Category: Lifestyle (Page 240 of 274)

Gabrielle Union joins Swedish House Mafia for surprise performance at ABSOLUT Greyhound bash

Gabrielle Union joins Swedish House Mafia

The 2012 Ultra Music Festival kicks off this weekend in Miami, and we caught a sneak peak of the party about to explode here in South Florida. Swedish House Mafia appeared for a surprise performance at ABSOLUT Greyhound bash in Miami on Wednesday night. We were invited backstage to meet the guys and special guest Gabrielle Union, who looked as beautiful as ever as you can see from the photos above.

After hanging out a bit backstage, we went back and joined the crowd as we sipped down some tasty ABSOLUT cocktails. The crowd was totally amped for this event and Swedish House Mafia blew them away! We experienced Ultra a couple of years ago and this surprise concert gave us a taste of what to expect this weekend. The crowd was filled with all of the amazing sights you expect to see in Miami as all the South Florida hotties were decked out in tiny dresses and shorts for the evening of dancing. The crowd at Ultra is definitely different than what you would see at a rock festival!

Greyhound is a collaboration between ABSOLUT VODKA and Swedish House Mafia – check out the video here!

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Drink of the Week: The Emerald

The EmeraldSay what you will about me, I am a man of peace. That is why I come to you, this St. Patrick’s Day eve, with a small suggestion. If you should, for some reason, find yourself at an actual Irish bar or pub tomorrow night, please resist the urge to order two drinks, which I will now name.

Now, I actually very much like the beverage we in the States and in England call the Black and Tan, which combines Guinness stout with Bass or another pale ale. It’s sort of the cappuccino of beer. However, as Ben and Jerry found out a a few years back, the name is pretty much the equivalent of naming a Jewish deli sandwich a Marauding Cossack. You see, just as the Cossacks weren’t known for their kindness to Russian Jews, the English Black and Tan militia men were not known for their gentleness to Irish folks during the nation’s war of independence from the British, circa 1920-22. As for the drink known as an Irish Car Bomb, let’s just leave that one alone.

Instead, may we suggest this really very nice little beverage named for the Emerald Isle. Yes, knowledgeable readers will notice a more than slight similarity with a far better known classic cocktail, but that will only make it easier to order if your barman is not familiar — and he likely won’t be.

The Emerald

2 ounces Irish whiskey
1 ounce sweet vermouth
1-3 dashes orange bitters
1 maraschino cherry (very optional garnish)

Combine whiskey, vermouth, and bitters in a cocktail shaker. Shake or stir, as is your preference, into a chilled martini/cocktail glass. Toast, preferably while listening to the Pogues, the Chieftains, the Dubliners, or Van Morrison.

***

Now, yes, this is pretty obviously a slight variation on a Manhattan, but the Irish whiskey makes for a drink that goes down as easy as watching John Ford’s “The Quiet Man” on a Sunday afternoon and ordering this non-offensive drink will avoid any situations out of “The Wind that Shakes the Barley.”

As I alluded to above, it’s also a pretty obscure drink. Indeed, every recipe I could find online seems to come pretty directly from, Esquire‘s David Wondrich who, I promise, won’t be mentioned next week for a change. It’s worth noting, however, that he points out the use of orange bitters is also potentially controversial, if you know a little Irish history. I do think, however, your bartender will charitably assume you mean orange fruit and not Orangemen when you request a Manhattan made with Irish whiskey and Regan‘s Orange Bitters.

And now, some music to drink the Emerald by.

Drink of the Week: The Bronx

the BronxThe Wikipedia article says that the Bronx — the old school cocktail, not the NYC borough — remains popular in some regions. Well, that region must not be California or anywhere else I’ve visited much, because about the only place I’ve seen or heard anything about it until recently was as a recipe offered on one of my cocktail shakers. Come to think of it, though, I haven’t spent a whole lot of time in the Bronx. I imagine it might be popular there.

In fact, the Bronx was actually one of the first non-martini cocktails I ever made for myself. Don’t ask me why I’ve waited this long to get to it, though I’d be lying if I said it was my favorite. It’s quite tasty and refreshing but it hasn’t blown me away with its flavor like the Mary Pickford did a couple of weeks ago, so I guess it’s not a big mystery why it kept slipping my mind. Still, if you like gin, vermouth, and orange juice, you can’t really go wrong with this hard to ruin aperatif.

The Bronx

2 ounces gin
1 ounce orange juice (preferably fresh squeezed, of course)
1/2 ounce dry vermouth
1/2 ounce sweet vermouth

Combine the ingredients in a cocktail cocktail shaker filled with ice. Shake vigorously. By now, I’m sure you won’t be surprised to find that you’ll be straining this into our old friend, the well-chilled martini glass. You may salute the geographical Bronx before sipping, but an actual Bronx cheer is not recommended.

***
There are a pretty endless number of variations on this one this, mainly in the amount of OJ and vermouth used. David Wondrich goes so far as to reduce the vermouths to half a teaspoon each, which results in a somewhat punchier, orangier beverage. That recipe on my shaker reduces the gin down to 1 ounce, the sweet vermouth to 1/4 of an ounce, the dry vermouth to an 1/8 of an ounce — don’t ask me how you measure an amount that small, I doubled everything on this recipe whenever I’ve actually made it — and reduces the proportion of orange juice down to 1/4 of an ounce.

Really, you can play with the Bronx all day and all night, it doesn’t seem to change much. This is one drink where you can get a little crazy and no one will get hurt.

Harley-Davidson Softail Slim Review

Harley-Davidson Softail Slim

Many have claimed that rock is dead, and if recent trends are anything to go by, they may be right. As the Black Keys’ screed against Nickelback last January showed, rock is struggling to reconnect with a generation that has turned to auto-tuned, plastic pop stars for entertainment instead of the thrum of electric guitars. But the main reason why people have turned away from rock has gone unsaid. Rock was always about rebellion, but lost people when the image of rebellion overtook the message. Like rock, motorcycles are a symbol of rebellion in culture gone soft. Also, like rock, they are struggling to reinvent themselves for a new generation after marketing rebellion instead of living it. However, as Harley-Davidson’s Softail Slim shows, rebellion is not dead in the motorcycle marketplace. And if this bike is anything to go by for both rock and motorcycles, the way to reconnect with younger kids may be going back to what made you so popular in the first place.

The Softail Slim is one of two new Dark Custom motorcycles that harkens back to the days of the choppers and bobbers from the 1950s. In the ‘50s, choppers weren’t just something you could buy; they were built with bare hands and bad attitudes as a serious style statement. To bring the Slim in line with this attitude, the bike is finished with a few time-appropriate design cues. But it’s not enough to just make the bike look old and then market it as something badass; the product should actually act out the marketing message. What Harley has done to the Slim to capture that old chopper mindset is to follow up its vintage look with a really raw riding experience.

This first step in bringing the bike in line with its historical inspirations is to get the look right. First, the overall stance is slimmed down to give the bike a more custom look. The fenders are bobbed, turn signals and accessories are slimmed down or removed, a thin solo seat is placed on the bike, and skinnier tires with thick sidewalls are added. Then, a few period correct cues are put on, like the Hollywood handlebars on the bike. Characterized by the crossbeam on the top, and the gentle sweep to bring the bars closer to your hands, the Hollywood bars were originally a Harley-Davidson accessory back in the ‘50s that have been taken out of retirement to give this bike a more vintage feel.

However, like the lead guitar in a band, the center of attention on a Harley has always been the engine. In the Slim, the motor is a 103 cubic inch V-Twin that has had an extra dose of attitude added with a healthy coat of black paint. To highlight the vintage feel, a round air cleaner has been added. Internally, nothing is changed over other Softail models. What this means is that you get the same 79hp and 90lb feet of torque that is on other Softails, such as the Blackline we reviewed last year. But more importantly, this is where that vintage feel starts to shine through. The motor responds to inputs nicely, but along the way it vibrates, shimmies and shakes. It feels natural where other motors feel too refined and clinical. It’s more time machine than engine in that it really brings you back to how older bikes feel.

Harley-Davidson Softail Slim

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Harley-Davidson: The Forgotten Art of the Road Trip

Harley-Davidson road trip

In today’s market, speed rules the conversation. Superbikes, supercars, super(blank) are the center of attention. All marketing materials talk about is going faster and harder. Horsepower, lap times, and what minute difference is going to give one bike an edge is seemingly all we talk about with motorcycles, and what the public sees of us. But beyond the power, speed and fury that few people will use on the street, there is a whole type of riding that goes unnoticed: the road trip.

There used to be a valued segment of the marketplace for “grand tourers.” For cars, these were old Jaguars XK’s and graceful Aston Martins; machines that were built to effortlessly travel long distances with power and grace. As such, they were tuned to deliver a ride that would not rattle every bone in your body to dust. For motorcycles, it has always been the cruiser: Big, bold machines with slow turning engines that produce more torque than power. Many manufactures make bikes built for this segment, but only one has built their reputation on cruisers: Harley-Davidson. On our recent trip to Miami with Harley-Davidson, I discovered the experience of a road trip on a trip from Miami to Key West, and back, in one day.

The U.S. is built for road trips. Our roads are long and flat. Our country is big and wide. Culturally, we have always felt a need to push towards the frontier, and the road trip satisfies that need. It must then be easier to ride long distances than attacking a road course with Red Bull-aided fury since you really are riding in a straight line. But that’s not the case. The experience of a cruise is less technical precision than it is adapting to the little things that get in your way. This is where the difficulty lies.

Take the road itself. Not much attention is paid to it in a car because you don’t feel the differences in the pavement unless you’re in a sports car. On a bike, you feel the difference between where the road has been patched, the seams in the road, gravel, and how it may dip or rise in certain areas, and this all effects how the bike handles. The relationship is much more intense because it changes the way the bike moves.

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