Author: Jason Zingale (Page 70 of 112)

Blu Tuesday: About Time, Dallas Buyers Club and Escape Plan

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“About Time”

WHAT: When Tim Lake (Domhnall Gleeson) learns that the men on his side of the family have the ability to travel through time, he decides to use his powers to find a girlfriend. Upon meeting the girl of his dreams in American import Mary (Rachel McAdams), Tim is able to perfect every moment in their relationship by doing it over and over again “Groundhog Day”-style, only to discover that there are consequences to altering history.

WHY: Richard Curtis has written and directed some of the most memorable romantic comedies of the past two decades, so it should come as no surprise that his latest movie follows in the same footsteps. Curtis’ films have always been about much more than the superficial meet-cute between boy and girl, aiming for something a lot deeper and more emotionally rewarding, which he delivers in spades with “About Time.” Breakout star Domhnall Gleeson and Rachel McAdams work together really well, but it’s the relationship between Gleeson and Bill Nighy (playing the world’s greatest dad) that best serves the story’s central themes and leaves a more lasting impression, especially for anyone who’s ever lost a member of their family. Equally charming, funny and touching, “About Time” is classic Richard Curtis, through and through. And if the rumors about it being his directorial swan song are true, Curtis can take comfort in knowing that he went out on top, because this is not only his most mature and personal work to date, but it’s also one of his finest.

EXTRAS: The Blu-ray includes an audio commentary with writer/director Richard Curtis and most of the principal cast (save for Rachel McAdams and Lindsay Duncan), four deleted scenes with intros by Curtis, a blooper reel and four production featurettes.

FINAL VERDICT: BUY

“Dallas Buyers Club”

WHAT: When Texas electrician Ron Woodruff (Matthew McConaughey) is diagnosed as HIV-positive and given only 30 days to live, he discovers that cheaper and more effective drugs are available in Mexico. Realizing a business opportunity when he sees one, Ron teams up with a transgender prostitute named Rayon (Jared Leto) to create a “buyers club” where they sell memberships and give away the drugs for free, exonerating themselves of any legal trouble.

WHY: Is there an actor who’s had a better last few years than Matthew McConaughey? Though he used to be somewhat of a punch line, known more for his shirtless roles in flaky rom-coms than his promising earlier work, recently McConaughey has been repairing his reputation with a string of outstanding performances in films like “Killer Joe,” “Magic Mike” and “Mud.” And while he earned his share of acclaim for all three roles, the actor’s latest turn as real-life AIDS victim Ron Woodruff might just be the crowning achievement of his career thus far. Though McConuaghey’s dramatic physical transformation has captured most of the headlines, it’s only part of his excellent performance. Ron’s relationship with Rayon is key to the film’s success, not only because of McConaughey, but Jared Leto as well, who reminds you what he’s capable of when given the right material. Sadly, nothing else about “Dallas Buyers Club” is particularly memorable, despite the fact that it deals with hot-button issues like AIDS, the health care industry and homosexuality. That poses a bit of a problem, because although it’s a pretty incredible story with a strong message, apart from McConaughey and Leto, the movie is unremarkably average.

EXTRAS: There’s a making-of featurette and some deleted scenes, but that’s all.

FINAL VERDICT: RENT

“Escape Plan”

WHAT: Ray Breslin (Sylvester Stallone) is the foremost expert on prison security – paid to reveal the flaws in prison systems from inside. But when he’s kidnapped and incarcerated in a top secret maximum security prison, Ray must team up with some of his fellow cellmates (including Arnold Schwarzenegger) in order to break out.

WHY: After teasing ‘80s action fans with cameos in the “Expendables” movies, you’d think that Hollywood could do a little better than “Escape Plan” for Arnold Schwarzenegger’s official big screen team-up with Sylvester Stallone. A mostly dull thriller that plods along at a maddeningly slow pace, “Escape Plan” is almost completely devoid of action or humor, making both stars’ involvement questionable. Schwarzenegger fares the better of the two, injecting some personality into his underwritten role, while Stallone seems content with sleepwalking his way through the entire movie. And if the two leads are underserved by the hackneyed script, the supporting cast is treated even more poorly, with respected actors like Sam Neill and Amy Ryan wasted in relatively small roles. The only real appeal is seeing Sly and Arnie on screen together, because although they may be stars in their own right, they really do make a good team. Next time (and you better believe there will be a next time), someone should create a film for these guys from the ground up, because “Escape Plan” doesn’t do them justice.

EXTRAS: In addition to an audio commentary with director Mikael Håfström and co-writer Miles Chapman, there’s a making-of featurette, deleted scenes and more.

FINAL VERDICT: SKIP

Coming Soon: A Moviegoer’s Guide to February

february

If February is known for anything, it’s the barrage of romantic films released in conjunction with Valentine’s Day. And in keeping with tradition, there are several to choose from this year. But while past Februarys haven’t been very promising from a guy’s point of view, there’s plenty to look forward to in the 2014 edition, with no less than four action movies (including a remake of an ‘80s cult classic) and the latest from George Clooney and an animated film that’s just as much for adults as it is for kids.

“THE LEGO MOVIE”

Who: Chris Pratt, Elizabeth Banks, Will Ferrell, Will Arnett and Morgan Freeman
What: An ordinary LEGO minifigure, mistakenly thought to be the MasterBuilder, is recruited to join a quest to stop an evil LEGO tyrant from gluing the universe together.
When: February 7th
Why: It’s not very often that I get excited about an animated film, but as a closeted LEGO fanatic, “The LEGO Movie” is one of my most anticipated releases of the year. The fact that it’s taken this long to make a film based on the hugely popular toy brand is shocking, not only because it’s a dream project from a marketing standpoint, but because the very nature of LEGOs provides an almost endless supply of creative possibilities. This could have easily been ruined in the hands of someone else, but based on the materials released so far, it appears that directors Phil Lord and Christopher Miller (“Cloudy with a Chance of Meatballs,” “21 Jump Street”) have struck the perfect chord in making a kid-friendly movie that adults can enjoy as well.

“THE MONUMENTS MEN”

Who: George Clooney, Matt Damon, Cate Blanchett, John Goodman and Bill Murray
What: An unlikely World War II platoon is tasked with rescuing art masterpieces from Nazi thieves and returning them to their owners.
When: February 7th
Why: On paper, “The Monuments Men” has Oscar bait written all over it. In addition to being based on a true story (set during World War II, no less), the film features some of the best acting talent in the business and was also co-written and directed by star George Clooney. So why the decision to push the movie back from its original holiday release to this February? No one knows for sure, but considering the competition that it would have been up against, it was probably the right move. After all, while “The Monuments Men” certainly has the makings of a crowd-pleaser (the two-second sales pitch is “‘Ocean’s Eleven’ meets ‘Inglourious Basterds’”), it doesn’t really seem like awards material. Still, with that cast, you never know. It could be great or it could be another “The Good German.”

“VAMPIRE ACADEMY”

Who: Zoey Deutch, Lucy Fry, Danila Kozlovsky, Sarah Hyland and Olga Kurylenko
What: 17-year-old half-human/vampire Rose Hathaway is dragged back to her boarding school to protect a race of peaceful vampires from the bloodthirsty Strigoi.
When: February 7th
Why: If “Vampire Academy” comes across as just another young adult book series turned into a film, it’s because it is – a sort of supernatural mashup of “Twilight,” “The Hunger Games” and “Divergent.” But while the Richelle Mead novel on which it’s based sounds about as fun as a trip to the dentist’s office, the movie version looks a lot more enjoyable thanks to the involvement of sibling duo Mark and Daniel Waters. The former directed the hilarious 2004 comedy “Mean Girls,” while the latter wrote the screenplay for the precursor to that film, “Heathers.” And if the trailer is anything to go by, “Vampire Academy” strikes a very similar tone, albeit with the added benefit of some action. For every successful YA book adaptation, however, there are five failures, so history certainly isn’t on its side.

Movie Review: “Labor Day”

Starring
Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg, Tobey Maguire
Director
Jason Reitman

For a moment, it seemed like Jason Reitman could do no wrong, following up his excellent directorial debut, “Thank You for Smoking,” with one great movie after the next, and earning a quartet of Oscar nominations in the process. But even the best filmmakers are capable of making bad movies, and though “Labor Day” isn’t a complete failure, it’s the director’s weakest film by a country mile. Based on the 2009 novel by Joyce Maynard, the movie represents a major departure for Reitman, who’s made a name for himself telling stories with a dark comedic bite. That trademark humor isn’t present in “Labor Day,” instead replaced by the kind of gooey sentimentalism that you’d be more likely to find in a Nicholas Sparks adaptation, which leads me to wonder what Reitman was even thinking.

Set in a quaint New England town during Labor Day weekend in 1987, the film stars Kate Winslet as Adele, a shut-in single mother on the verge of a nervous breakdown. During a rare excursion outside to take her teenage son Henry (Gattlin Griffith) clothes shopping for the new school year, they’re approached by a wounded stranger named Frank (Josh Brolin), who takes Adele and Henry hostage and holes up in their rundown house with the intention of making a run for it at nightfall. A convicted murderer who escaped from the hospital while recovering from an emergency appendectomy, Frank insists that there’s more to the story, and as they spend more time with the supposedly dangerous fugitive, he turns out to be a pretty nice guy. So when Frank ends up staying the next day to do some repairs around the house, Adele and Henry don’t complain, and before long, he’s accepted as a part of the family, serving as a father figure to Henry and passionate lover to the fragile Adele.

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Blu Tuesday: Rush, Last Vegas and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Rush”

WHAT: The true story of the 1976 Formula One racing season and the heated rivalry between British playboy James Hunt (Chris Hemsworth) and reigning World Champion Niki Lauda (Daniel Brühl), the latter of whom was involved in a near-fatal accident, only to miraculously return to competition six weeks later despite suffering severe burns to his face and body.

WHY: It doesn’t take a genius to figure out that Ron Howard and Peter Morgan love history. The latter, in particular, is responsible for writing some of the best historical dramas of the past decade, but sadly, “Rush” is not one of them. Though there’s a lot to like about the duo’s latest movie – particularly the chemistry and performances of its two leading men – it’s not nearly as captivating as their last collaboration (“Frost/Nixon”). One thing that the film does do a good job of is giving Daniel Brühl and Chris Hemsworth equal screen time, but the best moments are the scenes they share together. The actors play off each other wonderfully, although Brühl has the juicier role due to his character’s more dramatic story arc. What’s perhaps most impressive about “Rush,” though, is the way that Howard and Morgan have crafted the story so that both men “win” in the end. It’s a tricky proposition, but they pull it off, and that goes a long way in making up for the lack of exciting race sequences. F1 racing fans will no doubt be disappointed, but “Rush” is still a well-acted drama that’s biggest problem is perhaps being a tad too conventional.

EXTRAS: The Blu-ray release includes a making-of featurette, a behind-the-scenes look at the real-life story that inspired the film, a profile on director Ron Howard and some deleted scenes.

FINAL VERDICT: RENT

“Last Vegas”

WHAT: Billy (Michael Douglas), Paddy (Robert De Niro), Archie (Morgan Freeman) and Sam (Kevin Kline) have been friends for nearly 60 years, so when Billy announces that he’s finally getting married, the guys decide to take a break from their stagnant day-to-day lives and throw a bachelor party in Las Vegas.

WHY:Last Vegas” may sound like the geriatric version of “The Hangover,” but apart from being about a quartet of friends attending a bachelor party in Vegas, the two films don’t have very much in common. For starters, “Last Vegas” isn’t nearly as crazy and over-the-top as the Todd Phillips comedy, instead resigned to more conventional humor that’s better suited to its veteran actors. It also has a tendency to get a little overly sentimental at times due to its subject matter, but that’s not to say it isn’t funny. Michael Douglas and Robert De Niro may not get as many opportunities to earn laughs due to their more dramatic subplots, but Morgan Freeman and Kevin Kline pick up the slack, especially Freeman, who plays a great drunk. Though the old man jokes get a bit tiresome and the cookie cutter storyline is pretty lame, “Last Vegas” thrives thanks to its impressive cast. You’d be hard-pressed to assemble a better group of screen legends than these four, and just seeing them on screen together makes it well worth your time.

EXTRAS: There’s an audio commentary by director Jon Turteltaub and writer Dan Fogelman and six short production featurettes, three of which are Blu-ray exclusives.

FINAL VERDICT: RENT

“Jackass Presents: Bad Grandpa”

WHAT: After his wife dies and his daughter is sent back to prison, 86-year-old Irving Zisman (Johnny Knoxville) is tasked with driving his 8-year-old grandson Billy (Jackson Nicoll) from Nebraska to North Carolina to deliver him to his father.

WHY: The “Jackass” movies have always made me laugh, but I’ve never been a fan of the Irving Zisman character, so when Paramount announced that Johnny Knoxville would be making an entire movie as the dirty old man, it seemed like a pretty dumb idea. And for the most part, “Bad Grandpa” is dumb, but it also made me laugh louder than a majority of the comedies released last year. Clearly inspired by Sacha Baron Cohen’s “Borat” in its attempt to structure various pranks around a scripted story, “Bad Grandpa” is better off when Knoxville is just allowed to do his thing. Whether getting squished by a faulty adjustable bed at an estate sale, causing a ruckus at a local bingo center, stealing food from a corner store or hitting on ladies (and then performing) at an all-black male strip club, the Knoxville-led pranks hit their mark more often than not. The stuff with Jackson Nicoll isn’t nearly as entertaining – except for the final sequence where Irving and Billy crash a child beauty pageant – but “Bad Grandpa” earns enough big laughs along the way to make up for its shortcomings.

EXTRAS: In addition to an unrated cut of the film, there’s over an hour of bonus material, including deleted scenes, alternate real-life reactions and some behind-the-scenes antics.

FINAL VERDICT: RENT

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Blu Tuesday: Captain Phillips, Blue Jasmine and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Captain Phillips”

WHAT: While on a routine trip around the Horn of Africa, Captain Richard Phillips (Tom Hanks) orders his crew to practice prevention tactics against possible hijackers, only for the drill to become a real-world situation when a group of Somali pirates (led by Barkhad Abdi) boards the commercial freighter and takes Phillips hostage.

WHY: Based on the incredible true story of the 2009 hijacking of an American-flagged cargo ship, “Captain Phillips” is a gripping hostage thriller that boasts some of the year’s finest performances. Director Paul Greengrass has a knack for dramatizing real-life events (as evidenced in “Bloody Sunday” and the excellent “United 93”), and that success continues here, throwing the audience right into the middle of the action docudrama-style in order to best capture the intensity of the situation. But while Greengrass excels at creating a sense of claustrophobic tension (especially once the story moves into the lifeboat, where he really ratchets up the suspense), it’s the acting that makes “Captain Phillips” work as well as it does. Barkhad Abdi is particularly impressive as the leader of the pirates, while Tom Hanks delivers his strongest performance in over a decade in the title role. The final five minutes alone pack such an emotional wallop that it should have guaranteed him another Oscar nomination, and his work throughout is a stark reminder why he’s one of the best actors in the business.

EXTRAS: In addition to an excellent audio commentary by director Paul Greengrass, there’s a three-part featurette running just under an hour long that tells you pretty much everything you’d want to know about the making of the movie.

FINAL VERDICT: BUY

“Blue Jasmine”

WHAT: When her husband (Alec Baldwin) is arrested for investment fraud, New York socialite Jasmine French (Cate Blanchett) is forced to give up her glamorous lifestyle and go stay with her sister Ginger (Sally Hawkins) in San Francisco. Mentally unstable and on a steady diet of booze and prescription drugs, Jasmine attempts to put her life back together, with disastrous results.

WHY: Woody Allen is one of the most prolific filmmakers in history, but it’s hard to maintain any level of quality with that sort of productivity, and moviegoers have witnessed the hit-and-miss nature of the director’s work first-hand over the past two decades. “Blue Jasmine” falls somewhere in between, mainly because it doesn’t seem to know what it wants to be: a biting dark comedy or a drama. A modern-day retooling of “A Streetcar Named Desire,” the movie has its share of laughs in the opening act, but it gets darker by the minute, especially since Blanchett’s character is more of a schizophrenic than the typical Allenesque neurotic. The problem with that, of course, is that Jasmine is a lot less likable as a result, and though the actress turns in a mostly good performance, it borders on parody at times. In fact, there aren’t many characters in the movie that are very likable, and that’s the biggest obstacle standing in the way of “Blue Jasmine” being as great as it could have been.

EXTRAS: Woody Allen movies are always light on bonus material, and this one is no different. Apart from a press conference featuring actors Cate Blanchett, Peter Sarsgaard and Andrew Dice Clay, there’s a brief collection of red carpet interviews.

FINAL VERDICT: RENT

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