Category: Movies (Page 93 of 191)

2014 Holiday Gift Guide: Movies

These days, if you don’t own a Blu-ray player, you’re missing out, especially with a variety of classic movies being offered in high definition for the first time ever. But while we could easily fill several pages with suggestions of great films and cool box sets that deserve a spot on any holiday wish list, we’ve picked some of our favorites released over the past 12 months. If you can’t find anything worth buying here, then chances are that the person you’re shopping for doesn’t like movies.

Click the links to purchase each product online, and for more gift ideas, check out the other categories in our Holiday Gift Guide.

Steven Spielberg Director’s Collection

spielberg

It may come as a surprise that Steven Spielberg has only won the Oscar for Best Director twice over the course of his illustrious career, because he’s made some of the most popular and critically-acclaimed films of the past 40 years. Throughout the 1970s and 80s, Spielberg spent a majority of his time working under the Universal Pictures banner, and all of those movies have been collected in this fantastic box set, four of which (“Duel,” “Sugarland Express,” “1941” and “Always”) are making their Blu-ray debuts. The other films include perennial favorites like “Jaws,” “E.T. The Extra-Terrestrial,” “Jurassic Park” and “The Lost World,” though for some strange reason, 1993’s “Schindler’s List” (his last Universal picture to date) is nowhere to be found. All of the movies have received gorgeous high-def video transfers, while the included booklet provides background info like fun facts, concept art and storyboards. Though the lesser known films will undoubtedly receive individual releases in the future, this is the only way to own them on Blu-ray at the moment, and that makes the “Steven Spielberg Director’s Collection” a must-have for any self-respecting cinephile.

Stanley Kubrick: The Masterpiece Collection

kubrick

There are many stories about the difficulties of working with Stanley Kubrick. He was a perfectionist and an introvert, but he was also a cinematic genius responsible for directing some of most innovative and influential films of the past 60 years. Though it doesn’t include any of his earlier work (specifically “Paths of Glory” and “The Killing,” which you can pick up from Criterion), this new Blu-ray set is the closest thing to a definitive collection that you’re likely to find, featuring all eight movies that Kubrick directed between 1960 to 1999: “Spartacus,” “Lolita,” “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Atom Bomb,” “A Clockwork Orange,” “Barry Lyndon,” “The Shining,” “Full Metal Jacket” and “Eyes Wide Shut.” The 10-disc set also boasts a pair of discs dedicated to bonus material, including the previously released documentaries “Stanley Kubrick: A Life in Pictures” and “O’ Lucky Malcolm” (about actor Malcolm McDowell), as well as a trio of new featurettes, “Kubrick Remembered,” “Stanley Kubrick in Focus” and “Once Upon a Time… A Clockwork Orange.” If you don’t already own these films on Blu-ray, now is the time to rectify that.

Continue reading »

Blu Tuesday: Dawn of the Planet of the Apes, The Hundred-Foot Journey and Kite

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Dawn of the Planet of the Apes”

WHAT: A decade after the events of the last film, the Simian Flu (a virus spread by Will Rodman’s Alzheimer’s drug) has wiped out most of humanity, while the apes continue to thrive in their forest community outside the city. But when a small group of humans (led by Jason Clarke’s Malcolm) accidentally wanders onto the apes’ home turf while searching for a hydroelectric dam capable of bringing power back online, their arrival re-ignites the feud between leader Caesar (Andy Serkis) and right-hand ape Koba (Toby Kebbell), who have vastly different opinions on how to handle the trespassers.

WHY: “Rise of the Planet of the Apes” was one of the most pleasant surprises of 2011, but while Matt Reeves’ much darker sequel aims to hit the same emotional notes of its predecessor, it falls a bit short. Like that movie, “Dawn” touches on some interesting themes of power, trust and gun control, though the script isn’t exactly subtle about it, hammering the audience over the head to the point of exhaustion. The story is also fairly predictable, populated with characters we’ve all seen a hundred times before, and as a result, it’s just not as engaging on a dramatic level. What it lacks in originality, however, it makes up for in sheer visual spectacle. The action sequences look amazing, but it’s the relationships between man and ape, as well as ape and ape, that are the driving force behind the film, and they wouldn’t be as effective without the groundbreaking technology on display. Andy Serkis is excellent once again as Caesar, but with so many ape characters fighting for face time this time around, the gimmick loses some of its “wow” factor. Even with those flaws, “Dawn of the Planet of the Apes” is still a damn good sequel that, while not as smart and poignant as the 2011 sequel, is still a step up from most summer blockbusters.

EXTRAS: In addition to an audio commentary by director Matt Reeves, there are some deleted scenes (with optional commentary) and seven production featurettes covering a range of topics including the cast, special effects, motion capture and more.

FINAL VERDICT: RENT

“The Hundred-Foot Journey”

WHAT: Following a family tragedy, the Kadam clan leaves India for Europe, eventually settling in a small town in southern France where they open a restaurant directly across from a Michelin-starred eatery operated by the snooty Madame Mallory (Helen Mirren). But when the two establishments become embroiled in a childish war, the Kadams’ star-in-the-making chef (Manish Dayal) seeks to unite them through the power of food.

WHY: Movies like “The Hundred-Foot Journey” have been Disney’s bread and butter for years, although they’re usually packaged in the form of an underdog sports drama. But while the story (based on Richard C. Morais’ novel) has nothing to do with sports, the film follows the same basic formula of the subgenre, and the results are uninspired to say the least. Swap out the restaurant world for professional baseball and you could make the exact same movie about a talented but unorthodox minor league pitcher who rises through the ranks against all odds. You need only to watch the trailer to know how the film is going to play out, populated with stock characters that are as one-dimensional as the story itself. The performances aren’t anything special either, including Helen Mirren, who seems to be on auto-pilot for most of the movie, even if she’s easily the best thing about it. But while there’s definitely an audience for these kinds of cheesy, feel-good films (if there wasn’t, director Lasse Hallstrom would be out of a job), “The Hundred-Foot Journey” is so afraid to step out of its comfort zone that it isn’t just predictable – it’s pedestrian.

EXTRAS: The Blu-ray includes a making-of featurette, a discussion with producers Steven Spielberg and Oprah Winfrey, a tour of the set with Oprah and a recipe for Coconut Chicken.

FINAL VERDICT: SKIP

“Kite”

WHAT: After her parents are murdered, a young woman named Sawa (India Eisley) teams up with her cop father’s ex-partner (Samuel L. Jackson) to take down a human trafficking cartel run by the same man responsible for making her an orphan.

WHY: Based on the ultraviolent 1998 anime of the same name, “Kite” is about as good as you’d expect for a movie that was dumped into theaters (likely due to a contractual obligation) with little fanfare. In other words, not very. Despite being somewhat of a cult hit within the anime community, the original film wouldn’t be nearly as memorable if not for its controversial graphic content. But in a post-Hit-Girl world, that stuff just isn’t as shocking as it once was, especially when the violence and sex is as watered down as it is in the live-action version. Though the filmmakers were smart to attach a big name (and self-professed anime fan) like Samuel L. Jackson to the project, the actor is unable to rescue the movie from a poor script, amateur direction and some terrible performances by his co-stars. More than anything else, though, it’s just incredibly boring. The uncut version of Yasuomi Umetsu’s anime was only 60 minutes long, so the fact that anyone thought that taking an already paper-thin plot and expanding it into a 90-minute movie was a good idea probably shouldn’t be making films in the first place.

EXTRAS: There’s a making-of featurette, but that’s all.

FINAL VERDICT: SKIP

Movie Review: “Penguins of Madagascar”

Starring
Tom McGrath, Chris Miller, Conrad Vernon, Christopher Knights, Benedict Cumberbatch, John Malkovich
Directors
Eric Darnell & Simon J. Smith

And so it’s come to this: spinoffs.

To be fair, “Penguins of Madagascar” makes perfect business sense on a number of levels. The penguins have been a TV staple for six years, so giving them a full-length feature has zero risk and a built-in audience. As an added bonus, launching a spinoff buys time for DreamWorks to plan the next “Madagascar” movie (currently scheduled for 2018). The tail is clearly wagging the dog here, for better and for worse. It’s not a bad movie, but it’s a shallow one. It’s also strange to get an origin story, and a hollow one at that, for characters we’ve known for almost 10 years.

The movie begins with Skipper (Tom McGrath), Kowalski (Chris Miller) and Rico (Conrad Vernon), as young penguins, daring to go against the conformist penguins and battling leopard seals in order to save a runaway, unhatched penguin egg, which would ultimately be Private (Christopher Knights). From that day forward, the four vowed to go against the grain and live for adventure. One day, they are captured by Dr. Octavius Brine (John Malkovich), who’s actually an octopus in disguise that is fed up with the overall cuteness of penguins, and plans to ruin them for all mankind. Enter the North Wind, a government agency assigned to protect animals in danger. Their leader is a wolf (Benedict Cumberbatch) whose name is classified. Skipper does not like having to answer to Classified, but as penguins begin disappearing around the world, the two must find a way to coexist and catch Brine.

“Penguins of Madagascar” has a fantastic running joke that, frankly, I’m surprised no one has done before. Unfortunately, I can’t tell you what it is, because spoilers. It’s the best thing about the movie, though, and for that alone, you don’t want this to be spoiled by a film critic.

Continue reading »

Movie Review: “Horrible Bosses 2”

Starring
Jason Bateman, Jason Sudeikis, Charlie Day, Chris Pine, Christoph Waltz, Jamie Foxx, Jennifer Aniston, Kevin Spacey
Director
Sean Anders

The basic rule for sequels is to make everything bigger than the original. For action movies, that makes sense, even if it’s often unwise. For comedies, it makes no sense whatsoever, and “Horrible Bosses 2” is the proof. The three leads go from likable bumblers in the 2011 original to complete idiots here. Jennifer Aniston’s character has been grossly compromised, emphasis on “grossly.” Kevin Spacey is the only returning actor whose character survives with his dignity intact, but his character is an even bigger square peg than Aniston’s. The movie’s most egregious offense, though, is that it’s lazy. Not only is the plot a “22 Jump Street”-type rehashing of the original, but the opening scene would make the cast of “American Pie” blush. Really, guys, you’re sending love letters to “American Pie”? You’re better than that, or at least you used to be.

Nick (Jason Bateman), Kurt (Jason Sudeikis) and Dale (Charlie Day) have decided that the best way to avoid having a boss is to be the boss, and the three launch a new product that attracts the interest of global shipper Bert Hanson (Christoph Waltz). Bert and the boys agree to a deal where they will supply his company with a huge order of their product, but Bert double-crosses them after they’re up to their eyeballs in debt, with the intention of stealing the product from them for pennies on the dollar. After ruling out a few extreme ideas, the three decide to kidnap Bert’s son Rex (Chris Pine), and hold him for enough ransom to make up their expenses. Much to their surprise, Rex is down with the plan, and encourages them to raise both the ransom and their game in return for a larger cut. The boys quickly realize, though, that Rex causes more headaches than the ransom money will solve.

Continue reading »

Blu Tuesday: The Expendables 3, The Giver and What If

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Expendables 3”

WHAT: When a former Expendable turned war criminal (Mel Gibson) resurfaces years after his supposed death, Barney Ross (Sylvester Stallone) puts together a new, younger team to take him down. But after their mission is compromised and his teammates are captured, Barney must rely on the former members to help him finish the job.

WHY: The “Expendables” films have never exactly been subtle, but that’s part of their charm. The other part is seeing the world’s greatest action stars share the screen like a kid playing with all of his favorite action figures at the same time. The best thing about this model is that it allows for fresh additions with each new installment, and the third movie takes full advantage with another round of dream casting. Though the “new blood” (including Kellan Lutz, UFC fighter Ronda Rousey and boxer Victor Ortiz) fare just fine alongside their larger-than-life counterparts, the real treat is seeing old-timers like Wesley Snipes and Antonio Banderas back on the big screen. Not only do they belong on this team (even more so than Randy Couture and Terry Crews), but they don’t waste any time proving it, with Banderas stealing every scene he’s in as the motor-mouthed new recruit. Harrison Ford also seems to be having fun as Bruce Willis’ replacement, while Mel Gibson’s funny but ruthless villain is easily the best in the series. (Take that, Jean-Claude Van Damme.) Unfortunately, you have to suffer through a bunch of terrible one-liners and puns, generic PG-13 action and an overlong 126-minute runtime just to get to the good bits, and despite the talent involved, there aren’t enough to make it worth your time.

EXTRAS: There’s a pretty substantial making-of featurette, profiles on the new recruits, a behind-the-scenes look at filming some of the action scenes, and a gag reel.

FINAL VERDICT: SKIP

“The Giver”

WHAT: Set in a dystopian future without emotion, color or choice, a young man named Jonas (Brenton Thwaites) is selected to become the new Receiver of Memory – the person in charge of storing all past memories before the period of Sameness – and begins his training under the previous receiver (Jeff Bridges). But when he realizes that their community is a shadow of what existed before, Jonas sets out to unlock those repressed memories and restore order.

WHY: Stuck in Development Hell for nearly two decades despite being a passion project for co-star Jeff Bridges, “The Giver” probably would have languished there forever were it not for the recent success of “The Hunger Games” and “Divergent.” Though the 1993 novel by Lois Lowry has become a mainstay on many middle school reading lists over the years, “The Giver” is a tricky book to adapt for the big screen, not only in the way that its protagonist begins to experience more of the old world, but the heavy themes that it broaches along the away. For what it’s worth, it’s hard to imagine anyone doing a better job, but the problem with director Philip Noyce’s adaptation is that for a movie about the dangers of uniformity, it’s strikingly vanilla, with barely an original idea to be found. Bridges delivers a solid performance as the title character (you can tell that the source material means a lot to him), but the rest of the cast – from its wooden leading man to Meryl Streep’s chief elder – is as underwhelming as the story itself. This is one book that would have been better left untouched.

EXTRAS: The Blu-ray releases includes an interactive study guide, a featurette on adapting the book for the screen, highlights from the original script reading, footage from the press conference, an interview with author Lois Lowry and a deleted scene.

FINAL VERDICT: SKIP

“What If”

WHAT: More than year after a messy break-up, med school dropout Wallace (Daniel Radcliffe) hits it off with a cute animator named Chantry (Zoe Kazan) at the house party of a mutual friend (Adam Driver). Although Chantry already has a serious boyfriend (Rafe Spall), Wallace decides that he’s okay with just being friends… until he realizes that his feelings are a little more complicated.

WHY: Though its premise is somewhat unique in that one of the characters is already in a relationship when the movie begins, “What If” is a pretty formulaic romantic comedy that follows all the beats you expect and rarely strays off course. Luckily, director Michael Dowse has assembled a fantastic ensemble cast that elevates the material beyond its genre conventions. Adam Driver, Mackenzie Davis and Rafe Spall are all good in supporting roles, but it’s the two leads – and their chemistry with one another – that makes “What If” better than the typical rom-com. Zoe Kazan has carved out a nice little niche as the indie love interest (the girl next door who’s cute and attainable, but with just enough edge to ensure she’s never boring), while Daniel Radcliffe radiates charm in one of the best roles of his post-Potter career. Some of the humor is a bit over-the-top, but for the most part, it boasts a playfully sarcastic tone that provides Kazan and Radcliffe with plenty of fun banter. “What If” doesn’t revolutionize the genre in any way, but if you enjoyed “(500) Days of Summer,” there’s a good chance you’ll like this as well.

EXTRAS: In addition to a behind-the-scenes look at making the film, there are three brief (but very similar) featurettes and some deleted scenes.

FINAL VERDICT: RENT

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑