Category: Television (Page 40 of 84)

Justified 4.03: Truth and Consequences

SPOILER WARNING: This post will appear following a new episode of Justified. It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects of the series up to and including the episode discussed are fair game.

“Truth and Consequences” has a more literal title than most episodes of Justified (sure, they packed in a pun, but that’s almost cheating when the character central to the season’s big mystery has a name like “Waldo Truth”). It begins with Boyd paying a visit to the Last Chance Holiness Church, still struggling to figure out what game the preacher and his sister are playing. He’s sure there’s a game, though, there has to be. Boyd would never go to all the trouble the St. Cyrs have if he wasn’t getting something out of it, so he can’t believe anyone else would either. So what’s the truth he’s not seeing?

Half-jokingly, Boyd questions Cassie’s claims that she was merely “putting her brother to sleep,” implying the two are sexually involved and that the sibling act is merely part of their scheme (either that or it’s incest, after all, it’s Kentucky). But that isn’t it, and to his surprise, it isn’t that Cassie uses her brother’s faith and charisma to extort local criminals, either. Cassie turns down Boyd’s “donation,” insisting that what he’s smelling isn’t a con but the fact that “unlike the rest of these sorry souls, we’re not afraid of you.” Boyd quips back, “In that case, ma’am, I think we’ve misjudged each other,” words that turn out prophetic.

Having tried the carrot, Boyd decides to try the stick—sending his henchmen in to intimidate the St. Cyrs—which results in the one who isn’t Colton (apparently his name is Jimmy) being bitten to death by snakes, or so it seems. Given the severity of his injuries, Jimmy should’ve died hours before he got medical help. And just like that, a lightbulb goes off in Boyd’s head. So he heads back to the Last Chance Holiness with another gift, only this time, “it’s not to the church, it’s to the congregation. And it ain’t money, it’s knowledge.”

The main characters aren’t the only ones dealing with truths and consequences this week. Billy St. Cyr’s faith (and hubris) is cemented by the fact that he and his followers continue to survive snakebites without medical assistance. Seeing it as proof of divine intervention, he fearlessly handles snakes as a testament to his omnipotent and benevolent God. As it turns out, however, Boyd was right. There was a scheme afoot, and Cassie had the wool pulled over the eyes of her brother and his congregation both. She’d been “milking” the snakes of their venom to ensure their bites wouldn’t be fatal.

Ever the true believer, Billy insists on handling Boyd’s “gift” nonetheless, though his sister begs him not to. Having gotten what he came for, Boyd too tries to talk him out of it, saying, “You know what, son? I once stood where you’re standing now, mistaking my own hubris for God’s touch. That ain’t religion, son, that’s self-glorification. Best you leave this thing alone.” After that, things go about as you’d expect. Billy is bitten and, given his conviction, I’m willing to bet he’ll die as a result. The preacher was presented with the truth, refused to recognize it, and now he’ll face the consequences. For now, it seems the St. Cyrs weren’t out to get the Crowders. They were nothing but true believers in a place with no room for such. Boyd did what he did not because they were affecting his business interests, but to come to terms with the man he was, the man he saw reflected in Billy St. Cyr’s face.

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Super Bowl commercial teaser: Live Más and Viva Young with Taco Bell

The Super Bowl commercial blitz is officially underway with the unveiling of a 60-second online teaser video from Taco Bell, found above. This minute-long production is a preview of the company’s new Super Bowl commercial, a LIVE MÁS® brand commercial called “Viva Young,” set to debut during the third quarter of the game February 3 on CBS. The full commercial, which will show that anyone at any age can “live más,” will be set to the music of Taco Bell Feed the Beat® artist and six-time GRAMMY® Award nominee fun.’s “We Are Young,” which will be sung in Spanish.

Check out the teaser above and be sure to keep your eyes open during the third quarter of the big game next week!

R.I.P. Robert F. Chew, aka Proposition Joe from ‘The Wire’

One of the best actors from the best television drama of all time has passed away. Robert F. Chew played Proposition Joe on “The Wire,” and in the scene above he gets a threatening visit from Omar.

Check out this excellent obituary from the Baltimore Sun.

Robert F. Chew, a 52-year-old Baltimore actor and teacher who portrayed one of television’s most unforgettable characters as Proposition Joe on HBO’s “The Wire,” died Thursday of apparent heart failure in his sleep at his home in Northeast Baltimore, according to Clarice Chews, his sister.

Mr. Chew, who appeared in “Homicide” and “the Corner,” as well as “The Wire,” also taught and mentored child and young adult actors at Baltimore’s Arena Players, a troupe he stayed with as his television career blossomed through his work with David Simon. Through the Areana Players Youth Theatre, he brought new talent to the attention of casting directors and coached the team of young actors who played students in the Baltimore City School system in Season 4 of “The Wire.”

“Robert was not only an exceptional actor, he was an essential part of the film and theater community in Baltimore,” David Simon, creator of ‘The Wire’ said in an email Friday. “He could have gone to New York or Los Angeles and commanded a lot more work, but he loved the city as his home and chose to remain here working. He understood so much about his craft that it was no surprise at all that we would go to him to coach our young actors in season four. He was the conduit through which they internalized their remarkable performances.”

Chew was an absolute master with dialogue and facial expressions, and it’s fascinating to learn in this article that many of the kids who starred in Season 4 of “The Wire” were his students. If you haven’t seen this show, get the DVD or download it now. You won’t regret it.

Marlow and Prop Joe in The Wire

Justified 4.02: Where’s Waldo

SPOILER WARNING: This post will appear following a new episode of “Justified.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects of the show up to and including the episode discussed are fair game.

The second episode of Justified’s fourth season didn’t offer much in the way of action. You probably could’ve watched it with a blindfold on and not missed out on much. That’s not to say it wasn’t entertaining, however. In fact, quite the opposite. There’s little on television more entertaining than a trademark Boyd Crowder speech, and his verbal battle with preacher Billy will likely be remembered as one of the best scenes in the series’ history. It was also a reminder that Walton Goggins is one of the past decade’s best character actors. While he’s finally getting rewarded with roles in big-time movies like Lincoln and Django Unchained, between Shane Vendrell and Boyd Crowder, how he hasn’t won a single Best Supporting Actor Emmy (and has only one nomination) remains a mystery to me.

Leading up to that confrontation, Billy and the Crowders poke and prod at each other from afar, mostly using Ellen May as a conduit. It starts when the easily convinced hooker shows up to tell Ava about her conversion, quoting “Palms number 62.” Ava is quick to ensure the fear of Crowder outweighs the fear of God by reminding Ellen Mae that she was the one who “saved her soul.” So Ellen Mae mopes back to the Last Chance Holiness, only to be converted yet again.

Up to that point, Boyd remained casually detached from the situation. He’s got more pressing concerns, namely finding someone to blame for the decline of his oxy sales. Cousin Johnny, determined to ensure that someone not be him, is quick to point the finger at Billy and his church. Boyd meets the idea with skepticism, however, noting that people in Harlan County “party Friday and Saturday and get saved on Sunday.” He doesn’t think one more church is going to change that, and declines Ava’s suggestion that they go see what all the hubbub’s about, stating that he “doesn’t like churches” (no doubt because of the way his own stint as an evangelist ended). But Billy gets Boyd’s attention by sending a group of hymn-singing children into his whorehouse, scaring away customers.

Though Sheriff Shelby insists Billy’s history of moving from one destitute small town to the next suggests he’s nothing more than your run-of-the-mill pulpiteer, Boyd reads a different story between the lines: The St. Cyrs (Billy and his sister, Cassie) keep their tent tied down just as long as it takes to bring enough addicts, whores, drunks, gamblers and other characters of ill repute into the fold. When the leaders of the local criminal element notice their revenue streams drying up, Billy and Cassie make a simple proposition: Pay up and we’ll be on our way. It remains to be seen what the St. Cyrs’ motivations really are. It seems more likely that a drop-off in oxy sales could have more to do with Dixie Mafia heroin dealers “accidentally” moving into Crowder turf, and that Boyd’s giving the St. Cyrs all that credit because that’s the way he would run that hustle. It’s just too early to tell, the possibilities are endless.

Anyway, all this leads to that ultimate showdown of the orators. The preacher vs. the ex-preacher, the sinner vs. the saint. The two trade bible verses, and Billy talks a lot about helping the wicked to see the light. Boyd turns that around though, pointing out the hubris inherent in the preacher’s willingness to pass judgment on those he does not know. Then he goes on the offensive, calling Billy a “false prophet” and begging the congregation to “test the spirits!” He says Billy goes from town to town, taking people’s hard-earned money and giving them nothing but empty promises in return. Billy’s counter is a surprising one, he says the church will no longer pass out collection plates, a smile never leaving his face. The same cannot be said for Cassie.

At first glance it appears Boyd has to chalk up a rare tally in the loss column. But, when Colton says, “that didn’t go so well,” Boyd responds, “Actually, Colton, I think we got exactly what we came here for.” See, Boyd’s always playing the game on a few different levels, using his bravado to mask his cunning. Boyd wasn’t in that tent on a search and destroy mission, but to gather intelligence. And not just about Billy, but the full extent of the problem, the individual members of the congregation, and everything he can exploit or use to his advantage. Most importantly, he learned that while Billy’s the one behind the pulpit, the charismatic face of Last Chance Holiness, Cassie’s running the show from behind the scenes.

Meanwhile, Raylan and company take the first steps towards unraveling the season’s big mystery, going in search of Waldo Truth, the name on the driver’s license found in the Panamanian diplomatic bag in Arlo’s wall. That included another fantastic scene in which Raylan, Tim, and Art get into a standoff with the Truths, an entire family of Dickie Bennetts. The Truths, of course, fail to see the irony in their gun-toting, “go ahead and shoot,” intensely anti-“gov’ment” attitude, all in an effort to protect the “draw” delivered to them from said “gov’ment.”

In contrast to the hotheaded younger Truths, however, is their matriarch, who calmly invites the Marshals in to sort things out. Eventually, “Waldo” returns home, but not really, as we soon discover. The man is an impostor, posing as Waldo Truth so that the family could continue to receive his benefit check. While Raylan’s ready to haul in every last one of them, Art decides to let them go once the information they offer helps him connect a few dots between their current predicament and an intriguing case from his early days as a Marshal. It’s now certain the man who fell out of the sky with all that cocaine was the real Waldo Truth, who disappeared with a pilot named Drew Thompson decades ago.

The episode brought some connection between the previously disparate Boyd and Raylan/Waldo Truth storylines with the return of Jere Burns as Wynn Duffy, who arrives in Harlan to deal with the dealer who wandered into Boyd’s turf. Duffy, who’s apparently been made a little colder by the time he spent with Robert Quarles, promptly shoots the dealer in the head. Boyd attempts to seize an opportunity by offering to partner up with Duffy in bringing heroin to Harlan County. Duffy turns him down saying, “I don’t even trust the way you just now said I could trust you.” But, before he leaving, he asks Boyd what he knows about Arlo offing a Dixie Mafia soldier, which, at the moment, is nothing. Boyd’s now a dog with a scent, he’d probably want to know what Arlo’s deal is just to know, but now he’s got the added incentive of proving he’d make a good partner to Duffy. Now we’ll get to watch as both Boyd and Raylan uncover the clues of the big mystery separately and on opposite sides of the law. That’s good news for us viewers, because we’ll get to see it all.

Check out the preview for next week’s episode below and follow the writer on Twitter @NateKreichman.

The Light from the TV Shows: A Chat with Ivana Milicevic (“Banshee”)

Ivana Milicevic is one of the sexiest dorks you’ll ever meet. Hey, don’t laugh: if you were wise enough to tune in to the premiere of her new Cinemax series, “Banshee,” when it made its debut on Friday, then you already know that my assessment of her sexiness is on the money, but having actually sat in her presence and chatted with her one-on-one for 20 minutes or so, trust me, she’s a big ol’ dork. But if you’re wondering, let me assure you that this is an amazingly awesome combination. During our conversation, there was much discussion of “Banshee,” of course, but we also touched on more than a few of her earlier credits as well, including everything from “Seinfeld” to “Casino Royale” to “Jerry Maguire” to “Children of the Corn III: Urban Harvest,” a range which I think we can all agree is very wide indeed.

Bullz-Eye: An obligatory question to start out: how did you find your way into “Banshee”?

Ivana Milicevic: [Places palms flat on table.] Will, let me tell you.

BE: Please do.

IM: I read the script – ‘cause I was reading millions of scripts, because it was pilot season – and I was, like, “Wha…?!?”It was so good. I loved it. And I was madly in love with Greg Yaitanes because I had done an episode of “House” with him. Like, a season-finale “House” episode that was really fun to do, and he was so fun and easy to work with. And I had been touch with him because of…he was getting me on Twitter in the early days. This was, like, five years ago. But I loved “Banshee.” I had to go in a lot of times. I had to fight for it. I met Antony, we had this instant chemistry that just…

Image ALT text goes here.

BE: That’s what he said.

IM: He said that, too?

BE: Yeah. In fact, I think he even made the same hand gesture to indicate “instant chemistry.”

IM: [Laughs.] Did he really? That’s so funny. But we do! It’s kind of true. We get along, but we’re also like black and white. So that makes exactly what you’re looking for: a polarity. It just worked. And I think that’s how come I got the job. And then I was really happy, Will, because… [Drops voice down to a whisper.] I had to play it. I had to play this part.

BE: You don’t say.

IM: I did! Because I get to be a mother, so I get to love my family. And I love my real family, so I just love to play that. And I get to be in love…with two men! [Laughs.] And I get to kick ass. And I get to be sexy. Because if not now, Will, when? When?

BE: I hear you.

IM: Because I’m European, and I like that sexy stuff.

BE: Well, Americans are rather fond of it, too.

IM: Well, sure. Who isn’t? [Laughs.]

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