Category: Movies (Page 126 of 191)

Movie Review: “Out of the Furnace”

Starring
Christian Bale, Casey Affleck, Woody Harrelson, Sam Shepard, Willem Dafoe, Zoe Saldana, Forest Whitaker
Director
Scott Cooper

Christian Bale hands out his own brand of justice in the revenge drama “Out of the Furnace,” but don’t expect Alfred or Commissioner Gordon to help out the former Dark Knight. Instead, the film features an all-star cast under the direction of Scott Cooper in a story about retribution, loss and broken spirits in the Rust Belt of America.

With the rapid intensity of a horse race, the film opens with Harlan DeGroat (Woody Harrelson) pulling into a country drive-in theater. He asks his date (Dendrie Taylor) to remove her hot dog from the bun and shoves it down her throat. When an onlooker sees DeGroat’s boorish behavior, he sets out to remind him of what a gentleman is. Unfortunately, that act causes him to be beaten to a pulp, to the point where other men are scared to help the would-be hero.

However, the furnace in the title refers to the Carrie Furnace located in Braddock, Pennsylvania, where the Rust Belt serves more as a lead blanket, suffocating those who live there to the point where escape is rarely an option. It’s here that steel worker Russell Baze (Bale) solemnly toils away at the mill, while having a constant reminder that the place that pays his bills also left his father slowly and painfully dying of cancer. Russell’s girlfriend Lena (Zoe Saldana) is cooking up another kind of heat for Russell in the hopes that he’ll make an honest woman out of her complete with bouncing baby Bazes.

Russell already has kid problems in the form of his brother Rodney (Casey Affleck), a soldier always looking for a quick score, but always ending up in debt to the local bookie and tavern owner John Petty (Willem Dafoe). When Russell tries to bail out Rodney from his latest loan, the night ends with him serving a stretch in prison. Upon his release, he learns that the world has moved on without him. Rodney is even deeper in debt and suffering from PTSD, finding his solace in bare knuckle fights, which often require him to take a dive. Lena has moved on with the local sheriff (Forest Whitaker), and both Rodney and John Petty are going to realize that clearing your debts is easier said than done, especially when those debts are to DeGroat.

Continue reading »

A chat with Paul Walker (“Hours”)

paul_walker

In “Hours” (available in select theaters and on VOD December 13th), Paul Walker portrays Nolan Hayes, a man who has to deal with the consequences of Hurricane Katrina while facing a personal tragedy surrounding the birth of his daughter. The film contains elements of action, thriller and caused the actor to encounter a personal attachment to the movie. Prior to his tragic death, Walker sat down to discuss the challenges and satisfaction in taking on such a unique role, as well as his relationships with his “Fast and the Furious” castmates.

With the clock ticking away, what did you tap into as an actor to relay that urgency?

PAUL WALKER: We were probably about two-thirds of the way into the movie and it hit me what the significance of this project was to me. It was weird the way it happened. Just by page value, I was like, “Wow, this is pretty powerful.” I was crying and upset and yelling at him. I was feeling all these emotions. I realized it wasn’t about Nolan and a baby, and this beautiful girl. This is life and this machine is just this crazy thing I’ve been running for I don’t know how long. I’m just spinning it for what reason? I’m just juggling all these balls. You’re trying to make sense of it and it hit me when I was a kid. I started doing this in my early twenties. I was like, “I’m a science guy. I’m a geek. I’m into science and botany and marine sciences. I’m supposed to be outdoors and hiking. Maybe I’m supposed to be a professional guide.” I fought this for years and years and years, but at the same time, I wasn’t stupid. I was like, “I just had a child out of wedlock. It’s a good thing I’m making another movie. I’m going into “Varsity Blues,” just before I thought about leaving. I could put a roof over my baby’s head and then I could figure out my stuff. I’m in this movie and it speaks to me in a very pure and truthful level. What I didn’t realize is that this is my life. This is all of our friggin’ lives. We’re running around and cranking this stupid machine and we get flat-backed and something crazy happens to us and you look inside the box and go, “Holy shit.” So, I was about two-thirds into the movie and thought, “Oh my god, this is so therapeutic.”

How much of a physical toll was doing this movie?

PAUL WALKER: It was a walk in the park. (Laughs) It had a good balance, the physicality and the emotional component. I remember it being around midday and going, “Holy hell, I’ve got six hours left to go,” but at the end of the day…let me go back. My father was a contractor. He made me learn a different trade every summer going through high school. All of his buddies were tradesmen. My dad was like, “They can never take skill sets away from you. That’s something you’ll always have, so you’ll always be worth something, because you’ll always be able to provide a certain service.” He’s smart like that. My grandfather’s like that, too. At the end of the day, you can go, “Wow, look what I did.” Movies don’t have that. A film goes off in a canister or on a digital chip. There’s nothing to show for it. I said some things and I was trying to be cool, but that’s about it. (Laughs) That’s all you have. On this one, at the end of the day, I was like, “I experienced some stuff today. I felt some things.” I connected with Genesis. I loved that girl, working off her. I fell in love with her. It was reinvigorating. At the end of the day, I was like, “There might not be anything to show for it, but there’s something to feel for it.” So, when it came to work and getting up the next day, I was like, “Hell yeah!” I was ready to go.

Continue reading »

Blu Tuesday: The Wolverine, Drinking Buddies and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Wolverine”

WHAT: Still grieving the death of Jean Grey, Logan (Hugh Jackman) is visited by a mysterious Japanese girl (Rila Fukushima) who invites him to Tokyo to pay his respects to her master, Yashida (Hal Yamanouchi), a dying billionaire whose life he once saved during WWII. Yashida claims to have the technology to free Logan of his mutant curse, but when he refuses and the old man dies, Logan reluctantly agrees to protect Yashida’s granddaughter (Tao Okamoto) from the local yakuza, despite losing his healing ability after being poisoned by a snake-like mutant named Viper (Svetlana Khodchenkova).

WHY: Hugh Jackman was pretty vocal about atoning for the disappointment of “X-Men Origins: Wolverine,” but while his second solo adventure is a slight improvement, it’s still plagued by some of the same problems (and a few new ones), ultimately resorting to an all-too-familiar formula in the end. Major liberties have been taken with the source material, and there are so many different villains in the story, each with his/her own agenda, that none of them are properly developed. Jackman is still a lot of fun to watch in the role, but the rest of the cast (save for Fukushima’s bright red-haired warrior) leaves much to be desired. At times, even Wolverine himself proves to be a little dull, like when he’s busy moping about Jean Grey, whose appearance here is totally unnecessary. This was supposed to be a standalone movie for Wolverine, and yet writers Mark Bomback and Scott Frank can’t help but muddy the waters with references to the earlier “X-Men” films, making a further hash of the cinematic timeline in the process. “The Wolverine” is an enjoyable character piece thanks to Jackman’s series-best performance, but it’s hardly the definitive Wolverine movie fans were promised.

EXTRAS: The Blu-ray release includes an alternate ending, a production featurette titled “The Path of the Ronin” and a set tour of “X-Men: Days of Future Past.” If you stump up for the Unleashed Extended Edition, you’ll also get an unrated extended cut of the film and a commentary by director James Mangold.

FINAL VERDICT: RENT

“Drinking Buddies”

WHAT: Luke (Jake Johnson) and Kate (Olivia Wilde) are co-workers at a Chicago craft brewery who spend their days drinking beer and hanging out. The two are perfect for each other, but they’re both already in committed relationships. When Kate’s boyfriend suddenly breaks up with her, however, things between the flirtatious friends get complicated.

WHY: I’m not a very big fan of the so-called mumblecore movement, because more often than not, the movies are constrained by the very freedom the style seemingly provides. Take for instance: “Drinking Buddies.” Though it’s a charming little indie that doesn’t follow the conventional rom-com route (and should be applauded for doing so), it suffers due to the lack of an actual screenplay. All of the dialogue is improvised by the actors, resulting in some pretty awkward scenes where the characters either ramble on for too long or don’t have anything really interesting to say. There’s something to admire about the authenticity that you gain from this method, but the film feels almost too rough around the edges at times. Thankfully, the cast is great, particularly Jake Johnson and Olivia Wilde, who have such excellent chemistry that it seems like they’ve been best friends for years. Anna Kendrick and Ron Livingston are also good as their significant others, but without Johnson and Wilde’s lively performances, “Drinking Buddies” would fall flatter than day-old beer.

EXTRAS: There’s actually quite a bit of bonus material here, including a commentary with writer/director Joe Swanberg, interviews with the four leads, deleted scenes and a pair of behind-the-scenes featurettes.

FINAL VERDICT: RENT

“The Mortal Instruments: City of Bones”

WHAT: When teenager Clary Fray (Lily Collins) discovers that she descends from a line of demon-hunting warriors called Shadowhunters, she must join forces with others like her to track down the Mortal Cup, a legendary artifact of power that an evil Shadowhunter named Valentine (Jonathan Rhys Meyers) is trying to recover. Taken under the wing of fellow hunter Jace Lightwood (Jamie Campbell Bower), Clary is the only person who knows the whereabouts of the Cup besides her mother, whom Valentine has just kidnapped.

WHY: “The Mortal Instruments: City of Bones” is every bit the bland “Twilight” wannabe that you’d expect. There’s not a single original idea to be found, going so far as to blatantly steal from one of the most popular movies in pop culture history and pretend like no one will notice. Heck, it’s not even the only fantasy series that it rips off. From the overly complex mythology, to the torturous 130-minute runtime, the movie is such an absolute disaster that you have to wonder how the book it’s based on ever got published. “City of Bones” is everything that’s wrong with YA literature. Instead of focusing on writing a good story with interesting characters, it just regurgitates everything that worked before (including more supernatural beasties than an entire season of “Buffy the Vampire Slayer”) and sees what sticks. The two leads have absolutely no chemistry (although that’s fitting considering the big “twist”), and the acting is so awful that you’d think it was meant to be a parody. Unfortunately, that’s not the case, which only makes sitting through this film that much more of a soul-crushing experience.

EXTRAS: In addition to an interactive lineage tracker, the Blu-ray includes some deleted scenes and a host of production featurettes on things like the cast, adapting the book for the big screen, stunts, special effects and more.

FINAL VERDICT: SKIP

Coming Soon: A Moviegoer’s Guide to December

december

Winter has officially arrived, and with it comes the final wave of award contenders hoping to leave an impression on critics and Oscar voters. Though 2013 hasn’t exactly been the best year for movies, there’s plenty of quality on display in December, including the second installment of Peter Jackson’s “The Hobbit” trilogy, new films from David O. Russell and the Coen brothers, and the latest collaboration between Martin Scorsese and Leonardo DiCaprio. And for those looking for lighter fare, there’s also the long-awaited sequel to “Anchorman.”

“OUT OF THE FURNACE”

Who: Christian Bale, Woody Harrelson, Casey Affleck and Zoe Saldana
What: When Rodney Baze mysteriously disappears and law enforcement fails to follow through, his older brother, Russell, takes matters into his own hands to find justice.
When: December 4th
Why: Writer/director Scott Cooper burst onto the scene in 2009 with “Crazy Heart,” netting Jeff Bridges the Oscar for Best Actor in the process, so it’s not surprising to see that he’s managed to land some equally impressive talent for his sophomore effort. Though early word for this one has been pretty mixed, the trailers have me intrigued, particularly with such an amazing ensemble cast, which also includes screen veterans like Willem Dafoe, Forest Whitaker and Sam Shepard. Plus, I’ll watch just about anything starring Christian Bale, because he’s one of this generation’s finest actors with his chameleon-like ability to completely inhabit any role. That doesn’t mean he hasn’t made a dud every now and again, but his résumé speaks for itself, and “Out of the Furnace” looks like another solid addition to an already remarkable career.

“INSIDE LLEWYN DAVIS”

Who: Oscar Isaac, Carey Mulligan, Justin Timberlake and John Goodman
What: A week in the life of a young musician as he navigates the Greenwich Village folk scene of 1961.
When: December 6th
Why: There aren’t many directors that can boast a track record as impressive as the one that Joel and Ethan Coen have enjoyed throughout their 30-year careers, and “Inside Llewyn Davis” is just another notch on that cinematic belt. Markedly different from a lot of their films in that it’s a much more intimate, character-driven piece, “Inside Llewyn Davis” most closely resembles “A Serious Man” in both tone and execution. But although the movie is a fairly bittersweet portrait of personal failure (a running theme in the Coens’ repertoire), it’s not without their trademark wit and humor. The comedy may not be as pronounced as in their other films, but it’s yet another fine period drama that boasts a superb lead performance from Oscar Isaac and one of the best (and most addictive) soundtracks since “O Brother, Where Art Thou?”

“THE HOBBIT: THE DESOLATION OF SMAUG”

Who: Martin Freeman, Ian McKellan, Richard Armitage and Orlando Bloom
What: The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug.
When: December 13th
Why: It’s a little ironic that the villain of this story is an avaricious reptile, because Warner Bros. could be accused of similar behavior following the decision to split “The Hobbit” into three movies. Of course, fans are hardly complaining about spending more time in Middle-earth, and now that the stage has been set with “An Unexpected Journey,” the second installment promises to be even better. Along with introducing important characters like Bard the Bowman (Luke Evans), The Necromancer and Smaug (Benedict Cumberbatch pulling double duty), the movie also marks the return of fan favorite Legolas and newly created female elf Tauriel, neither of whom actually appear in Tolkien’s novel. It wouldn’t be the first time that Peter Jackson has tinkered with the source material, but he hasn’t let us down yet, and that’s more than enough reason to get excited about Part Two.

The Light from the TV Shows: A Chat with Bruce Boxleitner

Bruce Boxleitner has been making a living as an actor since the early ’70s, but there are many who consider the ’80s as the era when he really hit his stride, thanks to him having starred as the title character in “TRON” and following up that success with four seasons as Lee Stetson on CBS’s “Scarecrow and Mrs. King.” Then, of course, there’s his work during the ’90s as John Sheridan on “Babylon 5,” and…well, basically, what we’re saying is that Bruce Boxleitner’s fanbase is multi-generational.

BBCCHeader

Currently, Boxleitner is a regular on the Hallmark Channel original series “Cedar Cove,” but he also continues to keep busy on other projects, including a new holiday film called “Silver Bells,” which makes its small-screen debut on UP TV on Dec. 1. Bullz-Eye had a chance to talk to Boxleitner about both of these projects, along with several other items from his back catalog, but there were actually two conversations: one in person, one on the phone. The first one took place during this summer’s Television Critics Association press tour, and the second…well, I’ll explain about that one when we get to it.

For now, though, here’s our chat from the TCA tour…

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑