Month: December 2016 (Page 4 of 12)

Movie Review: “Patriots Day”

Starring
Mark Wahlberg, J.K. Simmons, John Goodman, Kevin Bacon, Alex Wolff, Themo Melikidze, Michelle Monaghan, Jimmy O. Yang, Melissa Benoist
Director
Peter Berg

Over the last few years, director Peter Berg has carved out a nice little niche for himself making unapologetically patriotic films about real-life heroism in the face of adversity. Much like “Lone Survivor” and “Deepwater Horizon,” Berg’s third collaboration with Mark Wahlberg doesn’t really have anything important to say politically, but it’s their finest movie to date and perhaps their most meaningful one due to the actor’s close ties to the city of Boston. Though some people will question whether “Patriots Day” arrives too soon after the true events that inspired the film, Berg does the story justice with his gripping yet tactful retelling of the 2013 Boston Marathon bombing and the five-day investigation that followed.

The movie begins on the morning of April 15, 2013 and introduces several of the key players involved in the tragic event, including Boston cop Sgt. Tommy Saunders (Wahlberg), Chinese exchange student Dun Meng (Jimmy O. Yang), Watertown police officer Sgt. Jeffrey Pugliese (J.K. Simmons) and the bombers themselves, Kyrgyzstani-American brothers Dzhokhar and Tamerlan Tsarnaev (Alex Wolff and Themo Melikidze, respectively), who detonate the homemade bombs about four hours into the race and then return home to watch the ensuing chaos on TV. Meanwhile, law enforcement officials work together under the guidance of FBI Special Agent Richard DesLauriers (Kevin Bacon) and Boston Police Commissioner Ed Davis (John Goodman) to recreate the crime scene and comb through hours of video surveillance in order to identify the suspects, eventually leading to a manhunt through the streets of Boston and the surrounding suburbs to capture them.

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Movie Review: “Sing”

Illumination Entertainment prints money. Their three most recent films (“Despicable Me 2,” “Minions” and “The Secret Life of Pets”) have raked in just under $3 billion combined, with an average budget per film of $75 million (which is roughly half what Disney and Pixar spend on their films). As business models go, it’s hard to come up with a better one. On the other hand, those Illumination films range in quality from aggressively mediocre to downright bad, and in 10 years, they’ll all be forgotten. If Pixar films are a blue chip stock, Illumination films are day trader profits; it’s all about the now, hence the emphasis on merchandising over story.

“Sing” appeared to be aiming (slightly) higher than its most recent predecessors in terms of quality, but it falls victim to the same trappings as the others, namely a script that feels as though it wasn’t touched by human hands until the third act. The first hour is a laundry list of overused tropes, including a few that are so outdated that their presence here beggars belief.

Koala bear Buster Moon (Matthew McConaughey) is a theater owner in desperate need of a hit. He decides that his newest show will be a singing competition, and when the grand prize amount is moved two decimal points to the right thanks to a series of events both gross and absurd, Buster is surprised to see that he has a bevy of talent to choose from at auditions (but doesn’t yet know why). The ones to make the final cut are classically trained mouse Mike (Seth MacFarlane), hausfrau pig Rosita (Reese Witherspoon), German pig Gunter (Nick Kroll), sensitive gorilla Johnny (Taron Egerton) and teen punk porcupine Ash (Scarlett Johansson. Yes, Scarlett Johannson plays a teenager). Meena (Tori Kelly), an elephant with pipes for days, went to audition but is terrified of performing in front of an audience and is bullied off stage by Mike. She goes to audition a second time, and Buster asks her to be his stage hand without ever hearing her sing. This turns out to be a very good thing for all concerned, for obvious reasons.

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5 BBQ Recipes and Ideas to Die For

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If you’re planning a summer BBQ, you might want to consider the menu, and with so many delicious foods that can be grilled, the choices are indeed varied. The first thing to do is make sure your cooking equipment and garden furniture are up to scratch, and if they meet the standard, then it’s just a question of the menu. Here are some great ideas to brighten up your next alfresco party.

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Blu Tuesday: The Magnificent Seven and Sully

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“The Magnificent Seven”

WHAT: When the villainous Bartholomew Bogue (Peter Sarsgaard) takes over the small mining town of Rose Creek, vengeful widow Emma Cullen (Hayley Bennet) hires a group of mercenaries – including bounty hunter Sam Chisolm (Denzel Washington), drunken gambler Josh Farraday (Chris Pratt) and Confederate sharpshooter Goodnight Robicheaux (Ethan Hawke) – to put an end to Bogue’s tyranny.

WHY: Remakes are rarely as good as the original, but Antoine Fuqua’s “The Magnificent Seven” succeeds where so many have failed by retaining the spirit of its predecessors while also distinguishing itself just enough to stand on its own, beginning with its refreshingly diverse ensemble. Their camaraderie, and the chemistry among the actors themselves, is what keeps you engaged even during the few lulls in the story. Denzel Washington and Chris Pratt are perfectly cast as the film’s leading men, but it’s the supporting players who steal the show, especially Ethan Hawke and Byung-hun Lee’s delightful double act. Although the first half of the movie is surprisingly light on action save for a well-staged standoff between the mercenaries and Bogue’s men, Fuqua makes up for it with the climactic finale, which delivers everything you could possibly want from a large-scale Wild West shootout. Its unmistakable “Fast and Furious”-like flavor won’t go down well with fans of the original Western, but much like the long-running franchise, “The Magnificent Seven” is good pulpy fun that’s far better than anyone expected.

EXTRAS: In addition to an interactive feature called Vengeance Mode that intercuts the film with behind-the-scenes footage and interviews with the cast and crew, there are six featurettes and some deleted scenes.

FINAL VERDICT: RENT

“Sully”

WHAT: On January 15, 2009, commercial airline pilot Captain Chesley “Sully” Sullenberger (Tom Hanks) safely landed US Airways Flight 1549 in the middle of the Hudson River when the plane struck a flock of geese shortly after takeoff. While Sully and his crew were hailed as heroes by the media, the National Transportation Safety Board quietly launched an investigation into the incident to determine whether it was reckless, casting a shadow of self-doubt on the experienced pilot.

WHY: Clint Eastwood’s latest biopic may not have enough narrative meat to warrant a feature-length film, but it’s such a fascinating story that it survives on the sheer awe factor and a solid performance by Tom Hanks. It’s hard to imagine a more fitting choice to play the modest and mild-mannered pilot, and although he doesn’t get a lot to work with from a character standpoint (Sully is extraordinary only in his ordinariness), the actor makes the most of even the smallest moments. For as great as Hanks is in the role, however, the real highlight is the movie’s gripping reenactment of the Miracle on the Hudson, which is hands-down one of the best sequences of the year. Eastwood doesn’t give up the goods right away, holding back the set piece until nearly an hour into the film’s lean 96-minute runtime, but he revisits the harrowing event multiple times, revealing new details and perspectives. Though “Sully” borders on syrupy sentimentalism at times and could have easily been undone by its own simplicity, the movie ultimately succeeds as an effective and enjoyable tribute to everyday heroism.

EXTRAS: The Blu-ray release includes a profile on Captain “Sully” Sullenberger, a retrospective on the Flight 1549 incident with Sullenberger, copilot Jeff Skiles and air traffic controller Patrick Harten, and a behind-the-scenes look at creating the movie’s pivotal set piece.

FINAL VERDICT: RENT

Drink of the Week: The Modern Cocktail (No. 2)

The Modern Cocktail (No.2).Today, we have part three of our latest series of related cocktails with The Modern Cocktail (No. 2.) If you go back and look at the prior two (The Modern Cocktail and The Modern Cocktail (No. 1)), you’ll see that what they all have in common, aside from the name, is Scotch and number of similar ingredients measured out in dashes. The latter two appear in Harry Craddock’s “The Savoy Cocktail Book,” but the first is a more complete obscurity recently resurrected by cocktail historian David Wondrich. Upon reflection, I think it’s pretty clearly the best of the three.

Nevertheless, today’s selection is not a bad runner-up because, like Wondrich’s discovery, it mellows out the Scotch with a healthy amount of sloe gin. This drink, however, tamps down the whiskey somewhat and gooses up the gin-based cherry liqueur. You could say it’s on the sweet side.

The Modern Cocktail (No. 2)

1 ounce blended Scotch whisky
2 ounces sloe gin
1 dash orange bitters
1 dash absinthe
1 dash grenadine

Combine the ingredients in a cocktail shaker or mixing glass. Stir or shake — Harry Craddock and I  say you should shake this, but most cocktail snobs will prefer to stir — and strain into a well chilled cocktail glass. Congratulate yourself if you’ve ever actually eaten a sloe berry. (I haven’t.)

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