Month: March 2015 (Page 7 of 8)

Blu Tuesday: Night at the Museum and R100

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“NIght at the Musem: Secret of the Tomb”

WHAT: When the tablet of Ahkmenrah begins to erode, causing the exhibits at the Museum of Natural History to act strangely when they come to life, Larry (Ben Stiller) and his son, Nick (Skyler Gisondo), travel to London to consult Ahkmenrah’s parents at the British Museum about how to fix the tablet before it loses its power forever.

WHY: If there’s one good thing to come out of “Night at the Museum: Secret of the Tomb,” it’s that it marks the end of the adventure-comedy franchise. While the first movie was based on a fairly clever idea that sadly never rose above its broad humor and ridiculous plotting, the first sequel lacked any originality whatsoever, recycling the same jokes and moving the action to a different location to justify the introduction of new characters. “Secret of the Tomb” is basically the exact same movie, but whereas “Battle of the Smithsonian” at least benefitted from the addition of Amy Adams to the cast, the third installment is stuck with the usually charming Dan Stevens playing the utterly annoying Sir Lancelot. (And if you’re wondering what a fictional character is even doing in a museum, it just goes to show how little thought goes into the making of these films.) The “Night at the Museum” movies are kiddie fare, plain and simple, but just because they’re targeted towards children doesn’t mean that they can’t be intelligent, funny or exciting. “Secret of the Tomb” is none of these things, which makes you wonder how it managed to attract the talent that it did.

EXTRAS: In addition to an audio commentary by director Shawn Levy, there are seven featurettes covering things like visuals effects, stunt choreography and comedic shenanigans on the set, as well as seven deleted/extended scenes.

FINAL VERDICT: SKIP

“R100”

WHAT: Lonely furniture salesman Takafumi Katayama (Nao Ohmori) enlists the services of a secret BDSM club that specializes in guerilla acts of public punishment and humiliation. But when one of the dominatrices is killed during a surprise house call, Takafumi must face off against an army of leather-clad women in order to protect his family.

WHY: Proving that there’s no such thing as “too weird” in Japanese cinema, director Hitoshi Matsumoto’s “R100” is a symphony of oddity that doesn’t push the envelope so much as test the viewer’s patience about what exactly they’re watching. A meta-comedy satirizing Japan’s film rating system (in which an R18 is equivalent to the MPAA’s NC-17), the movie proposes that it’s so far out there only people over the age of 100 can fully appreciate its contents. The truth is that “R100” isn’t nearly as risqué as it would like you to believe. Despite the unique premise, Matsumoto doesn’t do enough interesting things with it to warrant a full-length feature, and with the exception of a few elements – including the comical irony of casting “Ichi the Killer” star Nao Ohmori in the lead role (bringing the sadist-masochist relationship full circle) – it’s never as funny as it promises, either. Fans of Matsumoto’s past films (“Big Man Japan,” “Symbol”) and this type of gonzo filmmaking in general will no doubt enjoy his latest effort, but don’t go digging for a deeper artistic meaning, because “R100” is merely weird for the sake of being weird. Nothing more, nothing less.

EXTRAS: There’s an included booklet featuring a short interview with actress Lindsay Kay Hayward, but sadly, that’s the extent of the bonus material.

FINAL VERDICT: SKIP

Car Review: 2015 Lexus GX 460

2015 Lexus GX 460 a

The Lexus GX is a midsize, luxury SUV that probably qualifies for the “dream car” list for soccer moms all across the country. We had one of those soccer moms as one of our team of test drivers, and she certainly loved this vehicle. The rest of the team was pretty happy with it as well. And what’s not to like? It’s big and comfortable and loaded with the modern luxuries we all love in our new cars.

But it’s also a traditional SUV with body-on-frame construction, a standard V8 engine, a 4WD system and advanced dynamic control technologies. So if you’re looking for a luxury vehicle that can do more than pick up the kids and groceries, the GX offers an excellent option.

Continue reading »

Drink of the Week: The Cru-Zen

the Cru-Zen.People keep sending me free bottles of booze and recipes to go with them, and I keep noting that many of the cocktails developed to promote liquor brands are extremely good…all the better to market the product, after all. I just wish I could tell you the name of the genius who came up with this week’s drink, because I think it’s really superb.

Yes, it features egg white, which never hurts with me, but it’s also introduces some other new ingredients, including bianco (white) vermouth, a product I’ve often seen at my area’s big box liquor stores but which I’ve only just now tried. As the immortal Mr. Spock might have said if he could ever get beyond his Saurian brandy, it’s fascinating stuff and deserves to be featured in a lot more cocktails. Expecting me to be working on that in coming weeks.

Moving on, this week’s sponsor-booze is Cruzan Aged Light Rum, an extremely decent mixing rum with a nicely low price point that’s very comparable to the somewhat less complex nationally known light rums. It’s a bit less dry than some of its competitors, with definite hints of vanilla and maybe some extra alcoholic burn. It therefore arguably makes an excellent base spirit foil for an otherwise gentle drink.

I honestly think the Cru-Zen has the right stuff to become a new cocktail classic for sophisticated sippers seeking out a truly balanced beverage. It’s a thoughtful, more sweet than sour mixture that’s at least as worth contemplating as the sound of one hand clapping.

The Cru-Zen

1 1/2 ounces light rum
1/2 ounce bianco vermouth
1/2 ounce chamomile syrup (see the instructions below)
1/2 ounce fresh lemon juice
1 egg white
1-2 dashes of bitters

Before we can started, a word about that chamomile syrup. I usually strictly avoid any drink that demands I make my own syrup. I like to keep things simple because I don’t want to scare readers away from making these drinks, and also because I’m lazy myself. Still, I broke my own rule because this drink sounded great (I was right) and the camomile syrup is ridiculously easy to make. You just submerge a single pure chamomile teabag in four ounces of boiling water for five minutes, as if you’re making a double strength cup of herb tea. Next, you add four ounces (half a cup) of sugar, stirred a little bit, and voila, syrup…though you probably want to stick it in the fridge for a little bit before actually using it.

Okay, so to make our Cru-Zen, we combine our syrup, rum, and all the other liquid ingredients including egg white. (If you’re using pasteurized commercial egg white, like I generally do, use three tablespoons to approximate one large egg, sans yolk.) First, “dry” shake it without ice, as always being careful to prevent messy explosions powered — I think — by the albumin in egg white. Then, add your ice and shake again very vigorously for about ten seconds.

Next, double strain it into a well chilled cocktail coupe or regular style martini glass. By “double strain” I mean simply running the liquid through a regular fine mesh strainer as well as the standard cocktail strainer to remove any stray lemon juice pulp. You should wind up with a very nice head foam on top. Finally, add one or two drops of aromatic bitters — Angostura works beautifully here — as a garnish, exactly as you would when making a Pisco Sour. You can toast your favorite zen master or public school teacher, you’ll be in a good mood regardless.

***

Lest there be any confusion, I think this is a really amazing drink and a rather sturdy one as well. It was designed for the more flavor-heavy Cruzan rum, but I tried it with an extremely well known, plainer but smoother brand X white rum, and the result was almost equally delightful. I would, however, counsel anyone to stick to the instruction regarding the double straining.

I was initially skeptical that it was necessary to strain out the near-microscopic bits of lemon pulp that might end up in single-strained version of the Cru-Zen, but then I tried eschewing the additional strainer, and the result wasn’t nearly as good. Apparently, the pulp emphasized the lemon notes and drowned out a number of other flavors.

Also, it’s crucial not to get confused here about what bianco vermouth, sometimes called white vermouth, actually is. The dry vermouth you should use in your martini might also be white, but it’s not bianco. It is actually even sweeter than ordinary red sweet vermouth. Since this was my first bianco experience, I decided to go with the ultimate default brand of Martini and Rossi.

I tend to think of Martini as being a good but basic brand, but I nevertheless found it to be a full bodied product; it’s not surprising to find out that bianco vermouths are hugely popular in Europe, drunk on the rocks with maybe a lemon twist or with carbonated water as a spritzer. A good portion of the really subtle, you might even say zen, aspects of this drink have to do with the many floral flavor notes you’ll find in this product. It’s a beverage I plan to explore further, for sure.

 

Movie Review: “Chappie”

Starring
Sharlto Copley, Dev Patel, Hugh Jackman, Sigourney Weaver, Ninja, Yo-Landi Visser, Jose Pablo Cantillo
Director
Neill Blomkamp

There’s still reason to be hopeful about 20th Century Fox’s decision to hand the reigns of the next “Alien” movie to Neill Blomkamp, but the bloom is likely to be off the rose for a lot of sci-fi fans after they take a gander at “Chappie,” which continues Blomkamp’s series of declining returns after the disappointing “Elysium.”

It is in no way surprising that among the first words uttered by an audience member upon the conclusion of the advance screening of “Chappie” involved the phrase “if ‘Robocop’ and ‘Short Circuit’ had a baby.” After all, the film – co-written by Blomkamp and his wife, Terri Tachell – takes place in the not-too-distant future and revolves around the decision by the city of Johannesburg, South Africa to adopt a partially robotic police force. These aren’t cyborgs, a la the officer formerly known as Alex Murphy: they’re 100% robot, designed by programmer extraordinaire Deon Wilson (Dev Patel). Despite what he’s already achieved in his field, Wilson continues to strive for a greater breakthrough, focusing his sights on the goal of cracking the consciousness code, as it were, and creating the first sentient robot.

As you might expect, Wilson achieves this goal in short order, but his boss (played by Sigourney Weaver) isn’t wooed by his pitch to experiment with his consciousness program on a damaged robot marked for destruction and denies his request. Now, in fairness, his pitch is really, really terrible. Who goes to the head of a company that makes police robots and starts off by mentioning that one of the benefits of sentience is that a robot can judge the merits of art and write its own poetry? But as you might also expect, her denial in no way stops him from deciding to swipe the deactivated robot and do his experiment anyway.

Continue reading »

Movie Review: “Unfinished Business”

Starring
Vince Vaughn, Tom Wilkinson, Dave Franco, Sienna Miller, James Marsden
Director
Ken Scott

Ken Scott, the filmmaker behind “Starbuck” and its Hollywood remake, “Delivery Man,” has reunited with Vince Vaughn, the lead from his bland 2013 film, for another project. The idea of the director and star of that comedy teaming up again isn’t exactly enticing, and neither is the final result, because once again, the duo has failed to deliver with “Unfinished Business.”

Vaughn stars as Daniel Trunkman, a salesman who quits his unsatisfying job and goes off to start his own business. What does Trunkman sell for a living? A product so boring that it’s hardly ever mentioned in the film, and when it is, Trunkman only comments on how dull the merchandise is. Trunkman only has two employees, Timothy McWinters (Tom Wilkinson) and Mike Pancake (Dave Franco), an odd but satisfying pairing responsible for most of the film’s scarce laughs. The small company is in serious need of a sale, so when a financially promising opportunity rises, the boss and his employees will stop at nothing to close the potential deal. Their work brings them to Berlin, where they’ll have to compete against Trunkman’s old boss, Charlie (Sienna Miller), for the sale.

While “Unfinished Business” initially looks to be an ensemble comedy, it mostly rests on the shoulders of its biggest star, which is a shame. Vaughn isn’t an actor that pushes himself to new places. He has a comedic persona which he rarely strays from, often playing straight shooters with a motormouth, and that’s the character he plays once again in Scott’s film. Every comic note Vaughn hits is stale and expected. There’s nothing fresh about his style or approach anymore; it’s tired and outdated. As for Wilkinson and Franco, they’re far more energetic and engaged than their co-star.

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑