Author: Jason Zingale (Page 28 of 112)

2015 Year-End Movie Review: Jason Zingale

It seems like every December, someone laments how mediocre of a year it’s been for cinema, and while it’s hard to argue that point, the movies that were good were really freaking good. Though 2015 was arguably the year of the sequel, with “Mad Max: Fury Road,” “Star Wars: The Force Awakens,” “Creed” and others performing well both critically and commercially, it was also the year of the book adaptation, several of which are featured on this list. But no one or nothing had a better year than Irish-born actor Domhnall Gleeson, who appeared in four movies in 2015, with three of them landing a spot in my Top 10. (For the record, the fourth fell just outside the bubble in my Honorable Mentions). It’s hard to say what that means, if anything, other than Domhnall Gleeson has really good taste in films.

Check out David Medsker’s 2015 Year-End Movie Review as well for David’s picks.

Best Movies of 2015

1. “THE MARTIAN

Although it’s the third film in as many years about astronauts in distress, “The Martian” is a smart, captivating and humorous adaptation of Andy Weir’s bestselling novel that covers very different narrative and emotional territory than “Gravity” and “Interstellar.” For starters, it’s a lot more uplifting than most sci-fi fare, eschewing the usual doom-mongering for a story about the power of optimism and perseverance that also doubles as one heckuva recruitment video for NASA. (Who knew science and math could be this much fun?) Matt Damon is perfectly cast as the Everyman astronaut forced to “science the shit” out of his seemingly impossible predicament, while the supporting cast – including Jeff Daniels, Chiwetel Ejifor and Jessica Chastain – is absolutely stacked with talent. This is hands down Ridley Scott’s best movie since “Gladiator,” and it owes a lot to Drew Goddard’s screenplay, which takes a lighthearted approach to the high-stakes drama in order to produce one of the most purely entertaining crowd-pleasers in years.

The Martian 1

2. “SICARIO

“Sicario” isn’t the first movie to tackle the illegal drug trade along the U.S.-Mexico border, but it’s easily one of the best, a relentlessly suspenseful crime thriller that offers a merciless look behind the curtain of the real War on Drugs. The film rarely takes its foot off the gas, continuing director Denis Villeneuve’s excellent form with a masterclass in building tension that will tie your stomach in knots. Roger Deakins’ cinematography is as stunning as ever, somehow finding the beauty in an ugly situation, but it’s the performances from the three leads that really elevate the material. Benicio Del Toro is especially good, delivering his best work in over a decade as the silent but deadly consultant – a veritable wolf in sheep’s clothing who eventually bares his teeth and claws in the explosive final act. Though a few missteps prevent “Sicario” from true greatness, it’s an outstanding, white-knuckle thriller that will leave you mentally and physically exhausted in the best possible way.

Sicario

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Movie Review: “Point Break”

Starring
Luke Bracey, Édgar Ramírez, Teresa Palmer, Ray Winstone, Delroy Lindo
Director
Ericson Core

Kathryn Bigelow’s 1991 cult classic “Point Break” has already been remade once before with “The Fast and the Furious” (if not in name, then certainly in spirit), but whereas that film retained many of the key elements that made “Point Break” so enjoyable, the 2015 version – which coincidentally is directed by Ericson Core, the cinematographer on the first “Fast and Furious” – is an overly serious dud. Though replacing Californian surf culture with the high-adrenaline world of extreme sports was a smart choice by writer Kurt Wimmer, the movie is hindered by an overbearing stream of hokey Zen philosophy and a paltry story that cares less about its characters than what cool stunt they get to do next.

Luke Bracey stars as Johnny Utah, an extreme sports poly-athlete who joins the FBI after his best friend dies in a motocross accident. Desperate to prove to his academy instructor (Delroy Lindo) that he’s ready for field duty, Johnny volunteers to go undercover to investigate a gang of fellow extreme athletes posing as modern day Robin Hoods who steal from the rich and give to the poor. Johnny believes that the group, led by the enigmatic Bodhi (Édgar Ramírez), is attempting to complete The Ozaki 8 – a series of trials created to honor the forces of nature and deliver spiritual enlightenment – which they’re using to rationalize their crimes. They don’t view themselves as criminals, but rather as righteous eco-activists who give back to the planet by returning something that was taken from it (like raining diamonds onto the streets of Mumbai) after each death-defying ordeal. But as Johnny’s admiration for Bodhi grows the closer he gets to the idealistic daredevil, he must decide where his true loyalties lie.

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Movie Review: “The Hateful Eight”

Starring
Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Tim Roth, Michael Madsen, Bruce Dern, Demian Bichir, Jeff Parks
Director
Quentin Tarantino

It’s crazy to think that “The Hateful Eight” almost never happened, but after Quentin Tarantino furiously shelved the project following the leak of his unfinished script, cooler heads eventually prevailed. Though the writer/director’s first crack at making a Western resulted in the slightly disappointing “Django Unchained,” Tarantino’s second attempt is a much-improved genre piece that represents his most accomplished work behind the camera to date. “The Hateful Eight” is filled with the same self-indulgent tendencies that fans have come to expect from his movies, but while it doesn’t exactly earn its three-hour runtime, this Agatha Christie-styled whodunit is a lot of fun thanks to a smartly crafted script and riotous performances from its ensemble cast.

Set in post-Civil War Wyoming, the film stars Kurt Russell as John “The Hangman” Ruth, a well-known bounty hunter who earned his nickname as the only one in his trade who actually bothers bringing fugitives in alive to be hanged for their crimes. John is in the process of transporting wanted murderer Daisy Domergue (Jennifer Jason Leigh) to Red Rock to collect the $10,000 bounty on her head when a blizzard forces them to take shelter at Minnie’s Haberdashery in the mountains, where he finds himself trapped in a room with six other strangers he doesn’t trust. In fact, John is confident that at least one of them is in cahoots with Daisy, and he’s determined to figure out who it is before they make their move.

In addition to the two stranded men he comes across on his way to Minnie’s – Major Marquis Warren (Samuel L. Jackson), a Union soldier turned fellow bounty hunter, and Chris Mannix (Walton Goggins), a Southern rebel who claims that he’s the new sheriff of Red Rock – John’s list of suspects includes local hangman Oswaldo Mobray (Tim Roth), mysterious cowboy Joe Gage (Michael Madsen), Confederate general Sandy Smithers (Bruce Dern) and a Mexican named Bob (Demian Bichir) who’s looking after the trading post while its owners are away. Confined to the cabin until the storm passes, paranoia begins to set in among the eight strangers as identities and motivations are questioned, secrets are revealed and blood is spilled.

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Blu Tuesday: Pan and Dragon Blade

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Pan”

WHAT: 12-year-old orphan Peter (Levi Miller) is kidnapped and taken to the magical world of Neverland to work as a slave for the pirate Blackbeard (Hugh Jackman). When he manages to escape with the help of fellow captive James Hook (Garrett Hedlund), Peter embarks on an adventure to uncover the secret of his true identity.

WHY: Director Joe Wright has made some great films over the past decade, but “Pan” is definitely not one of them. In fact, it’s so different from a majority of his work that it’s hard to believe he’s even responsible for this piece of family-friendly garbage. Following in the footsteps of movies like “Dracula Untold” and “Snow White and the Huntsman,” “Pan” is yet another unnecessary origin story filled with an insufferable amount of foreshadowing and self-aware winking at the audience. The cast at least seems to be having fun playing in Wright’s imaginative world of flying pirate ships and exotic creatures (no one more so than a gothic, mustache-twirling Hugh Jackman), but the movie is all over place, including one truly bizarre sequence where Blackbeard and his crew sing Nirvana’s “Smells Like Teen Spirit” for no reason whatsoever. Wright deserves credit for taking such a terrible script and turning it into something visually interesting, but sadly, that’s about all “Pan” has to offer.

EXTRAS: In addition to an audio commentary by director Joe Wright, there’s a trio of featurettes that cover the casting of the title role, the character of Blackbeard and connecting the story to J.M. Barrie’s “Peter Pan.”

FINAL VERDICT: SKIP

“Dragon Blade”

WHAT: When corrupt Roman leader Tiberius (Adrien Brody) travels to China with his large army to seize control of the Silk Road trading route, peacekeeping warrior Huo An (Jackie Chan) and defected Roman general Lucius (John Cusack) must combine their forces to stop him.

WHY: Just when you thought John Cusack’s fall from grace couldn’t get any more embarrassing, the actor sells out completely by starring in this atrocious historical epic from director Daniel Lee. Though the movie features a few decent action sequences, they’re overshadowed by a terrible script that plays fast and loose with the real-life events that supposedly inspired the story, as well as some amateurish performances including one of the worst child actors ever recorded. Cusack and co-star Adrien Brody are either huge Jackie Chan fans or they really needed the money, because it’s difficult to imagine any other explanation for their involvement. Cusack has the look of someone just trying to earn his paycheck by keeping his head down and delivering his lines, but Brody takes a different approach, hamming it up as the mustache-twirling villain to the point that he’s actually entertaining in a so-bad-it’s-good kind of way. “Dragon Blade” is hardly the best worst movie of the year, but it’s certainly up there.

EXTRAS: There’s a behind-the-scenes look at making the movie, extended interviews with the cast and crew, and some music videos featuring Jackie Chan.

FINAL VERDICT: SKIP

Blu Tuesday: Mission: Impossible and Ted 2

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Misson: Impossible – Rogue Nation”

WHAT: When the U.S. government shuts down IMF just as Ethan Hawke (Tom Cruise) is close to proving the extistence of the international terrorist organization known as the Syndicate, Ethan and his team must work alongside undercover MI6 operative Ilsa Faust (Rebecca Ferguson) to take down the Syndicate’s leader: rogue British intelligence agent Solomon Lane (Sean Harris).

WHY: The “Mission: Impossible” series has a history of hiring a different director for each installment, and while that’s worked brilliantly thus far, Christopher McQuarrie has made a strong case for retaining his services on the next sequel with “Rogue Nation.” Granted, he doesn’t quite know what to do with Jeremy Renner’s character (who’s relegated to the sidelines yet again), but Rebecca Ferguson is a great addition to the team, while comic relief Simon Pegg demonstrates why he’s just as essential to the series as Tom Cruise. But make no mistake about it: this is Cruise’s movie as usual, and when he pulls off crazy stunts like hanging from a military cargo plane while in the air, all you can do is sit back and watch in awe. “Rogue Nation” starts to drag a bit in the end as it gets bogged down by one too many twists, but it’s yet another solid entry in the franchise that proves there’s plenty of gas left in the tank.

EXTRAS: In addition to an audio commentary by writer/director Christopher McQuarrie and star Tom Cruise, there’s a short making-of featurette, a trio of additional featurettes on the film’s incredible set pieces, character profiles and more.

FINAL VERDICT: RENT

“Ted 2”

WHAT: When newlywed couple Ted (Seth MacFarlane) and Tami-Lynn (Jessica Barth) decide to have a baby in order to fix their failing marriage, their application for adoption is flagged by the U.S. government, which claims that Ted isn’t an actual person. With his human rights stripped away, Ted and his best friend, John (Mark Wahlberg), team up with a young, hungry lawyer (Amanda Seyfried) to fight the decision in a court of law.

WHY: As a fan of Seth MacFarlane’s “Ted,” it’s hard not to feel disappointed by the inevitable follow-up, because it’s a prime example of why sequels to comedies rarely work. Basing the film around the debate of whether a talking teddy bear should be considered human is an interesting concept, but the story is so sloppily thrown together that its flaws are a lot more noticeable, particularly the bloated runtime. “Ted 2” takes nearly 40 minutes to get going, and when it finally does find its groove, MacFarlane seems resigned to relying on lazy references to other Universal properties. Additionally, the decision to bring back Giovanni Ribisi’s character was completely unnecessary, turning the final 20 minutes into a complete retread of the original film’s ending. “Ted 2” has more than its share of funny bits, but when compared to all the dead space, misfired jokes and surprising lack of charm, it’s simply not enough.

EXTRAS: There’s an audio commentary by director/co-writer Seth MacFarlane, co-writers Alec Sulkim and Wellesley Wild, and co-star Jessica Barth, as well as featurettes on the making of three particular sequences (Comic-Con, the opening musical number and the road trip), a look at the film’s various cameos, deleted scenes and a gag reel.

FINAL VERDICT: RENT

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