Month: March 2014 (Page 3 of 10)

What has been your best bet?

With March Madness in full swing, many people have been geared up to fill out their brackets, while others are putting bets on multiple games. Events like this and the Super Bowl certainly raise the excitement level, and it gets many of us thinking about our best bets over the years.

One of my all-time best bets involved the Super Bowl matchup pitting the undefeated New England Patriots vs the New York Giants following the 2007 NFL Season. The Patriots looked unbeatable, yet there was something about the New York Giants that made them the perfect matchup for the high-flying Pats – their pass rush! Going into the game, some experts were pointing out that if the Giants front four could pressure Tom Brady without resorting to blitzes, then the Giants had a real chance to win the game, let alone cover the point spread. With that in mind, instead of taking the points and the Giants, I decided to go with the money line on the Giants to win outright, which gave me a much better payout given that the Pats were big favorites. The Giants won of course 17-14, as their defense got a pass rush and slowed down that many thought was an unstoppable offense. The win was even sweeter several months later when I ran into one of the most notorious gamblers – Pete Rose – who was complainign that there was no way the Patriots should have lost that game. He called the money line bet stupid, but he didn’t have much of an answer when I simply pointed out that it was a winning bet.

As for March Madness, my favorite bet involved taking Kentucky over Duke in 1992 even though I wanted Duke to win. Christian Laettner famously won that game on the incredible shot in overtime, but I already had my bet won as I was getting plenty of points with Kentucky. So I got to celebrate that incredible shot watching the game at Caesar’s Palace, while also celebrating a winning bet.

You can check out these top 5 best bets for other great examples and follow #bgoBestBets on Twitter as well.

Time to Upgrade to a Men’s Watch

Whether you just finished college, recently got hitched, or just celebrated your Bar Mitzvah, you are now officially a man. While your $20 Timex Ironman has been reliable, it is past time to retire it.

You know the watch I’m talking about…the one you got from your Aunt on your eight birthday; the one with twelve different features (most of which you never used).

You’ve spent five times the original cost of the watch on battery replacements, and the nylon band, well, it smells pretty rank. Pay attention, because these will be the deciding factors while trying to decide which men’s watch to buy.

Is it Practical?

First and foremost, purchase a watch that is practical. It sounds like I’m joking, but I’m not. When contemplating the complexities of purchasing a watch, consider both your lifestyle and the usefulness of the watch. Below is a watch that I think you will find—umm, rather useless.

Black Movado watch leather

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Blu Tuesday: The Wolf of Wall Street, Veep and The Great Beauty

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Wolf of Wall Street”

WHAT: After losing his job on Wall Street following the events of Black Monday, go-getter Jordan Belfort (Leonardo DiCaprio) opens up his own firm selling penny stocks to the wealthy, turning Jordan and his closest pals (including Jonah Hill) into millionaires overnight. Living the high life with his gorgeous new wife (Margot Robbie), Jordan thinks he’s invincible – that is, until he catches wind that the FBI has launched an investigation into the firm for stock market manipulation and other related crimes.

WHY: It’s been a while since Martin Scorsese’s last truly great film, but the director has rebounded in style with “The Wolf of Wall Street,” highlighted by Terrence Winter’s hilarious script and Leonard DiCaprio’s brilliant turn as Jordan Belfort. You’ve never seen the actor quite like this before, and he’s in top form as the notorious stockbroker, delivering what is arguably his best performance with Scorsese yet. The rest of the cast is great as well, especially Jonah Hill in another award-worthy turn, up-and-comer Margot Robbie and Matthew McConaughey in a short but memorable cameo. Loud, flashy and totally obscene, the movie is like a private tour through Belfort’s excessive, hard-partying lifestyle, including easily one of the greatest sequences of the year. (Hint: it involves a highly potent strain of Quaaludes.) Though it’s a little too long for its own good, the characters are so magnetic and the dialogue so fast and funny that “The Wolf of Wall Street” is hard not to enjoy. It’s Scorsese’s best film in years, and one that will only get better with time.

EXTRAS: Regrettably, there’s only one special feature in the form of “The Wolf Pack,” a behind-the-scenes look at bringing Jordan Belfort’s life to the big screen with interviews from Martin Scorsese, Leonardo DiCaprio and others

FINAL VERDICT: BUY

“Veep: The Complete Second Season”

WHAT: U.S. Vice President Selina Myers (Julia Louis-Dreyfus) and her staff navigate the murky waters of Washington, D.C. as she deals with a presidential scandal, crooked congressmen, a government shutdown and more

WHY: The first season of “Veep” showed immense promise, but it was clear that it still had some growing to do behind the scenes, and that growth is evident in the show’s second year. Granted, the situations that Selina and her staff find themselves in are still incredibly ridiculous (and if even remotely close to what actually happens at the White House, a little frightening), but it feels like there’s much more at stake this time around. The ensemble cast has also had more time to gel, and they’re even funnier than before as a result. Every actor plays their part perfectly – from Anna Chlumsky’s loyal chief of staff, to Matt Walsh’s blockhead publicist, to Timothy Simmons’ oddball White House liaison – and you needn’t look any further than Julia Louis-Dreyfus’ Emmy speech for evidence of that. The addition of Gary Cole and Kevin Dunn to the cast was also a shrewd move on the part of Armando Iannucci, but the show lives and dies by Louis-Dreyfus’s hilarious performance as the so-called Veep. She’s one of the funniest women in show business, and with the exception of Elaine Benes, this will likely go down as the best role of her career.

EXTRAS: In addition to four audio commentary tracks featuring members of the cast and crew (including creator Armando Iannucci and star Julia Louis-Dreyfus), there are deleted and alternate scenes for each episode.

FINAL VERDICT: RENT

“The Great Beauty”

WHAT: For decades, journalist Jep Gambardella (Toni Servillo) has served as Rome’s self-described king of high society, gallivanting through an endless series of lavish nightclubs and parties with his equally pretentious friends. But on his 65th birthday, Jep begins to look back on his superficial life against the beautiful backdrop of the Eternal City.

WHY: “The Great Beauty” may have won the Academy Award for Best Foreign Language Film, but there were far better movies released last year. Felliniesque in its self-indulgence and general lack of focus, the film is unable to maintain the high-energy pace of the opening dance party, ultimately succumbing to its sluggish, 142-minute runtime. The root of the problem is director Paolo Sorrentino and co-writer Umberto Contarello’s script, which never seems sure what it wants to say. Characters and subplots come and go with little explanation, including a storyline involving Jep’s childhood love that’s brought up early on and never mentioned again until the very end. Toni Servillo delivers a solid performance in the lead role, but his character is too misanthropic for the audience to care what happens to him, contradicting his supposed reformation every chance he gets. If there’s any reason to invest the two-plus hours watching “The Great Beauty,” it’s for cinematographer Luca Bigazzi’s gorgeous visuals, which capture the spirit and splendor of Rome in such a manner that it comes as a close to experiencing the real thing that some people will ever get.

EXTRAS: The Blu-ray release includes a conversation between director Paolo Sorrentino and Italian cultural critic Antonio Monda, interviews with actor Toni Servillo and co-writer Umberto Contarello, deleted scenes and a booklet featuring an essay by critic Phillip Lopate.

FINAL VERDICT: RENT

Drink of the Week: The Blackthorn Cocktail (Harry Craddock Version)

The Blackthorn Cocktail.I totally blew it last week, St. Patrick’s Day wise. I decided, therefore, to atone for my sin this week with the most severe Irish whiskey based cocktail I could find. And so we present the Blackthorn Cocktail, which sounds a little bit like it was named after the villain of a 1950s swashbuckler with Burt Lancaster or Stewart Granger.

This drink appears in, among other places, Harry Craddock’s The Savoy Cocktail Book, but finding a human being who’s actually had one today will be a challenge — even many cocktail bloggers seem to avoid this one. Superstar booze maven Gary Regan adapted it into a more popular version which, to begin with, substitutes sweet vermouth for the dry stuff used in this version. Maybe we’ll get to that one eventually, but I don’t hold with some of the disdain this Blackthorn Cocktail has generated. It might not be sweet treat, but neither is a martini, and we like those, right?

The Blackthorn Coctail

1 1/2 ounces Irish whiskey
1 1/2 ounces dry vermouth
1/2 teaspoon absinthe
3 dashes Angostura/aromatic bitters

This is an easy one. Just combine the ingredients in a cocktail shaker with your usual massive amount of ice. Shake, yes, shake this drink vigorously and strain into a chilled cocktail glass. Toast the classic cocktail purists who, for once, allow us to shake a drink that contains no citrus. Aye and begorrah!

****

I admit that the Blackthorn Cocktail is what you would call a sophisticated drink, it’s definitely not for everyone. On the other hand, it’s actually no more inaccessible than a 50/50 martini (i.e., 50% gin and 50% dry vermouth) or a Dry Manhattan, both of which have their share of similarities with the Blackthorn.

It does have that tiny bit of absinthe — a classic case of a little going a long way. Here, however, it goes just the right distance,. I should note that my 1/2 teaspoon of the formerly notorious wormwood liqueur is different from the original Craddock version, which calls for three dashes. Maybe I should just purchase an eye dropper, but I have no idea how I’m supposed to get a dash out of an ordinary, non-squirt top bottle. Anyhow, I liked my results this way. The licorice-like flavor of anise centers this drink.

I tried the Blackthorn Cocktail with two different Irish whiskey brands. Generally speaking, I prefer Bushmills  — love the stuff, actually — but the more assertive flavor of Kilbeggan worked very nicely and resulted in a somewhat livelier drink. As for my vermouth, I did most of my Blackthorns with Martini, which was very good. Thirsting for more adventure, I finally got around to trying the cocktails hipster’s choice these days, Dolin Dry Vermouth. It’s a less dry dry vermouth, if you follow me, that actually puts me a bit in mind of the now either hard to find or all but nonexistent stateside Noilly Pratt Original Dry Vermouth. It’s maybe a bit more complex and sells for roughly double the price. Similarly to when I used the Killlbeggans, the Dolin made for a slightly livelier, crisper libation.

Movie Review: “Divergent”

Starring
Shailene Woodley, Theo James, Kate Winslet, Ashley Judd, Jai Courtney, Zoe Kravitz, Maggie Q, Miles Teller, Ray Stevenson, Tony Goldwyn
Director
Neil Burger

The young adult craze (“Twilight,” “The Hunger Games”) has recently crashed (“Beautiful Creatures,” “Vampire Academy,” “The Mortal Instruments: City of Bones”), and the media has decided that the fate of future young adult film adaptations will live and die on the box office returns of “Divergent.” This is patently unfair, of course; “The Hunger Games” sold 14 times as many books as “Vampire Academy,” so why should anyone expect anything less with their film adaptations? Answer: they shouldn’t, but somehow this is now “Divergent’s” problem. The good news is that “Divergent” should fare much better than the three ‘crashed’ movies. It’s intriguing, and asks valid questions about when we can reasonably expect a young adult to know who they truly are, and why we tend to punish people who prefer to think for themselves, but it has some issues as well, namely an absurd amount of exposition, a rigid story structure, and a lack of emotional impact.

Set in dystopian post-war Chicago at an undetermined time, all residents of the city are divided into five factions. Beatrice Prior (Shailene Woodley) is a member of the selfless Abnegation faction, but she faces a big decision in the next few days. As a 16-year-old, she, along with her brother Caleb (Ansel Elgort) and all other 16-year-olds, will choose whether to remain in their current faction or join a new one. Both Beatrice and her brother defect to other factions, with Caleb choosing Erudite (smart, fact-driven) and Beatrice choosing Dauntless (brave, fearless). As a “stiff” (A derogatory term for Abnegation), Beatrice has her work cut out for her, but she proves to be more resilient than most had expected, and a lot of that has to do with the results of her pre-ceremony exam, where she was found to be Divergent, meaning that she exhibited the qualities of more than one faction. Her examiner (Maggie Q) warns her against telling anyone that she was Divergent, and Beatrice (who rechristens herself Tris in Dauntless) quickly discovers why: the fluid (read: non-conformist) tendencies of Divergents have branded them as the enemy of Chicago’s faction world, and they are hunted and killed when exposed.

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