Category: Movie Reviews (Page 13 of 81)

Movie Review: “Don’t Breathe”

Starring
Stephen Lang, Jane Levy, Dylan Minnette, Daniel Zovatto
Director
Fede Alvarez

Director Fede Alvarez’s previous film, the 2013 remake of “Evil Dead,” is considered the bloodiest movie of all time. (I prefer the word ‘sinewy,’ as it was needlessly, almost laughably gory, but oh well.) His latest film “Don’t Breathe” appears to be an attempt at karmic payback of sorts, because he’s downright stingy with the corn syrup this time around, and the film is better because of it. It’s a claustrophobic thriller; it doesn’t need to be bloody. Indeed, Alvarez has multiple opportunities to shed blood on screen (if Mel Gibson is directing, you’re seeing that blood) but resists. This is a good thing.

Alex (Dylan Minnette), Rocky (Jane Levy) and Rocky’s boyfriend Money (Daniel Zovatto) are low-rent Detroit kids who commit petty theft on the houses protected by the security company that employs Alex’s father, careful to avoid anything that would make them guilty of grand larceny. Money gets word of a potential robbery target, an older man (Stephen Lang) with no family, living on an abandoned block and sitting on $300,000. The man uses the same security company, so the three scout the house and learn two valuable things: the man is blind, and he has a Rottweiler.

Alex wants no part of this job but is guilted into taking part by Rocky, who wants to take the money and run, making a better life for her and her daughter. The house has more locks than they’re used to, making the job infinitely riskier, but they break in anyway. It is at this point that the three discover, once it’s much too late to back out, that the blind man is a war veteran. Needless to say, the job goes poorly.

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Movie Review: “Hands of Stone”


Most boxing fans know the name Roberto Duran, but for someone who’s widely regarded as one of the greatest fighters of all time (in addition to holding titles in four different weight classes, he’s the only person to beat Sugar Ray Leonard in his prime), Duran lacks the mainstream recognition of fellow boxers like Muhammad Ali, Mike Tyson and even Leonard himself. Writer/director Jonathan Jakubowicz hopes to remedy that with his new film, “Hands of Stone,” but while it boasts a pair of solid performances from stars Edgar Ramirez and Robert De Niro, the true-life drama doesn’t offer anything different from the dozens of other boxing movies that came before it. “Hands of Stone” is your typical rise-and-fall redemption story, so aggressively mediocre that Jakubowicz would have been better off taking some risks and failing than to settle for this.

The film begins in 1971 with Panamanian boxer Roberto Duran (Ramirez) already on the rise. Despite his natural talent, however, Duran lacks the discipline required to succeed at the highest level, so his manager Carlos Eleta (Ruben Blades) convinces legendary trainer Ray Arcel (De Niro) to turn him into a world champion. Arcel has been retired since being run out of boxing by the mafia nearly 20 years earlier, but he sees something in Duran that reignites his love of the sport and agrees to train him for free, a stipulation of his agreement with local gangster Frankie Carbo (John Turturro). Though the hotheaded and fervently nationalistic Duran is hesitant about working with an American trainer due to his experiences growing up in the U.S.-controlled Canal Zone, he ultimately learns to trust Arcel and builds a successful career over the next decade, culminating in a pair of fights with American sports icon Sugar Ray Leonard (Usher Raymond) that would both make and break his career.

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Movie Review: “War Dogs”

Starring
Miles Teller, Jonah Hill, Ana de Armas, Bradley Cooper, Kevin Pollack
Director
Todd Phillips

It’s been three years since director Todd Phillips released the critically derided final installment in his “Hangover” trilogy, and in that time, his aspirations as a filmmaker have clearly grown. Phillips’ latest movie, based on the 2011 Rolling Stone article “The Stoner Arms Dealers” by Guy Lawson (which was later turned into a book titled “Arms and the Dudes”), is a measured attempt to showcase his serious side à la “The Big Short.” But while “War Dogs” occupies a similar space as Adam McKay’s Oscar-winning dramedy, providing an entertaining look at how a pair of ambitious twentysomething pals became millionaires due to the U.S. government’s own negligence, it doesn’t really have anything important to say – or rather, the important stuff feels like an afterthought compared to the highly dramatized events at the center of the film.

The year is 2005, and college dropout David Packouz (Miles Teller) is working as a licensed massage therapist in Miami Beach while trying to launch his own business selling bedsheets to retirement homes. When his latest scheme fails and his girlfriend Iz (Ana de Armas) announces that she’s pregnant, David decides that he needs to find a real job in order to support his family. Enter childhood friend Efraim Diveroli (Jonah Hill), a bottom-feeding arms dealer who’s moved back to town after working for his uncle selling police-seized weapons in California. Efraim has started his own arms dealing business in Miami, and it’s pretty successful, living off the crumbs of small military contracts that the major companies generally ignore. Efraim offers to bring on David to help with the day-to-day operations, and within six months, the pair lands its biggest deal yet. But when that contract leads to a more lucrative opportunity with the Pentagon to supply weapons and ammo to the Afghan army, the two friends quickly find themselves in over their heads.

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Movie Review: “Kubo and the Two Strings”

“If you must blink, do it now,” warns the narrator of “Kubo and the Two Strings,” a movie so confident in its eye-popping visuals and brilliant storytelling that it knows you won’t want to miss a single moment. It’s advice you’ll definitely want to follow, because after the disappointment of 2014’s “The Boxtrolls,” Portland-based animation studio Laika is back at the top of its game with this wildly inventive adventure film that’s packed with the kind of sincerity and heartfelt emotion you rarely find in the medium, Pixar excluded. But “Kubo and the Two Strings” is more than just a return to form for the studio; it’s their funniest and finest movie to date – an absolutely delightful fairy tale that will likely go down as one of the year’s best.

In feudal Japan, a young, one-eyed boy named Kubo (Art Parkinson) has been tasked with taking care of his sick mother in their remote mountain home. During the day, Kubo goes down to the nearby village to tell stories about the legendary samurai Hanzo with his magical samisen, a traditional, three-stringed Japanese instrument that can manipulate colorful sheets of paper into animated origami figures that move and dance with the strum of a string. When he doesn’t heed his mother’s warning and stays out after dark one night, however, Kubo inadvertently summons his evil twin aunts (Rooney Mara), who have been sent by his grandfather, the Moon King (Ralph Fiennes), to steal his other eye. Kubo’s mother comes to his rescue just in time, sacrificing herself to save him and using her last bit of magic to bring to life a wooden monkey charm that serves as his guardian. With the help of Monkey (Charlize Theron) and a cursed man-beetle warrior (Matthew McConaughey) with no memory of his previous life, Kubo must embark on a quest to retrieve the three pieces of Hanzo’s fabled gold armor in order to defeat his vengeful family.

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Movie Review: “Hell or High Water”

Starring
Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham, Katy Mixon, Kevin Rankin
Director
David Mackenzie

“Hell or High Water” is one magnificently self-aware film. There is a strong Coen brothers vibe to both the plot and the dialogue (if “Blood Simple” and “Fargo” were forced to mate, the offspring would turn out a lot like this), which is why the casting of Jeff Bridges is a stroke of genius. As a Coen veteran, he understands the material, and is able to not just humanize a character that would be monstrous in the hands of a lesser actor – he’s able to make the character charming and likable.

In the bleak, seemingly waterless landscape of west Texas, Toby Howard (Chris Pine) and his ex-con brother Tanner (Ben Foster) begin the day by robbing two small banks of all of their chump change. The Howards are in danger of losing their farm to the very bank that they’re robbing; the plan is to pay off their debt with the bank’s own money and put the land in a trust to benefit Toby’s children. Due to the amount of money being stolen, the FBI isn’t interested in investigating the case, but Texas Ranger Marcus Hamilton (Bridges) has a week until he retires, so he drags his reluctant partner Alberto Parker (Gil Birmingham) along for one last rodeo.

There aren’t a lot of moving parts here, and that is a good thing. Screenwriter Taylor Sheridan (“Sicario”) keeps his characters focused on their respective prizes, with no unnecessary side plots about poor people foolishly spending their newfound riches, a common trap to these types of stories. The most pleasant surprise is how funny the movie is, and not solely of the pitch-black variety. There are some gut-busting moments here. The waitresses, in particular, bring the funny in spades.

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