Category: Movies (Page 186 of 191)

Yippie Ki-Eggnog: Five unconventional Christmas movies

So you’re stuck spending some “quality time” with the family around the holidays, when you’d rather be at the bar around the corner with your friends, or even in jail, as long as no one from your family is in jail with you. Someone wants to watch a Christmas movie. Everybody starts chirping like newborn chicks. You reach for the knitting needles, praying that they’ll hit something vital in your skull before you’ve experienced any pain.

Put the needles down, friend. There are other options that are more enjoyable and less permanent than death’s sweet, sweet kiss. Here are five movies that get us through the holidays with murderous impulses held firmly in check. Merry Christmas, everyone. Pass the bourbon.

Die Hard

Admit it: you secretly fantasize about a gang of white-collar criminals hijacking your holiday party and killing the fast-talking weasel in sales who won’t shut the hell up. You’ve read the praise about “Die Hard” serving as the blueprint for every action movie made since – and it’s true, as the most popular studio sales pitch between 1989 and 1997 was “Die Hard on a ____” – but it is grossly overlooked as a holiday classic, and that is just wrong. It’s funnier than “Home Alone,” more heartwarming than “The Santa Clause,” and it has what all Christmas movies lack but some real-life families have: a body count. Bruce Willis has rarely been better, and Alan Rickman completely rewrote the rules on action movie villains. If you feel like going for camp value, watch the sequel, “Die Harder,” with the TV dub track. Yippie-ki-yay, Mister Falcon.

The Ref

The definitive dysfunctional family (which is really just a polite way of saying normal family these days) holiday movie. A cat burglar (Denis Leary) trying to lie low reluctantly kidnaps a couple (Kevin Spacey and Judy Davis) on the verge of divorce, just before the in-laws come over for Christmas dinner. Armed to the teeth with a before-they-were-stars cast (it also includes Christine Baranski, J.K. Simmons, and the great Raymond Barry) and directed by the gone-too-soon Ted Demme, “The Ref” is caustically funny, and one of the more quotable movies you’ll ever see. (The marriage counseling scene alone has a good dozen zingers.) Why did this movie fare so poorly at the box office? We’re guessing the release date may have played a part in it. Yep, they released it in March, just when the snow is thawing for good. Well played, Touchstone.

Better Off Dead

Up there with “Heathers” in the teenage suicide canon, “Better Off Dead” is one of the most diverse teen comedies of its time, combining clueless parents (love the scene where Kim Darby nearly kills John Cusack while vacuuming), animation, claymation, ski racing, exploding neighbors, the awkward first date, and a Japanese Howard Cosell impressionist. And it all takes place at Christmas, setting up the painful call when Cusack calls his ex-girlfriend Beth and learns that her new boyfriend bought her “a giant stuffed teddy bear, bigger than you.” Yes, Beth was a hottie, which explains why everyone from the mailman to Barney Rubble wanted to date her, but as longtime fans of “The Last American Virgin,” Cusack did well to bag the lovely Diane Franklin as a so-called consolation prize. Just make sure and pay that paper boy on time.

Go

Drug deals gone wrong. Actors forced into being informants. Cops selling Amway. (“It’s Confederate Products, it’s completely different.”) Threesomes. Vegas hotel rooms on fire. Strip clubs. A hit and run. Monologues about “Family Circus.” And tantra, baby! Whatever crazy things you’ve done in your life, chances are you’ve never had a night like the characters in “Go,” and if you did, it sure as hell didn’t happen on Christmas Eve. Even funnier, the characters don’t even think about the day’s events in terms of being something out of this world. Indeed, a few of them – including the one who just pawned over-the-counter drugs as ecstasy in a club in order to pay her rent – immediately starts planning ahead, wondering what they will do for New Year’s Eve. Whatever it is, it won’t be as wild as what takes place here. Doug Liman has gone on to make some big, successful movies, but this one remains his best, as far as we’re concerned. It has a hell of a soundtrack, too.

 

Night Shift

Hookers and Christmas, together at last. Hey, what better way to come up with a little extra scratch around the holidays than to serve as the pimp for the girl down the hall? (We readily admit, though, that the idea of Shelley Long as a prostitute is even funnier now than it was then.) The movie may have served as a springboard for director Ron Howard and Michael Keaton (not to mention a comeback vehicle for Henry Winkler), but take a closer look at the supporting cast. Shannen Doherty as a Bluebell (“Mugger!”), the late Vincent Schiavelli as a surly delivery guy, and don’t blink during the party scene or you’ll miss Kevin Costner walking behind Keaton when he balances a beer bottle on his forehead. It may seem tame by today’s standards, but hey, it’s Christmas; not a bad time to show a little propriety.

 

Other holiday faves

Gremlins
Arguably the meanest movie here. It’s not often that you get to kill an old person for laughs.
Click here to view Mrs. Deagle’s death scene (embedding disabled)

Planes, Trains and Automobiles
For doing what we have all secretly wanted to do to rental car employees, or anyone else who fucks us at the drive-thru.

 Trading Places
Jamie Lee Curtis is in this movie. You may have heard about that. Sadly, YouTube hasn’t, so you’ll have to settle for this.

Batman Returns
All we want for Christmas is Selina Kyle. Me-ow!

 The Long Kiss Goodnight
After extensive research, we have concluded that chefs most definitely do not do that.

You’ve Seen It! You Can’t Un-See It! – “The Warrior’s Way”

It’s probably too late to suggest a theme song for “The Warrior’s Way,” given that it opens on Dec. 3, but if we’d had a vote, we’d have thrown ours behind the Delays’ “Long Time Coming.” Writer / director Sngmoo Lee started work on his fantasy action film – cowboys meet ninjas: nuff said – wayyyyyyy back in November 2007, wrapped in February 2008, and…well, okay, in fairness, a lot of special effects went into this thing, so you can only imagine that post-production was a bitch and a half, but, wow, that’s a really long time coming. Still, it’s got a great cast (Jang Dong-gun, Kate Bosworth, Geoffrey Rush, Danny Huston, Stephen Halsall and Tony Cox), and the time spent seems to have been worth every minute, because it looks pretty awesome.

Let the Games Begin: Best Death Scenes, Saw Edition

We may have been lukewarm with some of the later installments in the series – and in the case of the third movie, downright hostile – but as the “Saw” series wraps up this week with, of course, a 3D movie, we have to admit that we’re going to miss John “Jigsaw” Kramer, even if he’s actually been dead for four years now. The movies may have plunged the depths of depravity in terms of the methods they dreamed up to dispatch their victims, but they were also wildly original, as the legion of copycat movies that followed in its wake will attest (cough “Captivity” cough).

As Jigsaw, Jill and Hoffman ride off into the sunset – though since we haven’t seen “Saw 3D” yet, we admit that claim is a tad premature since Hoffman and Jill could end up dead – we were tempted to update our much-debated “Best Death Scenes” piece from 2007 with some of Jigsaw’s nastier work, but ultimately decided that the series deserved its own installment, kind of like the Beatles getting their own version of “Rock Band.” We’ve compiled our favorite deaths (which doesn’t go hand in hand with the best traps nearly as much as you’d think), along with some other notable exercises in sadism and sociopathic morality. If some notable scenes didn’t make the first list, well, there’s a reason for that. Read on, fellow gorehounds.

Favorite Death Scenes

The Spike Trap (“Saw IV“)

A married couple is bound by long metal rods. They will both die if they do nothing. Morgan, however, will live if she pulls out the rods, but doing so will kill her husband Rex, who’s pierced in vital places that will cause him to bleed out. Did we mention that Rex frequently beats Morgan?

What makes the scene for us is the blind rage on Morgan’s face as she’s pulling one of the final rods out of her body. Something about her gaining her freedom from Rex’s tyranny strikes us as, well, hilarious.

The Acid Needle Room (“Saw VI“)

We’re still debating whether we would have flicked the switch on insurance hatchet man William Easton, but there is no arguing that his death is one of the more memorable deaths in the series, as a gaggle of needles inject his mid-section with acid, melting him from the inside and ultimately splitting him in half. That had to hurt, and his sister watched the whole thing, helpless to stop it.

The Razor Wire Maze (“Saw“)

One of the refreshing things about the original “Saw” was its reluctance to actually show the bodily harm Jigsaw’s first victims suffered, instead going the “Se7en” route and forcing the viewer to use their own sick little imagination to picture what it might have been like. No trap benefits from this as much as the Razor Wire Trap, where an attention-starved suicide attemptee must penetrate a maze of razor wire or be locked away forever. The scene is a model of restraint that its successors would have been wise to employ.

The Bedroom Trap (“Saw IV”)

If there were a scale that measured suffering against how much the victim deserved to suffer, Ivan would be at the top of the list. A serial rapist who tortured his victims, Ivan is strapped into a device that will tear off his limbs if he does not push the triggers that will lead to his being blinded. Ivan obliges, but doesn’t press the second trigger in time, which leads to him suffering the blinding and still being drawn and quartered. Brutal, but we can’t say the dude didn’t have it coming.

The Bathroom Trap (“Saw”)

Gotta give a shout-out to the one that started it all. Dr. Gordon and Adam, chained to radiators in a dank bathroom, have the tools to secure their freedom – they just have to saw off one of their limbs to do it. It’s a good set-up, and one that the movie wisely waits to execute until the finale.

The Venus Fly Trap (“Saw II“)

The first truly gut-wrenching trap in the “Saw” series. Professional informant Michael must take out one of his eyes in order to retrieve the key that will remove the iron maiden-like death mask on his face. But just as he brings the scalpel to his eye, he just can’t do it, and ultimately throws the scalpel across the room in frustration. Three, two, one, snap!

Ice Ice Baby (“Saw IV”)

Nothing in the entire series has made us laugh harder than this. Detective Rigg finally finds Detective Matthews, but he violates police protocol doing so, and the new Jigsaw, police chief Hoffman, makes him pay for it by sending two gigantic ice blocks down to smash Matthews’ head like a grape. A truly laugh-out-loud moment in an otherwise sober franchise.

Most gruesome but ultimately non-lethal traps and games

The Needle Pit (“Saw II”)

Not even the Venus Fly Trap scene that opened “Saw II” could prepare us for this, as one of the gas house prisoners, a drug dealer named Xavier, is tasked with jumping into a giant pit of dirty syringes in order to retrieve a key. Of course Xaiver, being a buff, macho douchebag, throws Amanda in the pit to do it for him. Amazingly, Amanda finds the key (though we’re guessing being a secret accomplice of Jigsaw may have helped), but Xavier drops the key, and the door they were to open locks them in. Never has crunching glass sounded so vile.

The Blade Table (“Saw V“)

Where Brit and Mallick realize that if they all had worked together, no one would have had to die. Jigsaw even told them that at the beginning, but of course, they didn’t listen. And now Brit and Mallick must pay the ultimate price by filling a container with half of the blood in their bodies, instead of a more manageable (but still significant) two pints. Either way, the idea of willingly sticking your hand in a blade saw is just ghastly, and it is easily the highlight of the movie. They do a shot of Mallick where you see that he’s cut himself almost to the elbow, which is just silly; he surely would have bled out in real life.

The Reverse Bear Trap (“Saw,” “Saw VI”)

One of the crueler traps in the series – stranger still, it’s only used on people who either will become or have already become Jigsaw’s accomplices – but it has yet to claim a life. Amanda has to cut a guy open to get the key to remove her mask, which will basically split her head open like a melon. Hoffman has one placed on him by Jill, but manages to stick it between two bars long enough to cut himself free. Of all the traps in the series, this is one of the worst ways to go.

Blissfully quick death scenes

The Shotgun Collar (“Saw III“)

Poor Lynn does exactly what’s asked of her. She works to keep Jigsaw alive, but Amanda doesn’t want her to get away, and shoots Lynn in the back. In comes Lynn’s estranged husband Jeff, who shoots Amanda in retaliation, then uses a blade saw to cut Jigsaw’s neck, unaware that doing so just signed his wife’s death certificate. And guaranteed that there will be no way to identify her using dental records.

The Carousel Room (“Saw VI”)

Shotgun blast point blank to the chest. You don’t have much time to think about that one after it’s happened. Watching it load had to have been a bitch, though.

The Collars (“Saw V”)

Jigsaw implored them to work together, but it would have been pretty tricky for all five of them to retrieve their keys in 60 seconds, and goodness knows the fire inspector tried. A common theory is that one key could open all the collars, but what if you try that and you’re wrong? We would have gone gunning for a key, too.

The Magnum Eye Hole (“Saw II”)

Here, I’ll look through this eye hole while you turn the key in the door we’re not supposed to open. *Blam*

The Jars (“Saw V”)

A bittersweet one for us as the victim was Carlo Rota, who played Chloe O’Brian’s wise-cracking husband Morris on “24.” Hey, at least they would have been able to identify Lynn using fingerprints. But poor Charles here was trapped in a room with four nail bombs. Forget the body bag – bring a hose.

Brutal, or self-parody?

As thrilling – or nauseating – as some of the traps were, there were times when it was just embarrassing and clumsy.

The Mausoleum Trap (“Saw IV”)

Bar none the worst scene in the franchise’s history. Two guys, one rendered blind and another rendered mute, must find a way to free themselves from a pulley that’s dragging them both to be crushed. As we said in our review, it’s like watching a fight between two drunk brothers at a family reunion.

The Pound of Flesh (“Saw VI”)

Hasaan chop! Look at the girl’s eyes as she crazily chops off her arm. That’s funny, right there, we don’t care who ya are.

Fire bad

The Flammable Jelly (“Saw”)

It’s surprising that Jigsaw didn’t use fire more often, because it’s a hell of a way to die. Slow, painful, and messy. This poor bastard had to walk over broken glass to boot in order to escape his dilemma. Pity he got a bit sloppy with that candle.

Dishonorable mention: The inescapable traps of Saw III

If you’ve made it this far, then you are surely wondering why there has been only one mention of a device from “Saw III.” The answer is simple: the movie is appalling.

Those people had no chance of surviving – worse, they killed our beloved Dina Meyer this way – and while that was the point, that Jigsaw was trying to teach the warped Amanda a lesson, the movie ultimately claimed to be above torture in the end after spending the previous 90 minutes wallowing in it. If we’re going to watch a “Saw” movie, the filmmakers damn well better not be wagging a finger at us for doing so. So fuck you, Rack, Angel Trap, Freezer Room and Classroom Trap. Those bits officially crossed the line between unsettling and ghoulish, and will get no love from us here.

So let’s hear your picks for best deaths and traps from the series. We eagerly await your tasteful, carefully considered and courteous comments in the section below.

Experience the horror all over again with “Apocalypse Now: Full Disclosure” on Blu-ray

Call it fate or just sheer coincidence, but the same week that Bullz-Eye announced the newest class of its Directors Hall of Fame, Lionsgate is releasing “Apocalypse Now” for the first time on Blu-ray. So what’s the connection? Well, the film’s director, Francis Ford Coppola, was one of our five inductees, and his work on “Apocalypse Now” played a huge role in him making the final cut. Obviously, the first two “Godfather” films are what Coppola is best known for, but his 1979 Vietnam War epic isn’t far behind. I’ve never really been a fan of the director apart from these three films, but while his career has certainly had more flops than successes, there’s a lot more to the man than his formative years behind the camera.

Although I have a deep respect for “Apocalypse Now,” if I had to sum up my feelings about the film in just one sentence, it would probably go something like this: It’s a great film, but it’s a flawed film. That might sound a bit harsh considering my four-star review of the movie, but it’s true. Of course, even for as good as it is, the story about the making of it is even better, and that’s where the new Blu-ray comes into play. Despite a 2006 special edition DVD called The Complete Dossier, the new three-disc Full Disclosure edition is a lot closer to the ultimate “Apocalypse Now” collection. For starters, it includes the 1991 documentary about the making of the film, “Hearts of Darkness: A Filmmaker’s Apocalypse,” which Bob Westal calls “both a cautionary tale and an inspiration.” Much like “Lost in La Mancha” – the 2000 documentary about the act-of-god collapse of Terry Gilliam’s “The Man Who Killed Don Quixote” – this first-person account (captured by Coppola’s wife, Eleanor) of the trouble-plagued production is one the most interesting films about the moviemaking process ever released, and it’s a must-have for any diehard fan or student of cinema.

In addition, both versions of the film – the original theatrical cut and the 2001 director’s cut, “Apocalypse Now Redux” – have been digitally restored in high definition with excellent results, delivering a sharper picture without making it look glossy like some of the other classic movies recently released on Blu-ray. There are also hours of bonus material to enjoy, including a pair of new interviews with actor Martin Sheen and writer John Milius that are loaded with anecdotes about their experiences working on the film, as well as a casting featurexte on the supporting actors that made up the PBR Street Gang. But while it contains some never-before-seen footage of Nick Nolte’s audition (who was ultimately never cast in the film), there’s no video or photographic evidence of Harvey Keitel’s two-week stint as Willard before he was replaced by Martin Sheen.

The recasting situation is mentioned briefly, but after last week’s Internet-fueled brouhaha over the Eric Stoltz footage that was released on the new “Back to the Future” Blu-rays, they could have at least included a few shots of Keitel in costume. I’m not sure if any even exist, but I have to imagine they do, so there’s always a chance that something from Keitel’s work on the film will pop up in the future. Of course, that means that “Apocalypse Now: Full Disclosure” isn’t as complete as it could be, but it’s still one of the best releases of the year, and worth upgrading to Blu-ray for if you haven’t already.

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