Author: Jason Zingale (Page 8 of 112)

Movie Review: “Passengers”

Starring
Chris Pratt, Jennifer Lawrence, Michael Sheen, Laurence Fishburne
Director
Morten Tyldum

Norwegian director Morten Tyldum may not be as flashy as some of the other filmmakers who’ve broken into Hollywood recently, but between his little-seen 2011 thriller “Headhunters” and his Oscar-winning drama “The Imitation Game,” it’s evident that he has serious chops behind the camera. Despite that past success, Tyldum’s latest project is easily his biggest movie to date – a heady slice of genre-hopping sci-fi developed from one of the hottest scripts in town and starring two of its most bankable stars. Though the film fails to reach its lofty ambitions, “Passengers” is still a surprisingly thought-provoking holiday release that’s biggest misstep is succumbing to the very formula that it works so hard to resist.

Sometime in the distant future, interstellar space travel has not only become a reality but a way for humans like blue-collar mechanic Jim Preston (Chris Pratt) to immigrate to other planets. Jim is one of 5,000 passengers traveling aboard the Starship Avalon, a luxury cruise liner currently en route to the colony world of Homestead II. The Avalon is just 30 years into its 120-year journey, however, when it sustains damage during a meteor storm that causes Jim’s hibernation pod to malfunction, waking him up 90 years too early. Stranded on the ship alone with no way to contact the sleeping crew and only a robotic bartender (Michael Sheen) to keep him company, Jim spends the next year slowly spiraling into depression until he becomes smitten with a fellow passenger named Aurora Lane (Jennifer Lawrence) and decides to wake her prematurely against his better judgement. Jim keeps his involvement a secret from Aurora at first, but as the two grow closer together over time, he becomes racked with guilt. Meanwhile, a larger threat looms in the background when the spaceship inexplicably begins to break down.

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Movie Review: “Patriots Day”

Starring
Mark Wahlberg, J.K. Simmons, John Goodman, Kevin Bacon, Alex Wolff, Themo Melikidze, Michelle Monaghan, Jimmy O. Yang, Melissa Benoist
Director
Peter Berg

Over the last few years, director Peter Berg has carved out a nice little niche for himself making unapologetically patriotic films about real-life heroism in the face of adversity. Much like “Lone Survivor” and “Deepwater Horizon,” Berg’s third collaboration with Mark Wahlberg doesn’t really have anything important to say politically, but it’s their finest movie to date and perhaps their most meaningful one due to the actor’s close ties to the city of Boston. Though some people will question whether “Patriots Day” arrives too soon after the true events that inspired the film, Berg does the story justice with his gripping yet tactful retelling of the 2013 Boston Marathon bombing and the five-day investigation that followed.

The movie begins on the morning of April 15, 2013 and introduces several of the key players involved in the tragic event, including Boston cop Sgt. Tommy Saunders (Wahlberg), Chinese exchange student Dun Meng (Jimmy O. Yang), Watertown police officer Sgt. Jeffrey Pugliese (J.K. Simmons) and the bombers themselves, Kyrgyzstani-American brothers Dzhokhar and Tamerlan Tsarnaev (Alex Wolff and Themo Melikidze, respectively), who detonate the homemade bombs about four hours into the race and then return home to watch the ensuing chaos on TV. Meanwhile, law enforcement officials work together under the guidance of FBI Special Agent Richard DesLauriers (Kevin Bacon) and Boston Police Commissioner Ed Davis (John Goodman) to recreate the crime scene and comb through hours of video surveillance in order to identify the suspects, eventually leading to a manhunt through the streets of Boston and the surrounding suburbs to capture them.

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Blu Tuesday: The Magnificent Seven and Sully

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“The Magnificent Seven”

WHAT: When the villainous Bartholomew Bogue (Peter Sarsgaard) takes over the small mining town of Rose Creek, vengeful widow Emma Cullen (Hayley Bennet) hires a group of mercenaries – including bounty hunter Sam Chisolm (Denzel Washington), drunken gambler Josh Farraday (Chris Pratt) and Confederate sharpshooter Goodnight Robicheaux (Ethan Hawke) – to put an end to Bogue’s tyranny.

WHY: Remakes are rarely as good as the original, but Antoine Fuqua’s “The Magnificent Seven” succeeds where so many have failed by retaining the spirit of its predecessors while also distinguishing itself just enough to stand on its own, beginning with its refreshingly diverse ensemble. Their camaraderie, and the chemistry among the actors themselves, is what keeps you engaged even during the few lulls in the story. Denzel Washington and Chris Pratt are perfectly cast as the film’s leading men, but it’s the supporting players who steal the show, especially Ethan Hawke and Byung-hun Lee’s delightful double act. Although the first half of the movie is surprisingly light on action save for a well-staged standoff between the mercenaries and Bogue’s men, Fuqua makes up for it with the climactic finale, which delivers everything you could possibly want from a large-scale Wild West shootout. Its unmistakable “Fast and Furious”-like flavor won’t go down well with fans of the original Western, but much like the long-running franchise, “The Magnificent Seven” is good pulpy fun that’s far better than anyone expected.

EXTRAS: In addition to an interactive feature called Vengeance Mode that intercuts the film with behind-the-scenes footage and interviews with the cast and crew, there are six featurettes and some deleted scenes.

FINAL VERDICT: RENT

“Sully”

WHAT: On January 15, 2009, commercial airline pilot Captain Chesley “Sully” Sullenberger (Tom Hanks) safely landed US Airways Flight 1549 in the middle of the Hudson River when the plane struck a flock of geese shortly after takeoff. While Sully and his crew were hailed as heroes by the media, the National Transportation Safety Board quietly launched an investigation into the incident to determine whether it was reckless, casting a shadow of self-doubt on the experienced pilot.

WHY: Clint Eastwood’s latest biopic may not have enough narrative meat to warrant a feature-length film, but it’s such a fascinating story that it survives on the sheer awe factor and a solid performance by Tom Hanks. It’s hard to imagine a more fitting choice to play the modest and mild-mannered pilot, and although he doesn’t get a lot to work with from a character standpoint (Sully is extraordinary only in his ordinariness), the actor makes the most of even the smallest moments. For as great as Hanks is in the role, however, the real highlight is the movie’s gripping reenactment of the Miracle on the Hudson, which is hands-down one of the best sequences of the year. Eastwood doesn’t give up the goods right away, holding back the set piece until nearly an hour into the film’s lean 96-minute runtime, but he revisits the harrowing event multiple times, revealing new details and perspectives. Though “Sully” borders on syrupy sentimentalism at times and could have easily been undone by its own simplicity, the movie ultimately succeeds as an effective and enjoyable tribute to everyday heroism.

EXTRAS: The Blu-ray release includes a profile on Captain “Sully” Sullenberger, a retrospective on the Flight 1549 incident with Sullenberger, copilot Jeff Skiles and air traffic controller Patrick Harten, and a behind-the-scenes look at creating the movie’s pivotal set piece.

FINAL VERDICT: RENT

Blu Tuesday: Suicide Squad and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Suicide Squad”

WHAT: When a powerful witch named Enchantress (Cara Delevingne) escapes captivity and sets out to destroy the world, A.R.G.U.S. director Amanda Waller (Viola Davis) enlists no-nonsense soldier Rick Flag (Joel Kinnaman) to lead a covert team of the world’s most dangerous criminals – including sharpshooter assassin Deadshot (Will Smith), the Joker’s deranged sidekick Harley Quinn (Margot Robbie) and pyrokinetic gangster El Diablo (Jay Hernandez) – to stop her.

WHY: Following the disaster of “Batman v Superman: Dawn of Justice,” moviegoers looked to “Suicide Squad” to get the DC Extended Universe back on track. Unfortunately, while there’s a lot to like about the basic setup, it’s too often hindered by the film’s many flaws and surprising conventionality. The movie doesn’t disappoint when it comes to its colorful roster – especially Will Smith, Margot Robbie and Jared Leto (as a very different iteration of the Joker), all of whom deliver great work in their respective roles – but while it’s packed with some great character moments, they’re spoiled by the lame plot and even lamer villain. There was a much better story to be told, or at the very least, a better way to tell it, but “Suicide Squad” gets so caught up in trying to compete with DC’s bigger properties that the film loses sight of what made it such a unique and exciting idea from the outset. Although it’s not quite the post-“Batman v Superman” pick-me-up that many people were expecting, there’s enough good to be salvaged from David Ayer’s original vision that it’s not a total failure, either.

EXTRAS: The Blu-ray release includes a series of featurettes on the characters, boot camp training for the cast, filming the action sequences and the Joker/Harley relationship, as well as a gag reel and the extended cut of the movie, which runs about 13 minutes longer.

FINAL VERDICT: RENT

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Movie Review: “La La Land”

Starring
Emma Stone, Ryan Gosling, John Legend, Rosemarie DeWitt
Director
Damien Chazelle

Damien Chazelle’s “Whiplash” wasn’t just my favorite film of 2014 – in my estimation, it’s one of the best movies of the past decade. So it goes without saying that the bar was set pretty high for his latest project, a loving homage to the big, bold and colorful musicals of Hollywood’s Golden Age featuring two of today’s brightest stars. Making a musical these days is already a huge risk, but the fact that “La La Land” is a completely original piece of work rather than an adaptation of preexisting material is what makes it truly daring. The film’s ambition is evident from the very first frame, launching into an elaborate song-and-dance number set during a gridlock on the Los Angeles freeway that announces itself in grand fashion. Though it falls just short of matching that ambition (perhaps due to a tiny bit of overhype), “La La Land” is still one of the most dazzling, effervescent moviegoing experiences of the year.

The film tells the love story of aspiring actress Mia (Emma Stone) and struggling jazz pianist Sebastian (Ryan Gosling) over the course of four seasons. When the two artists first meet, it’s not cute like in the movies but rather a curt interaction during the opening traffic jam that begins with a loud honk and ends with a middle finger. The pair crosses paths later that night when Mia wanders into a Hollywood restaurant where Sebastian has just been fired by his boss (J.K. Simmons in a fun cameo) for failing to play the agreed-upon setlist of holiday jingles, and again, their encounter is less than friendly. As fate would have it, Mia and Sebastian run into each other at a house party several months later, and this time around, the sparks finally fly. But as their romance blossoms through the summer, they’re forced to reassess their careers, leading both of them to wonder whether being together means that they must give up on their dreams.

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