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Drink of the Week: The Ford Cocktail, Version 2

Image ALT text goes here.As I tried to rescue the Ford Cocktail for a second week in row from my own mixed feelings, at times I was  tempted  just declare victory and move on,a la Vietnam. I am, instead, prepared to declare the coupe half-full with a sweeter version of the drink I actually like a bit better.

There’s just no point in fighting the the fact that sweetened Old Tom Gin and megasugary hazelnut liqueur Benedictine are just destined to pound the hell out of even the finest dry vermouth. I give in and declare that I actually kind of like this drink, though it will never be a personal favorite. It’s definitely a more accessible improvement over last week’s even sweeter traditional version. In addition, I’ve made what I think are a few minor improvements in a version of the drink promulgated online at Imbibe by Chicago bartender Stephen Cole

The Ford Cocktail, Version 2

2 ounces Old Tom Gin
1 ounce dry vermouth
1/2 tablespoon (1/4 ounce) Benedictine
2-3 dashes orange bitters
1 orange twist (garnish)

Combine everything but the orange twist in a cocktail shaker with plenty of ice. Mr. Cole thinks you should stir this drink but I say you should shake it most vigorously. Then, strain it into a coupe or martini-style cocktail glass. You can add your orange twist in the traditional way — rimming the glass, twisting the orange peel over the drink to express the oils onto the surface of the beverage and then dropping the peel into the drink. Or, as Cole has it, you can discard the orange peel. I didn’t see much difference.

Enjoy your drink and toast second chances. Even when they don’t exactly produce perfection, they’re a reminder that life really does go on.

****

I kept fiddling with the proportions of this version of the Ford Cocktail, trying to fight what initially struck me as excessive sweetness, and got exactly no place. 1/4 of an ounce (1/2 tablespoon) of Benedictine became just one teaspoon and then 1/2 half a teaspoon. The drink lost sweetness but gained neither charm nor balance. Yet, when I returned to the original Cole formulation, I gradually grew to accept, if not exactly love, the Ford.

Still, I have to differ with the Cole recipe in a couple of respects. It specifically calls out the high-end Dolin’s for its dry vermouth. I like Dolin’s quite a bit, but I found the drink might actually have been improved by the more standard, much cheaper, and slightly dryer Martini & Rossi. I usually prefer slightly more flavorful dry vermouths but, for this drink, the crispness of Martini may win.

I win as well, because I finally get to move on to another drink, and I think it might be one I not only kinda invented myself but actually like. Stay tuned.

2014 Gatorade High School Athlete of the Year Awards

GATORADE ATHLETE OF THE YEAR 2

The caliber of athletes honored by Gatorade with its High School Athlete of the Year Awards has been quite impressive since the awards were introduced in 1986. Names like Lebron James and Peyton Manning show up on the banners honoring past winners, and this year’s NBA Draft saw the two previous winners for the men’s High School Athlete of the Year Award, Andrew Wiggins and Jabari Parker, going first and second in the draft.

We had the opportunity to meet both of these young talents as we covered the awards over the past several years, along with female standouts like Breanna Stewart who has already won two National Championships at UConn in her first two years there! We were back this year for the awards ceremony on Tuesday night to see hoops standout Karl Towns Jr. receive the honor as the top high school male athlete and Brianna Turner receive the honor for top female athlete.

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Movie Review: “Sex Tape”

Starring
Jason Segel, Cameron Diaz, Rob Lowe, Rob Corddry, Ellie Kemper
Director
Jake Kasdan

The screenplay credit may reveal more about “Sex Tape” than it cares to admit. Karen Angelo gets both a story and screenplay credit (yep, this movie was a woman’s idea), with lead actor Jason Segel and his writing partner Nicholas Stoller sharing a joint screenplay credit as well. For the sake of Segel and Stoller’s reputations as writers, we are going to hope that they went into production with Angelo’s draft of the script, only to have Segel and Stoller punch it up once they realized it wasn’t working, and then realizing that there wasn’t enough time to get it completely right, so they settled for this. That is the only way to explain how Segel and Stoller would be part of something so emotionally tone-deaf. The characters in “Sex Tape” don’t have personalities: they have quirks. That’s not the same thing, by a damned sight.

Annie (Cameron Diaz) and Jay (Segel) are harried with children, with neither the time nor the energy to invest in their sex life as they did when they were younger and childless. Both recognize that this is a problem, and they decide to make up for all of the missed opportunities by making a video of them performing every position in the 1972 book “The Joy of Sex.” The plan is for Jay to delete the video in the morning, only he doesn’t. Later the next day, Jay receives a text from an unknown number, telling him that they’ve seen the video. It went out after Jay did a group sync of the contents of his iPad (that was the camera) with several other iPads that he has recently given away to friends and colleagues. Annie is naturally embarrassed, but worse, she gave one of those iPads to Hank (Rob Lowe), who’s considering buying Annie’s mommy blog.

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Movie Review: “The Purge: Anarchy”

Starring
Frank Grillo, Carmen Ejogo, Zoe Soul, Zach Gilford, Kiele Sanchez
Director
James DeMonaco

The first “Purge” movie was an incredibly stupid horror-thriller dragged down by its comically far-fetched concept, cardboard villains and idiotic characters, but it also made a lot of money on a micro-sized budget, so it was hardly a surprise when Universal greenlit another installment. As you might expect from a sequel written and directed by the same guy responsible for the original, “The Purge: Anarchy” is plagued by many of the same issues, although it’s a slight improvement thanks to the decision to move the action out into the city rather than stay contained within a single household. In fact, unlike the home invasion plot of the first film, “Anarchy” has shed itself almost entirely of all horror elements, aiming for something more along the lines of a retro John Carpenter movie, only not as good.

In an attempt to lower the national crime rate and control overpopulation, the country’s newly elected government – the New Founding Fathers of America – have enacted an annual holiday known as The Purge, a 12-hour period where all crime (including theft, murder and rape) is completely legal. It’s designed to provide citizens with an outlet for their repressed urges, and it actually works, but only if you’re lucky enough to be on the right side of the poverty line. Those who can’t afford protection are easy targets, like single mother Eva (Carmen Ejogo), who’s just trying to make it through another Purge alive with her daughter Cali (Zoe Soul). When a well-armed group of assailants raid their apartment building and take them outside to be executed in the streets, they’re saved by a mysterious stranger (Frank Grillo) seeking revenge on the man who killed his son. Along the way, they’re joined by a married couple (Zach Gilford and Kiele Sanchez) that’s been stranded in the city after their car breaks down on the highway, and they must work together to survive the night against psychotic gangs, twisted one-percenters and the government’s personal hit squad.

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Movie Review: “Planes: Fire & Rescue”

Starring
Dane Cook, Teri Hatcher, Ed Harris, Hal Holbrook, Julie Bowen, John Michael Higgins, Brad Garrett, Regina King
Director
Roberts Gannaway

Movies like “Planes: Fire & Rescue” are the bane of a movie critic’s existence, but not for the reasons you might suspect. It has a rock-solid moral center, preaching the virtues of bravery and self-sacrifice for the benefit of others, and those are important things for young children to learn in the event that their real-life role models aren’t teaching them those things already. It also has some inspired voice work by a well-chosen cast, and some impressive visuals. However, in order to make said point about the virtues of bravery and self-sacrifice, the story line and dialogue are stripped of nearly all nuance, and in the end we are left with a Message Movie, and a straight-to-video Message Movie at that. (That might sound harsh, but last year’s “Planes” was originally meant to go straight to video.) Even Disney knows that these movies are second class to films like “Frozen” and “Wreck-It-Ralph.” It’s a place filler until they unveil their next tentpole release. Easily consumable and earnest, but knowingly lacking, and absolutely not worth paying extra cash to see in 3D.

Newly crowned race champion Dusty Crophopper (Dane Cook) is enjoying his moment in the sun as the It Boy of aerial racing, but his mechanic Dottie (Teri Hatcher) advises him that he has a part that is both faulty and irreplaceable, and if he continues to push the limits, he will crash. Of course, he does exactly that, and sets off a chain of events that exposes the airport he calls home as being unsafe. They need another rescue vehicle and, realizing that his racing days are all but over, Dusty volunteers to be the rescue vehicle. Fire truck Mayday (Hal Holbrook) sends Dusty up to train with Blade Ranger (Ed Harris), and Dusty quickly, and repeatedly, learns that this job is much harder than it looks.

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