Author: Jason Zingale (Page 73 of 112)

Movie Review: “The Secret Life of Walter Mitty”

Starring
Ben Stiller, Kristen Wiig, Adam Scott, Shirley MacLaine, Kathryn Hahn, Patton Oswalt, Sean Penn
Director
Ben Stiller

Hollywood has been actively trying to remake “The Secret Life of Walter Mitty” for nearly two decades, with names like Steven Spielberg, Ron Howard, Gore Verbinski, Jim Carrey, Mike Myers and Sacha Baron Cohen all attached at some point in one capacity or another. It’s curious, then, that the way the movie finally ended up getting made was to not remake it all. Directed by and starring Ben Stiller, “The Secret Life of Walter Mitty” doesn’t really resemble James Thurber’s 1939 short story (or the 1947 film version with Danny Kaye) that much apart from its daydreaming title character, although that was probably for the best. While Stiller has retained the core spirit of the original story, he’s produced a more modernized, feel-good road movie that’s got a bit of a “Forrest Gump” vibe to it without quite the same heavy-handedness.

Stiller stars as Walter Mitty, a timid photo editor at Life Magazine who has a tendency to zone out, getting lost in elaborate daydreams where he’s as adventurous and brave as he wishes he could be in real life. Walter can’t even muster up the courage to speak with office crush Cheryl (Kristin Wiig), and he’s running out of time after it’s revealed that the magazine is transitioning from print to a digital-only publication, with layoffs imminent. When a new film roll from renowned photographer Sean O’Connell (Sean Penn) arrives at the office one day, Walter discovers that negative #25 – the one intended for the cover of Life’s final issue – is missing. With his condescending boss (Adam Scott) breathing down his neck, Walter embarks on the first adventure of his life to track down Sean, and hopefully, the missing photo too.

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Movie Review: “Anchorman 2: The Legend Continues”

Starring
Will Ferrell, Paul Rudd, Steve Carell, David Koechner, Christina Applegate, Kristen Wiig, Meagan Good, James Marsden
Director
Adam McKay

For years, Will Ferrell has resisted the urge to make a sequel to any of his films, but if there’s one character from his repertoire deserving of a second helping, it’s Ron Burgundy. Though a sequel had been rumored for years after the original attained cult status on DVD, it’s easy to see now why Paramount was so gunshy. The first “Anchorman” was lightning in a bottle; a comedy so goofy and over the top that it took people completely by surprise. And while the sequel aims to match (and exceeds) that level of silliness, it just doesn’t compare. “Anchorman 2: The Legend Continues” is at times funnier than its predecessor, but it’s also wildly inconsistent, bouncing aimlessly between gut-busting hilarity and entire sequences that miss their mark.

“The Legend Continues” picks up several years after the first film, with Ron (Ferrell) and Veronica Corningstone (Christina Applegate) now living with their son in New York City and co-anchoring on a national news station. But when Veronica is suddenly promoted and Ron is fired, the pair splits up and Ron heads back to San Diego. Six months later, he’s tracked down by producer Freddie Shapp (Dylan Baker) with an opportunity to return to NYC as part of the first-ever 24-hour news channel, GNN. After reassembling his former news team – Brian Fantana (Paul Rudd), Brick Tamland (Steve Carell) and Champ Kind (David Koechner) – in time for the official launch, Ron makes fast enemies with star anchorman Jack Lime (James Marsden), who’s been given the primetime slot. But despite getting saddled with the graveyard shift, Ron makes a bet with Jack that he’ll still get bigger ratings, leading him to take a vastly different approach to the news that changes the course of broadcast journalism forever.

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Blu Tuesday: Elysium, Kick-Ass 2 and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Elysium”

WHAT: The year is 2154 and ex-con Max De Costa (Matt Damon) lives on a ruined Earth with most of the population while the wealthy reside on a space station where any disease can be cured in seconds. But when Max gets radiation poisoning during an accident at work and is given only five days to live, he accepts a suicide mission to hijack some important data that could topple Elysium’s government and save his life.

WHY: Following Neill Blomkamp’s 2008 surprise hit “District 9,” people couldn’t wait to see what the South African-born director would do next. But while “Elysium” showcases the same great visuals and action as its predecessor, it’s just not as good. Part of the problem is the story itself, which practically begs comparisons to “District 9” between the likeminded aesthetics and socio-political undertones. Blomkamp also doesn’t get much help from his big Hollywood stars; Matt Damon is fine in the lead role, but a lesser known actor probably would have been more effective, while Jodie Foster delivers a laughably bad performance as Elysium’s Secretary of Defense. It’s some of the worst acting of the year, and a perfect example of why you shouldn’t give an actor too much control, no matter how many Oscars they’ve won. Thankfully, “District 9” star Sharlto Copley is immensely entertaining as the sadistic, katana-wielding mercenary assigned to stop Max, and he alone makes the film worth watching in spite of its more annoying flaws.

EXTRAS: The Blu-ray release includes a making-of featurette devoted to the three stages of production, additional featurettes on the cast, visual effects and technology of “Elysium,” and an interactive exploration of the film’s art and production design.

FINAL VERDICT: RENT

“Kick-Ass 2”

WHAT: Two years have passed since Kick-Ass and Hit-Girl took down mob boss Frank D’Amico, and in that time, hundreds of superheroes have begun to pop up across the country. But when Mindy (Chloe Grace Moretz) is forced to retire her masked alter-ego, Dave (Aaron-Taylor Johnson) joins a superhero team called Justice Forever. Meanwhile, Chris D’Amico (Christopher Mintz-Plasse) plots his revenge as the world’s first-ever supervillian, assembling an army of criminals and crazy devotees to wreak havoc on the city.

WHY: Though it seemed unlikely that Universal would even greenlight a sequel to Matthew Vaughn’s punk-rock satire of the superhero genre due to the more sadistic nature of the story, director Jeff Wadlow has done an admirable job adapting it for the big screen. Not only has he toned down some of the darker moments by mining them for laughs instead of shock value, but he’s managed to combine two volumes’ worth of source material into a more streamlined narrative. And it works for the most part, creating a sequel that, although it lacks the provocative originality of its predecessor, maintains the same sense of fun and over-the-top absurdity that made the first film such a blast. Unfortunately, it’s not without its faults. “Kick-Ass 2” has so much story that all three leads are off doing their own thing for most of the movie, while the tone is stuck somewhere between subversive satire and falling into the very conventions that it’s sending up. But while it may fall short of living up to the original, the characters are so entertaining and uniquely charming – with solid performances from its three lead actors – that they make Mark Millar’s madcap universe worth revisiting a second time.

EXTRAS: There’s no shortage of bonus material here, highlighted by an audio commentary by writer/director Jeff Wadlow and actors Aaron Taylor-Johnson, Chloe Grace Moretz and Christopher Mintz-Plasse, as well as some extended scenes, an alternate opening and seven featurettes.

FINAL VERDICT: RENT

“Prisoners”

WHAT: Neighborhood friends Keller Dover (Hugh Jackman) and Franklin Birch (Terrence Howard) are facing every parent’s worst nightmare: their young daughters have suddenly gone missing. When the detective (Jake Gyllenhaal) in charge of the investigation is unable to find any evidence to arrest their key suspect (Paul Dano), Keller takes matters into his own hands by taking the young man hostage and torturing him until he talks.

WHY: “Prisoners” is one of those crime thrillers where the lead detective is made to look like a complete idiot for missing clues so obvious that the audience is always a few steps ahead. Jake Gyllenhaal’s cop is supposed to be really good at his job, and yet the script constantly finds ways to slow down the investigation in order to keep the mystery alive. But while the film is a little too dependent on conveniently poor police work and plot holes, it’s still a fairly suspenseful morality tale about how far you would go to protect the people you love. The religious undertones feel incredibly forced, and it’s about 30 minutes too long, but the performances make up for its shortcomings. Hugh Jackman and Gyllenhaal, in particular, both deliver solid work here, with the former turning in one of the most emotionally affecting roles of his career. And though Terrence Howard, Viola Davis and Maria Bello are mostly wasted in supporting roles, just having actors of their quality involved makes “Prisoners” better than the material deserves.

EXTRAS: There’s a pair of featurettes – one about the relationship between Hugh Jackman and Jake Gyllenhaal’s characters, and another on the cast – but that’s it.

FINAL VERDICT: RENT
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Movie Review: “American Hustle”

Starring
Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, Louis C.K, Michael Peña
Director
David O. Russell

David O. Russell’s “American Hustle” opens with a title card that playfully states: “Some of this actually happened.” But considering that the movie was originally titled “American Bullshit” and is populated with characters who are bullshit specialists, it’s meant to be taken with a fairly large grain of salt. Loosely based on the ABSCAM scandal of the late ’70s and early ’80s, Russell has adapted what was an already outlandish story into a ’70s-styled farce filled with a flying circus of conmen, feds, politicians and casino mobsters. Immensely entertaining, impeccably structured and featuring excellent performances from its entire cast, “American Hustle” is one of the year’s absolute best films and a serious contender for every major award.

When we first meet Irving Rosenfeld (Christian Bale), he’s seen carefully assembling his elaborate comb over with a combination of a toupee, glue and lots of hairspray. But what the paunchy conman lacks in good looks, he makes up for with confidence and intellect, which is what’s made him so successful at ripping people off. Everything changes when he meets Sydney Prosser (Amy Adams), a former stripper who partners with Irving under the guise of a British businesswoman with royal connections named Lady Edith. Their business practically triples overnight, drawing the attention of ambitious FBI agent Richie DiMaso (Bradley Cooper), who catches the pair red-handed and forces them to work undercover for the bureau. Richie wants to make a name for himself by taking down some white-collar criminals, and his first target is Camden mayor Carmine Polito (Jeremy Renner), a family man so desperate to revitalize the New Jersey economy that he’s willing to get his hands a little dirty in the process. It quickly turns into a game of who’s conning who, and yet the one thing that threatens to bring the whole thing crashing down isn’t their mistrust in each other, but Irving’s unpredictable wife, Rosalyn (Jennifer Lawrence).

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Blu Tuesday: Fast & Furious 6, Man of Tai Chi and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Fast & Furious 6”

WHAT: Laying low in Spain following their latest heist, Dominic Toretto (Vin Diesel) is visited by DSS agent Luke Hobbs (Dwayne Johnson) with news that his old flame, Letty (Michelle Rodriguez), is not only alive, but is working with a British soldier turned criminal named Owen Shaw (Luke Evans) who’s planning to steal a top secret computer chip worth billions. With the promise of full pardons for anyone that helps stop him, Dom enlists the rest of the crew and heads to London to face off against Shaw and his own team of street racing criminals.

WHY: The “Fast and Furious” franchise is like popcorn movie kryptonite, because for as cheesy, soapy and utterly preposterous as the movies can get at times, they’re also incredibly entertaining, especially following director Justin Lin’s retooling of the series. Though the sixth installment doesn’t quite live up to 2011’s “Fast Five,” which took the franchise to new heights in more ways than one, it still delivers everything that fans have come to expect over the years. One of main reasons the last film worked as well as it did was the excellent chemistry between its ensemble cast, and that’s still the case here. Of course, the real reason anyone watches these films is the action, and “Fast & Furious 6” doesn’t disappoint, with a series of excellent set pieces that somehow manage to outdo the previous movies in excess and sheer ridiculousness. The over-the-top nature of the “Fast and Furious” franchise has always been its greatest asset and its biggest criticism, and there’s no better example of that than in some of the gleefully amusing “Oh my god, I can’t believe that just happened” insanity that takes place in the film. Bigger and dumber but still tons of fun, “Fast & Furious 6” may have you rolling your eyes even more than usual, but that’s part of what make the series so great.

EXTRAS: There’s a wealth of bonus material on the Universal’s Blu-ray release, including an audio commentary by director Justin Lin, a four-part making-of featurette, interviews with the cast and crew, three more production featurettes, deleted scenes and an exclusive (but haunting) first look at “Fast & Furious 7.”

FINAL VERDICT: RENT

“Man of Tai Chi”

WHAT: Against his master’s wishes, Tai Chi student Chen Lin-Hun (Tiger Chen) competes in a local martial arts competition to prove the style’s effectiveness. After attracting the attention of wealthy businessman Donaka Mark (Keanu Reeves), Chen is offered the chance to compete in an underground fight club with the promise of making enough money to save his temple. But when he discovers the true purpose behind the fights, Chen teams up with an ambitious police detective (Karen Mok) to bring Mark down.

WHY: Conceived by Keanu Reeves as a starring vehicle for friend/stuntman Tiger Chen, whom he met while working on the “Matrix” trilogy, “Man of Tai Chi” is a throwback to classic martial arts films, right down to Reeves’ over-the-top villain. But while the story is pretty generic and the acting is only marginally better than the movies that it’s paying homage to, it features some incredible fight choreography from fellow “Matrix” alumnus Yuen Woo-ping. The early fights that take place inside the mirror room are not only some of the best in recent memory, but they really showcase Chen’s talent as a martial artist. The final battle between Marks and Tiger isn’t quite as memorable from a technical standpoint, but just seeing how much Reeves towers over his pint-sized co-star makes for a visually interesting sequence that evokes the Bruce Lee/Kareem Abdul Jabbar fight in “Game of Death.” Though the performances are surprisingly weak for a director that also plies his trade as an actor, “Man of Tai Chi” is nonetheless a solid debut from Reeves who smartly lets the action speak for itself.

EXTRAS: In addition to an audio commentary by director/co-star Keanu Reeves and Tiger Chen, the Blu-ray includes a behind-the-scenes look at making the film.

FINAL VERDICT: RENT

“Battle of the Year”

WHAT: Desperate to reinvigorate interest in B-Boy culture in America, hip-hop mogul Dante Graham (Laz Alonso) convinces childhood friend and former basketball coach Jason Blake (Josh Holloway) to recruit a B-Boy dream team to compete against other elite dance crews from around the world in the upcoming Battle of the Year competition.

WHY: I’m not really sure what Hollywood’s obsession is with dance movies (apart from the fact that they’re super cheap to produce), but here’s hoping that “Battle of the Year” puts an end to this strange fad, because it’s one of the worst dance films yet. The premise is absurd, particularly in its lame attempts to validate B-Boy dancing as anything other than a niche subculture, though that doesn’t stop director Benson Chen from pimping his 2007 documentary, “Planet B-Boy,” every chance he gets. It’s hard to believe that Josh Holloway is finding it so hard to get work after the success of “Lost” that he’d have to resort to this, but it goes without saying that he’s the only thing that makes this movie even remotely watchable. Usually, the dancing sequences make these films easier to sit through, but everything is edited so poorly that you can’t even enjoy the amazing technique on display. It also runs an ungodly 110 minutes long, features more product placement than should be legally allowed, and has enough split-screen montages to make you wonder if you’re watching a movie or a music video. Need I say more?

EXTRAS: The Blu-ray release includes a look at B-Boy culture and signature moves, as well as rehearsal footage and some extended dance sequences.

FINAL VERDICT: SKIP

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