Category: Entertainment (Page 66 of 277)

Movie Review: “Black Mass”

Starring
Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Rory Cochrane, Jesse Plemmons, David Harbour, Kevin Bacon
Director
Scott Cooper

There was a time when Johnny Depp could seemingly do no wrong, but in recent years, he’s mistaken that goodwill for the freedom to do whatever the hell he wants, and it hasn’t really worked out in his favor. Not counting cameos and animated voice work, it’s been a while since Depp delivered a genuinely good performance. (You’d have to go all the way back to 2009’s “Public Enemies,” in which he played another famous gangster, John Dillinger.) But the actor finally stops the rot with his turn as the menacing Whitey Bulger in “Black Mass,” and though it isn’t exactly Oscar worthy, it’s just nice to see him back doing what he does best: creating complex, memorable characters instead of broadly painted caricatures.

The movie opens in 1975 as small-time criminal Jimmy “Whitey” Bulger (Depp) begins to make a name for himself in South Boston with the help of his Winter Hill Gang, including trusted right-hand man Steve Flemmi (Rory Cochrane), hitman John Martorano (W. Earl Brown) and muscle Kevin Weeks (Jesse Plemmons). When one of Whitey’s old childhood friends, FBI agent John Connolly (Joel Edgerton), returns to Boston to clean up the streets by bringing down the Italian mafia, he suggests that Whitey become his informant – a mutually beneficial business arrangement that would allow John to get rid of the mob and give Whitey free reign over the city. But as John struggles to cover up Whitey’s growing criminal empire, he unknowingly places himself in the FBI’s crosshairs when his superiors begin to question how Whitey continues to get away with murder, sometimes quite literally.

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Movie Review: “Everest”

Starring
Jason Clarke, Josh Brolin, Jake Gyllenhaal, Keira Knightley, Robin Wright, John Hawkes, Michael Kelly
Director
Baltasar Kormákur

It’s really not surprising that “Everest” is from the director of “2 Guns” and “Contraband.” A true-life story about survival may seem outside of Baltasar Kormákur’s wheelhouse, but that’s not the case. “Everest” is just as competently made as the director’s two action thrillers, and yet strangely, it’s also as emotionally distant and perfunctory.

“Everest” should be a harrowing story about survival, ambition and the human spirit, but it’s really none of those things, only ever scratching the surface of the story. The film follows a group of climbers as they set out to reach the top of Mount Everest. The team consists mostly of strangers, including the leaders of the expedition, Rob Hall (Jason Clarke) and Scott Fischer (Jake Gyllenhaal), as well as Texan Beck Weathers (Josh Brolin), Doug Hanson (John Hawkes) and more. As Hall points out, humans aren’t built to survive the conditions of Mount Everest, especially once Death Valley is reached, so it’s a dangerous decision in the first place – one made only more dangerous when a brutal and violent storm hits as the team ascends the mountain.

That’s all there is to “Everest”: they go up the mountain, something awful happens, and that’s it. That’s as far as Simon Beaufoy and William Nicholson’s script goes. What’s funny is that they’ve both written survivalist stories before: Beaufoy penned “127 Hours,” while Nicholson wrote last year’s “Unbroken.” “Everest,” unfortunately, is more like Angelina Jolie’s film, showing us a series of events without much meaning. There are a handful of emotional moments, but unlike “127 Hours,” there’s very little exploration. In one scene, the members of the group are asked why they’re climbing Mount Everest, and we’re given fairly basic explanations for such a complex and dangerous desire. We rarely see these motivations unfold or depicted on the mountain.

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Blu Tuesday: Furious 7, The Jinx and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Furious 7”

WHAT: When Deckard Shaw (Jason Statham) seeks revenge on Dominic Toretto (Vin Diesel) and company for putting his younger brother in a coma, they must team up with a shadowy government agent named Mr. Nobody (Kurt Russell) to recover a tracking device capable of locating anyone in the world and gain the upper hand.

WHY: The “Fast and Furious” movies have always been about fast cars, beautiful women and ridiculous stunts, but the seventh installment in the long-running series has a weight on its shoulders unlike any sequel/prequel before it. The untimely death of Paul Walker not only affected the film’s production, but the manner in which he died cast a morbid shadow over the project. Thankfully, director James Wan was able to turn a horrible tragedy into a respectful and fitting farewell for Walker that adds a layer of emotion to “Furious 7” that resonates throughout the movie, and now, the entire franchise. Though the plot doesn’t always make sense, partially due to some last-minute rewrites to work around Walker’s absence, it’s easily one of the most entertaining “Fast and Furious” installments yet. There are four great fight scenes (Dwayne Johnson vs. Statham, Walker vs. Tony Jaa, Michelle Rodriguez vs. Rhonda Rousey, and Diesel vs. Statham), as well as more gravity-defying stunts that feature cars dropping out of cargo planes and hopping skyscrapers in Abu Dhabi. The whole thing is every bit as ridiculous as you’d expect, but thanks to some incredibly entertaining action and the ever-charming ensemble cast (which adds original badass Kurt Russell to the mix), “Furious 7” is an absolute blast.

EXTRAS: In addition to eight featurettes that explore the cars, stunts, fight choreography and evolution of the franchise, there’s a behind-the-scenes look at making the new Fast & Furious ride at Universal Studios and some deleted scenes.

FINAL VERDICT: RENT

“The Jinx: The Life and Deaths of Robert Durst”

WHAT: Filmmaker Andrew Jarecki examines the life of Robert Durst, the brilliant but eccentric heir to a New York real estate empire who was accused of three murders over 30 years.

WHY: A chilling and immensely fascinating piece of true crime that was nearly a decade in the making, HBO’s six-part docuseries takes the phrase “stranger than fiction” to dizzying new heights. Utilizing interviews with law enforcement officers, lawyers, the friends and family of Durst’s alleged victims, and in his first public interview, Durst himself, Jarecki’s investigation shines a light on one of the strangest stories in modern history. It’s no secret that Durst has since been arrested (though not yet found guilty) for one of the murders, partially due to new evidence uncovered by Jarecki and his team, but that doesn’t make “The Jinx” any less captivating, because it pulls you in from the opening minutes and never loosens its grasp. Durst is either the unluckiest guy on the planet or a total sociopath, and judging from the case presented against him, including some very telling moments during his interview sessions with Jarecki, the evidence certainly points toward the latter. Of course, this only makes “The Jinx” all the more entertaining, as Durst plays the role of the elitist villain to perfection, practically daring the authorities to outsmart him. Though Jarecki does mess with the chronology of certain events for dramatic effect, and probably could have trimmed some fat off each episode, “The Jinx” is so good that it’ll make you fall in love with detective stories all over again.

EXTRAS: Sadly, there’s no bonus material.

FINAL VERDICT: RENT

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Movie Review: “The Visit”

Starring
Olivia DeJonge, Ed Oxenbould, Kathryn Hahn, Peter McRobbie
Director
M. Night Shyamalan

It has been a rough decade for M. Night Shyamalan. The once promising filmmaker behind the chilling smash hit, “The Sixth Sense,” and its beautifully somber and superior follow-up, “Unbreakable,” hasn’t connected with audiences for a long time now. “The Last Airbender,” “After Earth” and “Lady in the Water” failed to connect with critics, audiences and plenty of the director’s own vocal supporters. This year, though, marks the return of a new and improved Shyamalan, who has delivered an unpretentious, darkly funny horror movie with “The Visit.”

Spending a week with grandma and grandpa – what could possibly go wrong? But in this story, it turns out that the answer is “everything.” Becca (Olivia DeJonge) and Style (Ed Oxenbould) don’t know what to expect when they arrive at the home of their grandparents, Pop Pop (Peter McRobbie) and Nana (Deanna Dunagan). The kids’ mother (Kathryn Hahn) hasn’t talked to her parents in years because of a heated disagreement they once had, and this is their chance to finally get to know their grandparents, which aspiring filmmaker Becca is documenting with her camera. Soon after their visit starts, however, the two kids realize that something is very, very wrong with grandma and grandpa.

“The Visit” is a refreshing found footage movie. Technically, the label doesn’t apply, since it’s not exactly “found footage,” but nonetheless, it plays with the form in some creative ways. Most found footage movies are bafflingly polished, with seamless cuts and the camera often in the right place at the right time. In this case, the camerawork makes sense. When a character holds a camera in a tense sequence, it makes sense: Becca is a filmmaker who wants to capture everything about this vacation. There’s only one scene that screams, “Drop the camera already!”

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Movie Review: “Sleeping with Other People”

Starring
Jason Sudeikis, Alison Brie, Andrea Savage, Jason Mantzoukas, Adam Scott, Amanda Peet, Natasha Lyonne
Director
Leslye Headland

Writer/director Leslye Headland’s debut feature, “Bachelorette,” was an incredibly cruel and unfunny dark comedy filled with selfish people doing horrible things, so it comes as a bit of a surprise that her follow-up, “Sleeping with Other People,” hardly has a mean-spirited bone in its body. Granted, the characters aren’t exactly saints, but for the most part, they’re likable human beings with very real flaws that you actually care about. That’s a welcome change from the insufferable assholes that populated Headland’s first film, and it helps solidify “Sleeping with Other People” as a sweet and candid romantic comedy that ranks as one of the more enjoyable entries in the genre in quite some time.

It’s been more than a decade since Jake (Jason Sudeikis) and Lainey (Alison Brie) first met as students at Columbia University, where they lost their virginities to one another on the roof of Jake’s college dorm before seemingly vanishing from each other’s life forever. They haven’t had a healthy relationship since that night, with Jake resigned to playing the field as a perpetual bachelor and Lainey’s love life stunted by her obsession with college crush, Matthew Sobvechik (Adam Scott). But when Jake and Lainey cross paths at a sex addicts meeting in New York City, they pick up right where they left off. Though the attraction between them is palpable, they agree to keep things strictly platonic because sex has always played a part in their failed relationships. However, as they spend more time together and begin to act like a real couple, Jake and Lainey must decide whether to break things off and save themselves the heartache or risk giving romance a shot.

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