Category: Movie Reviews (Page 41 of 81)

Movie Review: “Entourage”

Starring
Adrian Grenier, Kevin Connolly, Jeremy Piven, Jerry Ferrara, Kevin Dillon, Emmanuelle Chriqui, Haley Joel Osment, Billy Bob Thorton
Director
Doug Ellin

It’s been four years since “Entourage” ended its incredible run on HBO, and in that time, there’s been a lot of talk about a potential big screen revival from series creator Doug Ellin, producer Mark Wahlberg and the cast. But now that it’s finally a reality, does anyone still care? That seems to be the biggest question surrounding the film, although if the success of “Sex and the City” (which had a similar hiatus between its series finale and the first movie) is any indication, the studio has absolutely nothing to worry about. And why should it? “Entourage” has a built-in fanbase that’s getting bigger every day thanks to the cultural phenomenon of TV binge-watching, and while you don’t necessarily need to be a fan of the series to enjoy the film, it definitely helps.

For those who’ve never watched a single episode of the show, “Entourage” opens with a Piers Morgan-hosted puff piece on movie star Vincent Chase (Adrian Grenier) and his friends that serves as a very basic cheat sheet on where the characters are in their lives to get you up to speed. The story itself picks up a few weeks after the series finale, with Vince freshly divorced following his impulsive (nine-day) marriage to Vanity Fair journalist Sophia and ready to get back to work. Recently retired super-agent Ari Gold (Jeremy Piven) has also returned to Hollywood after accepting a position as the new studio head at Warner Brothers, and he wants former client Vince to star in his first movie: a modern day, big-budget adaptation of “Dr. Jekyll and Mr. Hyde.” The only problem is that Vince will only agree to do it if he can also direct, something he’s never done before.

Fast-forward eight months and the film is almost finished, but Vince needs more money, despite having already gone over budget several times. But before the film’s financier, Texas billionaire Larsen McCredle (Billy Bob Thorton), will release more funds, he sends his son Travis (Haley Joel Osment) out to L.A. to watch an early cut of the film. Ari isn’t concerned because he knows the movie is great, but when Travis tries to meddle with the production for unknown reasons, Ari is pushed to the breaking point as he tries to protect Vince’s vision and his job. Meanwhile, Eric (Kevin Connolly) and Sloan (Emmanuelle Chriqui) hit another snag in their on-again-off-again relationship as the latter prepares to give birth to their child, Turtle (Jerry Ferrara) tries to woo UFC fighter Ronda Rousey, and Drama (Kevin Dillon) has his livelihood threatened just as he’s about to get his big break.

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Movie Review: “Aloha”

Starring
Bradley Cooper, Emma Stone, Rachel McAdams, John Krasinski, Alec Baldwin, Bill Murray, Danny McBride
Director
Cameron Crowe

Thus far, optimism has reigned supreme in this summer of moviegoing. “Mad Max: Fury Road” was about finding hope and redemption in a wasteland, “Tomorrowland” championed positivity, and now the king of sincerity himself, Cameron Crowe, has given us “Aloha.” The director’s latest effort is a Cameron Crowe film through and through – a heartfelt, funny and honest, albeit a little messy, romantic comedy.

Like most of Crowe’s protagonists, Brian Gilchrist (Bradley Cooper) isn’t the man he once was, a washed-up defense contractor looking for a comeback. His boss, famed billionaire Carson Welch (Bill Murray), is planning on launching a satellite out of Hawaii, and it’s Brian’s job to make sure the launch goes according to plan. Professionally and personally, the cynical Brian runs into more problems than he expected. For starters, his ex-girlfriend Tracy (Rachel McAdams) is now married to John ‘Woody’ Woodside (John Krasinski) and has two kids. Old feelings for Tracy arise when Gilchrist reunites with her, in addition to new ones for his babysitter/partner, Allison Ng (Emma Stone), an ambitious pilot who sees Brian for the man he used to be and the man he could become.

There’s actually more to “Aloha” than that plot description. There are a lot of moving pieces in Crowe’s script, and it takes time for them to become a cohesive unit. The details of Brian’s mission are a tad hazy at first, and his relationship with Allison is initially rushed, as she falls for him a little too quickly. But by the time the second act rolls around, Crowe and the cast are mostly smooth sailing.

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Movie Review: “San Andreas”

Starring
Dwayne Johnson, Carla Gugino, Alexandra Daddario, Paul Giamatti, Ioan Gruffudd, Archie Panjabi
Director
Brad Peyton

Roland Emmerich would be proud. “San Andreas” is every bit the big, dumb and loud disaster movie that everyone expected it to be, delivering on that promise with some sensational, effects-heavy action that’s practically begging to be turned into a theme park attraction. Though some people will undoubtedly criticize the film for doing exactly what it sets out to achieve, “San Andreas” is pretty upfront about its intentions, doing no more and no less than it needs to in order to get its characters from point A to point B. This is the type of guilt-free popcorn movie that the summer blockbuster season is built around, and while it never amounts to much more than cinematic eye candy, that’s kind of the point.

Dwayne Johnson stars as Chief Ray Gaines, a former military helicopter rescue pilot who now works for the Los Angeles Fire Department saving lives alongside the same crew that served with him overseas. When a big earthquake hits Nevada, tearing apart the Hoover Dam in the process, Ray is forced to cancel a road trip with his daughter Blake (Alexandra Daddario) to help with the rescue effort. But Cal Tech seismologist Lawrence Hayes (Paul Giamatti) predicts that an even bigger earthquake is going to occur along the San Andreas Fault, with San Francisco getting hit the hardest, placing Blake smack dab in the middle of the impending destruction. After rescuing his soon-to-be ex-wife, Anna (Carla Gugino), from a crumbling building in Los Angeles, the pair heads to San Francisco to save their daughter before she becomes another victim of the devastating quake.

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Movie Review: “Poltergeist”

Starring
Sam Rockwell, Rosemarie DeWitt, Jared Harris, Kennedi Clements
Director
Gil Kenan

“Poltergeist” is the worst kind of remake. Director Gil Kenan’s film is neither terrible nor good, but rather flat-out uninspired. This is a remake that brings nothing new to the table. Instead of updating the classic 1982 film, it’s a stale and safe retread. The story is almost exactly the same, and although most horror remakes don’t usually stray too far from the source material, screenwriter David Lindsay-Abaire (“Rabbit Hole”) hardly ever makes this version feel fresh. Beat by beat, “Poltergeist” is a lame cover song.

After falling on hard times, Eric Bowen (Sam Rockwell) has to move his family – his wife, Amy (Rosemarie DeWitt), and their three children – to a cheap neighborhood. The neighborhood is actually quite nice from the looks of it, but there’s a catch: the house they bought is built on an old graveyard, and the bodies in the ground rise up to terrorize the Bowen family. After the abduction of the Bowens’ youngest daughter, it’s obvious why the family has to stay in their haunted house – they can’t call the cops or just leave her there – but this is still a horror movie where characters make incredibly stupid mistakes, and these decisions never come across as believable character traits or flaws, but instead, cheap tricks to achieve scares or move the plot along.

The film mostly consists of expected jump scares. Kenan and his DP, Javier Aguierresarobe, try to build an unnerving atmosphere with roaming camerawork, but they never build any real tension. Technically speaking, their work is more than competent, but none of their aesthetic choices ever add up to more than a few pretty frames, all serving a lifeless purpose. The third act comes close to conjuring up some scares, but by that point, it’s impossible to get invested in anything that’s happening on screen.

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Movie Review: “Tomorrowland”

Starring
George Clooney, Britt Robertson, Hugh Laurie, Raffey Cassidy, Pierce Gagnon
Director
Brad Bird

“Tomorrowland” does not play by the usual ‘Disney PG movie’ rules. It hits harder, makes the audience uncomfortable, and has an alarmingly high body count. When we finally discover the movie’s endgame, this makes perfect sense, but it might be a shock up front to parents who see that the DreamWorks Animation movies are all PG, and therefore assume that “Tomorrowland” will be no different. It is drastically different – this film is a call to arms. It may take its name from a 60-year-old section of Disney World, but this movie is as right here, right now as it gets.

And while the movie is undoubtedly better than it would have been without writer/director Brad Bird’s involvement, the fact of the matter is that this is Bird’s weakest film, but let’s put that into perspective. He directed three animated masterpieces in “The Iron Giant,” “The Incredibles” and “Ratatouille,” as well as the very good “Mission: Impossible – Ghost Protocol.” “Tomorrowland” is enjoyable; it just doesn’t measure up against Bird’s other films. It uses a jerky narrative device at the beginning that never works, and actually leaves the audience unprepared for what follows. It also has no business being 130 minutes long.

Casey Newton (Britt Robertson) is a high school science prodigy who spends her free time sabotaging the NASA site where her father (Tim McGraw, yes, that Tim McGraw) works in an attempt to delay his eventual layoff. One night she gets caught and arrested, and while retrieving her things after getting released on bail, she finds a pendant that, when she touches it, briefly transports her to another world with technology that far exceeds our own. In her quest to discover what this place is, Casey gains the help of a girl named Athena (Raffey Cassidy), who leads her to Frank Walker (George Clooney), who has also visited “Tomorrowland” but was exiled. Frank reveals to Casey that something bad is coming, and nothing can stop it. Casey convinces the jaded Frank to believe that they can avoid the inevitable, but soon they have another problem: a group of “Secret Service agents” seek to permanently close the bridge between our world and Tomorrowland, with extreme prejudice.

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