Category: Movies (Page 177 of 191)

Blu Tuesday: Robot Rocky, Cancer Humor and Sex Slaves

Blu-ray enthusiasts have plenty to be excited about this week with MGM’s reissues of Woody Allen’s “Annie Hall” and “Manhattan” and a trio of films from Alfred Hitchcock (“Rebecca,” “Notorious” and “Spellbound”). None of these titles arrived in time for review, however, so maybe I’ll do another short column later in the week after I get a chance to check them out. Thankfully, there are several other titles worth discussing, including Shawn Levy’s best movie to date and a comedy about cancer. No, seriously.

“Real Steel”

I didn’t have very high expectations for Shawn Levy’s robot boxing drama when the project was first announced, but after being invited to visit the Detroit set back in August 2010, it became a lot clearer that “Real Steel” was going to be more than just “Rock ‘Em Sock ‘Em Robots: The Movie.” That’s not to say that the robot-on-robot action isn’t great, because it’s more fun than your average Transformers melee, but it’s nice to see a movie that doesn’t lose sight of its human characters amidst all the shiny, CGI-fueled action. The father-son relationship between Hugh Jackman’s down-on-his-luck fight promoter and Dakota Goyo’s spritely kid doesn’t just drive the story – it gives the movie its heart, with the actors striking up an excellent onscreen chemistry reminiscent of films like “Paper Moon” and “The Champ.” Granted, it’s just as predictable as every other underdog sports drama ever made, but it doesn’t make “Real Steel” any less the entertaining crowd-pleaser that it aims to be.

Blu-ray Highlight: Although the Second Screen feature offers a lot of great behind-the-scenes info, the last thing I want to do while watching a movie is have an iPad or laptop sitting around to distract me. Instead, I was more impressed by the “Making of Metal Valley” featurette, which offers an in-depth look at the various departments involved in filming the junkyard sequence, including production design, visual effects and stunts.

“50/50”

Jonathan Levine’s “50/50” is everything that Judd Apatow’s “Funny People” aspired and ultimately failed to be – a well-balanced dramedy about the Big C that has you laughing one minute and holding back your tears the next. Though I don’t think that the film is quite as amazing as some would lead you to believe (then again, I also thought that “Bridesmaids” was vastly overrated), it’s a really good movie anchored by some excellent performances. Joseph Gordon-Levitt has hardly put a wrong step forward over the last five years (save for perhaps “G.I. Joe: The Rise of Cobra”), and he’s at the top of his game here with an incredibly realistic portrayal of a young man stricken with cancer. Seth Rogen is a lot more tolerable than usual as Gordon-Levitt’s best friend and Anna Kendrick lights up the screen as his grief counselor/love interest, but the real plaudits go to screenwriter Will Reiser, who managed to turn his own bout with cancer into a movie that actually feels sincere.

Blu-ray Highlight: I never received a review copy and therefore couldn’t sample any of the bonus material, but fellow BE critic David Medsker singled out the disc’s audio commentary by Seth Rogen and Will Reiser in his review, claiming that “when you give Rogen and his best friend microphones and press ‘record,’ funny stuff will follow.”

“The Whistleblower”

Sex, torture and violence in Eastern Europe is usually a recipe reserved for the horror genre, but that isn’t the case with “The Whistleblower,” a political thriller that will make you sick to your stomach – not from any graphic visuals, but because it shows humanity at its most vile. Though Larysa Kondracki’s directorial debut is a relatively by-the-numbers message movie, the subject matter – based on the true story of Kathy Bolkovac, a former cop who uncovered a sex trafficking ring in post-war Bosnia involving UN peacekeepers and local police – will make your blood boil. What separates the film from the various made-for-TV and direct-to-DVD movies that cover similar ground is its talented cast, particularly Rachel Weisz as the resolute Bolkovac. Vanessa Redgrave and David Strathairn also pop up in small supporting roles, but it’s Weisz who makes this otherwise vanilla thriller worth watching with another of the kind of solid yet unflashy performances that she’s built a career around.

Blu-ray Highlight: There’s only one special feature on the disc – “Kathy Bolkovac: The Real Whistleblower” – and it’s not exactly what you’d call a highlight. While several of the film’s cast and crew (as well as the real-life Bolkovac) sit down to discuss the movie, they’re unable to go into a whole lot of detail in the paltry five minutes provided.

Blu Tuesday: Drugs, Politics and Teenage Bourne

It’s been more than a year since I published my last Blu-ray column over at Premium Hollywood, but I’ve decided to revive it here on the Bullz-Eye Blog for the simple reason that I kind of miss doing it. Sure, I used to quietly complain to myself every week about having to actually write the damn thing, and some weeks, I gave in to my frustration by not writing anything at all, but I’m back to give it another go. It certainly helps that there are a couple of good films worth talking about this week or I might have never had this crazy (and almost surely regrettable) idea to begin with. Let’s get started, shall we?

“Traffic”

The last time I watched Steven Soderbergh’s Oscar-winning drama “Traffic” was when it was released in theaters, but the film is just as riveting today as it was back in 2000. Criterion’s Blu-ray release has everything that you’ve come to expect from the cinephile label – including a digitally restored high-definition transfer, hours of bonus material and an excellent essay by New York Times critic Manohla Dargis – but nothing outshines the movie itself. An expertly crafted examination of the illegal drug trade that effortlessly interweaves its many narratives into a searing commentary on the war on drugs, Soderbergh distinguishes each story with a unique color-coded treatment that adds style. And although the cast is overflowing with talent, Benicio del Toro and Michael Douglas are the real standouts. “Traffic” is without a doubt Soderbergh’s best film, and with the recent rumors of his impending retirement, there’s a pretty good chance it will stay that way.

Blu-ray Highlight: There’s some really good supplemental material on the disc – like audio commentaries with the movie’s producers, consultants and composer Cliff Martinez, as well as demonstrations on film processing, editing and dialogue editing – but Soderberg and writer Stephen Gaghan’s commentary track is jam-packed with so much great information about making the movie that you’ll definitely want to start there.

“The Ides of March”

George Clooney will probably never be as successful behind the camera as he is in front of it, but his latest directorial effort is still a really solid political thriller that thrives thanks to its fantastic ensemble cast. Ryan Gosling continues to prove why he’s one of this generation’s finest actors with perhaps his most grown-up role to date, while veterans like Philip Seymour Hoffman, Paul Giamatti and Marisa Tomei also get in on the fun playing characters whose only real flaw is that they’re not in the movie enough. The scandal at the center of the story may seem a little trite (and as an interview with Clooney and producing partner Grant Heslov reveals, it’s probably the biggest difference between the film version and the Beau Williamson stage play that it’s based on), but you can hardly fault “The Ides of March” for relying on such a tried and trusted premise when real-life politics are just as dirty.

Blu-ray Highlight: Though Clooney and Heslov’s audio commentary is worth a listen, the aforementioned featurette where they discuss adapting “Farragut North” for the big screen will make anyone unfamiliar with the stage play interested in checking it out.

“Abduction”

Taylor Lautner’s first starring vehicle didn’t perform as well as studio execs probably anticipated based on the star’s “Twilight” fame, but you have to wonder if any of them actually watched the movie. Not only is it a blatant rip-off of the Jason Bourne franchise, but it’s a pretty terrible one at that, with Lautner’s complete lack of acting talent even more noticeable than usual. There’s absolutely nothing redeeming about this film. Lautner’s history of martial arts (the one thing that he actually had going for him as an action star in training) is never exploited to its full potential, while veteran actors like Jason Isaacs, Maria Bello and Sigourney Weaver are smart enough to jump ship before the first act is even over. I could continue to list reasons why you shouldn’t waste your time, but what’s the point when you can read this much funnier, snark-fueled review by Dustin Rowles at Pajiba?

Blu-ray Highlight: The movie may be really bad, but the extras are actually quite good, especially when viewed in the Abduction Application, which integrates all three production featurettes (including a making-of) into a personalized in-movie experience.

James Bond at 50: Olga Kurylenko and Caterina Murino

Bond girls Olga Kurylenko and Caterina Murino were on hand to celebrate the 50th anniversary of James Bond and unveil Metro-Goldwyn-Mayer and Twentieth Century Fox Home Entertainment’s BOND 50 Blu-ray collection at CES 2012 in Las Vegas on Tuesday. Check out the video above for a promo for the new Blu-ray along with discussions with three of the directors of the Bond films.

Ukrainian beauty Olga Kurylenko is an actress and model based in Paris, and she appeared in “Quantum of Solace.” As you can see from the photo below she can handle a gun!

Italian stunner Caterina Murino appeared in “Casino Royale.”

A Chat with Jon Heder (“Napoleon Dynamite”)

Although Jon Heder has rarely been without work since making his cinematic breakthrough in 2004, it would be fair to say that, no matter how many films or television appearances he may have made, people’s first thought when they see him remains “Napoleon Dynamite.” And, really, why wouldn’t it be? Even Heder himself admits that the distance between himself and Mr. Dynamite isn’t exactly the longest trek in the world. Still, if you thought he’d be hesitant to reprise his role for Fox’s upcoming series based on the the character and his adventures, you would be wrong. Heder doesn’t consider Napoleon to be an albatross around his neck. To the contrary, in fact, he’s loving every minute of his prime-time experience, which begins this Sunday evening with two episodes: one at 7:30 PM, one at 8:30 PM.

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Bullz-Eye: So this is a pretty sweet gig you’ve got here.

Jon Heder: Uh…doing all these interviews? [Laughs.]

BE: Well, not necessarily that. I really meant you’ve got a gig where you don’t even necessarily have to wear pants.

JH: Oh, right! Which is appropriate, since Napoleon hardly ever wears pants on the show, either. [Laughs.] But, no, you’re right: this is a sweet gig. And I’m hoping that it continues and finds success. That’d be awesome.

BE: Well, I watched the first two episodes, and they were fun.

JH: I mean, it could possibly be the best job ever, because I love the work, I love the material, it’s, not, like, “Oh, all right.” I love “Napoleon.” And you’re going in, you’re recording, it’s easy scheduling…it could be the best job ever.

BE: Obviously you know the character pretty well. How much in terms of voice acting did you learn from doing films like “Surf’s Up” and “Monster House”?

JH: I’ve learned a lot, but…I don’t know if they necessarily prepped me for this, because…I was trying to create new, different voices and things for “Surf’s Up” and “Monster House.” This was a character I already knew and I knew what I was doing. I suppose doing all of those days of ADR on those films helped.

BE: Was it any trouble to find the Napoleon voice again?

JH: It took maybe five seconds. [Laughs.] It wasn’t too bad. I mean, at first, I definitely felt like one of the many college students who’ve done impersonations that I’ve seen on YouTube or whatever. Or just heard. Like, “Eat your freaking tots!” And as soon as I said it, it was, like, “Oh, uh…” And then I went, “No, no, no, I can own this. I mean, this is me! I am him!” [Laughs.] So it wasn’t too bad.

BE: How many horrible impressions of Napoleon have you heard over the years?

JH: Well, I was telling my wife the other day, “Is this horrible to say?” And it must be because it’s me, because it’s my voice, but…they’re all horrible. [Laughs.] I mean, it’s funny, but if you’re talking in terms of how good they are, none of them come close. And I would know, because it’s me! [Laughs.] But if I tried to take a more objective point of view, then, yes, I’ve probably heard a lot of good ones, too.

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Coming Soon: A Moviegoer’s Guide to January

I’ve joked in the past about January being a dumping ground for all the misfit movies that the studios deemed unworthy of a more attractive release date, but the truth of the matter is that there are 12 months in a year, and you can’t expect every month to be overflowing with quality programming. With that said, however, this year’s pickings don’t look as bad as usual, with a surprising amount of action films led by big-name stars, some of which have real sleeper hit potential. The general lack of confidence by the studios suggests otherwise, but when expectations are this low, anything is possible.

“CONTRABAND”

Who: Mark Wahlberg, Kate Beckinsale, Giovanni Ribisi, Lukas Haas and Ben Foster
What: To protect his brother-in-law from a drug lord, a former smuggler heads to Panama to score millions of dollars in counterfeit bills.
When: January 13th
Why: It’s pretty funny that a movie about counterfeiting should turn out to be an imitation itself (the Icelandic film on which its based featured the U.S. version’s director, Baltasar Kormákur, in the lead role), but despite the fact that its clichéd plot seems to have been ripped off from a number of generic action thrillers just like it, “Contraband” has one thing that a lot of those films didn’t – a killer ensemble cast. Mark Wahlberg has had his share of duds over the years, but he’s always entertaining to watch, and guys like Giovanni Ribisi, Ben Foster and J.K. Simmons are some of the best character actors in the game. It’s probably not something you should rush out to see on opening weekend, but “Contraband” at least looks like it’ll be a fun way to kick off the 2012 movie season.

“UNDERWORLD: AWAKENING”

Who: Kate Beckinsale, Michael Ealy, Stephen Rea and Kris Holden-Ried
What: When human forces discover the existence of the Vampire and Lycan clans, Selene leads the battle to protect both of their species.
When: January 20th
Why: For as entertaining as the first “Underworld” movie was, I’ve never understood how the series has managed to stick around for as long as it has. The second film was really bad and the third one was even worse, but for some reason, Screen Gems is intent on milking the vampire/werewolf franchise for as long as they can. And until people stop blindly handing the studio their money, they’ll keep making them. The only reason anyone should even consider seeing this fourth installment is for the leather-clad return of Kate Beckinsale as vampire heroine Selene, because the rest of the film reeks of desperation. Why else would they be releasing it in (undoubtedly subpar) 3D?

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