Author: David Medsker (Page 44 of 59)

All Work and No Playlist: Hey Champ singer Saam Hagshenas’s favorite songs

Welcome to a new piece here at the Bullz-Eye blog, where we ask musicians to tell us which songs get their mojo risin’, as it were. Our inaugural subject is Saam Hagshenas, lead singer and guitarist of Chicago synth-rock trio Hey Champ, whose 2010 album Star is still in heavy rotation at BE headquarters and whose new EP Anything at All hit digital shelves earlier this month. It might not surprise you to hear that some Chicago house made the cut, but so did Led Zeppelin. Dude’s got diverse tastes, to be sure.

“Inspiration Information,” Shuggie Otis

Not only does it illustrate Shuggie’s amazing knack for songwriting, but it also seamlessly blends funk, soul, and psychedelic. Not to mention the guy went and pulled a Stevie Wonder, recording basically all the instruments himself while still a teenager.

“Nobody’s Fault But Mine,” Led Zeppelin

This track is just so damn raw. If anyone ever disagrees with the absolute fact that this band is the Godfather of heavy metal and hard rock, make ’em check this one out. Bonham’s thunderous drumming, the precision in Page’s and Jones’ musicianship, and Plant’s ridiculous range and blues-rock crooning make this a definite favorite.

“Can You Feel It,” Mr. Fingers

The bass line is so hypnotic, the chords so lush, and the drums so thumping. It’s a track that makes you feel as if you are in the sweatiest club all drugged out, giddy, and dancing your arse off.

“Can’t Get No Sleep (MK Mix),” Masters at Work

First heard this track on the “Resident Adviser” mix by Scott Grooves and keep coming back to it. Classic early ’90s house that still sounds incredibly fresh today!

“Waiting for the Band,” Nicky Hopkins

Nicky Hopkins was best known (“best known” being a relative term) as the studio keyboardist for the Rolling Stones, the Who, the Kinks, et al. He also made a few undeniably gorgeous songs of his own on his album The Tin Man Was a Dreamer, including this one.

“Video,” Jeff Lynne

Somewhere between putting the brakes on ELO and joining the Travelling Wilburys, Jeff Lynne found time to record this weird doo-wop-meets-synth-pop gem for the “Electric Dreams” soundtrack. We love you, Jeff.

“Melody,” Serge Gainsbourg

This song is all mood and sex; an incredible example of music that creates a tapestry and is so much more than just melodies and a beat. After listening to this, go have a listen to Beck’s “Paper Tiger” to see how much influence Serge yielded on modern music.

“Spacelullabye,” The Universe

While its thematic parallels to Bowie’s “Space Oddity” are obvious, this is a truly beautiful little tune that has one of those melodies you feel you’ve known your whole life. This is from a little side project from Architecture in Helsinki’s Gus Franklin.

“Reach Out (I’ll Be There),” The Four Tops

There was a sort of beautiful pain and desperation in the Four Tops’ music; the result, no doubt, of well placed minor chords and Levi Stubbs’ almost tortured delivery.

“Something in 4/4 Time,” Daryl Hall

We could go ahead and put on “Kiss on My List” on our list but everyone knows that one, and more importantly, this track came first!

Wii Fit Plus: The best golf tutor you’ll ever have

It’s December of last year. Christmas is creeping up on me, and I haven’t bought many presents for my lovely wife. So I did what I normally do and hit Target, because that way, I can browse as many of her potential interests in one stop. Out of the corner of my eye, I see that there is an updated edition of “Wii Fit,” titled, simply enough, “Wii Fit Plus.” It’s a no-brainer of a gift. It’s also very much of a Homer Simpson kind of gift (as in buying Marge a bowling ball with his name on it), as I probably spent more time on the original “Wii Fit” than she did. And as it turned out, I ran the “Wii Fit Plus” Island Bicycle game’s beach ball course nearly to the point of contracting plantar fasciitis, but that’s another story.

There are several new games on “Wii Fit Plus,” and ironically, the one I avoided playing at first was the Driving Range game, thinking it would be like hitting off of indoor Astroturf tees and give you false confidence. Eventually, curiosity got the best of me, and so I set it up to hit 20 mid-range shots. Now, the thing with most interactive golf games is that you don’t really need to swing like you do on the golf course, but for the sake of authenticity, I went at it from the approach that if they’re going to get the balance board involved, I probably shouldn’t goof off.

And, wouldn’t you know it, my mind was subsequently blown.

Quite possibly the straightest drive, virtual or otherwise, that we’ve hit in years. We heart Wii.

I hit the Wii balls just like I hit real balls – to the left (I’m a lefty), slicing nearly every ball into what they consider out of play (which it would be, on most golf courses). It said I was swinging too hard, even though I’m not a masher. It said I wasn’t rotating my upper body enough, and that was definitely true. I began to incorporate their suggestions into my Wii swing, and subsequently began crushing straight, long drives. Would it transfer to the real game?

Well, that part is still a work in progress. After all, golf takes lots, and lots, and lots of practice to perfect any single aspect of the game. However, based on my first experience at the driving range (it’s rained a lot here; I have kids, blah blah blah), the results were eye-opening, to say the least.

I started off like I always do, with my 7-iron. It’s a good warm-up club and if memory serves, “Tin Cup” anti-hero Roy McAvoy said is the only club you really need. I rotated my shoulders, and tried not to swing too hard. Pow, straight as an arrow and uncommonly long. Huh. Do it a few more times, and see if this is a pattern and not a fluke. Again and again (mostly), the balls were flying farther and straighter. All right, time to switch to the most important club in the bag: the pitching wedge.

The first two balls I hit were two of the highest, straightest pitching wedge shots I’ve hit in my entire life. Holy shit, I’ve cracked the code!

Not so fast. I went to my 5-iron from there, and all hell broke loose. Didn’t really hit a single ball flush with that club (my apologies to the local worms), so I went to the 5-wood. The results weren’t much better, but in swinging the much longer club, I noticed something that proved valuable: As I worked on rotating my upper body, I was inadvertently swinging around the ball, not through it, on my follow-through, and as a result began hooking shot after shot. The exact opposite problem that I was hoping “Wii Fit Plus” to fix, yes? Yes, and once I processed it all, everything came together.

I moved up to my 3-wood, and continued the swing that I had been using before. Sure enough, I was hooking the ball, something I had never done before. At that point, I was conscious of two things: slowing down my swing, and following straight through the ball. (Any golfer will tell you that it’s best if you don’t think about your swing, but they’re all lying to themselves. They are always thinking about their swing, especially when they’re swinging.) And just like that, the problem corrected itself. With a slower yet straighter follow-through, I was suddenly hitting some of the longest, straightest drives of my life. You think that silly balance board is just measuring how much you’re leaning toward or away from the ball, but let me be the first to tell you that it measures much, much more. You also burn a surprising number of calories swinging a golf club. Isn’t the joke about golf that it’s a sport for people who don’t play sports?

The obvious next test is to see how I fare on a course, going from one club to the next on each shot. Based on what I’ve witnessed so far, though, and with a little more practice on the virtual range, “Wii Fit Plus” has managed to fix a flaw in my swing that had been plaguing me my entire life, and it did so in about 10 minutes. Used copies go for less than nine bucks on Amazon. What on earth are you waiting for?

Friday Video – The Fratellis, “Chelsea Dagger”

The only thing worthwhile about Ron Howard’s latest “comedy” “The Dilemma” is that this song appears towards the end. This is what they play whenever the ‘Hawks score a goal, and it’s as pitch-perfect a choice as there is. Listen to that vocal hook. There’s a drunken barroom, rugby-players-tying-one-on-after-a-match feel to it that is contagious. And the video, boiiiiiing! Scores and scores of women in negligee. You had us at ‘scores of women.’ The negligee is a bonus.

Friday Video – Panic! At the Disco, “Ready to Go”

Again with that goddamn exclamation point. And to think we thought it was lost forever. D’oh.

When we last saw the then-puncuation-free Panic at the Disco, they were getting their Beatles on in a big way with 2008’s Pretty. Odd. We, of course, thought it was awesome, but the younger members of their fan base hated it, which shows that their parents didn’t play the Beatles for them when they were growing up and have therefore failed society as a whole, but that’s another story. The band, now a duo after the departure of their bassist and guitarist (the latter of whom was also their primary songwriter), the band’s new album Vices and Virtues is a unapologetic swipe at the brass ring, and few songs on the album demonstrate that better than new single “Ready to Go.” With the sky-high “Oh oh ohhhhh” in the chorus, Panic (sorry, but we cannot bring ourselves to use that exclamation point again) seems to be going after Katy Perry’s babysitting money demographic, and to be fair, that’s not a bad play. The tune is damn catchy, and better yet, Brendon Urie can sing.

Will it work? Who knows. It’s damn near impossible to get a hit these days, even for established artists. But after Urie won us over in an interview earlier this year, it’s hard not to root for the guy.

Friday Video – All Mankind, “Break the Spell”

We’re still trying to figure out exactly how the word ‘steampunk’ had eluded us for so long. The short answer is because we don’t read as much as we’d like to (covering music, movies, TV and sports will do that to a person), but either way, once we saw that Chicago band Hey Champ closed their (awesome) 2010 album Star with a song called “Steampunk Camelot,” we suddenly saw the word everywhere. Like, say, in the subject header for the email promoting this band’s strange new video.

This is the only song we’ve heard from All Mankind, but we dig the vibe, a blend of Muse’s theatrics and Crowded House’s pop instincts. And the latter makes sense, since the band is from Australia. (Yes, Neil Finn is from New Zealand, but close enough for jazz.) The video is pretty sweet, too. It reminds us of the 2009 animated film “9,” only better. And for those who want to hear Hey Champ’s “Steampunk Camelot” — and if you’re at all a fan of Drama-era Yes or the Buggles, you do not want to miss this — click here. Rock on.

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