Author: Jason Zingale (Page 92 of 112)

Coming Soon: A Moviegoer’s Guide to December

It’s no secret that Hollywood saves some of its biggest guns for the end of the year, and between all the awards season hopefuls and holiday blockbusters, there’s an entire arsenal of exciting movies coming to theaters this December. While Kathryn Bigelow, Tom Hooper and Quentin Tarantino duke it for Oscar honors with their newest films, “Jack Reacher” and “The Hobbit” promise to deliver pure escapist entertainment. The only thing missing is a big red bow, because this is the ultimate present for film lovers.

“HYDE PARK ON HUDSON”

Who: Bill Murray, Laura Linney, Olivia Williams, Olivia Colman and Samuel West
What: The story of the love affair between FDR and his distant cousin Margaret Stuckley during the weekend in 1939 when the King of England visited upstate New York.
When: December 7th
Why: Bill Murray is notoriously picky about choosing scripts, but not even he could turn down the chance to play Franklin D. Roosevelt, which practically comes with an Oscar nomination attached to it. All kidding aside, Murray is actually a pretty inspired choice to play the wheelchair-bound 32nd President, especially because Roger Michell’s film appears to be much lighter for a story that takes place during such a harrowing period in history. While it’s unlikely that “Hyde Park on Hudson” will garner the same awards recognition as 2010’s “The King’s Speech” (although the two movies would make a perfect double feature), it’s hard to imagine that it will disappoint with such a solid cast.

“THE HOBBIT: AN UNEXPECTED JOURNEY”

Who: Martin Freeman, Ian McKellan, Richard Armitage, Andy Serkis and Hugo Weaving
What: Bilbo Baggins journeys to the Lonely Mountain with a vigorous group of dwarves to reclaim a treasure stolen from them by the dragon Smaug.
When: December 14th
Why: After years stuck in development hell due to the MGM bankruptcy crisis, the most anticipated prequel to come out of Hollywood since “The Phantom Menace” is finally arriving in theaters, although not exactly in the way that most people were expecting. For starters, Peter Jackson is back in the director’s chair after Guillermo del Toro cut his losses to work on other projects (and really, it’s for the better), while two movies have now become three after the decision was made to turn “The Hobbit” into its own trilogy. Though I’m not exactly sure how Jackson plans to do that (especially when Part One, subtitled “An Unexpected Journey,” will reportedly run 160 minutes long), that doesn’t make me any less thrilled about getting the chance to revisit Middle Earth all over again.

“ZERO DARK THIRTY”

Who: Jessica Chastain, Joel Edgerton, Kyle Chandler, Chris Pratt and Jason Clarke
What: A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the 9/11 attacks, and his death at the hands of Navy SEAL Team Six.
When: December 19th
Why: The last time director Kathryn Bigelow and writer Mark Boal got together, they made the superb military thriller “The Hurt Locker,” which went on to win six Oscars, including ones for Best Picture, Best Director and Best Original Screenplay. The pair has reportedly been working on a movie about the hunt for Osama bin Laden for quite some time – so long, in fact, that they had to completely rewrite it after the al-Qaeda leader’s death in 2011 – but if there’s one film with the potential to outdo their last collaboration, “Zero Dark Thirty” is it. Though the movie is clearly much larger in scope than “The Hurt Locker,” with a lot of moving parts and an incredible ensemble cast too big to list here, if Bigelow and Boal get it right, this could be the movie event of the year.

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Blu Tuesday: Superheroes and Street Fights

It’s been a little busy around the office this week with my wedding fast approaching, so I haven’t had the chance to review everything that I would have liked. But don’t let that stand in the way of you enjoying all the fantastic new releases, because in addition to the films featured below, there are a handful of other titles worth checking out, like Criterion’s “Rashomon,” “Your Sister’s Sister” and “Entourage: The Complete Series.”

“The Amazing Spider-Man”

There was a lot of criticism regarding Sony’s decision to reboot the Spider-Man franchise only a decade after Sam Raimi’s first film was released, but it was time for a change. Though Peter Parker’s origin story feels a bit repetitive to sit through all over again, once the movie frees itself from those chains, it never looks back. The action scenes are entertaining if not exactly memorable, and the campier aspects of Raimi’s trilogy have been removed. Director Marc Webb does a really good job of juggling the action, comedy and drama, but his most important contribution to the movie is providing more emotional depth to the characters, which makes Peter’s various relationships a lot more interesting. It certainly helps that Webb has rounded up such an impressive cast of actors to fill every major role, and that begins with his two leads. Emma Stone is perfectly cast as the smart and sexy Gwen Stacy, while Andrew Garfield easily outshines Tobey Maguire’s geeky portrayal of the wall-crawler. Though “The Amazing Spider-Man” isn’t quite the radical reboot that “Batman Begins” proved to be, it’s not that kind of film. It’s a little darker and more grounded in reality, but for the most part, it’s the same Spider-Man that everyone knows and loves.

Blu-ray Highlight: Sony has assembled an impressive collection of bonus material for the Blu-ray release, including a nearly two hour making-of featurette called “Rite of Passage: The Amazing Spider-Man Reborn” that covers a variety of topics like casting, creating the Spidey costume, the Lizard’s creature design, visual effects and more.

“They Live”

While not as popular as “Halloween” or “The Thing,” John Carpenter’s “They Live” remains as timely and relevant today as it was back in 1988, especially when viewed in the context of social movements like Occupy Wall Street. It’s actually really surprising that Hollywood hasn’t tried remaking the film, because although the original is entertaining as a B-movie guilty pleasure with some hilarious quotes (“I have come here to chew bubblegum and kick ass… and I’m all out of bubblegum.”) and one of the best knock-down-drag-out fight sequences in history, there’s plenty of room for improvement. The first act is painfully slow as it builds to the reveal of the aliens, the effects haven’t aged particularly well, and though Roddy Piper is good in the more physical aspects of the role, he leaves a lot to be desired in the acting department. Still, the movie is a cult classic for a reason, and Shout! Factory has done a great job with the new video transfer, making this a must-buy for fans of ‘80s cinema.

Blu-ray Highlight: In addition to the old commentary with director John Carpenter and star Roddy Piper, there’s also a new interview with Carpenter where he discusses the idea behind the film, casting his leads, and filming the infamous alley fight sequence.

Blu Tuesday: Time Travel, Fantasy Girls and Dirty Politics

Movie fans have plenty to look forward to this week with plenty of great titles arriving on Blu-ray. And it’s not just limited to the films featured below, either, because Criterion is releasing the horror classic “Rosemary’s Baby” for the first time on the format, and Universal’s “Alfred Hitchcock: The Masterpiece Collection” is finally coming to stores.

“Safety Not Guaranteed”

“Safety Not Guaranteed” is an amalgamation of everything that’s great about independent filmmaking – from its hugely original script to its wonderful cast of characters – but the one thing that it does better than anything else is create a cinematic experience that’s rich in both comedy and emotion. A lot of movies have tried to juggle the two in the past, but Colin Trevorrow’s directorial debut is one of those rare few that actually pulls it off. Though it can technically be described as a time travel movie, “Safety Not Guaranteed” is more about the characters’ relationships than the veracity of its sci-fi premise, and that’s thanks to Derek Connolly’s excellent script and the fantastic cast. All four actors click really well as a group, but they also deliver some great individual performances, especially Aubrey Plaza, who proves that she can do more than spout witty one-liners and mug for the camera. Though the movie didn’t enjoy as much success in theaters as it did on the festival circuit, it’s hands down one of the funniest and most sincere films I’ve seen all year.

Blu-ray Highlight: It’s not much, but “A Movie Making Mission” provides some good insight into the making of the film, with interviews from director Colin Trevorrow and the cast discussing the movie’s origin, shooting certain scenes and the time machine.

“The Campaign”

It’s been a while since Will Ferrell starred in a comedy that really made me laugh, and Zach Galifianakis isn’t as funny as his popularity would suggest, but “The Campaign” is better than I expected, even if it never fully takes advantage of its promising setup. The movie walks a fine line between silly and stupid, and although it veers into the latter far too often, it’s no surprise why director Jay Roach cast the two comedians, because they excel at playing these types of buffoonish characters. The film’s real MVP, however, is Dylan McDermott, who does more with a single look or line of dialogue than what Ferrell and Galifianakis are able to achieve in an entire scene. The duo still earns its share of laughs with their usual shtick, but while the movie’s goofball tone is successful to some degree, “The Campaign” would have worked even better as an edgier, darker comedy in the same vein as Alexander Payne’s “Election.” Roach has even had some success in recent years with the HBO election dramas “Recount” and “Game Change,” so it seems strange that he was afraid to push any boundaries here, because it was a big missed opportunity.

Blu-ray Highlight: There’s nothing of note worth discussing, but the two-disc effort does include an extended cut of the film, a handful of deleted scenes and a gag reel.

“Ruby Sparks”

It’s been six years since Jonathan Dayton and Valerie Faris’ directorial debut “Little Miss Sunshine” took Hollywood by storm, and people were beginning to wonder whether the filmmaking duo would end up becoming just another one-hit wonder. The dreaded second album syndrome is something that haunts artists working in any medium, so it’s curious that Dayton and Faris decided to approach the subject head-on by making a film about that very thing. It may seem a bit presumptuous of Zoe Kazan to write the movie with herself and long-time boyfriend Paul Dano in mind for the lead roles, but it’s evident pretty early on that the two actors have great chemistry. Dano continues to impress in his second outing with Dayton and Faris, while Kazan, although solid as the title character, deserves more kudos for her debut screenplay, creating a charming and mostly original love story that doesn’t always go in the direction you’re expecting. Though it was only inevitable that “Ruby Sparks” would be compared to “Little Miss Sunshine,” the movie is a clever but flawed Woody Allen-esque comedy that proves that its directors aren’t just a one-trick pony.

Blu-ray Highlight: Fox’s Blu-ray release is a pretty disappointing affair. Although the bonus material includes five featurettes on a variety of topics like the story, the cast and filming in Los Angeles, they’re so brief that it feels like little more than an afterthought.

Coming Soon: A Moviegoer’s Guide to November

After a tepid last couple of months, Hollywood is finally gearing up for award season, and with it comes a host of really promising films from the likes of Steven Spielberg, Joe Wright, David O. Russell and Ang Lee, many of which are already projected to land several Oscar nominations. But perhaps the most highly-anticipated release this November isn’t an award contender at all, but rather the long-awaited 23rd installment in the James Bond series, which looks to be Daniel Craig’s best 007 adventure yet.

“WRECK-IT RALPH”

Who: John C. Reilly, Jack McBrayer, Sarah Silverman and Jane Lynch
What: A video game villain sets out to fulfill his dream of being a hero, but his quest brings havoc to the whole arcade where he lives.
When: November 2nd
Why: I was cautiously optimistic about “Wreck-It Ralph” when it was first announced, but after seeing the film, I can say unequivocally that it’s one of the best movies the studio has put out in years, and that includes the Pixar stuff as well. In fact, “Wreck-It Ralph” is the kind of film that you’d almost expect Pixar to make, because it’s a remarkably original idea that’s catered to both kids and the adults who grew up playing retro games. Director Rich Moore comes from a background that includes “Futurama” and “The Simpsons,” and it really shows in the type of humor on display, while John C. Reilly and Sarah Silverman shine in their voice roles. The animation is also really gorgeous, especially the attention to detail between games, and the much-publicized cameos help bring an authenticity to the world that only makes it even more enjoyable.

“FLIGHT”

Who: Denzel Washington, Don Cheadle, John Goodman, Kelly Reilly and Melissa Leo
What: An airline pilot saves a flight from crashing, but an investigation into the malfunctions reveals that he may have been drunk at the time.
When: November 2nd
Why: After spending nearly a decade helping pioneer motion capture technology with movies like “The Polar Express,” “Beowulf” and “A Christmas Carol,” Robert Zemeckis marks his return to live-action filmmaking with something that has a little more bite to it. Early reviews have been almost unanimously positive, with Denzel Washington singled out for his amazing performance, and though he may be considered a bit of a dark horse with so much stiff competition this year, I wouldn’t be surprised if the Academy rewarded the actor with his first nomination since 2002’s “Training Day.” The subject matter certainly carries the danger of becoming too melodramatic, but between the interesting premise and excellent cast, “Flight” is exactly the kind of riveting character drama that should help remind audiences just how good Zemeckis’ movies used to be.

“THE MAN WITH THE IRON FISTS”

Who: RZA, Russell Crowe, Lucy Liu, Jamie Chung, Rick Yune and Dave Bautista
What: A humble blacksmith defends his village from a band of assassins and mercenaries when they come to town in search of a fabled treasure of gold.
When: November 2nd
Why: Anyone who knows anything about Wu Tang Clan founder RZA is that he loves kung fu cinema, so you can be sure that his directorial debut is going to be nothing short of a love letter to the genre, albeit one with a hip-hop soundtrack. The fact that he’s managed to attract the kind of talent that he has is certainly a sign of the film’s potential, because let’s be honest, Russell Crowe is the last person you’d expect to show up in this type of movie, even if it only ends up being an extended cameo. With that said, however, “The Man with the Iron Fists” looks every bit like the kind of chop-socky B-movies that RZA grew up watching, so if you’re expecting something more along the lines of “Kill Bill,” there’s a pretty good chance you’re going to walk away disappointed.

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Blu Tuesday: Vampires, Asteroids and Bohemians

Don’t be deceived by the small selection of titles in this week’s column, because there are a lot of great Blu-rays hitting stores that weren’t available for review, including the 30th Anniversary Edition of “Blade Runner,” a special edition of the “Universal Classic Monsters” collection, and Steven Soderbergh’s “Magic Mike.” That doesn’t mean that the following Blu-rays aren’t any good, but the ones that aren’t featured are even better.

“Seeking a Friend for the End of the World”

There have been quite a few movies about the end of the world released over the last two years, which means that either people are more miserable than I realized, or the Mayans were right. Of course, the problem with basing a story around such a bleak topic is that it’s depressing – something that “Seeking a Friend for the End of the World” tries to avoid by injecting some humor into the proceedings. But even though it fancies itself a rom-com of sorts (albeit one with a dark and not so chewy center), there’s nothing very funny about the apocalypse, and so “Seeking a Friend” is never able to become the movie it wants to be. Though the idea of pairing Steve Carell with Keira Knightley may sound strange, they work well together. It’s definitely a welcome change of pace for Knightley from the stuffy period pieces we’re used to seeing her in, and she brings some much-needed emotional weight to the film. It’s just too bad that the end product is so unbalanced, because “Seeking a Friend” had more than enough talent (between its two stars and the various cameos) to suggest it would be better than this.

Blu-ray Highlight: It may seem a bit weird to hear people like Patton Oswalt and Adam Brody on an audio commentary for a movie they’re barely in, but the two actors help make the track – which also includes writer/director Lorene Scafaria, her mother Gail, and producer Joy Gorman – more lively and entertaining. Brody, in particular, does a good job of keeping the group on course by asking general questions about filming.

“Abraham Lincoln: Vampire Hunter”

You’d expect that a movie called “Abraham Lincoln: Vampire Hunter” would have a certain amount of humor to it, but save for a couple unintentional laughs, Timur Bekmambetov’s big screen adaption of the Seth-Grahame Smith novel plays things surprisingly straight. That wouldn’t be such a problem if it was meant to help sell the comedy of its ridiculous premise, but the movie is starkly serious and almost completely void of any fun. Granted, watching Lincoln slice and dice vampires with a silver-tipped axe provides some amusement (especially when we finally get to see the older, bearded version in action), but those moments don’t come often enough. Benjamin Walker proves himself an adequate choice for the role of the 16th President, and Dominic Cooper is good as Lincoln’s vampire hunting mentor, but the movie always seems to be just on the precipice of embracing its comic potential, only to resist at the last minute, and in that regard, it fails pretty spectacularly in delivering the kind of B-movie guilty pleasure that its whimsical title would suggest.

Blu-ray Highlight: In addition to a fairly informative audio commentary by writer Seth Grahame-Smith, the disc also includes a collection of production featurettes (ranging from a basic making-of documentary, to more specific departments like make-up effects and fight choreography) that fans of the movie will definitely want to check out.

“Sunday Bloody Sunday”

John Schlesinger’s 1971 British drama “Sunday Bloody Sunday” may have been really well-received when it was originally released in theaters, but it doesn’t quite hold up by today’s standards. Though there’s no question that it was way ahead of its time (and some might even say groundbreaking) in the casual treatment of its gay relationship between Peter Finch’s closeted doctor and Murray Head’s bisexual artist, it’s also incredibly slow and boring at times. I love a good character study just as much as the next person, but none of the characters in “Sunday Bloody Sunday” are fascinating enough to hold your interest, and when a movie relies on its characters as much as this one does, that can prove troublesome. The constantly shifting perspectives makes it very difficult to connect to any of the three leads, and there are a few weird moments scattered throughout (like the pot-smoking kids, the dog’s death and the flashbacks) that feel random and completely pointless. It’s still worth checking out for Finch’s performance, but it’s questionable whether the movie deserved the Criterion treatment.

Blu-ray Highlight: There’s not as much on tap as some Criterion discs, but fans will be happy to discover a nice collection of interviews with John Schlesinger, actor Murray Head, and others that worked on the film, as well as an interesting retrospective on the movie by Schlesinger biographer William J. Mann titled “On Sunday Bloody Sunday.”

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