Category: Movies (Page 131 of 191)

Blu Tuesday: R.I.P.D. and Byzantium

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“R.I.P.D.”

WHAT: When Nick Walker (Ryan Reynolds), a dirty Boston cop with a guilty conscience, is killed during a major drug bust, he’s given the chance to redeem himself by joining the Rest in Peace Department – a group of deceased lawmen from throughout history who protect the living world from those who have escaped Hell.

WHY: As much as I wanted to like this movie, “R.I.P.D.” just isn’t very good. Though it’s based on a comic book of the same name, the film feels eerily like the “Men in Black” series, both in tone and the dynamic between its lead characters. Unfortunately, it doesn’t work nearly as well as its high-concept premise suggests, despite a cast that includes Reynolds, Jeff Bridges, Kevin Bacon and Mary-Louise Parker. Bridges, in particular, is the only reason the movie is even remotely watchable, camping it up as a hootin’ and hollerin’ Western lawman that’s partnered with Reynolds’ morose cop. Parker has a few bright moments as their boss, but for the most part, “R.I.P.D.” represents a pretty big waste of talent on several fronts. It’s also incredibly corny, formulaic and features some awful special effects for a summer blockbuster. Still, at a brisk 96 minutes, the movie is almost worth suffering through just to see Bridges do his thing. Almost.

EXTRAS: There’s a making-of featurette, deleted scenes, two alternate openings, a gag reel and several Blu-ray exclusive featurettes, including “Anatomy of a Shootout.”

FINAL VERDICT: SKIP

“Byzantium”

WHAT: Mother-daughter vampires Clara (Gemma Arterton) and Eleanor (Saorise Ronan) are forced to flee to an English coastal town when they attract some unwanted attention from their own kind. After years of keeping her story a secret, Eleanor finds solace in a sulky teenager named Frank (Caleb Landry Jones), unaware of the grave consequences that doing so will have.

WHY: Neil Jordan may be responsible for adapting one of the most popular vampire stories of the modern age (“Interview with a Vampire”), but that doesn’t give him license to ruin the genre with a film that completely rewrites the classic mythology. That’s because no matter how hard he tries, “Byzantium” doesn’t feel like a vampire movie at all. Fangs have been replaced by a sharp nail that extends to puncture victims’ necks, sunlight is fair game (though they don’t sparkle), and the method of turning into a vampire is terribly unsexy, unfrightening and anticlimactic. More than anything else, though, the film is just really boring. None of the characters are particularly interesting, and the brief flashbacks explaining Clara and Eleanor’s transformation feels like an afterthought. It’s a shame to see actors like Saorsie Ronan and Johnny Lee Miller trapped in such a dull movie, because “Let the Right One In” proved that it’s possible to make a great vampire film that defies conventions; “Byzantium” just isn’t one of them.

EXTRAS: There’s over an hour of interviews with various members of the cast and crew, but that’s the extent of the bonus material.

FINAL VERDICT: SKIP

Coming Soon: A Moviegoer’s Guide to November

november

Last month may have been pretty uncharacteristic with the quality of films on display, featuring several Best Picture contenders, but if you thought that it would somehow affect the November release slate, think again. Though audiences will sadly have to wait a little longer to see Martin Scorsese’s “The Wolf of Wall Street” after the director failed to meet the original date, there are still plenty of great movies on tap, including a few award hopefuls, a pair of blockbuster sequels and more.

“ENDER’S GAME”

Who: Asa Butterfield, Harrison Ford, Hailee Steinfeld and Ben Kingsley
What: The International Military recruits and trains a brilliant young boy named Ender Wiggin to lead his fellow soldiers against an alien attack.
When: November 1st
Why: Though “Ender’s Game” has been mired in controversy due to author Orson Scott Card’s recent anti-gay marriage rant, the fact of the matter is that his opinions have nothing to do with the actual movie. Of course, that’s not to say that the film still isn’t fighting an uphill battle. Director Gavin Hood has some making up to do after the disappointment of “X-Men Origins: Wolverine,” but despite some concerns from fans, this big screen adaptation of the beloved sci-fi novel (previously thought to be unfilmable) looks like it could be his ticket to redemption. While it’s surprising that he’d follow up “Wolverine” with another effects-heavy film, it shows that Hood is adamant about proving his critics wrong. And with actors like Harrison Ford, Ben Kingsley and Viola Davis in supporting roles, he certainly has the right tools to do just that.

“LAST VEGAS”

Who: Robert De Niro, Michael Douglas, Morgan Freeman and Kevin Kline
What: Three sixty-something friends take a break from their day-to-day lives to throw a bachelor party in Las Vegas for their last remaining single pal.
When: November 1st
Why: A lot of people are already referring to “Last Vegas” as the geriatric version of “The Hangover,” but apparently, Dan Fogelman’s script was floating around Hollywood years before the Todd Phillips comedy became a box office hit. Nevertheless, it’s hard to imagine that the success of the “Hangover” films didn’t play some part in getting the movie greenlit, and as goofy as the concept sounds (expect plenty of cheap jokes at the expense of its elderly characters), it actually looks pretty fun. The fact that director Jon Turteltaub was able to recruit such accomplished actors like De Niro, Douglas, Freeman and Kline (the latter of whom we haven’t seen much of recently) only helps sell the comedy even more, because if we’re going to watch four old guys make fools of themselves, you’d be hard-pressed to find a better quartet.

“ABOUT TIME”

Who: Domhnall Gleeson, Rachel McAdams, Bill Nighy and Lydia Wilson
What: At the age of 21, Tim discovers he can time travel. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
When: November 1st
Why: Richard Curtis is responsible for making my favorite romantic comedy of all-time (“Love, Actually”), so to say that I’m excited about his latest (and hopefully not last, if reports are to be believed) directorial effort is a bit of an understatement. For starters, it’s a brilliant approach to the time travel gimmick, eschewing all the usual sci-fi mumbo jumbo in place of a simpler explanation, which allows Curtis to focus on the characters instead of getting wrapped up in the how of Tim’s magical ability. The father/son storyline also appears to be more important than the trailers suggest, and between rising star Domhnall Gleeson and the always dependable Bill Nighy, it’s that relationship (and not the one between Gleeson and Rachel McAdams) that will likely provide the careful balance of laughter and tears that Curtis has perfected so well.

Movie Review: “12 Years a Slave”

Starring
Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong’o, Sarah Paulson
Director
Steve McQueen

If the critics at this year’s Toronto International Film Festival had their way, “12 Years a Slave” would win the Academy Award for Best Picture, despite the fact that there are still plenty of Oscar hopefuls yet to be released. That kind of short-sightedness and hyperbolic mentality is exactly what’s wrong with the dog and pony show we call awards season, because while Steve McQueen’s historical drama may tick several of the requisite boxes for a typical Oscar-winning movie, it’s far too early to make that call. You can praise the film’s realistic depiction of slavery all you like, but just because “12 Years a Slave” is hard to watch doesn’t necessarily mean that it’s deserving of the top prize.

Based on the 1853 memoir of the same name, the film recounts the tale of Solomon Northup (Chiwetel Ejiofor), a free black man living with his wife and children in Saratoga, New York in 1841. Well-educated and a talented violinist, Solomon is invited to Washington, D.C. by a pair of circus promoters who offer him a lucrative job playing at one of their shows. Upon arriving in the capital city, Solomon is wined and dined by the two men, only to awaken the next morning to find himself shackled and charged as a fugitive slave from Georgia. Despite his claims that he’s a free man, Solomon is wrangled up with other “fugitives” and shipped to a slave trader in the South, who then sells him to a kindly plantation owner named William Ford (Benedict Cumberbatch). But when Solomon causes trouble with one of Ford’s white employees, he’s sold again, this time to Edwin Epps (Michael Fassbender), a decidedly more malicious owner with a reputation for breaking the spirits of any slave under his rule.

Continue reading »

Blu Tuesday: The Way Way Back, Only God Forgives and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Way, Way Back”

WHAT: 14-year-old loner Duncan (Liam James) has been dragged by his mom (Toni Collette) to a Massachusetts beach home to spend the summer with her overbearing boyfriend Trent (Steve Carell) and his daughter (Zoe Levin). While the adults party like they’re on spring break, Duncan finds solace at the local water park, where he meets an unexpected friend and mentor in easygoing manager Owen (Sam Rockwell).

WHY: Earlier this year, “The Way, Way Back” made waves at the Sundance Film Festival when Fox Searchlight bought the crowd favorite for a near-record $10 million, and though that may sound like a lot for an indie movie, it was worth every penny. Much like “Little Miss Sunshine” (another Sundance darling), “The Way, Way Back” succeeds due to its winning script and talented cast. James holds his own alongside some really great performers, and Carell proves once again that he may be a stronger dramatic actor than a comedian. But it’s Rockwell who completely owns the movie as the fast-talking king of the water park, channeling Bill Murray from “Meatballs” with an immensely charming and hilarious performance. Nat Faxon and Jim Rash (who won an Oscar for penning the 2011 tragicomedy “The Descendants”) also deserve a lot of credit for writing a movie that’s as smart, funny and sweet as it is incredibly heartbreaking at times, because although their coming-of-age story follows an all too familiar journey, they manage to make it feel like an entirely fresh experience.

EXTRAS: There’s a making-of featurette exclusive to the Blu-ray, a trio of behind the scenes featurettes (including a tour of the water park) and some deleted scenes.

FINAL VERDICT: RENT

“Only God Forgives”

WHAT: After his brother is killed as revenge for raping and murdering a teenage girl, drug smuggler Julian (Ryan Gosling) is pressured by his domineering mother (Kristin Scott Thomas) to track down and kill the Bangkok police lieutenant (Vithaya Pansringarm), who the locals refer to as the Angel of Death, responsible for authorizing the retaliation.

WHY: Those expecting another “Drive” will be sadly disappointed by “God Only Forgives,” because director Nicolas Winding Refn’s latest film is a very different animal – an abstract and morally ambiguous neo-noir dealing with classic themes like vengeance, justice and loyalty that is almost dreamlike in its execution. Though Refn’s artistic flourishes do more harm than good, turning the barebones story into a daring exercise in expressionism, the movie still managed to hold my interest, thanks in part to its great cast. Gosling has such a strong screen presence that he barely needs to utter a word, while Thomas delivers a memorable turn playing against type as the bitchy queen bee. But it’s Thai actor Pansringarm that is the biggest surprise, nearly stealing the show as the bloodthirsty lawman with a God complex. The film isn’t for everyone, but between Larry Smith’s stunning cinematography and Cliff Martinez’s hypnotic score, “God Only Forgives” is an amazing sensory treat that deserves to be seen for the experience alone.

EXTRAS: The Blu-ray release includes an audio commentary with writer/director Nicolas Winding Refn, a behind the scenes featurette, a look at Cliff Martinez’s score, and additional interviews with Refn.

FINAL VERDICT: RENT

Continue reading »

Movie Review: “The Fifth Estate”

Starring
Benedict Cumberbatch, Daniel Brühl, Laura Linney, Stanley Tucci
Director
Bill Condon

One would think that the group that turned modern-day journalism on its ear would have a much more interesting story to tell, or at least a more original story, than the one that drives “The Fifth Estate.” As it is, we have the age-old morality play about the man who sets out to bring justice to the oppressed but is ultimately undone by his own ego, played out by people on laptops. (Hollywood has tried again and again to make hacking look sexy. It’s not.) This is not to say that “The Fifth Estate” is dull, because it’s teeming with interesting bits and the possibilities for more. The problem is the execution, both from a story structure standpoint and a directorial standpoint. You will be hard pressed to find a movie this year as overly directed as this one.

IT guru Daniel Berg (Daniel Brühl) meets Julian Assange (Benedict Cumberbatch) at a tech conference. Assange has created a site that guarantees anonymity for whistle blowers with the intent of bringing large-scale wrongdoers to justice, and he recruits Daniel to help him get the message out. Their site WikiLeaks quickly finds an audience, but Assange grows resentful of Berg getting an ounce of credit for the site’s success, while Berg’s girlfriend grows resentful of her widow status as Assange calls on Berg at all hours of the day and night. Things come to a head when Assange plans on releasing a bunch of top secret US government files without redacting the names of informants in the field. Assange views redaction as bias. Berg views it as responsible journalism.

One question repeatedly sprang to mind while watching this movie: where did the money come from? We see multiple shots of Assange and Berg globetrotting for what seems like years before the subject of donations to WikiLeaks is even mentioned, meanwhile neither has a day job and Assange and Berg talk of how strapped for cash they are to increase their server space once they realize that demand is greater than their bandwidth can supply. If they’re both so broke, how were they able to travel the world seemingly at will?

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑