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Drink of the Week: Barbary Coast or Bishop

Barbary Coast or Biship.If my first selection of 2017 sounds to you like it should have a question mark after it’s name, you’re not far off. This drink is another selection from David Embury’s cocktail masterwork, “The Fine Art of Mixing Drinks” and the sometimes cranky ur-cocktailian apparently wasn’t sure of the correct name, as he simply called it “Barbary Coast or Bishop.” Indeed, in a footnote he refers to a much better known and sweeter concoction called “The Barbary Coast,” a relative of last week’s Brandy Alexander. There is also a drink out there called “The Bishop,” though I think this drink name refers to the Southern California high desert town, and the other one refers to a cleric.

Still, this indecisively named drink isn’t bad at all. It’s a very moderately sweet blend of classic cocktail ingredients that comes together reasonably well. Not what I’d personally call a home run, but it’s worth a try if you dig the ingredients. Let’s get started.

Barbary Coast or Bishop

2 ounces bourbon or rye whiskey
1/2 ounce sweet vermouth
1/2 ounce fresh orange juice
1 dash Yellow Chartreuse
1 orange twist (desirable garnish)

Combine the various liquids in a cocktail shaker with plenty of ice. Shake vigorously and strain into a chilled cocktail glass. Add the orange twist and ponder whether you’d rather spend time in the notorious Wild West-era San Francisco red light district and gambling center, or the sleepy, modern day desert town of Bishop

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Hollywood Resolutions for 2017

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With the garbage fire of a year that was 2016 fading away in the rearview, it’s time to look forward at the prospects that 2017 holds. While 2016 was pretty awful in most respects, it did manage to deliver some excellent films, including a few instant classics. But will the studios learn the right lessons from these critical and financial successes, or will the new year simply regurgitate the same wrong-headed mistakes from years prior? To help Hollywood navigate the stormy seas of success, below is a list of five resolutions it should adopt in 2017 (and beyond) to ensure delivery of more great films in the future.

1) Embrace Diversity in Casting (and Behind the Camera, Too)

Two of the biggest successes of the year, “Doctor Strange” and “Rogue One: A Star Wars Story,” were populated by a diverse cast of actors that were of different races and genders. And while they weren’t without controversy (the whitewashing of the Ancient One, for example) or their token white saviors (Benedict Cumberbatch and Felicity Jones, respectfully), it was still refreshing to see large studio films actually utilize women and people of color in bigger roles in their tentpole movies. But there needs to be more of this, and it needs to happen behind the camera, too.

The reason why this is so important, especially for blockbusters, is that it helps inspire the next generation of nerds and cinephiles. It’s easy to forget how transformative it can be to “see yourself” up on screen, especially for the white male population, but it really does matter to younger generations to see representations of themselves in movies. Embracing diversity in film helps audiences (particularly non-white, non-male viewers) connect better to what they’re seeing, which helps to inspire their dreams and imaginations, as well as reflects the actual diversity of audiences in today’s world. 2016 did an okay job of inclusiveness, but there are many miles to go before we sleep.

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Gas vs. Diesel

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Rising fuel costs have led some people to think about their options when it comes to engine type. Today’s diesel engines aren’t the loud, smoke-belching beasts they used to be. Even in applications such as larger trucks, it is now nearly impossible to tell just by listening if the engine runs on hi-octane gas or diesel. Because of emission controls, operating characteristics and performance specs have gotten to the point where clean diesels are quite near to their gasoline-powered counterparts.

So, what are the pros and cons when it comes to both types of engines? Let’s take a closer look.

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Movie Review: “Hidden Figures”

Starring
Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst, Jim Parsons, Mahershala Ali
Director
Theodore Melfi

In the wake of famed astronaut John Glenn’s recent death, it seems appropriate that some of the unsung heroes of the Friendship 7 mission (and the NASA space program in general) have finally been given their due in director Theodore Melfi’s new movie, “Hidden Figures.” An incredibly timely and well-told story that serves as a nice counterpart to 1983’s “The Right Stuff,” the film shines a light on the African-American women who helped put Glenn into space during a time when neither African-Americans nor women were given those kinds of opportunities. Though it risks falling into the same traps as other feel-good dramas (after all, it’s basically an underdog sports film for the STEM crowd), “Hidden Figures” rises above its formulaic plot thanks to some terrific performances from the cast.

In the early 1960s, the United States and the Soviet Union were locked in a race to see who could get a man into space first, and with the U.S. desperately lagging behind its Cold War rivals, NASA needed all the brainpower it could get. What most people don’t know is that many of these employees were women (several of them African-American) who worked at the Langley Research Center in Virginia as human computers performing the complex calculations on the agency’s various projects. But because they were black, these brilliant mathematicians were tucked away in a room on the segregated west campus and largely ignored.

That all changes when math whiz Katherine Gobel (Taraji P. Henson) is promoted to the all-white east campus to work under NASA official Al Harrison (Kevin Costner) on the Atlas rocket launch. Though she’s treated like a second-class citizen by her co-workers (not only does she have to run half a mile across campus just to use the colored bathroom, but she can’t even share the same pot of coffee), Katherine quickly proves herself instrumental to the program’s success. Meanwhile, fellow colleagues Dorothy Vaughn (Octavia Spencer), a headstrong supervisor who takes it upon herself to learn how to operate the IBM computers that will eventually replace her, and Mary Jackson (Janelle Monáe), an aspiring engineer who’s stymied by a law that prevents her from attending the classes required to advance in the field, make strides of their own through hard work and determination.

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What separates the NBA’s top clubs from the rest of the pack?

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The NBA season so far has been a completely different affair compared to last season. Throughout the progression of the 2015-16 season, Golden State and Cleveland looked to be the clear finalists in the lead up to the championships, and despite a few hiccups in the playoffs, the Cavs and Warrior ended up in the NBA Finals for the second time in a row. This season looks similar again, as the mid-season review shows that the Cavs and the Warriors are yet again top of their divisions, but neither team looks as invisible as they were last season. The Cavs have already clocked six loses, while the Warriors have been defeated four times. This is thanks to the teams trailing behind them such as the Raptors and Spurs. Other teams in the NBA have played really well this season, with certain players producing a flamboyance that has made this season exciting to watch. So what separates the top clubs from the rest of the pack?

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