Author: Jason Zingale (Page 99 of 112)

Blu Tuesday: Funny Money, Haunted Inns and More

Last Tuesday’s Blu-ray selection wasn’t quite as poor as it has been these last few weeks – with such notable titles as “Mission: Impossible – Ghost Protocol” and “Shame” on the schedule – but I didn’t receive any review copies in time for my column. Thankfully, things are finally starting to pick up again, which is great news for Blu-ray collectors. Although there really isn’t a standout title among this week’s releases, there’s still a good variety to choose from, including this trio of very diverse movies.

“Contraband”

Mark Wahlberg’s latest action thriller isn’t a terrible movie by any means, but it is an incredibly unmemorable one that, although it likely earned the actor a nice paycheck and the opportunity to work with guys like Ben Foster, J.K. Simmons and Giovanni Ribisi, isn’t up to par with what his fans have come to expect. A big part of the problem is that director Baltasar Kormakur vastly overcomplicates the film’s simplistic setup by making the actual heist so unnecessarily complex that not even Danny Ocean and his crew could pull it off. Worse yet, the story is so predictable that you can see every twist and turn before it happens. There’s hardly a single original idea to be found, which is ironic considering it’s about counterfeiting, and though Kormakur was presumably given the directing gig because he was familiar with the source material (having played Wahlberg’s role in the Icelandic film that it’s based on), he fails to demonstrate what made that movie so special that it deserved a remake.

Blu-ray Highlight: I’m a sucker for a good making-of featurette, and the one included here is better than most, covering a range of topics including the differences between the Icelandic original and the remake, casting and filming on location in New Orleans.

“The Innkeepers”

I saw Ti West’s “The Innkeepers” two years ago at South by Southwest, and whether it was because “Insidious” had just given me a mini panic attack the night before, or because I was simply expecting more from the film, I didn’t find it to be particularly scary. Though West’s slow-burn approach is pretty effective in the opening half, there’s very little payoff, to the point that when the horror elements finally do kick in, they’re not as terrifying as you’d expect. Instead, the movie spends most of the time camped out at the front desk where its two leads banter back and forth and play tricks on one another. It’s amusing at times, but never enough to hold your interest, despite the fact that Sara Paxton and Pat Healy have good chemistry. If there’s one redeeming quality, it’s the fantastic score by Jeff Grace, which at least makes the movie more watchable. Unfortunately, “The Innkeepers” is a mediocre horror film at best, and that’s a shame, because while it had the potential to revitalize the genre, it falls short.

Blu-ray Highlight: There’s not much to choose from on the single-disc release, but fans of Ti West will certainly enjoy the director’s pair of audio commentaries – one with producers Peter Phok and Larry Fessenden and 2nd Unit Director/Sound Designer Graham Reznick, and another, much livelier affair with stars Sara Paxton and Pat Healy.

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RIM launches the Challenge Council Project with a little help from the BlackBerry Bold 9900

Although it’s still a staple of the business world, the BlackBerry has fallen pretty far behind the iPhone and Android devices with most other consumers, prompting the team at RIM to demonstrate that they’re not as far out of touch as it might seem. Enter the Challenge Council Project, a new campaign led by Amir Blumenfeld and Streeter Seidell of College Humor (along with a mix of celebrities, bloggers and BlackBerry lovers across the country) with one mission in mind: to turn misconceptions on their ear and prove that the BlackBerry brand has the goods to make believers out of everyone.

For the next three months, Streeter and Amir will be presenting a series of funny videos designed to highlight a core feature of the latest BlackBerry smartphones. In addition to cameos by special guests like Dax Shepard and LMFAO’s Sky Blue, each webisode will also feature a challenge designed to let the online community experience what the new BlackBerry line-up is capable of. Participants can upload their content entries to the site where the Challenge Council will determine the winners, with prizes ranging from event tickets to cool trips for you and your friends. The first challenge is already underway and will be accepting submissions until April 18th, so be sure to visit the official Challenge Council Project website on the following dates for details on the remaining challenges.

Challenge 2: 04/26/2012
Challenge 3: 05/10/2012
Challenge 4: 05/24/2012
Challenge 5: 06/07/2012

We were sent the new BlackBerry Bold 9900 to check out some of the latest features that RIM has implemented, but despite some noteworthy improvements – including the BBM Music app, a faster processor and one of the better physical keyboards on the smartphone market – unless you were a BlackBerry user before, chances are pretty slim that the Bold 9900 will change your mind. Though I did like how easy it was to navigate through the system menus using the ultra-responsive trackpad, it only made the touchscreen display seem that much more useless. At a size of only 2.8 inches, browsing websites is practically futile, while those with fat fingers are likely to run into some trouble pressing the intended icon.

With that said, however, RIM shouldn’t be too concerned about competing with the likes of Apple and Android, because although the Bold 9900 lacks a large screen, a decent web browser and a comparable app store (among other things), it’s still a great tool for businessmen who just want a reliable email/messaging device without all the fuss. That may not sound like a glowing endorsement, but as a longtime iPhone user, it’s hard to see any advantage to using a BlackBerry when it’s so limited by what it can do.

Nevertheless, we know that there are a lot of BlackBerry fans out there who swear by the device, which is why Bullz-Eye is giving one lucky reader their very own BlackBerry Bold 9900 so that you can experience some of these new features for yourself and partake in the Challenge Community Project. Click here to enter for your chance to win. The contest ends on May 9th and the winner will be notified via email.

NOTE: We received this BlackBerry 9900 from Research In Motion, but the opinion is 100% our own.

Product Review: Nike+ FuelBand

There are a lot of gadgets out in the marketplace these days fighting for your hard-earned dollars, and one of the latest to garner serious buzz is the Nike+ FuelBand, a fitness bracelet that tracks your daily activity using a three-axis accelerometer inside the device. Nike is doing its very best to build hype for the FuelBand by releasing it in limited quantities and therefore keeping demand high, but at a rather pricey $150, is it even worth it? I was given a FuelBand to test out for one week and arrived at the following conclusion: it’s complicated.

Nike has done a great job with the overall presentation of the FuelBand; it’s simple yet stylish, and although the band is a little more rigid than expected, it’s so lightweight that you’ll forget you’re even wearing it most of the time. (I actually went to sleep wearing mine every night). Additionally, the band is water resistant, so you can feel free to wear it in the shower or the rain without worrying about it short-circuiting on you. Of course, I wouldn’t have risked it if I had actually paid for mine, but Nike says it’s okay as long as you’re not completely submerging it in water, so hopefully that’ll put your mind at ease.

In addition to the bracelet itself (which can be purchased in three different sizes: small, medium and large), the FuelBand comes with two extension links (8mm and 16mm) to fine-tune your fit, a sizing tool that makes adding and removing them a breeze, and a USB charging stand for when it’s plugged into your computer. I was a little surprised at how long it took for the band to charge via the USB connecter (which also functions as the bracelet’s clasp), but the battery life is remarkably good, running on a single charge for the entire week despite Nike’s claim that it would only last for four days.

The FuelBand works in much the same way as other fitness bracelets or pedometers on the market – tracking the number of calories burned and steps taken – but what sets it apart is the concept of Nike Fuel, a points-based system that represents your level of activity for the day. You earn Fuel for just about anything you do (walking, running, pouring milk into a bowl of cereal, etc.) and can even set daily goals that the FuelBand tracks with a strip of colored lights located just below the main LED matrix. As you get closer to hitting your goal, the lights progress from red, to orange, to yellow, and finally to green, celebrating your achievement with Jumbotron-style flair. And if that wasn’t enough, the device also has a built-in watch function, which I found to be really useful.

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Blu Tuesday: Bad Teeth, Big Hair and Alien Invasions

It’s another slow week for Blu-ray fans, with only two major titles being released, neither of which is worth more than a rental. Warner Bros.’ repackaging of “A Streetcar Named Desire” and the Werner Herzog documentary “Into the Abyss” are also hitting stores, but since I didn’t receive either of those for review, this week’s column is going to be brief.

“The Iron Lady”

Every bit the listless piece of Oscar bait that everyone expected it to be, “The Iron Lady” is essentially a made-for-TV movie with an award-worthy performance at the center. Yes, Meryl Streep is almost offensively talented as an actress, but she’s also been much better in a lot of other movies than she is here playing former British Prime Minister Margaret Thatcher. Though Streep absolutely nails her portrayal of the controversial politician (thanks in large part to some excellent make-up work), the movie itself is a rather cold and insipid biopic that isn’t nearly as interesting as it probably could have been in the hands of a more talented filmmaker. Jim Broadbent and Alexandra Roach (as Thatcher’s husband and younger self, respectively) deliver some good work in supporting roles, but this is clearly Streep’s show. It’s just a shame that her fantastic performance was wasted in such a mediocre movie, because if the actress was going to finally win another Oscar after so many years, it should have been for something much more memorable than this.

Blu-ray Highlight: Regrettably, there is none. All of the so-called “bonus featurettes” are less than three minutes long and recycle a lot of the same footage from “Making The Iron Lady,” which is more of just a standard rundown of the characters and actors that play them. It’s a bit baffling that some kind of makeup featurette wasn’t included seeing as how the film won an Oscar for it, because it surely would have been worth watching.

“The Darkest Hour”

When I previewed Chris Gorak’s sci-fi thriller back in December, I expressed my annoyance with the fact that it was being released in a month where it had virtually no chance of success. Of course, that was when I still thought the film had potential, but in hindsight, it’s easy to see why Summit showed so little confidence in the movie. Despite boasting a cool premise and a talented young cast (including Emile Hirsch, Olivia Thirlby and Joel Kinnaman of “The Killling”), “The Darkest Hour” is B-movie material at best, marred by terrible performances, clichéd characters and a lack of excitement. The film’s only redeeming quality is the special effects, but Gorak relies on the image of the invisible aliens turning its victims to dust so often that you wonder if it’s the only card he has to play. Because when the aliens’ comically lame physical form is finally revealed, you’ll understand why they spent most of the movie hidden in stealth mode. Spoiler alert: it’s even worse than it sounds.

Blu-ray Highlight: Though fans will probably get a kick out of the short film “Survivor,” which explores the human resistance forming around the world, the “Visualizing an Invasion” featurette is an interesting look at designing the aliens, their unique POV shots and the cool “shred” effect that happens when you come into contact with them.

A chat with the cast of “The Cabin in the Woods”

If Lionsgate’s new horror film “The Cabin in the Woods” had been released back in 2010 like originally planned, there’s a good chance that audiences wouldn’t have recognized any of the young faces in the cast. Chris Hemsworth’s biggest claim to fame up to that point was a cameo role as James T. Kirk’s dad in “Star Trek”; Jesse Williams had just started his recurring stint on the medical drama “Grey’s Anatomy”; Fran Kranz was working on the short-lived Joss Whedon series “Dollhouse”; and Kristen Connolly and Anna Hutchison didn’t even have a noteworthy acting credit to their names.

Though most of the actors have still yet to truly break out (save for Hemsworth, of course), “The Cabin in the Woods” is definitely the kind of movie that could put them on the map, especially with so much positive buzz leading up to its release. I was fortunate enough to see the film at South by Southwest last month and joined a group of journalists in speaking with several cast members – including Connolly, Williams, Hutchison and veteran scene stealers Bradley Whitford and Richard Jenkins – about their experiences making the movie. Below are some highlights from the roundtable discussions, although because of the secretive nature of the film’s story, consider this your official warning that the following may contain potential spoilers.

And when you’re done, be sure to check out my interview with co-writer Joss Whedon and writer/director Drew Goddard for more on “The Cabin in the Woods.”

Kristen Connolly, Anna Hutchison and Jesse Williams on their initial reactions to the script.

JW: Our audition sides were totally fake. I think Joss just wrote them to fuck with us. And because they’re such good writers, they could just make stuff up in two seconds and have us jump around like animals to get the part. I didn’t read the script until after I agreed to do the movie, I don’t think.

KC: I had an inkling of what they were up to because I read one of the later scenes in the movie with Fran [Kranz]… to see if we were compatible. So then I finally got to read the script and I knew it was really special right away. It’s just mind-blowing, and it’s amazing, and it’s awesome and rare to read something that makes you want to keep reading, and that you really don’t know where it’s going to go.

AH: You kind of have a bit of blind faith if it’s a project with Joss Whedon and Drew Goddard, because their previous things have been so rad, you’re kind of like, “I think this might be awesome.” And you guys didn’t have much of an idea going into the film, right? But you kind of knew that it might be good, and it is. I think that’s why I was just like, “Heck yeah, get me on this bad boy,” without even reading it.

Bradley Whitford and Richard Jenkins on the film’s script.

BW: I’ve said this a bunch, but what’s miraculous about this is you have two guys who obviously are great imaginative storytellers, and they look at each other and they go, “What would we write if we could write anything?” And the fact that that actually got done and that that movie got made is just a fucking miracle. (Laughs)

RJ: I almost think it was a bet that they made. They wrote this unbelievably complicated story and then [Joss] turned to Drew and they flipped a coin and said, “Okay, you direct it. See if you can possibly direct something.” And you know, as good as the script is, the movie’s better, which was amazing to see.

BW: It is amazing that he’s a first-time director, because when you’re reading the script, when the elevator doors open and there’s a lot of stuff that comes out of there… How do you make that work? Modulating that kind of ridiculous horror and remaining human is really difficult. Most directors will fuck that up for you. It was a shock seeing it. Realizing that the original impulse was achieved with that kind of clarity was amazing to me.

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