Author: Jason Zingale (Page 112 of 112)

Countdown to the “Lost” finale

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It all started with a plane crash, but in the six years since “Lost” premiered, ABC’s hit drama has become about a lot more than just a group of castaways trying to get off an island. From polar bears and smoke monsters, mysteries and revelations, and enough jumping back and forth in time to give audiences their own nosebleeds, it’s been one helluva ride. With the series finale only a few days away, however, it’s time we finally come to grips with the fact that our favorite show is ending for good.

At least it’s going out with a bang, as last Tuesday’s lead-in to the finale appears to have set the stage for what is sure to be an incredible farewell. On Earth-1, Jack has agreed to remain on the island as its new protector (while Kate, Sawyer and Hurley celebrate the fact that it isn’t them), and Smokey has devised a new plan to exploit Desmond’s superhuman resistance to electromagnetism by blowing up the whole damn island, hopefully breaking his centuries-long imprisonment in the process. And over in Earth-2 (a mirror universe that’s like some kind of “Matrix”-esque simulated reality where the Losties aren’t cognizant of their Earth-1 lives), a recently awakened Desmond has begun to dole out his own version of the red pill by jogging their memories and assembling them all together at a concert in Los Angeles. How this will tie into the lives of the surviving Losties on the island remains the biggest question of all, but I think it’s safe to assume that it’s one the writers plan to answer before it’s over.

And don’t forget, I’ll be live blogging the series finale this Sunday starting at 9PM EST over at Premium Hollywood. ABC will also be airing the original two-hour pilot Saturday night, a two-hour preview show Sunday before the finale, and a special edition of “Jimmy Kimmel Live!” directly after. If that’s still not enough, be sure to check out our brand new
Lost Fan Hub for interviews, DVD reviews, and much more.

To help get you in the mood, I leave you with this, a somewhat upbeat look back at the many deaths that have occurred throughout the course of the show. Enjoy.

Learn to rip throats and pound Cunth just like MacGruber

Only one American hero has earned the rank of Green Beret, Navy SEAL and Army Ranger. Just one operative has been awarded 16 Purple Hearts, 3 Congressional Medals of Honor, and 7 Presidential Medals of Bravery. And only one guy is man enough to still sport a mullet. On May 21, Will Forte brings his clueless soldier of fortune to the big screen in the action comedy, “MacGruber.” I had a chance to see an early screening of the movie at this year’s SXSW film festival, and although I wasn’t as crazy about it as many of the other critics and bloggers in attendance, it’s one of the funniest “Saturday Night Live” films to date.

It’s certainly going to be an uphill battle for “MacGruber” this summer as it competes against surefire blockbusters like “Iron Man 2” and “Robin Hood,” so Universal hasn’t wasted any time in getting the word out with everything from a Mullet Generator app to guest appearances by the cast on “WWE Raw.” And now you can prepare for the film’s release with the all-new MacGruber Training Academy, a collection of games that teaches you everything you need to know about pounding Cunth, ripping throats, and defusing bombs. Complete a challenge and you’ll earn yourself an exclusive desktop wallpaper, although at the time of writing this, the actual downloading process wasn’t working correctly. What can you say? It’s classic MacGruber.

A chat with the cast and crew of “MacGruber”

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When Universal’s big-screen adaptation of “MacGruber” rolls into theaters on May 21st, it’s going to face some pretty heavy competition. In fact, it’s a bit of an underdog when compared to some of the surefire blockbusters opening around the same time, but you wouldn’t know it from the reception it received at this year’s South by Southwest film festival. Although director Jorma Taccone announced that the movie was still in the later stages of post-production and not quite 100% finished, it brought down the house at the sold-out Paramount theater. The following morning, I was invited along with a few of my fellow movie bloggers to chat with Taccone, co-writer John Solomon, co-writer/star Will Forte, and star Kristen Wiig about making the film. (Warning: minor spoilers ahead.)

As the first “Saturday Night Live” movie since 2000’s “The Ladies Man,” everyone was curious how “MacGruber” was chosen as the next sketch to receive the big screen treatment. Taccone admitted that he didn’t know “how Lorne’s wonderful mind works,” but that “he’s always been a champion of the sketch and thought of it more highly than we did at times.” That doesn’t change the fact that the big joke of the skits is that MacGruber dies at the end of every one, and although Forte agrees that “a lot of people will probably think that’s what the movie will be – just a series of explosions,” Taccone was a little more defensive of the early criticisms:

“That was the comment: ‘What’s it going to be?’ We’re going to make a plot of it. What did you expect? But we did put that one little nod to the original sketch at the end, which is really nice that people seem to get that moment.”

Though Taccone wouldn’t get into any details regarding the recent lawsuit surrounding the film (Forte did say they would have loved Richard Dean Anderson to be a part of it), he was quick to state that the MacGyver character didn’t have any direct influence on the movie. Instead, they looked more to 80s and early 90s action movies for inspiration, and when asked if there was anything specific, Taccone offered up an example:

“I will say that me and John [Solomon] were watching a [Steven] Seagal movie and over an explosion you heard a cougar growl. We were like, ‘What was that? Oh my god, we have to put that in!’ It’s a technique, obviously, but you’re supposed to put it low enough so that it’s just a hint of something. So our sound dude was like, ‘People are going to think I’m bad at my job.'”

In addition to Forte, the film also features Kristen Wiig (reprising her role from the sketches), as well as Ryan Phillippe and Val Kilmer. Taccone confesses to being really lucky to get both actors, especially for how hard they worked and how little they were paid. Phillippe, in particular, plays an important role in the film according to his co-stars, not only because there are always three characters in the sketches, but because they needed someone who could “ground the craziness with something that we thought would be useful.” As for Kilmer, while he didn’t have a hand in shaping the villainous role of Dietrich von Cunth, Taccone joked that he “certainly made it more Cunthy.”

Everyone on set clearly got along really well, and it shows in the final product. While Forte and Wiig swear that a majority of their soon-to-be-infamous sex scene was scripted, they were more than game to talk about the difficulties of shooting it. When asked how she could possibly keep a straight face as Forte humped and grunted all over her, Wiig was quick to point out that it if you watch carefully, you’ll notice that she’s laughing so much that she had to turn her head ahead away from the camera. Forte, meanwhile, just felt bad for his co-star, who was being “pelted with major drops of sweat” the minute he started moving on top of her.

It’s not the most risqué moment in the film, though. That honor goes to a scene where MacGruber sticks a stalk of celery up his ass as a diversionary tactic. Forte spoke at length about where the idea came from, including a particularly funny anecdote about the day they filmed it:

“I think that was John and Jorma’s, and they pitched it to me, and it was just one of those things where I was like, ‘Oh, yeah, I’ll stick some celery in my butt.’ The best part was that my mom was visiting that day, and she was saying, ‘Oh, I think I’m going to go into Santa Fe with my friends,” and I said, ‘Okay, there’s a pretty crazy scene we’re doing, so you could stay for that or got to Santa Fe.’ And I forgot exactly what we were doing, and I’m sitting there naked, cupping my balls, trying to place this celery, and I look over and there’s my mom and there was no judgment on her face. It was just like, ‘This is what my son is doing today…’ The weird thing is, she was with two friends, and they were not having it.”

And just like that, the interview was over, although I couldn’t think of a better place to end it. After all, they had just demonstrated how far they were willing to go in order to get a laugh, and that’s “MacGruber” in a nutshell.

Bullz-Eye does South by Southwest

It’s been a busy last few weeks at the Bullz-Eye offices. As David Medsker mentioned in his recap of the “Hot Tub Time Machine” junket, the BE crew has gone global this month, popping up in Capetown, Belfast, Tahoe, and finally, Austin, Texas for the South by Southwest film festival. This is our first visit to the Lone Star State’s annual event, but already we understand why it’s so popular among fans of music, movies and technology. It’s one giant party, and you don’t even need one of the event’s various badges to participate.

The festival has recently switched over to music mode – with many of the film and tech geeks being replaced by musicians, groupies and indie hipsters – but I’ve been covering the film portion since opening night on our SXSW 2010 Blog. Anyone hoping to catch every movie on their list might be disappointed to discover the way South By schedules their screenings, but while the world premieres of “Kick-Ass” and “MacGruber” have drawn giant crowds, the programmers have done a great job of offering plenty of lower profile movies that are just as good as the star-studded headliners. Take for instance my favorite film of the festival, Jean-Pierre Jeunet’s French crime caper, “Micmacs,” a movie that doesn’t have any big names (at least, not in the domestic market), but still earned thunderous laughter and applause when it played at Austin’s historic Paramount theater last Saturday.

It’s exactly this eclecticism in the line-up that makes SXSW one of the more unique film fests in the country. Throw in some great people and even better eats and you’ll wish you were here too. There’s still time to join in the festivities (it runs through March 21st), but if you can’t make it down this year, there’s always next year. It’s something that everyone should experience at least once in their life.

10 of the sexiest movie posters of all-time

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The end of the decade brought a flurry of movie-themed features about cinema in the new millennium. We here at Bullz-Eye even tossed our hat into the ring, and one of the lists I submitted was of my favorite movie posters from the last ten years. One particular selection (a teaser poster for “Good Luck Chuck” featuring Jessica Alba holding a melting ice cream cone) was commented on by just about everyone on staff, so in keeping with the spirit of the incredibly sexy one-sheet, I decided to put together a list of some of the sexiest movie posters of all-time. Censorship may have played a big role in movies since their inception, but that hasn’t stopped studios from using sex to sell, and we can all agree that there’s nothing particularly censored about this sultry collection of posters.

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“The Sin of Nora Moran” (1933)

Movie studios used to rely on painted images of their feminine stars to promote a film (just about every Marilyn Monroe and Brigitte Bardot vehicle had one), but of the hundreds of sexy poses to choose from, this poster for “The Sin of Nora Moran” is the cream of the crop. You may not be too familiar with its star, Zita Johann (whose biggest claim to fame is co-starring alongside Boris Karloff in the 1932 version of “The Mummy”), but between the virtually see-thru dress that she’s wearing and the manner that her body is positioned, it’ll certainly make you wish you were.

“Lo*li*ta” (1962)

Putting aside the somewhat pedophilic nature of the story, Stanley Kubrick’s “Lo*li*ta” has one of the most alluring posters around. Though Sue Lyon was only 16 when she made the film (and playing a 14-year-old at that), the slightly blurred photo of her wearing those famous heart-shaped glasses while she innocently/playfully sucks on a red lollipop has remained one of the most iconic images of the last 50 years. Lyon never did look her age, but that doesn’t make you feel any less guilty for staring; something Kubrick no doubt intended with this beautifully composed shot.

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“The Graduate” (1967)

An American classic. Anne Bancroft doesn’t even appear in the poster except for her outstretched leg, but then again, that’s the point. The mystery behind the image (which has been spiced up in this 30th anniversary version with Dustin Hoffman’s famous quote) is sexy exactly because you want to see more but can’t. Whoever was responsible for this poster is a genius, because it tells you everything you need to know about Mike Nichols’ cult classic without really saying anything at all.

“Dracula Has Risen From the Grave” (1968)

Apart from its hilariously candid title (I love the inclusion of the parenthesized “obviously” just below), this Hammer-produced Christopher Lee flick isn’t quite as tongue-in-cheek as its poster indicates. Still, you have to admire the mix of sex and humor in this photo. It looks absolutely gorgeous in black-and-white, and despite just barely featuring the woman’s open mouth and heaving breasts on the top and bottom borders (thus drawing even more attention to them), your eyes go straight to her neck. It’s all accomplished with a little splash of color in the form of two pink band-aids covering a vampire bite mark, and while it might not sound like much, it’s the highlight of what’s since become one of my favorite posters.

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