Author: Jason Zingale (Page 67 of 112)

Blu Tuesday: Anchorman 2, 47 Ronin and Knights of Badassdom

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Anchorman 2: The Legend Continues”

WHAT: After he’s fired from his gig co-anchoring the national news with his wife Veronica (Christina Applegate), Ron Burgundy (Will Ferrell) is given a chance to become part of the first-ever 24-hour news channel. But when Ron butts heads with star anchorman Jack Lime (James Marsden) upon his arrival, he makes a bet with him that he’ll get bigger ratings, despite the fact that his news team has been saddled with the graveyard shift.

WHY: For years, Will Ferrell has resisted the urge to make a sequel to any of his films, but if there’s one character from his repertoire deserving of a second helping, it’s Ron Burgundy. Unfortunately, while “Anchorman 2: The Legend Continues” aims to match the original’s absurdist tone, it just doesn’t compare. The movie is at times funnier than its predecessor, but it’s also wildly inconsistent, bouncing aimlessly between gut-busting hilarity and entire sequences that miss their mark. Part of the reason is the movie’s nearly two-hour runtime, which is plagued by several long stretches where nothing funny happens, including a bizarre third act twist that comes across as being ridiculous purely for the sake of it. Even more troubling is how poorly the supporting cast is utilized this time around. While Ferrell is excellent once again as the mustachioed anchorman, Paul Rudd and David Koechner are pushed to the sidelines for much of the film, while Steve Carell’s simple-minded weatherman is given a romantic subplot with Kristen Wiig’s similarly awkward secretary that isn’t as funny as intended. Still, while it’s not as quotable as the first movie, “Anchorman 2” has more than enough laughs that it’s an enjoyable, albeit uneven and incredibly gonzo, comedy.

EXTRAS: Paramount really went above and beyond with this Blu-ray release, which includes three different versions of the film: the original theatrical cut, an unrated cut and a super-sized R-rated cut that runs a whopping 143 minutes and contains 763 new jokes, among other new material. Additionally, there’s an audio commentary with director Adam McKay and the cast, a making-of featurette, four more production featurettes, a lengthy gag reel, deleted, extended and alternate scenes, clips from the table read, and if you can believe it, much more.

FINAL VERDICT: RENT

“47 Ronin”

WHAT: Following the death of their master, 47 leaderless samurai vow to seek revenge on the treacherous warlord (Tadanobu Asano) and evil witch (Rinko Kikuchi) responsible with the help of an enslaved half-breed (Keanu Reeves) who was raised by demons.

WHY: For a director packing as much style as Carl Rinsch, it seemed only natural that “47 Ronin” would at least be pretty to look at, even if it lacked the necessary substance to be any good. But unfortunately, Rinsch’s feature film debut fails in both departments, resulting in a disappointingly dull samurai flick that ranks among one of the most forgettable big-budget movies of last year. You’d think that co-writers Chris Morgan (the “Fast & Furious” franchise) and Hossein Amini (“Drive”) could squeeze a little fun out of the premise, but it’s an incredibly somber affair that takes things far too seriously considering the fantasy elements involved in the story. Though Rinsch deserves some credit for convincing a major studio to green light a Keanu Reeves vehicle with Japanese screen veteran Hiroyuki Sanada, and not Reeves, playing the main lead, the actor’s presence ultimately proves to be more of a distraction than an advantage. History buffs will appreciate the story of the 47 ronin getting the Hollywood treatment, but instead of wasting time on this movie, do yourself a favor and check out Rinsch’s commercial and short film work instead.

EXTRAS: The Blu-ray includes a brief making-of featurette, a pair of additional featurettes on the fight choreography and visual FX, and some deleted scenes.

FINAL VERDICT: SKIP

“Knights of Badassdom”

WHAT: After getting dumped by his longtime girlfriend, aspiring musician Joe (Ryan Kwanten) is persuaded by his two best friends (Steve Zahn and Peter Dinklage) to join them at their weekend live-action role-playing event. But when they accidentally conjure up a demon from Hell, the players must band together to stop it.

WHY: When “Knights of Badassdom” was first announced a few years ago, it sounded like it could be a fun little movie, especially with the talent involved. Ryan Kwanten was starring on one of the hottest shows on television (“True Blood”), Peter Dinklage had just won an Emmy for his outstanding work on “Game of Thrones,” and Summer Glau already had plenty of geek cred to her name between “Firefly” and “The Sarah Connor Chronicles.” But as the years passed, so did any hope that the film would ever see the light of day, mainly due to some messy behind-the-scenes drama between director Joe Lynch and the original financiers. And it’s easy to see why, because “Knights of Badassdom” is downright terrible – a clunky, half-baked horror-comedy that doesn’t even come close to fulfilling its potential. There are very few laughs throughout the movie’s brisk 86-minute runtime, and the visual effects look unfinished in most cases, particularly the main creature, which is just a man in a really shoddy rubber suit. It’s hard to imagine how stoned someone would need to be to enjoy “Knights of Badassdom,” because with the exception of some amusing performances by Dinklage and Jimmi Simpson, it’s a pretty joyless experience.

EXTRAS: There’s a behind-the-scenes featurette, interviews with Steve Zahn, Peter Dinklage and Summer Glau, and footage from the San Diego Comic-Con panel.

FINAL VERDICT: SKIP

Movie Review: “Sabotage”

Starring
Arnold Schwarzenegger, Sam Worthington, Mireille Enos, Terrence Howard, Olivia Williams, Joe Manganiello, Josh Holloway, Harold Perrineau
Director
David Ayer

Arnold Schwarzenegger hasn’t wasted any time since announcing his return from retirement, cranking out movies with the prolificacy of someone who knows that the clock is ticking on his Hollywood career. But despite recent appearances in “The Expendables 2,” “The Last Stand” and “Escape Plan,” Schwarzenegger has yet to make a film that measures up to some of his more iconic roles. The actor’s latest project, “Sabotage,” certainly had the promise to be that movie. Directed by David Ayer, who’s pretty much become Hollywood’s go-to guy for gritty cop films, this modern-day twist on Agatha Christie’s “Ten Little Indians” shares the same basic premise used for one of Schwarzenegger’s biggest hits, “Predator.” It also boasts one hell of an ensemble cast for a seemingly generic action thriller, which is why it’s so disappointing that that’s exactly what “Sabotage” turned out to be.

Schwarzenegger stars as John “Breacher” Wharton, the head of an elite DEA task force that’s taken down some of the biggest drug lords in the world. His team is comprised of some colorful characters – each with their own silly codename like Monster (Sam Worthington), Grinder (Joe Manganiello) and Sugar (Terrence Howard) – but they’re the best at what they do, oozing with so much confidence that they manage to steal $10 million during their latest raid on a Mexican cartel safe house. When they go back to retrieve the hidden money, however, they discover that it’s missing, replaced by a single, ominous bullet. Before long, members of Breacher’s team start to get picked off one by one, with homicide detective Caroline Brentwood (Olivia Williams) assigned to track down those responsible. But while the brutal murders appear to be the work of the cartel, the surviving agents begin to suspect that someone from within their own ranks is hunting them.

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Blu Tuesday: The Wolf of Wall Street, Veep and The Great Beauty

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Wolf of Wall Street”

WHAT: After losing his job on Wall Street following the events of Black Monday, go-getter Jordan Belfort (Leonardo DiCaprio) opens up his own firm selling penny stocks to the wealthy, turning Jordan and his closest pals (including Jonah Hill) into millionaires overnight. Living the high life with his gorgeous new wife (Margot Robbie), Jordan thinks he’s invincible – that is, until he catches wind that the FBI has launched an investigation into the firm for stock market manipulation and other related crimes.

WHY: It’s been a while since Martin Scorsese’s last truly great film, but the director has rebounded in style with “The Wolf of Wall Street,” highlighted by Terrence Winter’s hilarious script and Leonard DiCaprio’s brilliant turn as Jordan Belfort. You’ve never seen the actor quite like this before, and he’s in top form as the notorious stockbroker, delivering what is arguably his best performance with Scorsese yet. The rest of the cast is great as well, especially Jonah Hill in another award-worthy turn, up-and-comer Margot Robbie and Matthew McConaughey in a short but memorable cameo. Loud, flashy and totally obscene, the movie is like a private tour through Belfort’s excessive, hard-partying lifestyle, including easily one of the greatest sequences of the year. (Hint: it involves a highly potent strain of Quaaludes.) Though it’s a little too long for its own good, the characters are so magnetic and the dialogue so fast and funny that “The Wolf of Wall Street” is hard not to enjoy. It’s Scorsese’s best film in years, and one that will only get better with time.

EXTRAS: Regrettably, there’s only one special feature in the form of “The Wolf Pack,” a behind-the-scenes look at bringing Jordan Belfort’s life to the big screen with interviews from Martin Scorsese, Leonardo DiCaprio and others

FINAL VERDICT: BUY

“Veep: The Complete Second Season”

WHAT: U.S. Vice President Selina Myers (Julia Louis-Dreyfus) and her staff navigate the murky waters of Washington, D.C. as she deals with a presidential scandal, crooked congressmen, a government shutdown and more

WHY: The first season of “Veep” showed immense promise, but it was clear that it still had some growing to do behind the scenes, and that growth is evident in the show’s second year. Granted, the situations that Selina and her staff find themselves in are still incredibly ridiculous (and if even remotely close to what actually happens at the White House, a little frightening), but it feels like there’s much more at stake this time around. The ensemble cast has also had more time to gel, and they’re even funnier than before as a result. Every actor plays their part perfectly – from Anna Chlumsky’s loyal chief of staff, to Matt Walsh’s blockhead publicist, to Timothy Simmons’ oddball White House liaison – and you needn’t look any further than Julia Louis-Dreyfus’ Emmy speech for evidence of that. The addition of Gary Cole and Kevin Dunn to the cast was also a shrewd move on the part of Armando Iannucci, but the show lives and dies by Louis-Dreyfus’s hilarious performance as the so-called Veep. She’s one of the funniest women in show business, and with the exception of Elaine Benes, this will likely go down as the best role of her career.

EXTRAS: In addition to four audio commentary tracks featuring members of the cast and crew (including creator Armando Iannucci and star Julia Louis-Dreyfus), there are deleted and alternate scenes for each episode.

FINAL VERDICT: RENT

“The Great Beauty”

WHAT: For decades, journalist Jep Gambardella (Toni Servillo) has served as Rome’s self-described king of high society, gallivanting through an endless series of lavish nightclubs and parties with his equally pretentious friends. But on his 65th birthday, Jep begins to look back on his superficial life against the beautiful backdrop of the Eternal City.

WHY: “The Great Beauty” may have won the Academy Award for Best Foreign Language Film, but there were far better movies released last year. Felliniesque in its self-indulgence and general lack of focus, the film is unable to maintain the high-energy pace of the opening dance party, ultimately succumbing to its sluggish, 142-minute runtime. The root of the problem is director Paolo Sorrentino and co-writer Umberto Contarello’s script, which never seems sure what it wants to say. Characters and subplots come and go with little explanation, including a storyline involving Jep’s childhood love that’s brought up early on and never mentioned again until the very end. Toni Servillo delivers a solid performance in the lead role, but his character is too misanthropic for the audience to care what happens to him, contradicting his supposed reformation every chance he gets. If there’s any reason to invest the two-plus hours watching “The Great Beauty,” it’s for cinematographer Luca Bigazzi’s gorgeous visuals, which capture the spirit and splendor of Rome in such a manner that it comes as a close to experiencing the real thing that some people will ever get.

EXTRAS: The Blu-ray release includes a conversation between director Paolo Sorrentino and Italian cultural critic Antonio Monda, interviews with actor Toni Servillo and co-writer Umberto Contarello, deleted scenes and a booklet featuring an essay by critic Phillip Lopate.

FINAL VERDICT: RENT

Blu Tuesday: American Hustle, Frozen and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“American Hustle”

WHAT: When con artists Irving Rosenfeld (Christian Bale) and Sydney Prosser (Amy Adams) are caught selling fake loans by an ambitious FBI agent (Bradley Cooper), they’re wrangled into working with him on an undercover sting targeting dirty politicians. But despite their deep mistrust in each another, the one thing that threatens to bring the whole thing crashing down is Irving’s wildly unpredictable wife (Jennifer Lawrence).

WHY: David O. Russell has always been a quality filmmaker, but he’s quickly becoming a force to be reckoned with thanks to movies like “The Fighter,” “Silver Linings Playbook” and this farcical con-artist caper. Loosely based on the ABSCAM scandal of the late ‘70s, “American Hustle” is immensely entertaining and features some of the best acting of the year. Forty pounds heavier and rocking the most elaborate comb-over you’ve ever seen, Christian Bale delivers a wonderfully nuanced performance as the straight man of the bunch. The other cast members aren’t quite as committed physically, but they’re just as good, including Amy Adams’ sexy and cunning partner in crime, Bradley Cooper’s short-tempered federal agent, and scene stealer Jennifer Lawrence, who’s an absolute riot as Bale’s unpredictable wife. The whole movie is also a lot funnier than you’d expect due to Russell and Eric Singer’s darkly comic script, and though some have argued that it’s too long, the characters are so richly developed and crackling with personality that I would have gladly spent another hour in their messed-up world.

EXTRAS: The Blu-ray release includes a making-of featurette and some deleted and extended scenes, but sadly, that’s the extent of the bonus material.

FINAL VERDICT: BUY

“Frozen”

Frozen

WHAT: When her sister Elsa’s icy powers inadvertently ensnare the kingdom of Arendelle in eternal winter, Anna (Kristen Bell) teams up with a rugged mountain man (Jonathan Groff) and a talking snowman (Josh Gad) to retrieve Elsa (Idina Menzel) from her self-imposed isolation and prove that she’s not the evil witch the townspeople believe her to be.

WHY: In a year of underwhelming animated films, it’s hardly fair to place Disney’s “Frozen” so high on a pedestal, even if it is one of the best things that the Mouse House has produced in almost 20 years. But while “Frozen” is undoubtedly a good movie, it’s not quite as great as the recent love-fest would suggest. It’s also not nearly as progressive, with the lead heroine falling in love with one male character mere minutes after meeting him, and relying on the help of another shortly after. Then there’s the issue of those silly troll rock thingies that threaten to derail the film in the third act, not to mention the fact that it features of the lamest and least threatening villains in memory. With that said, “Frozen” isn’t without its charms. It has a few catchy tunes (particularly the Oscar-winning “Let It Go”), some excellent laughs and a solid voice cast led by Kristen Bell, Idina Menzel and the scene-stealing Josh Gad. It’s the kind of movie that has likely empowered young girls around the world, all while selling billions of dollars in merchandise. That’s what you call a win-win.

EXTRAS: There’s a short featurette about the 75-year journey to bring Hans Christian Andersen’s “The Snow Queen” to the big screen, a music video parodying the lack of an actual making-of featurette, some deleted scenes and the short “Get a Horse!”

FINAL VERDICT: RENT

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Movie Review: “Need for Speed”

Starring
Aaron Paul, Imogen Poots, Dominic Cooper, Scott Mescudi, Rami Malek, Ramon Rodriguez, Dakota Johnson
Director
Scott Waugh

It’s amazing that it’s taken this long for another studio to exploit the success of the “Fast and Furious” franchise with a racing movie of its own, but considering that Electronic Arts’ “Need for Speed” video game series (from which the film gets its name) predates the adventures of Dominic Toretto and Brian O’Connor by several years, you can hardly blame DreamWorks for wanting a piece of the pie. Casting Aaron Paul, hot off his Emmy-winning role on “Breaking Bad,” as the leading man was a surefire way to drum up interest, but it was ultimately a wasted effort, because “Need for Speed” has so many other problems that finding the right actor should have been the least of Scott Waugh’s concerns.

Paul plays Tobey Marshall, a small-town mechanic who moonlights as an illegal street racer. When the debt starts piling up at the garage that he inherited from his late father, Tobey is handed a lifeline by former rival Dino Brewster (Dominic Cooper), who hires Tobey and his crew to finish building a custom Shelby Mustang worth millions. But after Dino’s ego is bruised and he challenges Tobey to a race to prove his superiority, one of Tobey’s friends is killed in the process, landing him in prison while Dino gets away scot-free. Several years later, Tobey is released from jail and ready to exact his revenge, but in order to do so, he needs a car capable of competing in the top secret, invite-only race called the DeLeon, where he knows Dino will be. Teaming up with the gearhead daughter (Imogen Poots) of the man who purchased the Shelby, the pair embarks on a race against the clock to get from New York to San Francisco in time for the event, all while evading the various law enforcement authorities chasing them.

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