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Blu Tuesday: Captain America: The Winter Soldier, Agents of S.H.I.E.L.D. and God’s Pocket

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Captain America: The Winter Soldier”

WHAT: When S.H.I.E.L.D. is compromised by members within the organization, Steve Rogers (Chris Evans) is forced to go on the run with fellow operative Natasha Romanoff, aka Black Widow (Scarlett Johansson), in order to smoke out the traitors. But standing in their way is a super-powered, metal-armed assassin called the Winter Soldier who looks suspiciously like someone from Steve’s past.

WHY: Hands-down the best Marvel sequel to date, “Captain America: The Winter Soldier” is a major improvement upon the character’s first solo adventure, thanks in large part to a more interesting arc for its titular hero. The whole conspiracy plot not only creates a sense of foreboding and suspense, but in addressing real-world issues like national security, it lends itself to the moral battle that’s been waging inside Rogers since joining S.H.I.E.L.D. in “The Avengers.” That distrust allows Evans to play the character with a lot more complexity than the typical goody two-shoes Boy Scout, though he receives great support from Scarlett Johannsson’s Black Widow, Samuel L. Jackson’s Nick Fury and Anthony Mackie’s Sam Wilson/Falcon, who all play an important part in the story. The action in the movie is also top-notch, which is somewhat surprising considering Anthony and Joe Russo have virtually no experience in the genre. The sibling duo is just the latest in Marvel’s line of left-field director choices, and they acquit themselves remarkably well, so much so that they’ve already been invited back for another installment. That’s certainly a just reward for the Russos, because “The Winter Soldier” is a superb continuation of its hero’s cinematic evolution that also serves as a natural bridge to next year’s “Avengers: Age of Ultron.”

EXTRAS: In addition to an audio commentary by directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely, the Blu-ray includes a short making-of featurette, a look at the different region-specific versions of Steve Rogers’ notebook, some deleted scenes and a gag reel.

FINAL VERDICT: BUY

“Agents of S.H.I.E.L.D.: The Complete First Season”

WHAT: After miraculously surviving the Battle of New York, S.H.I.E.L.D. agent Phil Coulson (Clark Gregg) assembles a small team – including civilian hacker Skye (Chloe Benet) – to tackle strange new cases involving superpowers, alien artifacts and other phenomenon deemed too top secret for normal authorities, but not important enough for the Avengers.

WHY: As with most Joss Whedon-created shows, the first season of “Agents of S.H.I.E.L.D.” is a bit rocky at times, struggling to find its voice as the small-screen companion to Marvel’s bigger and better movies. But while the first 13 episodes are incredibly hit-and-miss, the series eventually finds its groove in the latter half of the season, delivering the kind of supplemental stories that further enrichens the Marvel cinematic universe. The show feels a little cheesy at times due to the budgetary restraints, and some of the cast members (namely Chloe Benet and Brett Dalton) have a daytime soap opera feel to their performances, but when it’s firing on all cylinders, “Agents of S.H.I.E.L.D.” is a lot of fun. That’s never truer than in the final batch of episodes featuring Bill Paxton as a traitorous S.H.I.E.L.D. agent working for Hydra – a subplot that was introduced concurrently with the theatrical release of “Captain America: The Winter Soldier.” This kind of integrated storytelling is what “Agents of S.H.I.E.L.D.” promised from the very beginning, and although it may seem gimmicky, it allows Marvel Studios to connect the two mediums in a way that expands their cinematic universe without making the show feel essential to understanding the movies.

EXTRAS: The Blu-ray set includes cast and crew audio commentaries, five behind-the-scenes featurettes, the “Marvel Studios: Assembling a Universe” TV special, a VFX breakdown montage, deleted scenes and a gag reel.

FINAL VERDICT: RENT

“God’s Pocket”

WHAT: When his good-for-nothing stepson (Caleb Landry Jones) is killed while working at a construction site – an act of self-defense covered up to look like an accident – Mickey (Philip Seymour Hoffman) scrambles to raise the money for his funeral.

WHY: John Slattery couldn’t have asked for a better ensemble cast for his directorial debut – including screen veterans like Philip Seymour Hoffman, John Turturro, Richard Jenkins and Eddie Marsan – but sadly, “God’s Pocket” is a prime example of how to make a bad movie with good actors. Though it’s competently shot, the story isn’t particularly interesting and the characters aren’t given a whole to do. The film also fails to establish a consistent tone, sampling a variety of genres (from dark comedy, to crime thriller, to blue-collar drama) like a kid at an ice cream shop who can’t make up his mind. That should come as no surprise to those that saw Lee Butler’s “The Paperboy,” because both movies were based on novels by author Pete Dexter, and much like that film, “God’s Pocket” feels incredibly aimless at times, due in large part to its thinly-scripted story and pointless subplots. Hoffman delivers a typically solid performance as the sad-sack protagonist – though it’s hardly the most fitting end to an otherwise excellent career – while the rest of the actors pretty much phone it in, especially Slattery’s “Mad Men” co-star Christina Hendricks as the grieving mother.

EXTRAS: There’s an audio commentary with co-writer/director John Slattery and some deleted scenes.

FINAL VERDICT: SKIP

The Selvarey Chicago Fizz

Selvarey Chicago Fizz. Today’s drink is the most deliciously nutritious and possibly (though not definitely) the last of the cocktails we’ll be featuring here with a base booze provided by the skilled distillers of Selvarey White Rum. If you missed my earlier experiments with this brand, all I can say is that it’s a genuine Panamanian treat from a company which also boasts darn good taste in cocktails.

The Selvarey Chicago Fizz differs from most of the other Chicago Fizz recipes you’ll find online in that’s it’s made with Selvarey White Rum, instead of a sweeter dark rum. The result is a beverage that’s almost perfectly balanced between sweet and tart flavors. I’m not sure about actually curing a hangover, but if you’re determined to have a cocktail in the morning, which means you’re either drinking too much, on vacation, or both, this may be the most outstanding choice possible.

The Selvarey Chicago Fizz

1 ounce Selvarey White Rum
1 ounce tawny port wine
3/4 ounce lemon juice
1 raw egg white or 1 ounce of pasteurized egg white
1/2 ounce simple syrup or 2 1/2 teaspoons superfine sugar
Soda water

Combine all the ingredients except the soda water in a cocktail shaker, without ice. “Dry shake” without the ice to emulsify the egg. Then shake again, very vigorously and now with plenty of ice. Strain into a chilled Tom Collins-style glass. Top off with that soda water (preferably chilled) you’ve been holding back and you’ll find yourself with a nice “head” on your fizz. Sipp and salute the concept of carbonated water, without which life would be just a little bit more flat.

*****

I usually talk about ingredients in this section, but this time I’ll offer a note about your bartending equipment first. You’ll likely have better results with your Chicago Fizz if you use an old fashioned separate cocktail strainer like the pro bartenders use, rather than the built in kind. The pre-fizz portion of the drink is thick enough that’s it’s tricky to get out of those tiny holes at the top of the shaker. Regular readers will remember that I’ve made many drinks with egg whites, but this seemed to be more of an issue this week than with other egg white cocktails — either that, or I’m just losing my patience.

Fizzes are an entire mixed drink category I’ve barely touched on. What’s interesting is that the inclusion of relatively small amount of soda water renders a pretty massive change, and I don’t just mean bubbles.

A cocktail featuring an egg white usually has a lovely, soft and milky texture. Adding the fizzy water, however, causes the egg white to separate from the rest of the drink, which produces a head which is similar to what you might find in root beer or, even more to the point, that non-alcoholic New York/Jewish deli favorite, an egg cream. (If you know your deli beverages, you’re aware that an egg cream  contains chocolate syrup but no egg and no cream, but it has a very nice foamy head owing to the presence of milk and seltzer.)

In the case of the Selvarey Chicago Fizz, or the Jacques Straub 1914 take on the Chicago Fizz to the boozy historians, the result is fruity, not too sweet and — relatively speaking — not too heavy on the booze. In fact, it’s so not too sweet that I wouldn’t blame you if you amped up the amount of simple syrup or sugar.

Finally, it is definitely permissible to try this with other brands of white rum. I gave it a shot with a far older premium brand and, while I preferred the lighter, sweeter touch of the Selvarey, it wasn’t bad with Brand X. In any case, using a rum to your liking, not to mention a good tawny port (not my particular area of expertise; I used a brand called Almiro), will likely yield a better drink. Follow your instincts.

Movie Review: “God Help the Girl”

Starring
Emily Browning, Olly Alexander, Hannah Murray, Pierre Boulanger
Director
Stuart Murdoch

If “God Help the Girl” were any more precious, Gollum would steal it.

This is to be expected, of course. The writer and director is Stuart Murdoch, singer and principal songwriter of Scottish twee factory Belle and Sebastian; there was no way this movie wasn’t going to be precious. If only it weren’t so slight, but slight it is. The story, the acting (though Emily Browning is lovely), and God help him, even a lot of the songs are lacking. If there is one good thing to come from the movie, it’s that you can use it as an acid test; if someone likes it, they’re a hipster. No exceptions.

Eve (Browning) is a troubled audiophile. She’s in a rehab center (anorexia), but occasionally escapes to check out new bands, and catches the eye of Anton (Pierre Boulanger), the singer of an up-and-coming band. Eve is weak from hunger, though, and is rescued at the end of the night by aspiring singer/songwriter James (Olly Alexander, whom you’ll swear is related to one of the Proclaimers), whose own gig went less well than Anton’s. Upon her return to the rehab center, Eve begins writing songs about her feelings, and turns out to be quite good at it. She finds James and shares some of her ideas with him, and instantly he wants to form a band. He invites her to meet Cassie (Hannah Murray), who’s taking guitar lessons from James, and after a quick number, the band is set. The problem (one of many) is that James and Cassie don’t know that Eve is a runaway rehab patient. Do you think they’ll find out?

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Car Review: 2014 Kia Optima Hybrid EX

kia_optima_1

The 2014 Kia Optima Hybrid EX rides on the redesigned Optima from back in 2013 and debuts a super-jump in mileage with the new hybrid version. We tested the 2014 Kia Optima Hybrid EX for a week and the range on one tank of gas in more than impressive. Simply put, Kia’s Stylish hybrid midsize sedan returns with improved aerodynamic design and technological enhancements that take this car up a few notches.

EXTERIOR

Taking a great looking car like the Optima and improving on those looks while also making it more fuel efficient is not easy. The dynamic and sporty design upgrades on the gasoline-powered 2014 Optima are retooled for the Hybrid to increase fuel efficiency. Contributing to improved aerodynamics is a series of additional vents in the Optima Hybrid’s unique front bumper, increasing airflow and reducing drag. Newly designed and more aerodynamic 17-inch alloy wheels as tested (LX and EX, respectively) reduce weight and drag, while superbly integrating with the Optima’s eye-catching new design elements.

In addition to those elements designed with fuel efficiency in mind, the 2014 Optima Hybrid also boasts a unique new front grille design, Hybrid-exclusive front LED lighting, new Hybrid fender badges and an attractive and upscale optional white leather package. The smoky blue paint was crisp and very easy to keep a clean appearance.

INTERIOR

The roominess is noteworthy because often with sleek-looking designs, interspace can sometimes be compromised, but not in the 2014 Kia Optima Hybrid EX. The white leather package in our test model was very luxurious. Technological improvements to the gasoline-powered 2014 Optima carryover within the cabin of the Optima Hybrid, as drivers are greeted with more upscale and high-tech amenities. Activating the Optima’s push button ignition brings two displays to life: a 4.3-inch TFT LCD instrument cluster and optional high-resolution 8-inch navigation and telematics screen, featuring UVO eServices, an eight-speaker Infinity sound system, HD Radio , SiriusXM Satellite Radio and SiriusXM Traffic4. One of the interior highlights was the enormous panoramic sunroof, which brought in as much sunlight and fresh air that one could expect from anything but a convertible.

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