Category: Movie Reviews (Page 32 of 81)

Movie Review: “Our Brand is Crisis”

Starring
Sandra Bullock, Billy Bob Thorton, Anthony Mackie, Joaquim de Almeida, Ann Dowd, Scoot McNairy, Zoe Kazan
Director
David Gordon Green

With the 2016 U.S. presidential election already garnering plenty of media attention, the timing couldn’t be more perfect for a film like “Our Brand is Crisis” to remind everyone that politics is just a big sham. Loosely based on Rachel Boynton’s 2005 documentary of the same name (which detailed the marketing tactics employed by a team of American consultants led by Clinton campaign strategist James Carville in the 2002 Bolivian presidential election), the movie delivers a watered-down version of those events that audaciously tries to get the audience to identify with its morally corrupt protagonist. The fact that she’s portrayed by America’s sweetheart, Sandra Bullock, is a genius piece of casting, because the actress could play Hitler’s mother and still come across somewhat likable, but it doesn’t mask the film’s tonal inconsistencies and lack of direction.

Bullock stars as “Calamity” Jane Bodine, a disgraced campaign strategist who’s been out of the political game for six years after a string of losses credited to her self-destructive behavior. But when Bolivian presidential candidate Pedro Castillo (Joaquim de Almeida) hires an elite American management team to run his campaign, only to find themselves 28 points behind in the polls with 90 days to go, Jane is approached in a last-ditch attempt to turn the ship around. It’s apparent to Jane within minutes of meeting Castillo that he’s a lost cause, but despite the seemingly impossible odds of closing the gap on populist candidate Victor Rivera (Louis Arcella), she agrees to take the job after discovering that the competition has hired its own American strategist, longtime rival Pat Candy (Billy Bob Thornton), who’s beaten her in every previous contest. For Jane, this is personal, and though Castillo’s Bolivian consultants strongly advise against running a negative campaign – they just don’t do that in their country – she convinces him that playing dirty is his only chance of winning.

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Movie Review: “Steve Jobs”

Starring
Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Katerine Waterston, Michael Stuhlbarg, John Ortiz
Director
Danny Boyle

Most biopics go to great lengths to humanize their subjects, to show that even the great ones are flawed in some way. “Steve Jobs” sets its subject on fire, and then pokes the body with a stick for 122 minutes. They make it clear from word one that Jobs was a sociopath, blinded by ambition and seemingly incapable of empathy or love. He was an insufferable boss and an even worse father, yet the son of a bitch changed the world.

And the thing is, those are all okay elements to include in the film of someone’s life. More often than not, though, those pieces aren’t the whole story. Here, they are, and it’s framed within a narrative that seems designed to make the audience even more uncomfortable. “Steve Jobs” is well written and well-acted, but it is not an easy movie to like, let alone love. It challenges the audience, and that is an admirable thing, as long as they’re willing to suffer the consequence that people may ultimately decide that they don’t like the movie because the supposed protagonist is an unrepentant jerk.

The film covers three product launches, peppered with a few informative, non-linear flashbacks, over the course of 14 years. The first one takes place in 1984, where Jobs is about to launch the Macintosh. Ridley Scott’s “1984” ad during the Super Bowl had everyone talking, and now it is up to Jobs to deliver. The only problem is, the Mac isn’t ready, and yet he still tells the press that he anticipates record-shattering sales. Before he makes his presentation, though, he has to deal with Chrisann Brennan (Katherine Waterston), mother of Jobs’ daughter Lisa, though he refuses to acknowledge Lisa as his daughter. Next up is Steve Wozniak (Seth Rogen), the man with whom he invented the first Apple computer in a garage, and the two are still quibbling over what turned out to be game-changing innovations that Jobs rejected out of hand.

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Movie Review: “Bridge of Spies”

Starring
Tom Hanks, Mark Rylance, Amy Ryan, Alan Alda, Austin Stowell
Director
Steven Spielberg

Certain things go together. Peanut butter and chocolate. Jack and ginger (yes, ginger, not Coke. Try it). “Bridge of Spies,” on the other hand, is proof positive that Steven Spielberg (the film’s director), and Joel and Ethan Coen (the film’s co-screenwriters), absolutely do not go together. In fact, this would have been a much better movie had the Coens directed it themselves. There are these subtle, effective and surprisingly funny moments that are clearly the Coens’ work, and then Spielberg steps in and drowns everything else in syrup. That it remains a watchable movie is in spite of Spielberg’s efforts, not because of them.

It is the late ‘50s, and Cold War paranoia is at an all-time high. The FBI captures Brooklyn resident, and Russian spy, Rudolph Abel (Mark Rylance), and the government assigns a local law firm to represent him. The case is assigned to James Donovan (Tom Hanks), even though he is primarily an insurance lawyer. James quickly realizes that no one is interested in giving Rudolph a fair trial, which only leads James to fight even harder to get him one, regardless of the hardships that may mean for him and his family. He loses, but successfully lobbies to pardon Rudolph from getting the death penalty, arguing that the U.S. would be wise to keep him around as a bargaining chip.

Sure enough, James proves to be right, as American pilot Gary Powers (Austin Stowell) is captured after his U-2 spy plane is bombed out of the sky by the Russians, and he is sentenced to hard labor in a Russian prison. The U.S. government asks James if he can negotiate an unofficial trade with the Russians to swap Rudolph for Powers. James is game, but he wants to sweeten the deal by also getting the Russians to convince the German Democratic Republic – who are building the wall between East Berlin and West Berlin as these events are taking place – to also release Frederic Pryor (Will Rogers), an economics student that the GDR has falsely accused of espionage in the hopes that they will get invited to the political big boy table.

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Movie Review: “Crimson Peak”

Starring
Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam
Director
Guillermo del Toro

It’s no secret that Guillermo del Toro has a slightly deranged imagination, as witnessed by the twisted fantasy worlds and creatures from “Pan’s Labyrinth” and the “Hellboy” films, but there’s a beauty to his madness that flows through all of the director’s movies, perhaps none more so than his latest project. A gothic romance that’s equal parts Edgar Allen Poe and Emily Brontë, “Crimson Peak” feels like a nostalgic throwback to the kind of films that Hammer made in its prime. Though the movie’s supernatural elements aren’t as prominent as the marketing campaign would lead you to believe, “Crimson Peak” is a sumptuously designed genre flick that delivers a different kind of horror from the typical ghosts-and-ghouls haunted house story.

Set during the turn of the 20th century, the film stars Mia Wasikowska as young American heiress Edith Cushing, an aspiring author who has no interest in romance, whether in real life or her stories, despite the fact that childhood friend-turned-physician Alan McMichael (Charlie Hunnam) clearly fancies her. When English baronet Thomas Sharpe (Tom Hiddleston) arrives in town seeking financing for a clay-mining machine that will help return his family’s business to its former glory, he’s turned away by Edith’s father (Jim Beaver), a self-made industrialist who sees right through Thomas’ façade. That doesn’t stop Edith from falling in love with the penniless aristocrat, however, and after her father is tragically murdered (although it’s covered up to look like an accident), Thomas whisks her away to England to live with him and his ice-cold sister, Lady Lucille Sharpe (Jessica Chastain), in their ancestral home of Allerdale Hall, a crumbling mansion that’s literally sinking into the ground due to the red clay mines below it. But when Edith begins to encounter tortured apparitions that haunt her new home, she uncovers terrible secrets about the Sharpe family history that threaten Thomas and Lucille’s ulterior motives.

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Movie Review: “Goosebumps”

Starring
Jack Black, Dylan Minnette, Odeya Rush, Ryan Lee, Amy Ryan
Director
Rob Letterman

If you were a child of the ‘90s, or a parent of school-age children during that decade, you’re probably familiar with R.L. Stine’s “Goosebumps,” the best-selling series of kid-friendly horror novellas that captured a generation of young readers. In fact, the astonishingly prolific Stine is still publishing new books to this day – a sign of the series’ continued popularity that suggests a “Goosebumps” movie has been long overdue. Though this isn’t the first attempt at bringing the YA horror series to the big screen (Tim Burton was attached to produce a film version in 1998 that never came to fruition), it’s a harmless slice of family entertainment that evokes the goofy humor and PG-rated scares of other Halloween classics like “Hocus Pocus.”

One year after his father’s death, mopey teenager Zach (Dylan Minnette) relocates from New York City to Madison, Delaware with his mother (Amy Ryan) when she accepts a job as the vice principal at the local high school. Zach quickly makes friends with the charismatic girl next door, Hannah (Odeya Rush), but when he suspects that her creepy, overbearing father (Jack Black) is harming her, he breaks into the house with new schoolmate Champ (Ryan Lee) to investigate. Once inside, they discover a bookshelf filled with “Goosebumps” manuscripts that have been mysteriously sealed with a lock, and after Zach unwittingly opens one titled “The Abominable Snowman of Pasadena,” the eponymous monster magically leaps from the pages into the real world. As it turns out, Zach’s neighbor is R.L. Stine himself, whose imaginary creations actually exist and must be contained under lock and key. But when another book is opened amid the chaos of the Abominable Snowman’s escape and evil ventriloquist doll Slappy the Dummy (voiced by Black) is released, he steals the remaining manuscripts in order to free his fellow monsters from their hardbound prisons and wreak havoc on the entire town.

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