Month: July 2016 (Page 4 of 9)

Drink of the Week: Warday’s Cocktail

Warday's CocktailYou may wonder how I go about picking out the drinks here at DOTW. A lot of the time, it has something to do with what I’ve got laying around the palatial North Hollywood premises of Drink of the Week Manor. Occasionally, I look at the calendar, and sometimes, I simply stumble over something at random.

At times, though, my own life enters the picture to some extent. For example, I am actually writing these words while shoehorned into a Hawaiian Airlines jet and, guess what, last week’s drink was as well.

By the time you read this, however, I will be firmly in place at my annual geekboy retreat to Comic-Con and, so, the name “Warday’s Cocktail” leaped out at me from the pages of, once again, “The Savoy Cocktail Book.” Now, it occurred to me later that Warday is probably just some guy’s name, but right then, “Warday” seemed redolent of Silver Age Jack Kirby and Jim Starlin creations for both DC and Marvel. Also, the ingredients are mighty provocative.

Then, the daily news stepped in with events to dark too discuss within the confines of a cocktail blog. Best to just go with the idea that Warday was probably just the name of some enterprising bartender of the prohibition age or prior.

Moving rapidly along, while you could definitely argue that the name of today’s drink is in questionable judgment, the taste of this week’s drink is, at the very least, respectable and worth investigating. It definitely makes for an interesting combo and, I’m here to tell you that it can be just the thing after the end of a truly disturbing day or week.

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Movie Review: “Lights Out”

Starring
Teresa Palmer, Gabriel Bateman, Maria Bello, Alexander DiPersia
Director
David F. Sandberg

Had “Lights Out” been released after “The Ring,” it might be considered one of the all-time greats of supernatural horror. It has a genuinely creepy (if slight) premise, courtesy of a relentless, unstoppable villain, and several blood-chilling scenes. The film’s biggest problem is that it doesn’t trust its stuff, falling for the cliché trick of needlessly filling the score with crashing, ‘Boo!’ punches of percussion when the movie was already perfectly scary. Director David F. Sandberg would have been wise to take a page from executive producer James Wan’s “Conjuring” films and let the camera do the talking, rather than the score.

Martin (Gabriel Bateman) is concerned for his mother Sophie (Maria Bello). He hears her talking to herself at night, and one night, he sees something frightening that he cannot understand. Martin begins falling asleep at school, since he refuses to sleep at night. When Sophie doesn’t answer calls from Child Protective Services after Martin has fallen asleep for the third time in a week, Martin’s adult half-sister Rebecca (Teresa Palmer) picks him up. When Martin tells Rebecca about Sophie’s friend Diana, Rebecca stops in her tracks. Diana was a girl that befriended Sophie when both were under psychiatric care as teenagers. Diana died during an unconventional treatment called light therapy, and in death, she has latched on to Sophie, moving in the darkness. (Rebecca saw Diana as a child too, but no one believed her.) As Martin and Rebecca learn more about Diana, the more aggressive Diana fights to keep Sophie to herself.

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