGROOMER and other grooming products for guys, along with their Facebook page and Twitter account.

First Drive: 2013 Acura RDX

2013 Acura RDX

At first glance the new Acura RDX may not seem entirely new, but underneath the revised sheet metal lies an entirely new car. Not only is it new, but it has been reconfigured for the customers that actually bought the original one. The first RDX was meant for young, aggressive A-type personalities, but this one is meant for the aging boomers that actually bought the car. However, that doesn’t mean that this car is any worse for it.

Refined Looks

To attract the young go-getters, the first-gen RDX was chiseled and sharp. But older professionals aren’t known for their edgy styling and forward thinking outfits. Because of this, the new RDX has been softened all around. Gone are the chiseled shoulder lines and aggressive taillight treatments, and in their places are rounder, friendlier items. The result is a more refined, professional image that fits this compact CUV nicely. It no longer looks like it’s trying too hard to act tough.

The story stays the same in the interior. Material quality is the same as before, but the interior design has benefitted from a mellowing out. It also comes very well equipped at any trim package, but navigation is not standard. The upgrade is well worth it for the ESL stereo system though. Even if grandpa isn’t going to be blasting dubstep while out on errands, he will appreciate the low range punch and high range clarity of the upgraded system.

New Powerplant for a New Personality

The original RDX, to fit their target market, was a jittery mess. Its turbo four and SH-AWD system combined to make the car eager to chase apexes, but never settled down and enjoyed the ride. With a new motor, drivetrain, chassis and suspension, the RDX has been taken off Ritalin and finally learned to calm down. The major change is the switch to a V6 instead of the old turbo 4. This 3.5L unit delivers more power (273hp) but is smoother and more relaxing than the frantic old mill. The 6-speed transmission has also been revised to prioritize smoothness over quickness.

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First Drive: 2013 Acura ILX

2013 Acura ILX

Small Acuras have always held a special place in the automotive pantheon. Small, nimble and always ready to be wrung out, they delivered a premium driving experience without the premium cost. The Integra and RSX were thesis statements for what the Acura brand stood for: technologically advanced, fun to drive, and a great value for the money. The new ILX is the newest small Acura, and although not a true successor, it looks like it will continue Acura’s brand mission.

Exterior

The ILX shares a platform with the Civic, like the Integra and RSX did, but it does not look as differentiated as its predecessors. Acura took great pains to change the look though. The windshield was brought forward and raked farther back; the nose of the car has less overhang; and scalloped sides were added, not to mention the premium touches added such as the headlights, taillights, and metallic surrounds around the windows.

But although it looks completely different than its platform mate, it’s just not distinctive enough for a near premium car. The Integra and RSX could be spotted from across a parking lot because of their distinctive look; looks that drew in a generation of car enthusiasts. The ILX does not – it is attractive, but not in a way that will tug at the heartstrings.

Interior

Acura spent a great deal of attention on the interior of the ILX to give it a premium feel over the Civic as well. Acura started out with the concept of a “cockpit” to make the driver feel connected and the passenger comfortable. To do this, Acura designers created two character lines on the dash on each side. The result, they believe, was to give it a sporty but mature character. Without hearing their motives behind the design, you may not notice it, but it can surely be felt while sitting in the car.

Fit of the interior is also top notch, but material quality falls flat. Some of the materials are soft touch, including the dash, but the buttons on the console and the plastic trim are brittle and harsh. Some of the detailing also falls short. For example, Acura saw fit to give the ILX the connectivity system a TFT screen, but didn’t see fit to upgrade the graphics from something seen on the N64. The interface works well, but its design is straight out of much older cars.

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