Category: Movie Reviews (Page 70 of 81)

Movie Review: “Delivery Man”

Starring
Vince Vaughn, Chris Pratt, Cobie Smulders, Jack Reynor, Britt Robertson
Director
Ken Scott

It’s easy to see why Touchstone wanted to make “Delivery Man.” It has a ton of heart, and it honors the bonds and the importance of family. The catch is that it is an indie script through and through – though a flawed one at that – and the big-budget touches they add to it, namely Vince Vaughn doing that ‘look Ma no hands’ thing that he does, do not serve the material. Despite the outrageousness of the plot, it’s an intimate movie. A smaller scale would have worked wonders, but only to a point.

David Wozniak (Vaughn) is a terminable screw-up. He delivers meat for the butcher shop his father runs, and he is always late, always racking up parking tickets, and completely unreliable. (Also, he owes a loan shark $80,000, as if he weren’t already in enough trouble.) In the span of 24 hours, he discovers that his policewoman girlfriend Emma (Cobie Smulders) is pregnant, and that as a result of nearly 700 donations to a sperm bank when he was in his 20s, he is the father of 533 children. One hundred forty-two of these children want to meet him, and have filed a class action suit against the sperm bank to reveal his identity (he signed all of the documents under the name Starbuck). His lawyer friend Brett (Chris Pratt) takes the case, and gives David an envelope containing profiles of the 142 plaintiffs. Against Brett’s advice, David visits some of his kids anonymously, and tries to help them any way he can. When he sees the good fortune that his kindness provides, David’s life has purpose for the first time, but remaining anonymous quickly proves to be difficult.

Don’t let the trailers fool you: this is not some broad, wacky comedy, even if it’s based on a premise involving a sperm bank. David is essentially coming face to face with people who possess exaggerated amounts of his best and worst qualities (one’s a professional basketball player, one’s a junkie), and learning a hell of a lot about himself in the process. There are moments of levity here and there, but this is much more of a drama than it is a comedy, and it should be. To make too many jokes about this premise would be missing the point.

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Movie Review: “The Hunger Games: Catching Fire”

Starring
Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Sam Claflin, Jena Malone, Jeffrey Wright, Stanley Tucci
Director
Francis Lawrence

As far as book sequels go, “Catching Fire” isn’t exactly the most original. It’s like the “Evil Dead 2” of YA literature – a sort of ‘take two’ on the first novel that’s bigger and better, but not profoundly different. My lukewarm reaction to the second installment in Suzanne Collins’ “Hunger Games” trilogy is almost completely due to that reason alone, because the concept feels more like a lazy rehash than a continuation of the story, although curiously, that isn’t the case with the film adaptation. Under the assured direction of Francis Lawrence (stepping in for the departing Gary Ross), “Catching Fire” doesn’t just improve upon Collins’ book, but the first movie as well.

After returning home as joint victor of the 74th Hunger Games, Katniss Everdeen (Jennifer Lawrence) finds it difficult readapting to her life in District 12, haunted by the events that took place inside the Arena. While on a victory tour across Panem, Katniss witnesses the unrest that’s begun to spread across the districts as a result of her highly publicized stunt, and recognizing the danger that a potential rebellion poses, President Snow (Donald Sutherland) enlists the help of Head Gamemaker Plutarch Heavensbee (Philip Seymour Hoffman) to devise a plan to eliminate Katniss once and for all. So when it comes time for the 75th edition of the Games (a quarter century celebration that adds a special twist to the normal rules), Snow announces that this year’s tributes will be selected from the pool of previous victors. As the only female survivor from District 12, Katniss is forced to participate in the Hunger Games once again along with Peeta (Josh Hutcherson), who volunteers in place of Haymitch (Woody Harrelson), only to discover that they have some unlikely allies watching their backs.

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Movie Review: “Nebraska”

Starring
Bruce Dern, Will Forte, June Squibb, Stacy Keach, Bob Odenkirk
Director
Alexander Payne

Alexander Payne isn’t a particularly prolific filmmaker, but the movies that he does make are of the highest quality. At least, that was the case before “Nebraska,” which marks the director’s first bad film of his career. Well, not exactly bad per se, but the black-and-white dramedy is surprisingly mediocre for someone whose other movies are counted among the best American-made films of the past 15 years. “Nebraska” sees Payne return to his home state for a relatively simple story about a father-son road trip, and though it features some good laughs and decent performances, the movie never really goes anywhere.

Bruce Dern stars as Woody Grant, a stubborn, booze-addled crank who believes he’s just won $1 million from a Mega Sweepstakes Marketing prize letter he received in the mail. It’s the kind of magazine subscription scam that most people have been targeted by at least once in their life, but Woody doesn’t know any better, so when his wife Kate (June Squibb) refuses to drive him from their home in Billings, Montana to Lincoln, Nebraska to collect his prize, he tries walking there instead. When his son David (Will Forte) learns of Woody’s foolish behavior, he agrees to drive him there just so he’ll shut up. After an accident forces them to take a detour through Woody’s childhood hometown, news of his good fortune spreads quickly, turning him into a local celebrity with his family and the other townspeople, despite David’s insistence that he hasn’t actually won anything.

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Movie Review: “Thor: The Dark World”

Starring
Chris Hemsworth, Tom Hiddlestone, Natalie Portman, Christopher Eccleston, Anthony Hopkins, Kat Dennings
Director
Alan Taylor

The opening scene in “Thor: The Dark World” is very revealing, but not in the ways that the filmmakers intended. It tells an exposition-laden tale of a battle fought ages ago between Asgardians (Thor’s people) and the dark elves, who planned to use this mystical force called the Aether (pronounced ‘ether’) to distinguish all light. The scene is meant to shed some light on a plot that they must have deemed too difficult to follow, only it’s not. It’s a straightforward revenge story, and the audience would have figured out the rest in time. That they insisted on spoon feeding the audience shows a lack of confidence, and while “Thor: The Dark World” is not as consistent as its predecessor, the film has some truly great moments, including a spectacular climax. To see them acting so desperate is both unbecoming and unnecessary.

Thor (Chris Hemsworth) and his band of merry marauders spend their days hopping from world to world as a peacekeeping force, while Thor’s stepbrother Loki (Tom Hiddleston) is thrown in jail for the crimes he committed in “The Avengers.” Back on Earth, genius astrophysicist Jane Foster (Natalie Portman) is still trying to get back to living a normal life, when her gear starts picking up some strange readings that lead her to an abandoned warehouse which houses a portal to the location of the Aether, which the Asgardians had hoped would never be found. Jane’s awakening of the Aether awakens Malekith (Christopher Eccelston), the dark elf whose efforts were thwarted in that ages-ago battle, and with the convergence of the nine worlds about to take place, Malekith plans on finishing what he started all those years ago.

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Movie Review: “Dallas Buyers Club”

Is there an actor who’s had a better last few years than Matthew McConaughey? Though he used to be somewhat of a punch line, known more for his shirtless roles in flaky rom-coms than his promising earlier work, recently McConaughey has been repairing his reputation with a string of outstanding performances in films like “Killer Joe,” “Magic Mike” and “Mud.” And while he earned his share of acclaim for all three roles, the actor’s latest turn as real-life AIDS victim Ron Woodruff might just be the crowning achievement of his career thus far. “Dallas Buyers Club” isn’t the kind of movie that would normally attract this much Oscar buzz – at least with such a generic script and uninspired direction – but it benefits from a couple of great performances that demand to be seen.

In 1985, the AIDS epidemic was front page news, but many people, including Texas electrician Ron Woodruff (McConaughey), were under the impression that it was a disease only passed between homosexuals. So when Ron is diagnosed as HIV-positive and given 30 days to live (note: he ended up surviving seven more years), he doesn’t believe it at first. Shunned by his friends and unable to get on the hospital’s drug trial list, Ron takes matters into his own hands by crossing the border into Mexico to purchase some non-FDA approved drugs that are more effective. Realizing a business opportunity when he sees one, Ron begins importing the meds to Texas to sell to other HIV/AIDS victims on the street. But when the government catches wind of his operation, he teams up with a transgender prostitute named Rayon (Jared Leto) to create a “buyers club” where they sell memberships and give away the drugs for free, exonerating themselves of any legal trouble.

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