Author: Jason Zingale (Page 7 of 112)

Blu Tuesday: Deepwater Horizon and The Accountant

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Deepwater Horizon”

WHAT: On April 20, 2010, the Deepwater Horizon drilling rig, located just off the coast of Louisiana in the Gulf of Mexico, explodes after BP executives bypass an important safety measure due to the project falling behind schedule. Stranded on the platform as it becomes engulfed in flames, chief electronics technician Mike Williams (Mark Wahlberg) and his fellow crew members must fight their way through the chaos in order to survive.

WHY: Everyone remembers the images of the BP oil spill that dominated the TV news cycle back in 2010, but not many people know the details of what actually happened. It remains one of the largest man-made disasters in U.S. history, and director Peter Berg recreates the tragic event with stunning authenticity. If there’s one thing that Berg clearly prides himself on, it’s the remarkable attention to detail in his films, and “Deepwater Horizon” is no different, from the technical jargon that drives the first half of the story to the brutally realistic action sequences that make up the latter half. Unfortunately, while “Deepwater Horizon” is an effective disaster movie with some decent thrills, solid performances and enough explosions to make even Michael Bay jealous, it doesn’t seem to have a purpose, forgoing the opportunity to examine the aftermath of the spill in greater detail. The film works just fine as a dramatic reenactment of corporate greed gone horribly wrong, but unlike the real-life incident, it will quickly be forgotten.

EXTRAS: In addition to a series of interviews focusing on the five main cast members (Mark Wahlberg, Kate Hudson, Kurt Russell, Gina Rodriguez and Dylan O’Brien), there’s a behind-the-scenes look at designing and building the rig, a profile on director Peter Berg, on-set footage of production and more.

FINAL VERDICT: RENT

“The Accountant”

WHAT: Small-town accountant Christian Wolff (Ben Affleck) has always been better with numbers than people, moonlighting as a freelancer for some of the world’s most dangerous criminal organizations. Determined to stay one step ahead of the U.S. Treasury Department’s Financial Crimes division, Christian accepts a seemingly innocuous job auditing a high-profile robotics company after an accounting clerk (Anna Kendrick) discovers a discrepancy in the finances. But as Christian gets closer to exposing the truth, he’s targeted by a contract killer (Jon Bernthal) who’s been hired by someone within the company to contain the leak.

WHY: What if Jason Bourne wasn’t an amnesiac super-soldier but rather a high-functioning autistic man with comparable fighting skills? That’s the general idea behind Gavin O’Connor’s “The Accountant,” a film suffering from such an identity crisis that it’s unclear what kind of movie he was trying to make. Though it starts out as both a generic crime procedural and a zen-like character study about an on-the-spectrum math genius struggling to lead a normal life, it completely changes gears midway through and transforms into a straight-up action thriller. The problem is that “The Accountant” never stops being those other films either, resulting in a convoluted and tonally unbalanced mess that is occasionally entertaining but feels like it’s a few drafts away from a finished product. Though “The Accountant” thrives when it embraces its B-movie roots, the film is so desperate not to be reduced to a silly genre flick that it’s unwilling to let go of the stuff that’s dragging it down. This could have been the next Bourne franchise, but sadly, it doesn’t quite add up to the sum of its parts.

EXTRAS: There’s a trio of featurettes on the characters, the movie’s portrayal of autism and filming the action sequences.

FINAL VERDICT: RENT

Movie Review: “Hidden Figures”

Starring
Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst, Jim Parsons, Mahershala Ali
Director
Theodore Melfi

In the wake of famed astronaut John Glenn’s recent death, it seems appropriate that some of the unsung heroes of the Friendship 7 mission (and the NASA space program in general) have finally been given their due in director Theodore Melfi’s new movie, “Hidden Figures.” An incredibly timely and well-told story that serves as a nice counterpart to 1983’s “The Right Stuff,” the film shines a light on the African-American women who helped put Glenn into space during a time when neither African-Americans nor women were given those kinds of opportunities. Though it risks falling into the same traps as other feel-good dramas (after all, it’s basically an underdog sports film for the STEM crowd), “Hidden Figures” rises above its formulaic plot thanks to some terrific performances from the cast.

In the early 1960s, the United States and the Soviet Union were locked in a race to see who could get a man into space first, and with the U.S. desperately lagging behind its Cold War rivals, NASA needed all the brainpower it could get. What most people don’t know is that many of these employees were women (several of them African-American) who worked at the Langley Research Center in Virginia as human computers performing the complex calculations on the agency’s various projects. But because they were black, these brilliant mathematicians were tucked away in a room on the segregated west campus and largely ignored.

That all changes when math whiz Katherine Gobel (Taraji P. Henson) is promoted to the all-white east campus to work under NASA official Al Harrison (Kevin Costner) on the Atlas rocket launch. Though she’s treated like a second-class citizen by her co-workers (not only does she have to run half a mile across campus just to use the colored bathroom, but she can’t even share the same pot of coffee), Katherine quickly proves herself instrumental to the program’s success. Meanwhile, fellow colleagues Dorothy Vaughn (Octavia Spencer), a headstrong supervisor who takes it upon herself to learn how to operate the IBM computers that will eventually replace her, and Mary Jackson (Janelle Monáe), an aspiring engineer who’s stymied by a law that prevents her from attending the classes required to advance in the field, make strides of their own through hard work and determination.

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Blu Tuesday: Blair Witch, Girls and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Blair Witch”

WHAT: After uncovering new evidence that suggests his missing sister Heather may still be alive, James (James Allen McCune) and his friends venture into the Black Hills Forest – the site of her mysterious disappearance – and come face to face with the legendary Blair Witch.

WHY: When it was revealed that Adam Wingard’s latest movie, originally titled “The Woods,” was actually a direct sequel to the 1999 hit indie film, “The Blair Witch Project,” horror fans were excited to see if Wingard and frequent collaborator Simon Barrett (“The Guest,” “You’re Next”) could revive the would-be franchise. Unfortunately, it turns out that the best thing about “Blair Witch” was the secrecy of its production. The movie itself is pretty unspectacular, filled with many of the same beats as the original, albeit with a much larger budget. Though there are a handful of good moments scattered throughout (including a gruesome death scene involving the iconic stick figures), and it addresses a couple longstanding problems with the found footage genre, “Blair Witch” is unable to recapture the magic of its predecessor. Wingard and Barrett are clearly big fans of the first movie, but despite their attempts at expanding the mythology, the final product is almost as disappointing as the ill-conceived 2000 meta-sequel “Book of Shadows.”

EXTRAS: In addition to an audio commentary by director Adam Wingard and writer Simon Barrett, there’s a six-part making-of featurette and a tour of the set.

FINAL VERDICT: SKIP

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2016 Year-End Movie Review: Jason Zingale

year_end_movies

2016 will likely go down as one of the most depressing years in recent history, but that has more to do with a certain reality TV host being elected President of the United States, not to mention some particularly hard-hitting celebrity deaths, than the movies we watched along the way. In fact, despite the usual collection of flops, disappointments and general mediocrity, there were a number of great films throughout the year spanning a wide range of genres, which is evident in my own Top 10. Though I stand behind every choice on this list, it should in no way be considered definitive due to some elements out of my control (for instance, Martin Scorsese’s “Silence” not being screened in time) and an extraordinarily busy holiday season.

Best Films of 2016

1. “HELL OR HIGH WATER

For as old-fashioned as “Hell or High Water” feels at times, it’s a movie that deals with some incredibly timely themes, especially in a post-election America still reeling from the last economic depression. Following his little-seen 2013 gem “Starred Up,” director David Mackenzie delivers yet another engaging family-centric story (based on a script by “Sicario” writer Taylor Sheridan) that excels in its simplicity. It’s gorgeously shot, displaying both the beauty and sadness of its picturesque landscape, and features a trio of excellent performances from Chris Pine, Ben Foster and Jeff Bridges. Nobody does unhinged quite like Foster, and this is easily Pine’s best work in years, but the movie ultimately belongs to Bridges as the devilishly funny, veteran Texas Ranger who would rather go down in a hail of bullets than be forced into retirement. Though the film follows a pretty standard cops-and-robbers formula, it does so with such razor-sharp proficiency and well-drawn characters that it succeeds not only as a terrific genre flick but a modern American classic in the same vein as “No Country for Old Men.”

hell_or_high_water

2. “MANCHESTER BY THE SEA

An incredibly moving, intimate and authentic story about a broken man who’s forced to confront his demons, “Manchester by the Sea” is the most devastating, heart-wrenching drama of the year. Casey Affleck is phenomenal in the lead role, delivering a subtle but powerful performance that showcases an actor at the top of his game, while Michelle Williams, Kyle Chandler and relative newcomer Lucas Hedges all deliver outstanding work in supporting roles. Though the movie is sprinkled with quite a bit of humor (much more than you’d expect for the subject matter), “Manchester by the Sea” is primarily a portrait of grief and how it affects everyone differently. There’s no guidebook or one-size-fits-all remedy to mending a broken heart, and writer/director Kenneth Lonergan conveys that point beautifully amid the wintry, gloomy backdrop of his New England setting. “Manchester by the Sea” is heavy stuff, but for a film that deals mainly in misery, it never feels exploitative, and that goes a long way in earning your attention and respect.

manchester_by_the_sea

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Blu Tuesday: Snowden and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“Snowden”

WHAT: The true story of controversial whistleblower Edward Snowden (Joseph Gordon-Levitt), the former NSA employee who leaked thousands of classified documents regarding the agency’s illegal surveillance activities to the public.

WHY: It’s been years (decades, really) since Oliver Stone made a great film, and although “Snowden” sadly continues that trend, it’s still a solid biopic that fits nicely into the director’s oeuvre. Cutting back and forth between Snowden’s rise through the ranks of the intelligence community and his 2013 covert meeting with documentary filmmaker Laura Poitras and Guardian journalists Glenn Greenwald and Ewen MacAskill, the movie loses a bit of suspense as a result of its nonlinear structure, but it holds your interest throughout thanks to some good performances from Joseph-Gordon Levitt, Shailene Woodley and Rhys Ifans. Though the film goes too far out of its way to paint Snowden as a loyal patriot, it wisely takes its time in revealing how he became disillusioned with his government (After all, this wasn’t an overnight decision but something that troubled him for years.) Whether or not you agree with what Snowden did, he clearly believed that he was doing the right thing, and if nothing else, Stone’s movie conveys that message effectively.

EXTRAS: In addition to a Q&A panel with Edward Snowden (via satellite), director Oliver Stone, and actors Joseph Gordon-Levitt and Shailene Woodley, there’s a making-of featurette and some deleted scenes.

FINAL VERDICT: RENT

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