Month: January 2015 (Page 6 of 9)

Movie Review: “The Wedding Ringer”

Starring
Kevin Hart, Josh Gad, Kaley Cuoco-Sweeting, Alan Ritchson, Olivia Thirlby
Director
Jeremy Garelick

The premise for “The Wedding Ringer” has a blind spot the size of Texas. If someone were to actually do what Kevin Hart’s character does here, it would not be long before they ran into one of their former clients’ spouses, or a girl they hooked up with after the reception, or a family member of the wedding party (you get the idea), while pretending to be the new character. Not to mention, the movie wrings laughs out of a scenario where men spin a hideous web of lies to their wives-to-be as a means of impressing them, which is the worst possible way to start a marriage. It’s a house of cards, with a near-zero level of plausibility, and yet, “The Wedding Ringer” works in spite of all of these things. Hart and Josh Gad have great chemistry, the script is surprisingly smart for such a broad comedy (they don’t stoop to making the supporting characters dunces in order for the plot to work), and there is an underdog mentality to it that is intoxicating.

Doug Harris (Gad) has a problem. He’s about to get married to out-of-his-league Gretchen (Kaley Cuoco-Sweeting), but he doesn’t have any friends, and therefore no best man or groomsmen. The wedding planner sniffs this out (Gretchen, conveniently, is still in the dark about this), and suggests that Doug meet Jimmy Callahan (Hart), who runs a business providing services for men who need a best man. Doug, however, doesn’t just need a best man: he needs a best man and a whopping seven groomsmen, something Jimmy has joked about but never executed before. The groomsmen Jimmy recruits are less than ideal, but Doug goes along with it given the circumstances. As Doug and Jimmy get to know each other – Jimmy has a strict ‘This is a business arrangement, and we are not friends’ policy – and as Gretchen’s family gets to know Jimmy, lines get blurred.

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Movie Review: “Blackhat”

Starring
Chris Hemsworth, Wei Tang, Viola Davis, John Ortiz, Ritchie Coster
Director
Michael Mann

It’s been six years since Michael Mann’s last film (“Public Enemies”), and more than a decade since his last good one (“Collateral”), so it’s not very surprising that his newest movie doesn’t buck the trend, especially after Universal condemned it to a January release date. Mann is a director who not only seems wildly out of touch, but has come to care more about the look of his films than what they’re trying to say. To be fair, when the camera isn’t shaking around like it’s in the middle of an earthquake, “Blackhat” boasts some really gorgeous visuals, particularly the neon-drenched nighttime scenes. It’s just a shame that the story hasn’t been given the same attention, because while “Blackhat” is no worse than your standard Hollywood action-thriller, it would have been a lot more interesting to see Mann take a big risk and fail than to settle for such a safe, middling paycheck movie like this.

After a malicious hacker, or blackhat, causes a meltdown at a nuclear reactor in China and makes millions on the stock market by driving up the price of soy, FBI agent Carol Barrett (Viola Davis) is ordered to work with Chinese cyber-specialist Chen Dawai (Wang Leehom) to track down the person responsible. Chen notices that part of the computer code used in the attacks was co-written by him as a student at MIT, so he convinces the U.S. government to make a deal with the program’s lead architect, imprisoned hacker Nicholas Hathaway (Chris Hemsworth), in exchange for his help. Desperate to stop the elusive blackhat before the next attack, the FBI agrees to Hathaway’s demands, but when the investigation hits a dead end, he must decide between going back to prison and doing something illegal that, while it would keep the hunt alive, will land him in even more trouble if caught.

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Car Review: 2015 Toyota RAV4 XLE

2015 Toyota RAV4 red

The Toyota RAV4 was the first compact crossover SUV, debuting over 20 years ago. This popular vehicle is now on its fourth generation in a very crowded and growing segment. We tested the XLE model with the Dynamic Torque Control All-Wheel Drive system.

Over the years, the look of the RAV4 has evolved considerably, as it now sports more of a lower, car-like stance. This sleeker design is becoming more common in this category, and we suspect many buyers will use design as a differentiator in making their decision.

One of the reasons the compact crossover segment is growing has to do with the roominess you get for a smaller vehicle. Like others in this segment, the RAV4 comfortably seats five adults, and we filled up the vehicle several times during our test. It also has plenty of cargo capacity with 38.4 cubic feet behind the rear seats. With the 60/40 split rear seats folded, the space expands to 73.4 cubic feet. This practical feature plus the roominess for passengers in a smaller, affordable vehicle makes the RAV4 and other options in this segment irresistible to many buyers.

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Blu Tuesday: Gone Girl and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Gone Girl”

WHAT: When his wife (Rosamund Pike) disappears under mysterious circumstances, Nick Dunne (Ben Affleck) becomes the prime suspect in the investigation. But while the media and townspeople are quick to vilify him, Detective Rhonda Boney (Kim Dickens) senses that something isn’t quite right with the case.

WHY: It’s hard to imagine watching a film like “Gone Girl” having already read the Gillian Flynn novel on which it’s based, because the movie is a strikingly bold and unique murder mystery that hinges on the shock-and-awe nature of its dark, twisted story. You’d be hard-pressed to find a director more suitable for the material than David Fincher, and he handles the he-said/she-said dual narratives with razor-sharp precision. Ben Affleck and Rosamund Pike deliver excellent performances as the two leads (Pike, in particular, is sure to see her career skyrocket as a result), while supporting actors like Carrie Coon, Kim Dickens, and yes, even Tyler Perry, are all perfectly cast in their respective roles. That’s to the credit of Fincher as well, who makes even the strangest casting choices (like Perry and Neil Patrick Harris) seem like no-brainers in hindsight. Though the movie is a bit overlong and the ending feels rushed compared to the slow-burning first act, “Gone Girl” is the kind of the movie that you won’t soon forget. It’s not Fincher’s best work, but it’s an engrossing and clever thriller that will make you want to rush out and read Flynn’s novel the minute it’s over.

EXTRAS: There’s an audio commentary by director David Fincher and an Amazing Amy book titled “Tattle Tale.”

FINAL VERDICT: BUY

“Men, Women & Children”

WHAT: A collection of intersecting stories about the dangers of the internet, including a middle-aged schlub (Adam Sandler) whose wife (Rosemary DeWitt) cheats on him using a dating website; a former star quarterback (Ansel Elgort) who’s coping with his mother’s desertion through an online role-playing game; a high school cheerleader (Olivia Crocicchia) who posts provocative photos to her modeling site; and a mother (Jennifer Garner) so obsessed with keeping her daughter (Kaitlyn Dever) safe that she tracks her online activity.

WHY: “Men, Women & Children” might as well have come with the subtitle, “Or Why the Internet is Really Bad,” because that’s pretty much the message that Jason Reitman is preaching in his latest film, an enjoyable but flawed drama about communication in the digital age. Of course, this isn’t the first time that the topic has been broached before. The little-seen 2012 drama “Disconnect” tackled similar material in its exploration of the muddled lines between reality and identity on the internet, and that film did a better job, partly because it had fewer storylines to juggle. Reitman handles the interconnected narrative remarkably well, but while “Men, Women & Children” has some interesting things to say, it doesn’t reveal anything that most people with a basic knowledge of the internet didn’t already know. Yes, going online can be dangerous, but there are plenty of beneficial things about it as well, and Reitman seems afraid to touch upon those aspects in fear that it will dilute his message. Is it a little heavy-handed and melodramatic as a result? You bet, but there’s enough good in the film – or at least good intentions – that it’s able to hold your interest even when it’s not firing on all cylinders.

EXTRAS: There are five deleted scenes (including an additional storyline), as well as a short behind-the-scenes featurette and interviews with director Jason Reitman and the cast about the effect of technology on our lives.

FINAL VERDICT: RENT

“Revenge of the Green Dragons”

WHAT: Set in New York City during the late 1980s and early 90s, two Chinese immigrants (Justin Chon and Kevin Wu) are pressured into joining the Green Dragons gang, quickly moving up the ranks as the organization gains notoriety within the community.

WHY: With “Infernal Affairs” director Andrew Lau behind the camera, and Martin Scorsese serving as an executive producer, you’d be forgiven for thinking that “Revenge of the Green Dragons” might actually be decent. Instead, it’s a cliché-ridden gangster film posing as a sprawling crime saga that’s plagued by a lack of character development, unintentionally funny dialogue (sample line: “There’s a storm coming, and I don’t know of any umbrella that can keep the city dry.”), and cheesy guitar riffs that, while they certainly belong to the era, only add to the comedy. One of the big selling points of the movie is that it’s supposedly inspired by real-life events, but the historical bits are shoved to the background in favor of the more generic story involving Chon and Wu’s characters. Neither actor is very good, but Harry Shum, Jr. (“Glee”) takes the cake as the gang’s business-minded boss, whose performance comes across like a low-rate Bruce Lee impersonator. Though Ray Liotta’s appearance as the FBI agent investigating the Green Dragons is meant to lend some credibility to the film, it does the complete opposite, while the last-minute twist reeks so bad of desperation that it’s as if Lau is trying to recapture the success of “Infernal Affairs” for American audiences. The only problem is that Scorsese already beat him to the punch.

EXTRAS: There’s an audio commentary by directors Andrew Lau and Andrew Loo, a trio of production featurettes and some deleted scenes.

FINAL VERDICT: SKIP

For Him and Her: Healthy Ways Couples Can Boost Fertility

couple kissing under blankets

You want to have a baby, but the problem is that it’s not like going to the grocery store and popping some cookies into the cart. Isle 3 – babies. If only it were that easy. And, while many women don’t have serious problems getting pregnant, some women do. Having a baby, for some women, is an almost impossible task. Fortunately, there are solutions that are proven and fairly reliable.

Maintain Normal Weight

Maintaining a normal weight is essential for getting pregnant. If you’re overweight, or even slightly underweight, having a baby can be difficult or impossible. Being underweight isn’t as obvious, but it’s a common phenomenon these days due to the skewed perception that “skinny is beautiful.” Some women overdo it, and in the process they’re starving their bodies of the nutrients that are necessary for a normal pregnancy.

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