Tag: Wes Bentley

Movie Review: “Pete’s Dragon”

Starring
Oakes Fegley, Bryce Dallas Howard, Wes Bentley, Karl Urban, Oona Laurence, Robert Redford
Director
David Lowery

Like many studios these days, Disney has been reaching back into its archives to find movies that it can update for modern audiences, and though “Pete’s Dragon” is a film that didn’t really need to be remade, it’s one that most people can agree has plenty of room for improvement. The original 1977 musical was okay for its time, but it could hardly be described as a classic. Perhaps even stranger than the decision to remake it, however, is the involvement of “Ain’t Them Bodies Saints” director David Lowery, who’s not exactly the first person you’d think of to helm a family-friendly movie about a CG dragon. While Lowery’s soulful, more character-driven adaptation is a refreshing change of pace from the typical summer film, it never really goes anywhere.

After surviving a car crash that kills both of his parents (a classic Disney move), orphaned boy Pete wanders into the nearby woods where he’s almost devoured by a pack of wolves before being rescued by a large, green furry dragon that he names Elliot. Six years later, the now-feral Pete (Oakes Fegley) and his magical guardian Elliot are enjoying a quiet, isolated life together in the forest when a logging company encroaches on their land and Pete accidentally reveals himself. Brought back to town by kindhearted forest ranger Grace (Bryce Dallas Howard), Pete learns what it means to be part of a family when he’s welcomed into Grace’s home with her fiancé Jack (Wes Bentley) and his young daughter Natalie (Oona Laurence). Meanwhile, Elliot believes that Pete is in danger and sets out to rescue him, but after Jack’s opportunistic brother Gavin (Karl Urban) encounters the dragon and plans to capture it for personal gain, Pete must assume the role of protector for once in order to save his friend.

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Movie Review: “Interstellar”

A coworker of mine is hoping that he can convince his wife to take their two girls to see “Big Hero 6” while he ducks into another theater to see Christopher Nolan’s new film “Interstellar.” Here’s the irony: the moral of “Interstellar” is that he should see “Big Hero 6” with his kids instead.

This is both an impossibly dense movie, and a deceptively simple one. The quantum physics talk and the hypotheses regarding time and space turn out to be a bit of a red herring. The true essence of “Interstellar” is about love, and Anne Hathaway’s character sums it up perfectly: time can contract and expand, but it can’t go backwards. In a nutshell, Nolan spent $165 million and 169 minutes telling us to seize the day with our loved ones. That’s a great message, and he pulls a number of incredible technical achievements in the process, but with “Interstellar,” Nolan has fallen into a trap that has caught many before him: the pitfalls of autonomy.

Set in an undefined but presumably not-too-distant future, Earth is suffering another Dust Bowl period, crops are dying, and there is reason to believe that the children will be the last generation Earth will ever know. Former astronaut Cooper (Matthew McConaughey) has taken up farming to help the cause, but a series of strange events leads Cooper and his daughter Murphy (Mackenzie Foy) to an off-the-grid NASA facility, where a team is preparing to investigate a series of planets in a far-off galaxy, courtesy of a wormhole, to see if life is sustainable. They need a reliable pilot, though, and they ask Cooper if he will join them. Cooper is understandably conflicted, since there is no guarantee that he will return, but he ultimately decides that the salvation of the human race is the nobler goal, and he joins Amelia Brand (Hathaway), Doyle (Wes Bentley), and Romilly (David Gyasi) on a boom-or-bust mission to find another Earth.

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