Category: Movies (Page 31 of 191)

Movie Review: “Don’t Think Twice”

Starring
Keegan-Michael Key, Gillian Jacobs, Mike Birbiglia, Chris Gethard, Kate Micucci, Tami Sagher
Director
Mike Birbiglia

Writer/director Mike Birbiglia’s first two movies have drawn comparisons to early Woody Allen, and for the most part, they’re well founded. The comedian turned filmmaker excels at telling human stories that combine humor and pathos with an unfiltered authenticity you don’t normally see in mainstream comedies. His 2012 debut “Sleepwalk with Me” is a witty, sharply written film about professional rejection and the fear of commitment, and although Birbiglia doesn’t quite hit the same highs with his follow-up “Don’t Think Twice,” it’s arguably a more mature piece of filmmaking that expands on some of the same themes while cutting even deeper emotionally.

The movie centers on a New York City improv troupe called The Commune whose members – including co-founder Miles (Birbiglia), Jack (Keegan-Michael Key), Samantha (Gillian Jacobs), Bill (Chris Gethard), Allison (Kate Micucci) and Lindsay (Tami Sagher) – learn that the building where they perform their weekly shows is being shut down. Further complicating matters is the announcement that romantic couple Jack and Samantha have both been invited to audition for the popular TV sketch show “Weekend Live” (basically “Saturday Night Live” in all but name), which unearths a deep-seated jealously and resentment among the rest of the group. When one of them lands the coveted job, the other members must cope with the sting of rejection as their tight-knit community begins to unravel.

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Blu Tuesday: Sing Street, Hardcore Henry and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Sing Street”

WHAT: In 1980s Dublin, a young teenager named Conor (Ferdia Walsh-Peelo) starts a band with his new schoolmates in an attempt to impress the beautiful and mysterious Raphina (Lucy Boynton).

WHY: Writer/director John Carney specializes in making musical fairy tales for the soul, with each film functioning like its own album. If “Once” is his critically acclaimed debut, and “Begin Again” is the more mainstream (but less successful) follow-up, then “Sing Street” is the personal album that gets back to his roots. A semi-autobiographical coming-of-age tale that ranks as one of the most pleasant moviegoing experiences in recent years, “Sing Street” features Carney at his very best. Although there’s not a lot of meat to the story, the film does a good job of tracking Conor’s artistic awakening as he discovers his own identity through experimentation with different musical styles and the awful fashion trends that accompany them. The mostly unknown cast is great, especially Jack Reynor as Conor’s older brother/musical guru, while the original songs (each one better than the last) are catchy enough to believe that the titular band could actually succeed. Though their progress happens a little too easily to be realistic, Carney makes the whole fantasy go down so smoothly that you won’t mind.

EXTRAS: There’s a making-of featurette, cast auditions, and an interview with writer/director John Carney and songwriter Adam Levine.

FINAL VERDICT: RENT

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Movie Review: “Lights Out”

Starring
Teresa Palmer, Gabriel Bateman, Maria Bello, Alexander DiPersia
Director
David F. Sandberg

Had “Lights Out” been released after “The Ring,” it might be considered one of the all-time greats of supernatural horror. It has a genuinely creepy (if slight) premise, courtesy of a relentless, unstoppable villain, and several blood-chilling scenes. The film’s biggest problem is that it doesn’t trust its stuff, falling for the cliché trick of needlessly filling the score with crashing, ‘Boo!’ punches of percussion when the movie was already perfectly scary. Director David F. Sandberg would have been wise to take a page from executive producer James Wan’s “Conjuring” films and let the camera do the talking, rather than the score.

Martin (Gabriel Bateman) is concerned for his mother Sophie (Maria Bello). He hears her talking to herself at night, and one night, he sees something frightening that he cannot understand. Martin begins falling asleep at school, since he refuses to sleep at night. When Sophie doesn’t answer calls from Child Protective Services after Martin has fallen asleep for the third time in a week, Martin’s adult half-sister Rebecca (Teresa Palmer) picks him up. When Martin tells Rebecca about Sophie’s friend Diana, Rebecca stops in her tracks. Diana was a girl that befriended Sophie when both were under psychiatric care as teenagers. Diana died during an unconventional treatment called light therapy, and in death, she has latched on to Sophie, moving in the darkness. (Rebecca saw Diana as a child too, but no one believed her.) As Martin and Rebecca learn more about Diana, the more aggressive Diana fights to keep Sophie to herself.

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Movie Review: “Star Trek Beyond”

Starring
Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, Anton Yelchin, John Cho, Idris Elba, Sofia Boutella, Joe Taslim
Director
Justin Lin

In 2009, director J.J. Abrams helped to successfully relaunch the “Star Trek” franchise, and his reboot remains an immensely entertaining adventure movie. Although its sequel, “Star Trek Into Darkness,” is not without its moments, it’s a disappointing follow-up that’s held back by some unfortunate twists and a misjudged villain. The film hardly slowed down this now 50-year-old franchise, however, which returns to the big screen with “Star Trek Beyond.” The Justin Lin-directed sequel quickly gets the crew back on track by delivering a very entertaining and often kind-hearted summer movie.

Captain James T. Kirk (Chris Pine) is tired of his five-year mission to seek out new life and explore new worlds. While on a diplomatic assignment with fellow crew members Spock (Zachary Quinto), Uhura (Zoe Saldana), Doctor “Bones” McCoy (Karl Urban), Sulu (John Cho), Chekov (Anton Yelchin) and Montgomery Scott (Simon Pegg), Kirk presents an alien species with a peace offering from the Federation. The gift is part of a deadly ancient weapon called the Abronath, but he has no clue what it is or what it’s capable of. Krall (Idris Elba), on the other hand, knows exactly what it can do. The face-changing villain is against everything the Federation stands for, so he dupes the Enterprise crew into going on a “rescue mission” to a distant planet, where he attacks them, leaving the crew completely torn apart. Even though they’re outnumbered and outmatched, Kirk and the gang are not alone in their fight against Krall, joining forces with an alien warrior named Jaylah (Sofia Boutella, who turns out to be a great addition to the series) to stop him from unleashing the Abronath.

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Missing Reels: “The Fearless Freaks” (2005)

Missing Reels examines overlooked, unappreciated or unfairly maligned movies. Sometimes these films haven’t been seen by anyone, and sometimes they’ve been seen by everyone… who loathed them. Sometimes they’ve simply been forgotten. But in any case, Missing Reels argues that they deserve to be seen and admired by more people.

the_fearless_freaks

“You don’t even have to be a fan of the music!” That’s a lie that people often spread about music-centered films. Whether it’s a biopic, a documentary or a concert film, fans of the movie will insist that, in order to like it, viewers don’t even have to like that particular artist’s music. It simply isn’t true. If you don’t like Ray Charles music, then those recording sessions in “Ray” will seem fruitless; if you’re not a fan of The Talking Heads, then “Stop Making Sense” is an interminable bore. No matter how well crafted the film is around those scenes, or how well shot the performances are, if you don’t dig the music on display, you won’t really like what’s happening on screen.

So I won’t repeat that lie here about the music of The Flaming Lips when watching the documentary “The Fearless Freaks.” I will, however, say that there’s a lot more going on here than just the music, which is true of the band itself. The Flaming Lips have always been about the experience, whether it’s their four-disc Zaireeka album played simultaneously, or their freak-out concerts, and the same goes for the documentary which covers their odyssey from crappy punk band to psychedelic musical masters. It helps if you’re already partial to some of their music to enjoy this film, but if not, then hopefully you can enjoy its simple story and arresting images.

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