Category: Entertainment (Page 248 of 277)

Sons of Anarchy 4.10 – Hands

If you haven’t already heard, FX recently granted Kurt Sutter an additional episode so that he could see out the current season the way he intended, and for as good as this year has been up until now, it’s easy to see why the network gave in to his demands. Tonight’s show was a pretty pivotal episode in terms of where the rest of the season is headed, and although there were some other important developments apart from the main storyline (like Jax informing Opie that he was leaving the club and Juice agreeing to work with Lincoln to save it), I’ve decided to focus this week’s blog post entirely on the intensifying drama around the Teller/Morrow clan.

Though last week’s cliffhanger may have tried to play coy about whether Clay was actually moving forward with his plan to order a hit on Tara, it was confirmed within the first few minutes of tonight’s episode. I found it a little strange that Clay demanded Tara’s death to be handled cleanly, however, because if he was planning on blaming it on the cartel, isn’t that the complete opposite of what they would do? Regardless, it didn’t take long for Gemma to realize that Clay was up to no good when she discovered that the money was missing, but I don’t think she knew what he had done just yet.

The look on Clay’s face upon learning that Jax and the kids were joining Tara on her trip up to Oregon was priceless, and although he tried to call it off, Romeo said that it wasn’t possible. What he doesn’t know is that Romeo could have easily canceled the hit if he wanted to, but now that he knows that Tara is a potential liability, he’s going to do whatever it takes to protect the cartel – even if that means killing her himself. Of course, as soon as Romeo does come after Tara, that’s surely going to spell the end of the cartel’s relationship with SAMCRO, which is exactly what the club wants anyways.

Still, for as much as that guy was paid to kill Tara, you’d think that he would be a little better at his job. Though he successfully got her into the van, Jax was able to shoot out the tires, prompting Tara to try and escape only to have her hand crushed by the door. As soon as that happened, I immediately knew where the story was headed. With Tara’s career as a surgeon pretty much finished (save for some miracle recovery), Jax will be forced to stay in the club in order to support her and the family. The fact that I didn’t even consider that possibility before is a little embarrassing, but I have to applaud Sutter for doing what was necessary without making it feel like a jumping the shark moment. The emotional ramifications are going to be huge, because I can’t really see how Jax and Tara will able to be continue their relationship when she already resents him for what happened.

There may be a dearth of strong female characters on television, but “Sons of Anarchy” has two incredible ones in Tara and Gemma. The latter really showed her fortitude tonight when, after confronting Clay about breaking his promise to stay away from Tara, she pulled a gun on him and threatened to tell Jax everything. But while Gemma certainly got a few good punches in after he attacked her, Clay did most of the damage, beating her up so badly that she looked even worse than she did after the rape in Season Two. I honestly don’t see how Clay is going to make it out of this season alive, and now that Gemma has finally admitted he’s beyond saving, she’s ready to let him go. Unser would prefer he’s delivered justice by the law, but Gemma believes he has to die, and only at the hands of a Son. But who will it be? Jax, Opie or someone else?

5 Questions with Isabel Lucas (“Immortals”)

She’s had parts in “Transformers: Revenge of the Fallen” and “The Pacific,” but sylphlike 26-year-old Isabel Lucas is probably still best known in her native Australia for her three-year stint in the continuing drama, “Home and Away.” She can currently be seen as none other than the goddess Athena in Tarsem Singh’s bloody sword & sandals fantasy, “Immortals.” She will also be featured in the upcoming, long-awaited remake of “Red Dawn.”

In her spare time, Ms. Lucas is also an activist for the environment and animal rights. Her activities on behalf of dolphins actually caused her to run afoul of the Japanese government some years ago and she can be seen briefly in the Oscar winning 2009 documentary, “The Cove.” We managed to grab enough time during the recent “Immortals” junket to ask her, you guessed it, five questions.

1. I’m sure you’ve been called a goddess once or twice. What’s it like to actually play one?

Isabel Lucas: I don’t think I’ve been called a goddess before. Maybe. I don’t know. Athena is a very special archetype. She’s the goddess of wisdom and runs around in the wartimes providing counsel. It was a really amazing opportunity. Big shoes to fill, in a way.

2. So, now, you’re a goddess — the goddess of movies. Which leading man would you choose to be in a movie with? It can be anyone who’s ever been onscreen from any time period.

IL: I was going to say Daniel Day Lewis, but then you said any time period. So, maybe James Dean or Marlon Brando.

3. What was the best thing, and what was the worst thing, about being an Australian soap opera star?

IL: The best thing is probably the learning experience. You have a creative outlet every day and you’re working with really great directors and you have a very tight schedule, and you have a lot of obligations… a lot of dialogue and there’s a lot of things you’re learning on the job. So, that’s a great thing.

What are the negative things about working on a soap opera? It’s probably a boring response, but I think actors can pick up patterns from working on a series like that. [They] find acting tricks that they can repeat — you’re not really stretching yourself. There may only be a certain amount you can learn on a series like that.

4. You were voted one of PETA’s “Sexiest Vegetarians.” Who would you vote for “sexiest vegetarian”?

IL: I don’t know if I really know that many sexy vegetarians. I have a really good friend of mine. He’s been a bit like a big brother. He is a really diligent vegetarian. He’s actually a vegan, and that’s why he came to mind. He’s a free surfer. His name is Dave Rastovich. He does a lot of really great environmental activism. I just did a sail with him and a whole bunch of our friends along the California coast, sailing on kayaks….I went with my boyfriend, who is not a vegetarian. We sailed down — it was basically doing beach clean-ups along the way. Dave organized the whole thing. If you want to check it out, it’s called TransparentSea Voyage.

5. Speaking of your aquatic adventures, you were, of course, involved in an effort to protect some dolphins from fishermen. Is it true that you’re still a wanted woman in Japan?

IL: I would kind of chuckle if they threatened that. I think it was more just to sort of make a scare, to scare us from coming back. At this point, I don’t really have any plans to go back right now. I think that Japan obviously has a lot of issues that need to be dealt with and doesn’t need this right now. However, I actually don’t think it’s very serious because I did return to Japan for the “Transformers” premiere [in 2009] and it was fun.

And nobody tried to arrest you?

IL: No.

A chat with Mickey Rourke (“Immortals”)

“9 1/2 Weeks” director Adrian Lyne is supposed to have said that if Mickey Rourke had died in 1986, his legend might have surpassed James Dean’s. Maybe so. The problem was that, after a series of usually superb but always entertaining performances, Rourke didn’t die. Instead, as the man himself explains, artistic hubris and psychological issues got the better of him. He developed easily the worst reputation of any actor in Hollywood before quitting show business for a time to become a boxer at age 39. Though the resulting injuries and reconstructive surgery permanently altered Rourke’s appearance, years of public fence mending and consistently strong work in small but memorable roles have finally paid off. The battle-scarred actor is now enjoying the afterglow of a sympathetic, engaging, and just plain damn brilliant Oscar nominated performance in Darren Aronofsky’s 2008 indie hit, “The Wrestler.”

A former amateur boxer from Schenectady, New York, Rourke first got short-listed for the A-list with his charismatic turn in Barry Levinson’s 1982 ensemble classic about masculine immaturity, “Diner.” That was followed by a series of highly notable films that didn’t impress at the box office but live on in home video: “The Pope of Greenwich Village,” Francis Ford Coppola‘s tragically underrated “Rumblefish,” Michael Cimino’s “Year of the Dragon,” Alan Parker’s “Angel Heart,” and Barbet Schroeder’s charming 1987 Charles Bukowski adaptation, “Barfly.” Prior to “The Wrestler,” Rourke was probably best known for 2005’s “Sin City” and 1987’s “9 1/2 Weeks,” which also did a lot to popularize co-star Kim Basinger and the erotic use of ice cubes.

I spoke to Rourke via phone about 24 hours prior to the press junket for “Immortals,” Relativity Media’s hyper-violent mythological fantasy film directed by visual stylist Tarsem Singh (“The Cell,” “The Fall”). When I cheerfully asked the star how he was, his response was a weary, “Oh, that depends.” What else should I have expected from one of acting’s most respected loose cannons?

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The Light from the TV Shows: The Current State of “Law & Order”

Is it me, or does it feel inherently wrong that there’s only one “Law & Order” series on the air at the moment?

I’m not saying that it hasn’t been completely and totally warranted to make fun of how many members of the franchise there have been over the years. In addition to the so-called mothership, “Law & Order,” you’ve had “Law & Order: Special Victims Unit,” “Law & Order: Criminal Intent,” “Law & Order: Trial by Jury,” and “Law & Order: Los Angeles.” Oh, and lest we forget, there was also “Conviction,” which – although it didn’t feature the words “Law & Order” in front of its title, was a spin-off featuring the character of Alexandra Cabot (Stephanie March) as a Bureau Chief Executive ADA supervising the newest crop of ADAs.

I admit it: that’s a hell of a lot of “Law & Order.” But, dammit, I like “Law & Order.” Even if I’ve never liked the various spin-offs quite as much as the mothership, all of the series still served as TV comfort food, each just different enough from the other to make me happy. All things being equal, I can’t complain that the one “L&O” series left is “SVU,” as that’s the one that’s often been on the verge of overtaking the original series as my favorite, but now that there’s no Stabler, even “SVU” feels…dare I say it?…a little unstable.

Thank heavens, then, that the series has decided to delve into its universe of characters and bring back one from the mothership: Michael Cutter, played by Linus Roache. The relationship between Roache and Sam Waterson on the original series was great, but in his return to the franchise, we’re now going to see Cutter standing on his own, getting to be the big shot this time around. Also turning up on the series is another actor who recently his full-time gig go under: Andre Braugher, late of “Men of a Certain Age.” If you’re a real diehard “L&O” fan, you may remember that Braugher once turned up on the original series, but…well, I’ll let him remind you about it.

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Sons of Anarchy 4.9 – Kiss

I should have known that Juice’s failed suicide attempt was going to have much bigger repercussions once someone in the club found out, and sure enough, it’s become almost as much of a problem as the race issue that got him into this whole mess. After Jax learns where Juice’s neck bruises really came from, he reminds Chibs that “Sons don’t kill themselves,” and as a result, Juice would likely be voted out of the club since they can longer trust him. But Chibs seems to believe that Juice is worth saving and asks Jax for a little more time to see if he can’t help him get out of this emotional rut.

What neither of them realizes, however, is that Juice isn’t depressed – he’s just nursing a guilty conscience, which he hopes to remedy by getting out of the spy game with Roosevelt. But Lincoln believes that he can still be useful, so he brings Juice into the secret RICO room to show him just how deep his investigation goes. Though he claims that he’s only after the Real IRA and promises that SAMCRO won’t be dragged into a federal case (thereby saving the club and all of its charters from certain extinction), he can’t guarantee that some of its members won’t be punished for their involvement. All Lincoln wants in return is the details of the upcoming meet between the IRA and the cartel, but Juice probably couldn’t get that information even if he wanted. In fact, if he’s so adamant about helping the club, his best bet would be to just call Lincoln’s bluff, because it’s pretty obvious the investigation hinges on whether or not he cooperates.

SAMCRO could sure use the old Juice on their side, especially with increasing pressure from Lobos Sonora, who they discover have been working with the Niners to expand their coke business into the States. Though it’s hard to blame the Niners for cutting a deal with the Lobos while the Sons were still in prison, Jax convinces their President that’s in his best interest to stay out of the middle of a cartel beef and join them and the Mayans in working for Galindo. Part of that deal means luring the Lobos into a trap so that Torres can take care of them once and for all, but when the surprise attack goes south and a few manage to escape thanks to some handy grenade launchers, Jax persuades Torres not to take out his anger on the Niners by ensuring him that they’ll be more useful alive than dead. All in all a pretty worthless subplot in the grand scheme of things, although it did provide Torres the chance to give Clay a cell phone that would solve his “doctor problem.” And just to emphasize the gravity of the decision, he tells him that once the assassination is set in motion, it can’t be stopped.

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