Author: Jason Zingale (Page 100 of 112)

A chat with co-writer Joss Whedon and writer/director Drew Goddard of “The Cabin in the Woods”

Joss Whedon is a bit of a geek god in some circles, having created cult shows like “Buffy the Vampire Slayer,” “Angel,” “Firefly” and “Dr. Horrible’s Sing-a-Long-Blog,” but that’s all about to change with the upcoming release of “The Avengers.” Before Whedon assembles the Marvel superhero group on the big screen, however, the writer/director is reteaming with longtime friend Drew Goddard (a writer on some of Whedon’s TV series, as well as others like “Alias” and “Lost”) on the genre-bending horror movie “The Cabin in the Woods.”

Co-written by the duo, the film also marks the directorial debut of Goddard, who’s had to sit idly by and watch the movie endure a number of setbacks on its way to theaters. Originally completed back in 2009 before being indefinitely shelved due to MGM’s ongoing financial problems, the film eventually found a home at genre-friendly studio Lionsgate and will be released April 13th. “The Cabin in the Woods” had its world premiere last month at the South by Southwest Film Festival, and to say that it was well-received would be a serious understatement. I had the chance to speak with Joss and Drew (as well as some of the cast) with a roomful of other journalists two days after the premiere. Here are some highlights from the roundtable chat, although because of the secretive nature of the film’s story, beware that spoilers may follow.

Joss Whedon on whether making a horror movie was the next natural step for a filmmaker with a habit of killing off his characters.

We like killing characters, but I think we’re ready to step it up and kill actual people. (Laughs) I do not look forward to killing people. I love the people. The point of this movie, I think to a large extent… was definitely about the idea that people are not expendable, and that as a culture and for our own entertainment we assume that they are. Although I absolutely love horror movies and always have, I love the most when I really, really care about the people in dire trouble.

With the exception of “Alien,” I think… It’s not that I don’t care about them; it’s that I was very frightened by that movie because they didn’t care about each other. I didn’t think they were going to band together and fight back. I thought, “These guys would sell each other down the river in a heartbeat.”

Joss Whedon on the inspiration for the story.

The story itself really just sort of popped out. And then because it’s so clearly the kind of thing that we love – which is true horror with a cold eye toward “What is that about?” at the same time as we’re in the thick of it – and then once the idea just sort of came, it was years before we actually sat down and did it. But that was what made it so easy to do when we finally did, because we bandied back and forth… This is an entire movie of “I wish we could.” It’s too raging ids just enjoying themselves for 90 minutes.

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Blu Tuesday: Broken Noses and Battle-Bound Horses

It’s been two weeks since my last column, and although I welcomed the opportunity to catch up on some other work instead, believe me when I say that this isn’t going to become a habit. In fact, the main reason that I failed to write a column last week was because the studios didn’t send out any Blu-rays in time for review. This week’s line-up didn’t exactly make it very easy to get back on track, as it marks the start of what looks to be a slow and lackluster April, but there are still a few noteworthy releases to discuss.

“Chinatown”

It’s pretty hard to believe that Roman Polanski’s “Chinatown” almost went home empty-handed at the 1975 Academy Awards (it ended up winning Best Original Screenplay), because it’s not only one of the best film noirs ever made, but it’s an American classic. Then again, when you take into account that it was going up against “The Godfather: Part II” in almost every category, it doesn’t sound so blasphemous, even if both movies lost major awards to other competition. Perhaps even stranger than its lack of Oscar love, however, is how long it took for “Chinatown” to finally be released on Blu-ray. The movie has hardly aged at all, and it’s only that much more evident while watching the new high-def transfer, which looks absolutely gorgeous. Though it’s hard to discuss the movie without sounding like a broken record, “Chinatown” remains one of Polanski’s finest films and features arguably the best performance of Jack Nicholson’s impressive career. There’s not much more to say. When you’re right, you’re right. And I’m right.

Blu-ray Highlight: Paramount hasn’t included any new bonus material on the Blu-ray release, but when the extras from the previous DVDs are already this good, there’s no need. Though it’s hard to choose just one, the retrospective featurette “Chinatown: An Appreciation” is an engrossing discussion about the movie by industry vets like Steven Soderbergh, Kimberly Pierce, Roger Deakins and James Newton Howard on everything from the script, to Polanski’s shooting method, to its memorable score and much more.

“War Horse”

Based on the children’s novel by Michael Morpurgo and the Tony Award-winning play of the same name, “War Horse” is like a movie from another era – an old-fashioned, Golden Age-style epic in the vein of “Gone with the Wind.” That could be the reason why it didn’t resonate with audiences as much as expected, but it likely has more to do with the fact that, despite having the makings of a real tearjerker, the movie lacks emotional punch. Though the various segments depicting Joey’s journey through war-torn Europe are enjoyable (particularly one involving enemy soldiers who must work together to free the horse from an entanglement of barbed wire), the core relationship between Joey and farmhand Albert is handled so poorly that you never really care about their fates. The movie will probably age a lot better than many of last year’s other Best Picture nominees, but I still fear that “War Horse” was made about 50 years too late.

Blu-ray Highlight: I didn’t receive a review copy in time, but after doing some digging around online, it sounds like the Blu-ray release has a number of good extras, including an hour-long making-of featurette that spans from pre-production to the wrap party.

Coming Soon: A Moviegoer’s Guide to April

With the summer movie season just around the corner, Hollywood is gearing up for what promises to be its most exciting slate of films in a long time by heading into the blockbuster-filled madness of May on a high note. This month has something for just about everyone, including several promising comedies, an innovative horror film with “Scream”-sized potential, and a new movie from action guru Luc Besson. It may not compare to what this summer has to offer, but it’s better than the doldrums of winter.

“AMERICAN REUNION”

Who: Jason Biggs, Alyson Hannigan, Seann William Scott and Eugene Levy
What: The gang is reunited in East Great Falls, Michigan for their high school reunion.
When: April 6th
Why: I’ve been a fan of the “American Pie” series (not including those terrible direct-to-DVD spinoffs, of course) since the original film was released back in 1999. It’s a purely generational thing; when the characters are having the same major life experiences as most people your age, it makes them easy to relate to. The movies also happen to be pretty entertaining in a guilty pleasure kind of way, and it’ll be great to see the whole cast reunited for the first time since they all went their separate ways to become big movie stars. Though that didn’t exactly work out for any of them (Alyson Hannigan and Seann William Scott are arguably the most successful of the bunch), as long as their chemistry is still intact, “American Reunion” should be a fun trip down memory lane.

“COMIC-CON: EPISODE IV – A FAN’S HOPE”

Who: Chuck Rozanski, Holly Conrad, Eric Henson, Anthony Calderon and Skip Harvey
What: A behind-the-scenes look at the fans who gather by the thousands each year in San Diego, California to attend Comic-Con.
When: April 6th
Why: It’s actually quite surprising that no one has thought to make a documentary about Comic-Con until now, because although it’s not really a hard-hitting subject matter, it already has a built-in audience that continues to grow every year. Morgan Spurlock isn’t the first person you’d think of to direct a documentary about the popular geek Mecca, but he’s wisely chosen to stay out of the spotlight this time around, instead opting to focus on the lives of five attendees (including a toy collector, an aspiring artist and a costume designer) who have traveled to the annual convention for various reasons. And with guys like Stan Lee, Joss Whedon and Kevin Smith all involved in some form, Spurlock’s latest doc has the makings to be the perfect love letter to comic book geeks everywhere.

“THE CABIN IN THE WOODS”

Who: Kristen Connolly, Chris Hemsworth, Richard Jenkins and Bradley Whitford
What: Five friends head to a remote cabin in the woods for the weekend where they get more than they bargained for.
When: April 13th
Why: I’ve had the good fortune to see Drew Goddard’s “The Cabin in the Woods” twice now, and it’s every bit as original and entertaining as you’d expect for a movie co-written by Joss Whedon. This is one of those films that you need to go into knowing as little as possible, so while the trailer has been provided below, I’d recommend that you don’t watch it in order to avoid spoiling anything. It may look like just your average slasher flick on paper, but the movie has a few tricks up its sleeves. Fueled by a great script that not only defies most horror conventions, but does so with tongue firmly planted in cheek, “The Cabin in the Woods” is either going to be the movie that everyone can’t stop talking about, or that no one goes to see. Do your part and make sure it’s the former.

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2012 SXSW Film Festival Recap

If you’ve never been down to Austin, Texas for South by Southwest (whether it’s for the music and film festivals or the interactive conference), it’s something that you need to experience at least once, because the city exudes a vibrant and welcoming energy that makes it very hard not to have a good time. This year marked my third consecutive trip to the SXSW film festival, and though my virgin voyage was a bit of a baptism by fire, I was practically oozing the confidence of a grizzled veteran this time around. I knew exactly what to pack, how to plan and what to expect when I got there.

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Blu Tuesday: Teenage Violence, Muppets and More

First things first: I was in Austin last week for the SXSW film festival and was unable to put together a column in advance of my trip. But there were so many great Blu-rays released that it didn’t feel right to completely ignore them, so be sure to check out “The Descendants,” “Young Adult,” and if you’re a fan of Steven Spielberg, “The Adventures of Tintin” if you haven’t already. With that said, however, this week’s offerings are even better, including several Oscar nominees and one of the coolest cult films ever made.

“Battle Royale”

If you’ve never seen Kinji Fukasaku’s Japanese cult hit “Battle Royale,” then it’s something you should remedy as soon as possible, preferably before heading to theaters this weekend to check out “The Hunger Games.” Originally deemed too controversial to be released in the U.S. (partially due to the Columbine killings that occurred the same year), the movie is finally getting an official Blu-ray release through Anchor Bay in a blatant attempt at cashing in on the “Hunger Games” media frenzy. And why not? Suzanne Collins’ bestselling trilogy may not be a total rip-off, but there are still a number of similarities that can’t be ignored. Though the books aren’t nearly as brutal in their depiction of violence as it is in Fukasaku’s movie, that’s what makes “Battle Royale” so effective. It’s more twisted, more exploitative and much bloodier, but it’s also a great commentary on how desensitized society has become to violence. Plus, it features one of the most entertaining Beat Takishi roles of his career, and that alone makes it worth watching.

Blu-ray Highlight: Although all of the extras are incredibly dated (ported over from the numerous DVD editions), they’re still worth flipping through if you haven’t seen them before. The real highlight, though, is the four-disc box set itself, which includes two versions of “Battle Royale” (the theatrical cut and a director’s cut with additional scenes that were filmed after the movie’s initial release), a copy of the subpar sequel, and an entire disc of bonus material (albeit on DVD). Additionally, it comes housed in some killer packaging that resembles a hardcover book. In other words, it was worth the wait.

“The Muppets”

It’s hard to believe that it took this long for Kermit the Frog and Co. to make their return to the big screen, because although the Muppets property had been clearly suffering creatively by the time “Muppets from Space” was released, all it needed was someone from the outside to remind everyone why they fell in love with these characters in the first place. Kudos to Disney, then, for having the prudence to hire Jason Segel and Nicholas Stoller to write a movie that would introduce The Muppets to a whole other generation of fans while still preserving what makes them so timeless. The movie has just about everything you could want, including jokes that appeal to both kids and adults, some fantastic original music (courtesy of Flight of the Conchords member Bret McKenzie), and a brand new Muppet that fits right in with the rest of the colorful cast. The human cast isn’t too shabby either, but it’s called “The Muppets” for a reason: they’re the real stars, and let’s hope no one forgets it this time around.

Blu-ray Highlight: There are a number of great extras to choose from (including one of the funnier blooper reels and a cool feature called Disney Intermission where the Muppets perform short gags and tease other bonus material whenever you pause the movie), but the commentary with director James Bobin and co-writers Jason Segel and Nicholas Stoller is too much fun to ignore. Though they stray off topic a little too often, it’s a thoroughly entertaining commentary track that adult Muppet fans will really enjoy.

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