Month: July 2016 (Page 7 of 9)

New stars shine at 2016 Gatorade Athlete of the Year Awards

2016 Gatorade Athlete of the Year Awards

Jayson Tatum and Sydney McLaughlin took home the hardware last night as they were named Gatorade Male and Female Athletes of the Year for 2016. We were on hand at the L.A. Hotel in downtown Los Angeles for the festivities hosted by ESPN’s Sage Steele. This prestigious award for high school athletes has been an annual tradition since 1985 (when it was know as the Player of the Year Awards), and this was our fifth year covering this fun event. The event was attended by sports stars including Cam Newton, Karl-Anthony Towns, Todd Gurley, April Ross, Abby Wambach, Landon Donovan and Matthew Stafford.

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Blu Tuesday: Green Room and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Green Room”

WHAT: Down-on-their-luck punk band The Ain’t Rights accept a gig playing at a skinhead hangout on the outskirts of Portland. But when guitar player Pat (Anton Yelchin) accidentally witnesses a murder backstage, the band is thrust into a fight for survival against the club’s ruthless owner (Patrick Stewart) and his gang of backwoods neo-Nazis.

WHY: If Jeremy Saulnier’s slow-burning sophomore effort “Blue Ruin” announced him as a filmmaker to watch, then “Green Room” confirms that he’s the real deal. A brilliantly taut and grisly horror-thriller that defies genre conventions at every turn, “Green Room” is one of the most intense moviegoing experiences in recent years. There’s hardly a single wasted frame in this tightly-paced siege film, turning the screw on its characters (and the audience itself) with some nail-biting tension that doesn’t let up. The violence is gory but never gratuitous, while the lived-in performances – particularly Anton Yelchin’s frightened musician and Patrick Stewart’s surprisingly calm and rational white supremacist – lend an unsettling authenticity to the proceedings. The movie is at its best when the band is trapped inside the titular room, and although the suspense is slightly deflated once the action spills out into the rest of the building, becoming a more visceral affair where duct tape and a box cutter are the primary tools for survival, “Green Room” maintains its vice-like grip on the audience.

EXTRAS: There’s an audio commentary by writer/director Jeremy Saulnier and a making-of featurette.

FINAL VERDICT: RENT

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Online Dating Tips You Need to Know

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Online dating is really advantageous for many because of the fact that it is much less intimidating. We are faced with a highly enjoyable way to be involved in dating. You can find someone that has the qualities that you are looking for in such a short period of time, which is always great. However, online dating is also complicated. You want to be sure that you present yourself in a favorable way. Check out the following tips to make online dating easier for you.

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The Sound of Laughter: Why the music business lends itself so well to comedy

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Music and comedy have gone together for ages, ever since the first little ditty with nonsense words, or a dirty limerick put to music, all the way up to the operettas of Gilbert and Sullivan, vaudeville and even “Weird Al” Yankovic. Comedies have used music to great effect in the past, whether it’s the crooning of Nick Rivers in “Top Secret,” the lip-synching to Queen in “Wayne’s World,” or the John Farnham sing-a-long turned riot in “Hot Rod,” and many others. But there is a subsection of comedy films that is particularly obsessed with music, parodying a specific brand of music and musician to great effect.

The obsession with pop culture fads is nothing new, with Hollywood chasing the music scene for laughs arguably beginning with The Monkees (see our interview with Michael Nesmith). The accompanying sitcom that poked fun at Beatlemania while aping the look and feel of “Help!” and “A Hard Day’s Night” was an early shot in the battle between comedy and music.

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