Month: September 2014 (Page 12 of 12)

Bullz-Eye interviews New York Giants linebacker Jon Beason for Duracell

duracell-quantum-jon-beason-taye-diggs

New York Giants’ Jon Beason, left, demonstrates the communication devices that are powered by Duracell Quantum batteries to actor Taye Diggs at MetLife Stadium on Aug. 27, 2014 in E. Rutherford, N.J. (Photo by Mark VonHolden/Invision for Duracell)

New York Giants All-Pro middle linebacker Jon Beason hung out at MetLife Stadium (with Taye Diggs in tow) last week and explained to a throng of dudes how Duracell’s Quantum batteries power the NFL. We were part of that gaggle of dudes.

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Blu Tuesday: Draft Day, They Came Together and Night Moves

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Draft Day”

WHAT: After taking over for his father as general manager of the Cleveland Browns, Sonny Weaver Jr. (Kevin Costner) finally has the chance to craft the team in his image when he trades for the number one pick in the NFL Draft. But while the Browns’ owner (Frank Langella) expects him to make the obvious choice, Sonny must decide what he’s willing to sacrifice in order to do what he thinks is best for the team.

WHY: In a strange case of life imitating art, Cleveland Browns fans experienced déjà vu when their team’s actual 2014 NFL Draft ended up being just as eventful as the film version, including the shocking fate of poster boy Johnny Manziel, who was drafted (by the Browns, no less) much later than anyone projected. For all the excitement of that night, however, Ivan Reitman’s “Draft Day” manages to make the stakes seem even higher by ramping up the tension with slickly edited sequences of Sonny striking deals with fellow GMs while he plans the next move with his inner circle. It takes split-screens to a whole other level, and though you’ll likely be sick of them when it’s over, the material would be much duller without the flashy tricks that Reitman employs. While not quite on the same level as “Moneyball,” “Draft Day” offers a similar look at the behind-the-scenes minutiae involved in running a professional sports team, and frankly, that’s far more interesting than watching the same old sports clichés play out for the millionth time. That’s not to say that the movie is any better than the typical underdog sports drama, but it’s a refreshing change of pace for Kevin Costner and the genre itself.

EXTRAS: The Blu-ray includes an audio commentary by writers Rajiv Joseph and Scott Rothman, a pair of featurettes and some deleted scenes.

FINAL VERDICT: RENT

“They Came Together”

WHAT: While out to dinner with their two friends, Joel (Paul Rudd) and Molly (Amy Poehler) recount the story of how they met and fell in love – an extraordinarily cheesy romance that sounds like the plot of a romantic comedy film.

WHY: David Wain’s latest movie may seem clever in theory, but while he’s clearly watched enough romantic comedies to recognize the various genre tropes begging to be satirized (and not just satirized, but completely skewered in some cases), he doesn’t do very much with the material. It’s almost too wacky for its own good, and though there are some good gags and a great cameo along the way, the joke wears thin after 15 minutes, especially when you realize that Wain is basically just pointing out rom-com clichés without delivering much of a punchline. “They Came Together” would work just fine as a sketch or trailer parody, but as a full-length feature, it starts to resort to the very conventions that it’s trying to send up. Paul Rudd and Amy Poehler appear totally game for whatever goofiness is thrown their way, but they’re so much better than this, as is a majority of the talent involved. Fans of Wain’s previous work (like “The State” and “Wet Hot American Summer”) will find more to enjoy than the typical moviegoer, but even those people will probably agree that “They Came Together” isn’t nearly as funny as it should have been.

EXTRAS: There’s an audio commentary by director/co-writer David Wain and co-writer Michael Showalter, a making-of featurette, deleted scenes and a table read from 2012’s San Francisco Sketchfest.

FINAL VERDICT: SKIP

“Night Moves”

WHAT: Three radical environmentalists (Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard) plot to blow up a hydroelectric dam in order to raise awareness. But when the mission doesn’t go according to plan, the eco-terrorists deal with the repercussions in their own ways, causing paranoia within the group.

WHY: Director Kelly Reichardt is best known for pensive, slow-moving dramas like “Wendy & Lucy” and “Meek’s Cutoff,” which is a big reason why I’ve stayed away from her films until now. But while “Night Moves” takes a very similar approach, the three leads deliver such great work that it doesn’t feel nearly as laborious to sit through as its minimalistic plot would suggest. In fact, that lack of complexity (at least from a narrative standpoint) actually works in its favor, because it allows Reichardt to really ratchet up the tension by stretching out seemingly simple tasks into nail-biting affairs as the trio plans and executes their mission. Unfortunately, while the first hour succeeds in building suspense, the payoff in the subsequent half – turning its focus to the fallout and the characters’ guilty consciences when they learn that an innocent camper may have died in the explosion – isn’t nearly as engaging. It’s a much stronger examination of the whole ecoterrorism movement than the likeminded “The East,” but it starts to come unraveled in the final 20 minutes when it shifts from thriller to horror, concluding with a quasi-ending that’s more irritating than thought-provoking.

EXTRAS: Nothing. Nada. Zilch.

FINAL VERDICT: RENT

Male Grooming: Everything the Modern Man Needs to Know

barber comb and scissors

There are hundreds of guides to female grooming, but the modern man can be left scratching his head about how to approach the fine art of male grooming. Here is everything you’ve always wanted to know about each of the key areas that you need to groom, including vital information about how much hair to remove and what gadgets you need to use. However, don’t forget that grooming is also a matter of personal preference, and if you have a partner then she might want to have a say in these decisions as well!

Shave your chest in moderation

While hairless chests were once more fashionable, grooming experts now advise that the trend is trimmed chest hair instead. You can decide how much to remove by considering your body type, as heavier men can actually benefit from the slight camouflage provided by a bit more hair. To get an even and attractive look, you’ll need a good quality pair of clippers. Use these clippers to trim all over your chest, moving against the grain to get the right results. If you have sensitive skin, using a moisturising body lotion after shaving can help to dull any redness and minimize potential itching. Finally, consider whether your chest hair will look odd next to your facial hair. While that suggestion might sound strange, a bushy beard next to a shaved chest can be quite jarring, so try your best to match hair length.

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The Great Face Debate: The Best Razor for Shaving

shaving your chin

It’s the first thing people notice, that wonderful personality of yours. No, it’s that close shave or lack thereof. Whether you desire razor-thin cuts or prefer a bit of stubble, you’re part of an ever-going debate regarding whether to use an electric razor, blade, or a mixture of both to achieve desired results.

Blades

The Dollar Shave Club made a splash with their crafty marketing, introducing regular intervals of disposable blade shipping, so guys don’t have to fret about losing their edge when it comes to a close shave. A ‘wet’ shave combines a blade with some sort of aid, whether gel or cream, to get extra close. Some men swear by gels and creams, which usually take off the outer layer of skin for an exfoliating effect.

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