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Movie Review: “Zootopia”

Starring
Jason Bateman, Ginnifer Goodwin, Idris Elba, Jenny Slate, Bonnie Hunt, J.K. Simmons, Octavia Spencer
Director
Byron Howard & Rich Moore

“Zootopia” might be the cleverest bait-and-switch Disney has ever pulled. All of the teaser ads and promotional materials are pushing the adorable Judy Hopps and her very funny encounter with the sloths running the DMV. What they conveniently leave out is that the movie is an on-point commentary about prejudice and racism, their origins, how they’re used as a weapon for political gain, and how we’re all guilty of them in one form or another. In fact, it’s tempting to resent the film a little, because it explains these subjects to children better than most parents ever could.

The film opens with an expository children’s play that explains how predator and prey in the animal kingdom have found a way to co-exist without, you know, one eating the other (though what the predators eat instead is never mentioned, outside of doughnuts). One of the stars of that play is the idealistic bunny Judy Hopps (Ginnifer Goodwin), who announces on stage that she intends to be the world’s first bunny police officer, and many years later, against all odds and her parents’ wishes, she succeeds. She is transferred to the big city of Zootopia, where Sergeant Bogo (Idris Elba) assigns her to…parking duty. Ouch.

The urge to fight crime is strong, though, and Judy zones in on a seemingly untrustworthy fox named Nick Wilde (Jason Bateman, whose character bears an uncanny resemblance), only to become a victim to one of his many cons. Judy is desperate to prove herself to Bogo, and agrees to take on the missing case of an otter against Bogo’s wishes. Bogo initially fires her for insubordination, but instead gives her 48 hours to find the otter, after which Judy must resign if she fails. Judy leans on Nick – whom she has under her thumb because she has enough evidence to have him locked up – to guide her through the big city, even though Nick tends to cause more problems than he solves.

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Blu Tuesday: Creed, Room and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Creed”

WHAT: Determined to get out from under his father’s shadow, Adonis Johnson (Michael B. Jordan) – the illegitimate son of former boxing champ Apollo Creed – leaves Los Angeles for Philadelphia to train with local legend Rocky Balboa (Sylvester Stallone). But when Adonis’ secret family history is revealed and he’s offered the chance to fight the reigning world champion, he must prove to himself (and his detractors) that he’s worthy of the Creed name.

WHY: After garnering critical acclaim for his directorial debut, “Fruitvale Station,” the last thing anyone expected from Ryan Coogler’s follow-up was a spin-off/sequel to a movie franchise that’s last meaningful installment was released 30 years ago. But while it may have seemed like a strange career move at the time, “Creed” is an energizing addition to the boxing series that succeeds as a respectful passing of the torch and one of the best “Rocky” films ever made. Michael B. Jordan and Sylvester Stallone are both excellent in their roles, especially the latter, who delivers his finest work in years with a subtler, more emotional performance than we’re used to seeing from the actor. Coogler, meanwhile, makes the transition from indie to mainstream filmmaking remarkably well; he provides all the usual crowd-pleasing moments without sacrificing the kind of intimate, character-driven storytelling that made “Fruitvale Station” so effective. Though “Creed” follows the 1976 original a little too closely at times, it does enough to stand on its own while still paying homage to the “Rocky” legacy.

EXTRAS: There’s a pair of featurettes on developing the movie and Michael B. Jordan’s training regime, as well as some deleted scenes.

FINAL VERDICT: RENT

“Room”

WHAT: After being abducted as a teenager and spending the past seven years in captivity, Joy (Brie Larson) and her five-year-old son, Jack (Jacob Tremblay) – who knows nothing of the outside world – finally gain their freedom following a brave escape. But adapting to life on the outside proves even more difficult for Joy than the impressionable Jack.

WHY: Brie Larson has been quietly making a name for herself over the past few years, but while 2013’s “Short Term 12” may have been her big breakthrough, “Room” confirms that she’s the real deal. Her emotionally-charged role as the abducted teen-turned-mother was one of the best performances of 2015, and though young co-star Jacob Tremblay is also really good as her sheltered son, it’s Larson who holds the movie together, even when her character is dangerously close to falling apart. The film is comprised of two very different halves (the world Joy has made for Jack inside “room” and the outside world), and each section gives its actors a wide range of emotions to play. While Joy’s journey is pretty dark and depressing – and rightfully so, because “Room” is every parent’s worst nightmare – the innocent yet insightful narration that Jack provides as he experiences things for the first time is bursting with optimism, and ultimately, it’s that hopefulness that makes the movie such a rewarding experience.

EXTRAS: In addition to an audio commentary by director Lenny Abrahamson, cinematographer Danny Cohen, editor Nathan Nugent and production designer Ethan Tobman, there’s a trio of production featurettes.

FINAL VERDICT: RENT

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Coming Soon: A Moviegoer’s Guide to March

march

Let’s not beat around the bush: the big draw this month is undoubtedly the long-awaited match-up between superhero heavy hitters Batman and Superman. Although it’ll be interesting to see whether Warner Bros. and DC Comics are finally able to jumpstart their own shared cinematic universe à la Marvel with this very expensive Hail Mary, there are far more interesting movies that deserve your attention, including a pair of adult-minded sci-fi flicks from the makers of “Cloverfield” and “Take Shelter.”

“London Has Fallen”

Who: Gerard Butler, Aaron Eckhart, Morgan Freeman and Angela Bassett
What: While in London for the Prime Minister’s funeral, Mike Banning discovers a plot to assassinate all the attending world leaders.
When: March 4th
Why: “Olympus Has Fallen” may have been the better of the dueling “‘Die Hard’ in the White House” movies (though just barely), but the premise behind the sequel is almost as lame as its title, a moronic play on the famous children’s song. Not only does it seem ridiculous that Aaron Eckhart’s president and Gerard Butler’s secret service agent would find themselves in yet another hostage situation, but the very thing that made the first film enjoyable – the close quarters, single-location setting – has been discarded in favor of a more sprawling, city-wide adventure. Granted, it worked for “Die Hard,” but those movies also had John McClane.

“Whiskey Tango Foxtrot”

Who: Tina Fey, Margot Robbie, Martin Freeman and Billy Bob Thornton
What: A journalist recounts her wartime coverage in Afghanistan and Pakistan.
When: March 4th
Why: War comedies are a tough proposition, especially those set in real-life warzones, because it’s a tricky balancing act of trying to earn laughs while still being respectful of the people at the butt of the joke. Though “Whiskey Tango Foxtrot” sounds like a slam dunk on paper – in addition to Tina Fey reteaming with frequent collaborator Robert Carlock, it boasts a talented cast and a pair of directors (Glenn Ficarra and John Requa) with a solid track record – the trailers aren’t very encouraging. Moviegoers could use a good political satire after recent flops like “Our Brand is Crisis” and “Rock the Kasbah,” but sadly, this doesn’t seem to be it.

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Car Review: 2016 Hyundai Veloster Turbo Rally Edition M/T

2016 Hyundai Veloster Rally Edition

I’ve been a fan of the Veloster Turbo from Hyundai since I drove the inaugural version several years ago through the winding canyon roads surrounding San Diego. I recently had the 2016 Rally Edition for a week and got to experience the vehicle again, this time with plenty of routine city and highway drive time along with some more challenging roads. The car is just as fun as I remember, though I do miss those SoCal roads.

Exterior

My Veloster Rally Edition came with Matte Blue exterior paint with black wheel rims that made the car stand out as I drove through town. The Veloster is still in its first generation, so there haven’t been significant design changes to the exterior, which still features the unique third door for easy access to the back seats. The unique look and body shape gives the Veloster more interior room, as the designers weren’t wed to tradition sports car dimensions, while the headlamps and large grille provide a powerful look for the vehicle.

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Toad Hollow Vineyards: Delicious wines & great value

Toad Hollow Vineyards was founded in 1994 by a group of friends. They launched their winery with “Francine’s Selection,” an unoaked Chardonnay. At the time, particularly in California, this was not only uncommon, it also ran against the trend. Defying what was popular, Francine’s Selection was a huge hit and sent the vineyard off and running. In the years since, their portfolio has expanded to include Pinot Noir, Merlot, Zinfandel, Cabernet and more. I tasted through some brand new releases and found a lot of deliciousness for a small amount of money.

toad_hollow

Toad Hollow Vineyards 2014 Unoaked Chardonnay ($13.99)

This Chardonnay is produced from fruit sourced in Mendocino County. It’s made up entirely of Chardonnay. The 2014 bottling represents the 22nd vintage of this wine, the most popular in their lineup. The moment you stick your nose in the glass, a burst of fresh, unadulterated apple and pear aromas leap out. The palate is similarly stuffed with oodles of fresh fruit flavors accompanied by hints of spice. All of these characteristics continue on the long, fruit-laden finish. This is a delicious, easy-to-drink Chardonnay that you’re going to want a second glass the moment the first is empty.

Toad Hollow Vineyards 2014 “Eye of the Toad” Rosé ($11.99)

This dry Rosé is composed entirely of Pinot Noir sourced at a variety of vineyards throughout Sonoma County. Toad Hollow has been producing a dry Rosé for 20 years, well ahead of its current popularity in the U.S. A hint of crème fraiche underpins the freshly picked strawberry aromas that inform the nose here. Bing cherry and continued strawberry notes are in evidence on the beautiful and bone dry palate. White pepper and continued red fruit flavors are evident on the crisp, zippy finish. If you need a perfect pairing partner for fried chicken, this is it.

Toad Hollow Vineyards Merlot ($16.99)

This offering is composed entirely of Merlot sourced at the Richard McDowell Vineyard in the Russian River Valley. These 16 acres were planted in 1995. Ripe wild strawberry and raspberry aromas fill the nose. The palate is loaded with darker fruit flavors such as black raspberry and cherry, as well as black pepper and hints of toast. Light bits of espresso and a touch of dusty cocoa emerge on the finish, along with pomegranate and sour cherry notes. This is a well-priced and tasty example of Merlot.

Toad Hollow Vineyards 2013 Russian River Valley Pinot Noir ($19.99)

This is a single-vineyard Pinot with all the fruit coming off of “Goldie’s Vineyard,” their estate property. After fermentation and being racked twice, it was aged in French oak for 14 months. Rose petal and red cherry aromas leap from the nose here. The palate is full of even-keeled red fruit flavors supported by a significant spice component. Bits of savory herb, sour red fruits and continued spices are apparent on the long, even finish. This terrific under-$20 Pinot Noir will pair well with a remarkably wide array of foods.

All of these wines represent better than average values. The Pinot Noir, though, is the steal of the bunch. This notoriously fickle and difficult to master grape is also one of the hardest to find at a bargain. At under $20, this offering from Toad Hollow Vineyards is precisely that. Buy a case and drink it as a house wine. You’ll be hard pressed to find a better value in California Pinot Noir.

Check out Gabe’s View for more wine reviews, and follow Gabe on Twitter!

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