Author: Jason Zingale (Page 32 of 112)

Movie Review: “Our Brand is Crisis”

Starring
Sandra Bullock, Billy Bob Thorton, Anthony Mackie, Joaquim de Almeida, Ann Dowd, Scoot McNairy, Zoe Kazan
Director
David Gordon Green

With the 2016 U.S. presidential election already garnering plenty of media attention, the timing couldn’t be more perfect for a film like “Our Brand is Crisis” to remind everyone that politics is just a big sham. Loosely based on Rachel Boynton’s 2005 documentary of the same name (which detailed the marketing tactics employed by a team of American consultants led by Clinton campaign strategist James Carville in the 2002 Bolivian presidential election), the movie delivers a watered-down version of those events that audaciously tries to get the audience to identify with its morally corrupt protagonist. The fact that she’s portrayed by America’s sweetheart, Sandra Bullock, is a genius piece of casting, because the actress could play Hitler’s mother and still come across somewhat likable, but it doesn’t mask the film’s tonal inconsistencies and lack of direction.

Bullock stars as “Calamity” Jane Bodine, a disgraced campaign strategist who’s been out of the political game for six years after a string of losses credited to her self-destructive behavior. But when Bolivian presidential candidate Pedro Castillo (Joaquim de Almeida) hires an elite American management team to run his campaign, only to find themselves 28 points behind in the polls with 90 days to go, Jane is approached in a last-ditch attempt to turn the ship around. It’s apparent to Jane within minutes of meeting Castillo that he’s a lost cause, but despite the seemingly impossible odds of closing the gap on populist candidate Victor Rivera (Louis Arcella), she agrees to take the job after discovering that the competition has hired its own American strategist, longtime rival Pat Candy (Billy Bob Thornton), who’s beaten her in every previous contest. For Jane, this is personal, and though Castillo’s Bolivian consultants strongly advise against running a negative campaign – they just don’t do that in their country – she convinces him that playing dirty is his only chance of winning.

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Blu Tuesday: Southpaw, Pixels and Army of Darkness

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Southpaw”

WHAT: After his wife (Rachel McAdams) is tragically killed and he spirals out of control, undefeated light heavyweight champion Billy “The Great” Hope (Jake Gyllenhaal) lands himself in trouble with the boxing league, losing his house, his possessions, and most importantly, custody of his daughter Leila (Oona Laurence). Desperate to keep her out of the foster care system where he spent his childhood, Billy seeks help from a gruff, veteran trainer (Forest Whitaker) to get back what he lost.

WHY: Throughout the years, boxing movies have been synonymous with tales of redemption, and Antoine Fuqua’s “Southpaw” is no different. But for as clichéd and heavy-handed as the film can be at times, the movie avoids dragging itself too far into melodrama thanks to some excellent performances and a solid screenplay by Kurt Sutter that is as brutal and emotionally charged as you’d expect from the “Sons of Anarchy” creator. Though Sutter originally wrote the lead role for Eminem, Jake Gyllenhaal brings a physicality and intensity to the character that’s beyond the rapper’s abilities. It’s a much more complex role than it appears on the surface, and Gyllenhaal knocks it out of the park. In fact, while “Nightcrawler” features the better performance, “Southpaw” is perhaps his most impressive piece of acting to date, if only because he’s managed to take a fairly standard underdog drama and elevate it on the strength of his shoulders alone. The film isn’t on the same level as the boxing greats, but with Gyllenhaal’s knockout performance front and center, it’s a lot more enjoyable than it probably had any right to be.

EXTRAS: There’s a making-of featurette, a Q&A with the cast, footage of Jake Gyllenhaal’s training regimen for the film and some deleted scenes.

FINAL VERDICT: RENT

“Pixels”

WHAT: In 1982, NASA sent a time capsule into space in the hopes of contacting other life forms, but after an alien race misinterprets the message as a declaration of war, they attack Earth in the form of retro video game characters. When the military proves useless, U.S. President William Cooper (Kevin James) enlists the help of best friend Sam Brenner (Adam Sandler), along with fellow video game prodigies Ludlow Lamonsoff (Josh Gad) and Eddie Plant (Peter Dinklage), to save the planet from certain extinction.

WHY: Though it may seem like critics are being overly hard on “Pixels” simply because Adam Sandler is in the movie, it really is a bad film. The premise itself is cool, and director Chris Columbus taps into some of that potential with fun set pieces that look great and play with the mechanics of classic games like Pac-Man, Centipede and Donkey Kong, but unfortunately, the screenplay is a mess. It’s no better than the typical Sandler comedy (in fact, frequent collaborator Tim Herlihy is one of the co-writers), fueled by lazy and juvenile humor that falls flat more often than not. The casting of Kevin James as the president isn’t just ridiculous, but downright insulting, while the Q*Bert character shows that Hollywood never learned its lesson from Jar-Jar Binks. The rest of the cast doesn’t fare much better – Sandler does his usual man-child shtick and Josh Gad is wasted as his conspiracy theorist friend – but Peter Dinklage’s over-the-top performance as the Billy Mitchell-esque gamer is just silly enough to ensure that “Pixels” isn’t a complete disappointment. Still, an idea this good deserved something better.

EXTRAS: There are four featurettes on filming the movie’s video game-inspired set pieces, a look at Pac-Man creator Toru Iwatani’s cameo and more.

FINAL VERDICT: SKIP

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Blu Tuesday: Jurassic World and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Jurassic World”

WHAT: Twenty-two years after the disastrous events of the original Jurassic Park, Isla Nubar is now home to a fully functioning dinosaur theme park called Jurassic World. In an attempt to raise public interest, the park has genetically engineered a brand new dinosaur called Indominus Rex, but when it gets loose and goes on a killing spree, operations manager Claire (Bryce Dallas Howard) enlists the help of raptor wrangler Owen (Chris Pratt) to hunt it down before it wreaks havoc on the park’s attendees.

WHY: Though it doesn’t hold a candle to Steven Spielberg’s 1993 original, “Jurassic World” is the sequel that fans have wanted (and deserved) for decades – a big, summer spectacle that understands the DNA of the franchise and doesn’t take itself too seriously. The first act is admittedly a bit messy as director Colin Trevorrow gets all of his pieces on the board, but the story really picks up once the Indominus Rex breaks free from confinement, turning into a full-fledged adventure film with no shortage of dinosaur-caused destruction. Chris Pratt and Bryce Dallas Howard are both solid in their respective roles, while Vincent D’Onofrio, Irrfan Khan and Jake Johnson round out the excellent cast. Even the two kid actors (Nick Robinson and Ty Simpkins) are pretty likable, and that’s saying something. Granted, the movie isn’t without its flaws (particularly when it comes to basic common sense and logic, like in the climactic dino battle at the end), but it’s an entertaining piece of fan service that makes up for having to suffer through the last two sequels. And if the film’s box office domination is any indication, “Jurassic World” is just the beginning, although it’s difficult to imagine how John Hammond’s dream could possibly live on after yet another public catastrophe.

EXTRAS: The Blu-ray release includes a pair of featurettes on making the film, a behind-the-scenes look at the visual effects, a tour of the park’s Innovation Center, a discussion between director Colin Trevorrow and star Chris Pratt, deleted scenes and more.

FINAL VERDICT: RENT

“Z for Zachariah”

WHAT: After a nuclear war wipes out most of humanity, a young woman named Ann (Margot Robbie) endures on her own, miraculously isolated from the fallout. But when two men – scientist Dr. John Loomis (Chiwetel Ejifor) and mysterious stranger Caleb (Chris Pine) – arrive on her family’s farm, the three survivors form a precarious bond that threatens to unravel when jealousy sets in.

WHY: Director Craig Zobel’s latest drama may be a marked improvement upon the vile and moronic “Compliance,” but it actually shares many of the same themes, including morality, trust and the weight of one’s actions. All three actors deliver solid performances – especially Margot Robbie and Chiwetel Ejiofor, who are given more time to develop their characters – but unfortunately, not a lot happens over the course of the film’s 98-minute runtime that’s particularly compelling. There are some really good moments littered throughout, like Ann’s introduction to Dr. Loomis, or the tense face-off between Loomis and Caleb in the movie’s closing minutes, but they’re surrounded by long periods of nothingness that test your patience. The arrival of Chris Pine’s character adds some much-needed conflict to the proceedings, although it takes the story into more predictable territory, while the religious undertones (from the Eden-like valley, to Caleb’s snake-like instigator) are laid on a bit thick. Though “Z for Zachariah” isn’t quite as boring as it could have been thanks to its outstanding cast, the film never rises above mediocrity, ultimately squandering its promising, post-apocalyptic premise.

EXTRAS: There’s a making-of featurette, deleted scenes, and interviews with director Craig Zobel, writer Nissar Modi and actors Margot Robbie and Chiwetel Ejiofor.

FINAL VERDICT: RENT

“Dragon Ball Z: Resurrection ‘F'”

WHAT: Two surviving members of the Frieza Force travel to Earth in search of the Dragon Balls so that they can resurrect their leader. When their wish is granted and the galactic tyrant returns more powerful than before, Frieza sets out to exact his revenge on Goku, who is training off-world with Whis after his fight with Beerus the Destroyer.

WHY: 2013’s “Battle of the Gods” may have been the first “Dragon Ball Z” movie produced in almost 20 years, but while that film served as a sufficient appetizer for fans of the series, “Resurrection F” is the main course, higlighted by the long-awaited rematch between Goku and Frieza. Though Goku has faced off against much tougher adversaries, there’s a reason why Frieza is still the most iconic villain in the franchise, and his fight with Goku doesn’t disappoint. In fact, it more than makes up for the anti-climactic battle in the last movie. “Resurrection F” also improves upon its predecessor by giving the supporting characters more to do. Piccolo, Gohan, Krillin, Tien and even Master Roshi get in on the action, fighting off the first wave of Frieza’s attack as they await Goku’s return, and although Vegeta is once again relegated to the sidelines, at least he gets to land a punch this time around. “Resurrection F” follows the typical “Dragon Ball Z” formula to a tee, so there aren’t any major surprises, but it boasts great animation, some killer action beats and plenty of fan service for longtime viewers of the anime.

EXTRAS: There’s a behind-the-scenes look at recording the voices for the U.S. release and some interviews with the cast.

FINAL VERDICT: RENT

Movie Review: “Crimson Peak”

Starring
Mia Wasikowska, Tom Hiddleston, Jessica Chastain, Charlie Hunnam
Director
Guillermo del Toro

It’s no secret that Guillermo del Toro has a slightly deranged imagination, as witnessed by the twisted fantasy worlds and creatures from “Pan’s Labyrinth” and the “Hellboy” films, but there’s a beauty to his madness that flows through all of the director’s movies, perhaps none more so than his latest project. A gothic romance that’s equal parts Edgar Allen Poe and Emily Brontë, “Crimson Peak” feels like a nostalgic throwback to the kind of films that Hammer made in its prime. Though the movie’s supernatural elements aren’t as prominent as the marketing campaign would lead you to believe, “Crimson Peak” is a sumptuously designed genre flick that delivers a different kind of horror from the typical ghosts-and-ghouls haunted house story.

Set during the turn of the 20th century, the film stars Mia Wasikowska as young American heiress Edith Cushing, an aspiring author who has no interest in romance, whether in real life or her stories, despite the fact that childhood friend-turned-physician Alan McMichael (Charlie Hunnam) clearly fancies her. When English baronet Thomas Sharpe (Tom Hiddleston) arrives in town seeking financing for a clay-mining machine that will help return his family’s business to its former glory, he’s turned away by Edith’s father (Jim Beaver), a self-made industrialist who sees right through Thomas’ façade. That doesn’t stop Edith from falling in love with the penniless aristocrat, however, and after her father is tragically murdered (although it’s covered up to look like an accident), Thomas whisks her away to England to live with him and his ice-cold sister, Lady Lucille Sharpe (Jessica Chastain), in their ancestral home of Allerdale Hall, a crumbling mansion that’s literally sinking into the ground due to the red clay mines below it. But when Edith begins to encounter tortured apparitions that haunt her new home, she uncovers terrible secrets about the Sharpe family history that threaten Thomas and Lucille’s ulterior motives.

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Movie Review: “Goosebumps”

Starring
Jack Black, Dylan Minnette, Odeya Rush, Ryan Lee, Amy Ryan
Director
Rob Letterman

If you were a child of the ‘90s, or a parent of school-age children during that decade, you’re probably familiar with R.L. Stine’s “Goosebumps,” the best-selling series of kid-friendly horror novellas that captured a generation of young readers. In fact, the astonishingly prolific Stine is still publishing new books to this day – a sign of the series’ continued popularity that suggests a “Goosebumps” movie has been long overdue. Though this isn’t the first attempt at bringing the YA horror series to the big screen (Tim Burton was attached to produce a film version in 1998 that never came to fruition), it’s a harmless slice of family entertainment that evokes the goofy humor and PG-rated scares of other Halloween classics like “Hocus Pocus.”

One year after his father’s death, mopey teenager Zach (Dylan Minnette) relocates from New York City to Madison, Delaware with his mother (Amy Ryan) when she accepts a job as the vice principal at the local high school. Zach quickly makes friends with the charismatic girl next door, Hannah (Odeya Rush), but when he suspects that her creepy, overbearing father (Jack Black) is harming her, he breaks into the house with new schoolmate Champ (Ryan Lee) to investigate. Once inside, they discover a bookshelf filled with “Goosebumps” manuscripts that have been mysteriously sealed with a lock, and after Zach unwittingly opens one titled “The Abominable Snowman of Pasadena,” the eponymous monster magically leaps from the pages into the real world. As it turns out, Zach’s neighbor is R.L. Stine himself, whose imaginary creations actually exist and must be contained under lock and key. But when another book is opened amid the chaos of the Abominable Snowman’s escape and evil ventriloquist doll Slappy the Dummy (voiced by Black) is released, he steals the remaining manuscripts in order to free his fellow monsters from their hardbound prisons and wreak havoc on the entire town.

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