Category: Movies (Page 125 of 191)

Movie Review: “Saving Mr. Banks”

Starring
Emma Thompson, Tom Hanks, Colin Farrell, Paul Giamatti, Bradley Whitford, Jason Schwartzman, B.J. Novak
Director
John Lee Hancock

The trailer for “Saving Mr. Banks” resembles the film only slightly more than “The Shining” resembles that fake trailer for the film that made the rounds 10 or so years ago. In the trailer, “Mr. Banks” looks light and fun, with a little playful back-and-forth between the frigid, overprotective writer and the movie executive who’s looking to turn her pet project into box office gold. Nora Ephron made this movie with Meg Ryan four or five times (twice with “Banks” star Tom Hanks, strangely enough), and we all know that it ends with the two finding some middle ground while learning to be more understanding of others.

Except that this movie isn’t even remotely like that. Instead, “Saving Mr. Banks” is a dark, painfully sad journey of a grown woman still looking to redeem her long-lost father, occasionally broken up by moments of levity. This makes for a more emotionally complex story, which is a nice surprise, but it doesn’t always make for a better story. The flashback timeline is informative, but the present day timeline is more interesting.

It is the year 1961, and P.L. Travers (a spot-on Emma Thompson) has been fielding calls from movie mogul Walt Disney (Tom Hanks) for 20 years about adapting her book “Mary Poppins” for the silver screen. Her answer has always been a steadfast ‘no,’ but when a financial adviser friend of hers reminds her that she’s almost out of money, Mrs. Travers agrees to fly to Los Angeles, meet with Walt, and consider the possibility of allowing Disney and his team to work their “magic” on her beloved Mary. From the beginning, though, Mrs. Travers has objections to their treatment of the material, and in flashback, we see why: as a young girl in rural Australia in the early 1900s, Mrs. Travers had a wonderful relationship with her father (Colin Farrell), an otherwise unreliable and occasionally foul-tempered drunk who nonetheless adored his eldest daughter “Ginty” and encouraged her to think creatively. She lost him at an early age, and she’s clearly still stinging from the loss, and the fact that Disney and his staff doesn’t understand what “Mary Poppins” means to her, in both a literal and figurative sense, infuriates her.

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Blu Tuesday: Fast & Furious 6, Man of Tai Chi and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Fast & Furious 6”

WHAT: Laying low in Spain following their latest heist, Dominic Toretto (Vin Diesel) is visited by DSS agent Luke Hobbs (Dwayne Johnson) with news that his old flame, Letty (Michelle Rodriguez), is not only alive, but is working with a British soldier turned criminal named Owen Shaw (Luke Evans) who’s planning to steal a top secret computer chip worth billions. With the promise of full pardons for anyone that helps stop him, Dom enlists the rest of the crew and heads to London to face off against Shaw and his own team of street racing criminals.

WHY: The “Fast and Furious” franchise is like popcorn movie kryptonite, because for as cheesy, soapy and utterly preposterous as the movies can get at times, they’re also incredibly entertaining, especially following director Justin Lin’s retooling of the series. Though the sixth installment doesn’t quite live up to 2011’s “Fast Five,” which took the franchise to new heights in more ways than one, it still delivers everything that fans have come to expect over the years. One of main reasons the last film worked as well as it did was the excellent chemistry between its ensemble cast, and that’s still the case here. Of course, the real reason anyone watches these films is the action, and “Fast & Furious 6” doesn’t disappoint, with a series of excellent set pieces that somehow manage to outdo the previous movies in excess and sheer ridiculousness. The over-the-top nature of the “Fast and Furious” franchise has always been its greatest asset and its biggest criticism, and there’s no better example of that than in some of the gleefully amusing “Oh my god, I can’t believe that just happened” insanity that takes place in the film. Bigger and dumber but still tons of fun, “Fast & Furious 6” may have you rolling your eyes even more than usual, but that’s part of what make the series so great.

EXTRAS: There’s a wealth of bonus material on the Universal’s Blu-ray release, including an audio commentary by director Justin Lin, a four-part making-of featurette, interviews with the cast and crew, three more production featurettes, deleted scenes and an exclusive (but haunting) first look at “Fast & Furious 7.”

FINAL VERDICT: RENT

“Man of Tai Chi”

WHAT: Against his master’s wishes, Tai Chi student Chen Lin-Hun (Tiger Chen) competes in a local martial arts competition to prove the style’s effectiveness. After attracting the attention of wealthy businessman Donaka Mark (Keanu Reeves), Chen is offered the chance to compete in an underground fight club with the promise of making enough money to save his temple. But when he discovers the true purpose behind the fights, Chen teams up with an ambitious police detective (Karen Mok) to bring Mark down.

WHY: Conceived by Keanu Reeves as a starring vehicle for friend/stuntman Tiger Chen, whom he met while working on the “Matrix” trilogy, “Man of Tai Chi” is a throwback to classic martial arts films, right down to Reeves’ over-the-top villain. But while the story is pretty generic and the acting is only marginally better than the movies that it’s paying homage to, it features some incredible fight choreography from fellow “Matrix” alumnus Yuen Woo-ping. The early fights that take place inside the mirror room are not only some of the best in recent memory, but they really showcase Chen’s talent as a martial artist. The final battle between Marks and Tiger isn’t quite as memorable from a technical standpoint, but just seeing how much Reeves towers over his pint-sized co-star makes for a visually interesting sequence that evokes the Bruce Lee/Kareem Abdul Jabbar fight in “Game of Death.” Though the performances are surprisingly weak for a director that also plies his trade as an actor, “Man of Tai Chi” is nonetheless a solid debut from Reeves who smartly lets the action speak for itself.

EXTRAS: In addition to an audio commentary by director/co-star Keanu Reeves and Tiger Chen, the Blu-ray includes a behind-the-scenes look at making the film.

FINAL VERDICT: RENT

“Battle of the Year”

WHAT: Desperate to reinvigorate interest in B-Boy culture in America, hip-hop mogul Dante Graham (Laz Alonso) convinces childhood friend and former basketball coach Jason Blake (Josh Holloway) to recruit a B-Boy dream team to compete against other elite dance crews from around the world in the upcoming Battle of the Year competition.

WHY: I’m not really sure what Hollywood’s obsession is with dance movies (apart from the fact that they’re super cheap to produce), but here’s hoping that “Battle of the Year” puts an end to this strange fad, because it’s one of the worst dance films yet. The premise is absurd, particularly in its lame attempts to validate B-Boy dancing as anything other than a niche subculture, though that doesn’t stop director Benson Chen from pimping his 2007 documentary, “Planet B-Boy,” every chance he gets. It’s hard to believe that Josh Holloway is finding it so hard to get work after the success of “Lost” that he’d have to resort to this, but it goes without saying that he’s the only thing that makes this movie even remotely watchable. Usually, the dancing sequences make these films easier to sit through, but everything is edited so poorly that you can’t even enjoy the amazing technique on display. It also runs an ungodly 110 minutes long, features more product placement than should be legally allowed, and has enough split-screen montages to make you wonder if you’re watching a movie or a music video. Need I say more?

EXTRAS: The Blu-ray release includes a look at B-Boy culture and signature moves, as well as rehearsal footage and some extended dance sequences.

FINAL VERDICT: SKIP

A chat with writer/director Scott Cooper (“Out of the Furnace”)

scott_cooper

If there’s a writer/director that strives to live by the adage of “keeping it real,” it’s Scott Cooper. The former actor burst on to the directorial scene with 2009’s country music drama “Crazy Heart” to rave reviews and two Oscars for Best Actor Jeff Bridges and Best Original Song by Ryan Bingham and T-Bone Burnett. Cooper may have left the New Mexico locale of his debut effort behind, but the gritty honesty of his storytelling remains. The Virginia native uses the Rust Belt and the Appalachians to tell a story of revenge, retribution and struggle in “Out of the Furnace.” He recently sat down to discuss working with a new slate of A-list actors, the complexities of being a writer/director and his collaboration with Pearl Jam’s Eddie Vedder.

What was it like working with A-list talents such as Christian Bale, Casey Affleck and Willem Dafoe in only your second film?

SCOTT COOPER: When you work with actors who fully realize their characters as these did and care as much as they do about giving three-dimensional performances, it’s truly about as good as it gets as a film director. You become very spoiled, because they’re so good and so passionate about what they’re doing and, ultimately, the finished product. It’s very, very gratifying.

How important was it to film on location in a place like the mountains of Pennsylvania?

SCOTT COOPER: It was critical on location. I wrote it for Braddock, Pennsylvania and I wasn’t going to make it a film if I didn’t shoot in that small town. I also wanted to conversely show the mountains of New Jersey, which are the shadow of the Empire State Building. I wanted to show two worlds that are very underrepresented in American cinema – the type of blue collar milieu and very honest, hardworking people that are too often overlooked in films today. It was critical that I shoot where I wrote the film for. Much like I did for “Crazy Heart.” I wrote it for Santa Fe, L.A. and Texas and was able to shoot in all three places. It was very important that I shot in Braddock.

As a writer, do you have a personal attachment to the material that makes it difficult when you go into editing?

SCOTT COOPER: As William Faulkner would say, “You’re killing your darling.” He would kill certain paragraphs or chapters. His stories still held up and he knew it was the right thing to do. You’re always doing that as a filmmaker, as a writer, and as you rewrite and in the cutting room. But it’s really important that you make those decisions with a great deal of thought, because I never do anything wantonly and I become obsessive. But I always simply want to tell the truth. That’s what I’ve done with this film, and shined a light on what America has gone through in these last five very turbulent years, and portray honestly and sometimes very brutally and truthfully.

Leonardo DiCaprio was one of the producers. Was he very hands-on in regards to the making of the film?

SCOTT COOPER: Yes, Leo has been a big supporter of the picture. His take on the material has always been very valuable. He’s made many, many films, and while he’s not a director, he’s spent a lot of time in cutting rooms. When you’ve spent time in the cutting room with Martin Scorsese, you get the best film education that anyone could hope for, so Leo has been a very valuable asset.

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2013 Holiday Gift Guide: Books and Documentaries

Whether you’re shopping for someone that likes to kick back with a good book or graphic novel, or enjoys watching documentaries and other non-fiction films, you’ll find several great suggestions here.

Click on the image next to each item to purchase it online, and for more gift ideas, check out the other categories in our Holiday Gift Guide.

Before Watchmen Collections

Have you ever wondered what happened before the events of “Watchmen”? Creator Alan Moore has been pretty outspoken about his thoughts on the matter, but that didn’t stop DC Comics from enlisting some of the industry’s best writers and artists to create eight new miniseries exploring the histories of characters like Nite Owl, Rorschach, The Comedian, Dr. Manhattan, Silk Spectre and Ozymandias. Serving as a prequel to the original 12-issue series, the “Before Watchmen” comics have since been collected in four hardcover editions, and the end result is a pretty mixed bag, especially since each collection features at least two characters per book. Though that’s good news for diehard fans, those that want to read J. Michael Straczynski’s Nite Owl series but couldn’t care less about his Dr. Manhattan story, for instance, are screwed. Additionally, some of the series are much better than others, with Darwyn Cooke’s Minutemen yarn the clear standout. Still, if you know someone who loves “Watchmen” that doesn’t mind that the property’s original creators aren’t involved, “Before Watchmen” makes for interesting supplemental reading.

American Experience: JFK

The story of John F. Kennedy is one of the most fascinating in American history. Regardless of your opinion of our 35th President, he will always be an iconic figure in American history, due to both the pivotal nature of his presidency and his tragic assassination. Debates will rage on about his performance in office and the circumstances surrounding his assassination, and his prolific adventures with the opposite sex have been fodder for the tabloids for decades. His story will captivate anyone who appreciates American history, so any documentary is likely to maintain the attention of viewers. But it’s hard to imagine anyone telling the story better than the folks at PBS who produce “American Experience.” They have consistently told the story of America through its presidents and other influential Americans in a series of compelling documentaries. “JFK” easily lives up to that legacy, and it’s a must-see, as this year we marked the 50th anniversary of that terrible day in Dallas. Like other “American Experience” documentaries, this is not just a story of the JFK presidency, but also the man.

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Movie Review: “Inside Llewyn Davis”

Starring
Oscar Isaac, Carey Mulligan, Justin Timberlake, John Goodman, Garrett Hedlund, Adam Driver
Director
Joel & Ethan Coen

There aren’t many directors that can boast a track record as impressive as the one that Joel and Ethan Coen have enjoyed throughout their 30-year careers, and “Inside Llewyn Davis” is just another notch on that cinematic belt. Markedly different from a lot of their films in that it’s a much more intimate, character-driven piece, “Inside Llewyn Davis” most closely resembles “A Serious Man” in both tone and execution. But although the movie is a fairly bittersweet portrait of personal failure (a running theme in the Coens’ repertoire), it’s not without their trademark wit and humor. The comedy may not be as pronounced as in the duo’s other films, but it’s yet another fine period drama that showcases a different side of the directors.

Set during the early 1960s in the middle of the New York folk scene, the movie stars Oscar Isaac as Llewyn Davis, a struggling musician trying to make it as a solo artist after his former singing partner commits suicide. The music business is already difficult enough to break into, but even more so for the hard-to-market folk genre, despite Llewyn’s obvious talent. With no steady income or plans for the future, Llewyn spends his days wandering the city in search of his next gig and his nights crashing on friends’ couches, including musician couple Jean (Carey Mulligan) and Jim (Justin Timberlake), the former of whom Llewyn may or may not have gotten pregnant. Desperate to get out of town for a few days, Llewyn hitches a ride to Chicago to audition for legendary manager Bud Grossman (F. Murray Abraham).

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