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Coming Soon: A Moviegoer’s Guide to October

october

The awards season machine continues to chug along this month, with several high-profile contenders making their debut, including the latest from Ridley Scott, Steven Spielberg and Danny Boyle. Of course, if prestige films aren’t your thing, there are still plenty of options for those who simply want to be entertained, whether it’s Guillermo del Toro’s new gothic horror flick, Vin Diesel hunting witches or the origin story of Peter Pan. This is shaping up to be the best October in recent history, and moviegoers won’t want to miss it.

“The Martian”

Who: Matt Damon, Jessica Chastain, Chiwetel Ejiofor, Jeff Daniels and Kristen Wiig
What: When he’s stranded on Mars, astronaut Mark Watney must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.
When: October 2nd
Why: Andy Weir’s 2011 science fiction novel, “The Martian,” was one of the most talked about books of that year, so it’s not surprising that producer Simon Kinberg was so quick to nab the rights to adapt it for the big screen. Though director Ridley Scott has been in a bit of a rut lately, the premise for this movie is almost too good to mess up. Matt Damon is the perfect choice to play the stranded astronaut (even if it’s oddly similar to his cameo in “Interstellar”), while the supporting cast is comprised of A-list talent that should be headlining their own films.

“Steve Jobs”

Who: Michael Fassbender, Kate Winslet, Jeff Daniels and Seth Rogen
What: The true story of the life of visionary Apple CEO Steve Jobs.
When: October 9th
Why: Do we really need another movie about Steve Jobs so soon after the 2013 version starring Ashton Kutcher? Probably not, but the fact that it’s written by Aaron Sorkin and directed by Danny Boyle makes it awfully difficult to come up with reasons why you shouldn’t see it, even if the film appears to cover much of the same ground as “Jobs.” Michael Fassbender may not be the first person you’d think of to play the Apple co-founder (Christian Bale was originally attached to the project before dropping out), but he’s an incredible actor who will undoubtedly make up for his lack of physical similarity with yet another top-notch performance.

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Drink of the Week: Tiger Juice

Tiger Juice.First of all, let’s get one thing straight: no tigers were juiced in the making of this DOTW post. Moreover, I’m pretty sure, the makers of Tiger’s Milk bars don’t actually have the courage to milk actual members of the feline genus panthera to make their product.

Now that we’ve got that straightened out, it’s my sad duty to report that I have no actual information about the provenance of this week’s drink or its rather silly name. It doesn’t appear to have been in any of the more famous classic cocktail books, though it’s certainly simple and straightforward enough that somebody must have made this drink back in the day. Who created it or where it came from before it lived in various places on the Internet is a mystery to me.

The real mystery, though, is why it’s not better known. I think Tiger Juice is another example of a cocktail alchemy at it’s best. Three simple ingredients that definitely add up to something greater than the sum of their parts. It’s juicy, refreshing, a bit alcoholic, and 100% tiger-cruelty free.

Tiger Juice

1 1/2 ounce Canadian whiskey
1 ounce fresh orange juice
1/2 ounce fresh lemon juice

Combine the ingredients in a cocktail shaker with lots of ice. Shake vigorously and strain into a chilled cocktail glass. Sip and appreciate the fact that you are both adjusting your attitude and getting a good chunk of your daily requirement of vitamin C, without any added sugar.

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The benefits of red wine notwithstanding, I’m willing to bet that Tiger Juice just might the be the healthiest alcoholic beverage yet developed. The relatively high amount of sugars present in the otherwise very healthy OJ are balanced out by lemon juice, which I’m guessing has at least many goodies for your body with less than half the sugar calories.

Of course, the downside of all that would be an overly tart flavor profile. Regular readers might remember that I’m a bit of a baby about that. To my utter surprise, however, I found that simply wasn’t the case. Combining the juices with Canadian Club — still my choice for the best bargain in booze at about $15-$18.00 for 1.75 ml bottle — yielded a drink that was neither particularly sweet nor noticeably tart. Instead, it was tasty, refreshing and just boozy enough to be interesting. For low calorie tipples, I’d place this next to something like a vodka martini among sophisticated drinks that go down very easy.

That did change, though, when I tried other types of whiskey. Noticing that some online recipes called for bourbon, I found the sweetness of Maker’s Mark acted like salt on a melon in reverse, emphasizing the tart flavors in a way I didn’t particularly love.

While most recipes wisely called strictly for Canadian booze, I figured that rye, Canadian whiskey’s close cousin, might be a worthy substitution. The usually outstanding Alberta Dark Rye, which is actually from Canada, was actually too flavorful and overpowered the drink. Old Overholt, on the other hand, proved its versatility as the craft bar’s default rye and worked reasonably well…but I still preferred the gentle simplicity of the Canadian Club.

And that’s the thing. Ordinary Canadian whiskey gets a bad rap among the cocktail cognoscenti because it admittedly doesn’t boast the complex flavor profile of a really good bourbon or rye. The thing is, sometimes you want a little flavor, not a lot. And, yeah, I don’t drink them as often as I used to, but there are times when a vodka martini is just the thing. Now, maybe there are going to be times when Tiger Juice is  just the thing.

Movie Review: “The Intern”

Starring
Robert De Niro, Anne Hathaway, Anders Holm, Rene Russo, Adam DeVine, Andrew Rannells, Christina Scherer
Director
Nancy Meyers

It’s a good thing that Nancy Meyers has so many friends in Hollywood, because if anyone else made a film as terrible as “It’s Complicated,” it likely would have ended their careers. The 2009 romantic comedy took Meyers’ brand of wish-fulfillment fantasy to gag-inducing levels, and Meyers addresses some of those criticisms with “The Intern,” a welcome departure from her typical fluff that forgoes the romance between its two leads in favor of something more genuine. Granted, the movie still looks like it came out of a Pottery Barn catalog, but thanks to some good performances from Robert De Niro and Anne Hathaway, it’s a relatively enjoyable workplace comedy that’s marred only by its bipolar script.

De Niro stars as Ben Whittaker, a 70-year-old widower who’s quickly grown bored of retirement and is searching for something to help fill the void. When he applies for a senior internship program at a flourishing online fashion site, he’s assigned to be the personal intern to founder Jules Ostin (Hathaway), who in just 18 months has transformed a simple idea into a successful business, despite having no experience. Though her hands-on approach is admirable, the job has begun to consume her life, leaving little time to spend with her husband (Anders Holm) and daughter (JoJo Kushner). Jules is burnt out and clearly in over her head, but when the company’s investors suggest hiring a seasoned CEO to help steady the ship, she’s hesitant about handing over the keys to an outsider. Ben enters Jules’ life just when she needs it most, gradually breaking down her hard shell to become a mentor figure as she faces life-changing decisions in the office and at home.

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Movie Review: “Mississippi Grind”

Starring
Ben Mendelsohn, Ryan Reynolds, Sienna Miller, Analeigh Tipton
Director
Anna Boden & Ryan Fleck

Gambling addiction has been explored to terrific results on film, with two of the finest examples being Robert Altman’s “California Split” and “The Gambler,” both the original film starring James Caan as well as the overlooked Mark Wahlberg-led remake. The tropes of gambling films are well-established, and writing/directing duo Anna Boden and Ryan Fleck (“Half Nelson”) aren’t afraid to acknowledge those conventions in their newest and deeply human film, “Mississippi Grind.”

At the start of the story, Gerry (Ben Mendlsohn) has already hit rock bottom. The gambling addict has a rightfully bitter ex-wife, a job as a real estate agent that he’s no good at, and he owes money to everybody. His luck quickly changes when he meets Curtis (Ryan Reynolds), a younger, more charming and luckier fellow. Curtis is a people person, and he wants to help Gerry out, so the two gamblers decide to team up and go on a road trip through the South, hitting up all the big games and casinos together, with Curtis bankrolling Gerry.

This might be Boden and Fleck’s best collaboration to date. Their script is dense yet loose, hugely influenced by Altman’s approach to “California Split.” In fact, the first half of “Mississippi Grind” almost plays out as an unofficial remake of the 1974 film, sharing more than a few character traits and story beats in common. But what could’ve been a recycled, pale imitation of Altman’s film ends up standing on its own. “Mississippi Grind” features fully realized characters, from the film’s stars to the small supporting roles. We get snippets of other gamblers’ lives, whether at the poker table, or in a friendly and seemingly random exchange with Gerry and Curtis, and these discussions create a lived-in, believable atmosphere – one filled with highs and lows, desperation and joy.

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Full Court Press: All the details on the 2016 Harley-Davidson Lineup

2016 Harley-Davidson Lineup

The last three years have been a product blitz from the evolutionary norm of Harley-Davidson. The new RUSHMORE line of touring motorcycles, the Livewire electric motorcycle and the Street 500/750 have barnstormed the industry. However, 2016 sees a return to evolving key models of the product line to keep existing customers happy with some simple but significant improvements.

For 2016, every step of the Harley line, from entry-level to the highest end, received tweaks. We went to Portland to experience all the changes made throughout the line.

Entry-Level Excess

The Sportster and Street 500/750 are absolutely critical to Harley-Davidson’s success. Both are entries into the brand, expanding the brand in overseas markets and responsible for bringing new customers into the fold. Key changes were made to improve refinement and riding quality, but very little revolutionary changes were implemented.

The Sportster Forty-Eight, a stalwart of their Dark Custom Line, and Iron 883 both received new, more comfortable seats, revised paint and cast wheels. The Forty-Eight also received 49mm front forks.

These changes made them markedly more friendly to ride on the pockmarked roads of Portlandia. When the going gets twisty, the lowered rotating mass of the wheels has a minimal but appreciated improvement in turn-in, and the seat makes bouncing around a bit more comfortable. Still the same Sportster, now with a bit more comfort and value added.

The Street 500 and 750 have crushed it in international markets and had reasonable success in the States, but to fire it up, Harley instituted changes heard from both existing and prospective customers, namely aesthetic changes to bring it more in line with the rest of the family. This means more metal trim, rerouted wires and an overall cleaner routing scheme to decrease the frump. We didn’t have a chance to ride this one, so a verdict will have to wait.

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