Month: September 2014 (Page 6 of 12)

Drink of the Week: The Blinker (Duffy’s Version)

the Blinker.The Blinker was one of the many moribund beverages revived by Ted Haigh in his epochal 2009 book, Vintage Spirits and Forgotten Cocktails. Haigh, in turn, found the drink in a 1934 tome by a Patrick Gavin Duffy but found it “unremarkable” and he therefore messed with it. We’ll try Haigh’s messed with version later, but we start with the unvarnished original.

The Duffy Blinker might not have knocked my socks clean off, but it really is a very nice drink enlivened by a generous portion of fresh grapefruit juice. I have to admit that the fact that I still had some extra-large citrus around after last week’s drink was my primary motivator for choosing the Blinker. I never used to like anything grapefruit but, by god, the bittersweet fruit is really growing on me. It’s certainly tasty enough in this beverage.

The Blinker (Duffy’s Version)

2 ounces bourbon
1 ounce grapefruit juice (preferably fresh)
1 teaspoon grenadine
1 lemon twist (desirable garnish)

No surprises here. You guys probably have this drill memorized by now, but here it is again…

Combine your liquids in a cocktail shaker with an excess of ice. Shake most vigorously, and strain into a chilled cocktail glass. Add your lemon twist if you’ve got one handy. As for the toast, let’s mix things up and salute, heck, Ethel Barrymore. I just saw her for the first time in 1948’s “Portrait of Jennie” (ask your neighborhood movie geek/film buff, or your great-grandmother) and she was extremely good in it. As a Barrymore, I’d like to think she might have tried a Blinker.

******

This drink worked very nicely with the two different bourbons I had time to try before I was briefly sidelined by a small cold. (As I write this, I’ve been dry for a shocking four days!) Wathen’s Kentucky Bourbon made a fine, sweet base spirit, but there was more 100 proof, bottled in bond, punch when I killed my bottle of good ol’ Old Fitzgerald’s (my favorite bourbon bargain up to now).

I will also add that I suspect it’s probably very important to use a decent grenadine in the Blinker. Ted Haigh, you see, felt the need to make a substitution for this ingredient. He might have been partly moved by the fact that so many commercially available grenadines are hard to distinguish from any other high fructose corn syrup based concoctions.

At the same time, while it’s great to spend extra dough and go gourmet, or go crazy and make your own grenadine, as some bloggers insist, there is another option. Take a little time and find a reasonably priced product that includes a little real juice, pomegranate most importantly. Master of Mixes grenadine includes pomegranite and cherry juice; it has served me well for some time and it only costs a few bucks…and, no, they haven’t been sending me free bottles in the mail. Not yet, anyway.

Classes for Learning Adobe Software

Adobe classes are a convenient way for people to learn how to edit pictures and video for their enjoyment or leisure. There are many times when these programs help people learn something that they cannot go back to school for. The class is a simple way to learn how to use these software programs, and the class shows people practical ways to use the software.

Adobe software can be used to edit pictures and videos that are meant for production or printing. The people who are most adept at using these programs can work in the editing department of any company or production house. Also, there are many times when people can use these products to make quick changes to their magazines or newsletters. Someone who is skilled in using this style of editing software is going to make waves as they showcase their skills in their field of work.

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LeBron James introduces the all-new Nike LEBRON 12 sneakers

LeBron James introduces the all-new Nike LEBRON 12 sneakers

Lebron James has had a very eventful summer as he decided to right a serious wrong by returning home to Cleveland to play with the Cavaliers. The season is coming up soon, and Lebron is capping off the summer by introducing his new Nike LEBRON 12 sneakers.

You can see from the photos above that they’re going with a bold and colorful design. Miami Dolphins fans will love the color choices! With bold colors dominating the sneaker and athletic gear markets, this will probably go over very well.

The LEBRON 12 is designed to enhance James’s explosiveness while combining three key benefits: superior cushioning, harnessed support and natural flexibility. It’s hard not to be impressed with the advances in sneaker technology, and Nike has been leading the way for years.

So if you’re looking for a bold, new look for the fall, you might want to check these out. Just don’t wear them with your LeBron/Cavs gear — unless, of course, you like colors that clash!

LeBron James introduces the all-new Nike LEBRON 12 sneakers

LeBron James introduces the all-new Nike LEBRON 12 sneakers

Movie Review: “This Is Where I Leave You”

Starring
Jason Bateman, Tina Fey, Adam Driver, Corey Stoll, Jane Fonda, Rose Byrne, Timothy Olyphant, Connie Britton
Director
Shawn Levy

Shawn Levy wants a do-over. The man who carved out a very successful career as a director that, as the Onion A/V Club once joked, you didn’t know you hated, now wants people to take him seriously. Levy actually turned some heads with the underrated “Real Steel” (his best movie by a country mile), but then followed that with last year’s “The Internship” (you had already forgotten about that one, didn’t you?), and in two months, he unleashes a third “Night at the Museum” film upon a public that thought two “Night at the Museum” films was more than enough, thank you. He’s typecast, and he doesn’t like it one bit. In other words, he now knows how it feels to be nearly every actor or actress who’s ever appeared in one of his films.

Levy’s latest attempt to rebrand himself is “This Is Where I Leave You,” a dysfunctional family dramedy that is filled with rapid-fire jokes (funny ones, too) and boasts a pitch-perfect cast. The biggest problem with the movie, sadly, is Levy himself. He seems out of his depth, and derails the momentum at odd times, lingering too long on a shot here and overdoing the camera work there. A director more experienced with the genre would have fared only marginally better, yes, but Levy had a chance to prove himself here, and he comes up short.

Judd Altman (Jason Bateman) is not having a good year. Not long after walking in on his wife cheating on him with his boss (Dax Shepard), his sister Wendy (Tina Fey) calls to inform him that their father has died. The family isn’t close – their mother Hilary (Jane Fonda) aired the kids’ dirty laundry in the form of a best-selling novel – so the news that their father’s dying wish was for the family to sit Shiva, keeping all four siblings and their significant others in the same house for seven days, is not warmly received. In those seven days, hearts mend, hearts are broken, sibling rivalries both real and imagined rear their ugly heads, and Hilary talks way too openly about, well, everything.

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Movie Review: “A Walk Among the Tombstones”

Starring
Liam Neeson, Dan Stevens, David Harbour, Adam David Thompson
Director
Scott Frank

It’s not often that there’s a movie set at the turn of the millennium or a truly engaging film released during the limbo months between blockbuster seasons, but Scott Frank’s “A Walk Among the Tombstones” delivers on both counts.

Liam Neeson Stars as Matt Scudder, a former NYPD detective who used to have a very unhealthy habit of chasing booze with as much passion as he chased bad guys. The two intersected with tragic results when he took a booth at his favorite dive just as two thugs were robbing the place, blowing away the bartender in the process. What follows is a shootout that grabs you by the throat and leaves Scudder reexamining his life.

Flash forward to 1999, where we find a clean and sober Scudder. He’s traded in his police title (but still holds on to the badge) for a private eye shingle. Fresh out of an AA meeting, Scudder is approached by drug trafficker Kenny Kristo (Dan Stevens) whose wife was recently kidnapped and murdered. Scudder is a bit conflicted working with the yuppie junior drug kingpin, but forty grand helps ease his inner turmoil. Just as he’s had enough of Kristo and his business, a young girl (Danielle Rose Russell) is abducted by the kidnappers and Scudder goes all-in on finding them and making sure no one is taken again.

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